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| タイトル | 著者 | 出版社 | 価格 | 値引率 |
|---|---|---|---|---|
| La fede nel mondo dello Spettacolo - ANDREA RONCATO racconta il suo Natale e la sua fede e ricorda i bei momenti trascorsi in famiglia da bambino | Beppe Amico | Onix editoriale | 0 | 100 |
| Stella Adler | Howard Kissel | Bloomsbury Publishing | 1134 | 75 |
| Staging the Lyric | Sarah Berry/Patrick Lonergan/Kevin J. Wetmore, Jr. | Bloomsbury Publishing | 5338 | 64 |
| The Power of the Actor, Revised and Updated | Ivana Chubbuck | Penguin Publishing Group | 979 | 63 |
| Auditioning | Joanna Merlin | Knopf Doubleday Publishing Group | 979 | 60 |
| The Intent to Live | Larry Moss | Random House Publishing Group | 979 | 59 |
| O avesso do bordado | Mariana Filgueiras/Alceu Chiesorin Nunes | Companhia das Letras | 660 | 59 |
| Acting Naturally | David Thomson | Knopf Doubleday Publishing Group | 815 | 58 |
| The Art of Raising an Artist | Lilia Sixtos | Morgan James Publishing | 800 | 56 |
| Star Power | Sande Shurin | Morgan James Publishing | 800 | 56 |
| The Stanislavski System | Sonia Moore/John Gielgud | Penguin Publishing Group | 979 | 52 |
| Expressive Voice Culture, Including the Emerson System | Jessie Eldridge Southwick/Finnian Chase | Good Press | 150 | 50 |
| Acting as a Business | Brian O'Neil | Knopf Doubleday Publishing Group | 815 | 43 |
| Semi-Well-Adjusted Despite Literally Everything | Alyson Stoner | St. Martin's Publishing Group | 1859 | 37 |
| 100 (monologues) | Eric Bogosian | Theatre Communications Group | 1530 | 33 |
| The Ultimate Scene and Monologue Sourcebook, Updated and Expanded Edition | Clarkson Potter/Ten Speed | 815 | 26 | |
| The Comic Genius of Louis De Funes | Marcus Vert | Mark Green | 500 | 23 |
| Hocus Pocus; or The Whole Art of Legerdemain, in Perfection | Henry Dean/Cassidy Atkinson | Good Press | 300 | 23 |
| Plays for Two | Knopf Doubleday Publishing Group | 815 | 17 | |
| Lugar de circo é na escola | Emanuel Alves Leite | Paco e Littera | 790 | 17 |
| Grupo Decisão | Luiz Campos | Paco e Littera | 790 | 17 |
| Damn Glad to Meet You | Tim Matheson | Grand Central Publishing | 1817 | 16 |
| Lessons in Becoming Myself | Ellen Burstyn | Penguin Publishing Group | 1469 | 15 |
| O campo do filme religioso | Luiz Antonio Vadico | Paco e Littera | 1100 | 15 |
| Waiting in the Wings | Tiffany Haas/Jenna Glatzer | St. Martin's Griffin | 1520 | 14 |
| Stuntwomen | Mollie Gregory | The University Press of Kentucky | 1520 | 14 |
| Working Actor | David Dean Bottrell | Clarkson Potter/Ten Speed | 979 | 14 |
| Seis textos breves para estudantes de teatro | Afonso Nilson | Galáxia | 320 | 14 |
| A persona artística e o mercado de atuação no Brasil | Ciça Castello | Autêntica Editora | 1400 | 13 |
| Cinema & religião | Luiz Antonio Vadico | Paco e Littera | 420 | 13 |
| O bufão e suas artes | José Amâncio Tonezzi Rodrigues Pereira | Paco e Littera | 880 | 12 |
| Bernardet 80 | Ivonete Pinto/Orlando Margarido | Paco e Littera | 660 | 12 |
| Como Construir O Seu Próprio Estúdio De Dublagem | Ian King | Tektime | 993 | 11 |
| Trilogia do Armário | Kauan Amora Nunes | Paco e Littera | 850 | 11 |
| Palhaças na universidade 2 | Ana Wuo/Daiani Brum | Editora UFSM | 680 | 11 |
| Enquanto o tempo não passa | Stella Florence | Galáxia | 400 | 11 |
| Sanford Meisner on Acting | Sanford Meisner/Dennis Longwell | Knopf Doubleday Publishing Group | 2123 | 10 |
| Blueprints To Building Your Own Voice-Over Studio | Ian King | Tektime | 827 | 10 |
| Let's Put On A Show | Stewart F Lane | Broad Book Press | 1444 | 9 |
| Glauber Rocha | Humberto Pereira da Silva | Paco e Littera | 580 | 9 |
| Black Acting Methods | Taylor & Francis | 9258 | 8 | |
| The Complete Idiot's Guide to Amateur Theatricals | John Kenrick | Dorling Kindersley Ltd | 2556 | 7 |
| Nights at a Round Table | Character Actors Dining Society | Crown | 2286 | 7 |
| The Actor's Art and Craft | William Esper/Damon Dimarco | Knopf Doubleday Publishing Group | 2286 | 7 |
| Basic On Stage Guide For Amateur Actors | Lee Mueller | Playedwell LLC | 1484 | 7 |
| Fiori di Bach per cantanti e artisti | Carmen Margherita di Giglio | Nemo Editrice | 880 | 7 |
| Theater in the Middle East | Anthem Press | 5590 | 6 | |
| Starring Tom Cruise | Wayne State University Press | 5204 | 6 | |
| The Ultimate Drama Pot Collection | Joanne Watkinson | Salamander Street Ltd. | 2787 | 6 |
| Conversas sobre atuação | Eraldo Pêra Rizzo | Editora Senac São Paulo | 1500 | 6 |
| The Actor's Road to Hollywood | John Lizzi | John Lizzi | 800 | 6 |
| On the Stage--and Off: The Brief Career of a Would-Be Actor | Jerome K. Jerome | e-artnow | 300 | 6 |
| The Voice: Its Production, Care and Preservation | Frank E. Miller | Good Press | 300 | 6 |
| The Commedia dell'Arte of Flaminio Scala | Bloomsbury Publishing | 15748 | 4 | |
| Smile When the Raindrops Fall | Brian Anthony/Andy Edmonds | Bloomsbury Publishing | 10537 | 4 |
| Bringing the Body to the Stage and Screen | Annette Lust | Bloomsbury Publishing | 10404 | 4 |
| Movement | Theresa Mitchell | Bloomsbury Publishing | 9378 | 4 |
| Ruth Etting | Kenneth Irwin/Charles O. Lloyd | Bloomsbury Publishing | 9247 | 4 |
| The Divine Comic | Carlo Celli | Bloomsbury Publishing | 8451 | 4 |
| Eleanor Parker | Doug McClelland | Bloomsbury Publishing | 8337 | 4 |
| Hollywood's Native Americans | Angela Aleiss | Bloomsbury Publishing | 7963 | 4 |
| Reach for the Top | Anne Sinai | Bloomsbury Publishing | 7178 | 4 |
| Perpetually Cool | Anthony B. Chan | Bloomsbury Publishing | 7178 | 4 |
| Irene Dunne | Wes D. Gehring | Bloomsbury Publishing | 7178 | 4 |
| Jackie Coogan: The World's Boy King | Diana Serra Cary | Bloomsbury Publishing | 6934 | 4 |
| Acting Is Believing | Kenneth L. Stilson | Bloomsbury Publishing | 6808 | 4 |
| Play and Performance | Jim Johnson/Carrie Lobman/Barbara E. O'Neill/Milda Bredikyte/Pentti Hakkarainen/Ruth Harman/Kristen French/Nicole Schectman/Jennifer Knudsen/Sally Bailey/Paul Murray/Christine LaCerva/Christine Helm/Thomas Henricks/Stacy DeZutter/Debora B. Wisneski/Ana Marjanovic-Shane | Bloomsbury Publishing | 6037 | 4 |
| Charlie Chaplin | Georgia Hale | Bloomsbury Publishing | 5788 | 4 |
| The Immortal Marilyn | Frank Tropea/John De Vito | Bloomsbury Publishing | 5442 | 4 |
| Projecting Enthusiasm | Robert T. Tauber | Bloomsbury Publishing | 5394 | 4 |
| Act Like It's Your Business | Jonathan Flom | Bloomsbury Publishing | 5008 | 4 |
| Get the Callback | Jonathan Flom | Bloomsbury Publishing | 4978 | 4 |
| Virtuoso | Professor Murray Pomerance | Bloomsbury Publishing | 4752 | 4 |
| The Comic Offense from Vaudeville to Contemporary Comedy | Rick DesRochers | Bloomsbury Publishing | 4752 | 4 |
| Speak with Distinction | Edith Skinner | Bloomsbury Publishing | 4752 | 4 |
| The Non-Professional Actor | Dr. Catherine O'Rawe | Bloomsbury Publishing | 4622 | 4 |
| The Film Cheat | Professor Murray Pomerance | Bloomsbury Publishing | 4622 | 4 |
| Serious Fun | Ruth Yamamoto | Bloomsbury Publishing | 4496 | 4 |
| The Complete Voice & Speech Workout | Janet Rodgers | Bloomsbury Publishing | 4111 | 4 |
| The Professional Actor's Handbook | Julio Agustin | Bloomsbury Publishing | 3852 | 4 |
| Voice for Performance | Linda Gates | Bloomsbury Publishing | 3852 | 4 |
| Building a Performance | John Basil/Dennis Schebetta | Bloomsbury Publishing | 3852 | 4 |
| Acting Action | Hugh O'Gorman | Bloomsbury Publishing | 3467 | 4 |
| How to Act & Eat at the Same Time, the Sequel | Tom Logan | Bloomsbury Publishing | 3467 | 4 |
| The Actor's Mindset | Craig Archibald | Bloomsbury Publishing | 2952 | 4 |
| Breaking It Down | Nicole Hodges Persley/Monica White Ndounou | Bloomsbury Publishing | 2952 | 4 |
| Acting in the Million Dollar Minute, the Sequel | Tom Logan | Bloomsbury Publishing | 2952 | 4 |
| Climbing Rejection Mountain | Nick Wyman | Bloomsbury Publishing | 2952 | 4 |
| Acting on the Script | Bruce Miller | Bloomsbury Publishing | 2952 | 4 |
| A Field Guide to Actor Training | Laura Wayth | Bloomsbury Publishing | 2952 | 4 |
| Dramatic Circumstances | William Wesbrooks | Bloomsbury Publishing | 2952 | 4 |
| True Acting Tips | Larry Silverberg | Bloomsbury Publishing | 2952 | 4 |
| Acting with Adler | Joanna Rotte | Bloomsbury Publishing | 2696 | 4 |
| She Persisted | Jacquelyn Reingold | Bloomsbury Publishing | 2696 | 4 |
| The Stage Actor's Handbook | Michael Kostroff/Julie Garnyé | Bloomsbury Publishing | 2567 | 4 |
| A Young Actor Prepares | Jeff Alan-Lee | Bloomsbury Publishing | 2567 | 4 |
| The Best Women's Monologues from New Plays, 2020 | Bloomsbury Publishing | 2567 | 4 | |
| Scenes and Monologues from Steinberg/ATCA New Play Award Finalists, 2008-2012 | Bruce Burgun | Bloomsbury Publishing | 2567 | 4 |
| Musical Theatre Acting | JV Mercanti | Bloomsbury Publishing | 2310 | 4 |
| Your Breath In Art | Beatrice Manley | Bloomsbury Publishing | 2310 | 4 |
| Contemporary Monologues for Twentysomethings | Jessica Bashline | Bloomsbury Publishing | 2310 | 4 |
| I Don't Need an Acting Class | Milton Justice | Bloomsbury Publishing | 2310 | 4 |
| The Map | Stef Tovar | Bloomsbury Publishing | 2310 | 4 |
| One on One | Stephen Fife | Bloomsbury Publishing | 2310 | 4 |
| Best Monologues from The Best American Short Plays | Bloomsbury Publishing | 2310 | 4 | |
| An Actor Succeeds | Boze Hadleigh | Bloomsbury Publishing | 2310 | 4 |
| Teach Yourself Accents: Europe | Robert Blumenfeld | Bloomsbury Publishing | 2310 | 4 |
| Best Monologues from Best American Short Plays | William W. Demastes | Bloomsbury Publishing | 2310 | 4 |
| Scenes and Monologues of Spiritual Experience from the Best Contemporary Plays | Bloomsbury Publishing | 2310 | 4 | |
| Teach Yourself Accents: North America | Robert Blumenfeld | Bloomsbury Publishing | 2310 | 4 |
| Teach Yourself Accents: The British Isles | Robert Blumenfeld | Bloomsbury Publishing | 2310 | 4 |
| Duo! | Bloomsbury Publishing | 2310 | 4 | |
| On Singing Onstage | David Craig | Bloomsbury Publishing | 2310 | 4 |
| Best Monologues from The Best American Short Plays | Bloomsbury Publishing | 2310 | 4 | |
| In Performance | JV Mercanti | Bloomsbury Publishing | 2310 | 4 |
| Contemporary Scenes for Twentysomethings | Jessica Bashline | Bloomsbury Publishing | 2054 | 4 |
| The Young Actor's Handbook | Jeremy Kruse | Bloomsbury Publishing | 2054 | 4 |
| In Performance | JV Mercanti | Bloomsbury Publishing | 2054 | 4 |
| In Performance | JV Mercanti | Bloomsbury Publishing | 2054 | 4 |
| One on One: Playing with a Purpose | Bloomsbury Publishing | 2054 | 4 | |
| The Enraged Accompanist's Guide to the Perfect Audition | Andrew Gerle | Bloomsbury Publishing | 2054 | 4 |
| Actor's Alchemy | Bruce Miller | Bloomsbury Publishing | 2054 | 4 |
| The Perfect Monologue | Ginger Howard Friedman | Bloomsbury Publishing | 2054 | 4 |
| In Performance | JV Mercanti | Bloomsbury Publishing | 2054 | 4 |
| Best Contemporary Monologues for Kids Ages 7-15 | Bloomsbury Publishing | 2054 | 4 | |
| 25 10-Minute Plays for Teens | Lawrence Harbison | Bloomsbury Publishing | 2054 | 4 |
| Best Contemporary Monologues for Women 18-35 | Lawrence Harbison | Bloomsbury Publishing | 2054 | 4 |
| Best Contemporary Monologues for Men 18-35 | Lawrence Harbison | Bloomsbury Publishing | 2054 | 4 |
| Teen Boys' Comedic Monologues That Are Actually Funny | Alisha Gaddis | Bloomsbury Publishing | 1925 | 4 |
| Women's Comedic Monologues That Are Actually Funny | Alisha Gaddis | Bloomsbury Publishing | 1925 | 4 |
| Small Explosions | Adam Szymkowicz | Bloomsbury Publishing | 1796 | 4 |
| LGBTQ Comedic Monologues That Are Actually Funny | Alisha Gaddis | Bloomsbury Publishing | 1796 | 4 |
| Kids' Comedic Monologues That Are Actually Funny | Alisha Gaddis | Bloomsbury Publishing | 1796 | 4 |
| Teen Girls' Comedic Monologues That Are Actually Funny | Alisha Gaddis | Bloomsbury Publishing | 1796 | 4 |
| Men's Comedic Monologues That Are Actually Funny | Alisha Gaddis | Bloomsbury Publishing | 1796 | 4 |
| Shakespeare for American Actors and Directors | Aaron Frankel | Bloomsbury Publishing | 1796 | 4 |
| Solo! | Various/Michael Earley/Philippa Keil | Bloomsbury Publishing | 1796 | 4 |
| Soliloquy! | Michael Earley | Bloomsbury Publishing | 1669 | 4 |
| The Screen Actor's Audition | Jay Scully | Bloomsbury Publishing | 1134 | 4 |
| Journey of a Scene | Tanveer Ahmed | Notion Press | 697 | 4 |
| Maverick Messiah | Ramesh Kandula | Penguin Random House India Private Limited | 662 | 4 |
| And The Music Lives On | Manek Premchand | Notion Press | 414 | 4 |
| Switch On - Switch Off Acting Method | VIRENDRA RATHORE | Notion Press | 406 | 4 |
| Acting : The First Six Lessons | Richard Boleslavsky/Digital Fire | DIGITAL FIRE | 152 | 4 |
| Fictional Selves | Kyle MacLachlan | Crown | 2286 | 3 |
| O ator impuro | Afonso Nilson | Galáxia | 300 | 3 |
| Unnerved | Ms. Melissa M. Plamann | Bloomsbury Publishing | 4111 | 2 |
| Everyday Voice Care | Joanna Cazden | Bloomsbury Publishing | 3725 | 2 |
| The Actor as Storyteller | Bruce Miller | Bloomsbury Publishing | 2952 | 2 |
| Tina Grenville | Tina Grenville | HarperCollins | 2374 | 2 |
| Sisikat Din Ako | Noel D. Ferrer | Anvil Publishing, Inc. | 1914 | 2 |
| Näyttelijän työ | Konstantin Stanislavski | Tammi | 1280 | 2 |
| Jump Into Audition | Sobaca | Andrews UK | 627 | 2 |
| Lessons from the Mountain | Mary McDonough | Kensington Books | 1605 | 1 |
| British Nautical Melodramas, 1820–1850 | Arnold Schmidt | Taylor & Francis | 42800 | 0 |
| Actresses as Working Women | Tracy C. Davis | Taylor & Francis | 40878 | 0 |
| The Cambridge Encyclopedia of Stage Actors and Acting | Cambridge University Press | 29070 | 0 | |
| Die soufflierte Stimme: Text, Theater, Medien | Helga Finter | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 22898 | 0 |
| Performing Arts and Digital Humanities | Clarisse Bardiot | Wiley | 22757 | 0 |
| Experimental and Expanded Animation | Springer International Publishing | 21878 | 0 | |
| Oral Interpretation | Timothy Gura/Benjamin Powell | Taylor & Francis | 21137 | 0 |
| A Dictionary of Theatre Anthropology | Eugenio Barba | Taylor & Francis | 21137 | 0 |
| Body Language in Film | Yang Yang | Springer Nature Singapore | 19447 | 0 |
| Literatura y ficción | Alfonso Martín Jiménez | Peter Lang AG, Internationaler Verlag der Wissenschaften | 19268 | 0 |
| Staging the Other in Nineteenth-Century British Drama | Peter Lang AG, Internationaler Verlag der Wissenschaften | 18354 | 0 | |
| Die Commedia dell’arte im Theater des 20. Jahrhunderts | Veit Bessenbacher | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 18354 | 0 |
| Inhabiting Ustopia: Science Fiction in Film, Performing Arts, and Digital Media | Springer Nature Switzerland | 18231 | 0 | |
| Virtual Character Design for Games and Interactive Media | Robin James Stuart Sloan | CRC Press | 18168 | 0 |
| Performer Training Reconfigured | Mr Frank Camilleri | Bloomsbury Publishing | 18042 | 0 |
| Acting and performance in Hitchcock | Manchester University Press | 17750 | 0 | |
| Chaos in Theater | Anna Grazia Cafaro | Peter Lang Inc., International Academic Publishers | 16899 | 0 |
| A Study on the Thematic, Narrative, and Musical Structure of Guan Hanqing’s Yuan «Zaju, Injustice to Dou E» | Yumin Ao | Peter Lang Inc., International Academic Publishers | 16349 | 0 |
| The Power of Theater | Miroslaw Kocur | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 16238 | 0 |
| Die Schwedischen Ballette – Les Ballets Suédois | Karin Dietrich | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 16171 | 0 |
| Versuch ueber Kundry | Chikako Kitagawa | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 16171 | 0 |
| The Question of Skill | Dr Adam J. Ledger | Bloomsbury Publishing | 16037 | 0 |
| No-Budget Feature Filmmaking in the Digital Era | Adam Nixon | Springer Nature Switzerland | 15800 | 0 |
| Nonprofessional Film Performance | Miguel Gaggiotti | Springer International Publishing | 15800 | 0 |
| Embodying Adaptation | Christina Wilkins | Springer International Publishing | 15800 | 0 |
| Adaptation Considered as a Collaborative Art | Springer International Publishing | 15800 | 0 | |
| Acting Indie | Cynthia Baron/Yannis Tzioumakis | Palgrave Macmillan UK | 15800 | 0 |
| Digital Bodies | Palgrave Macmillan UK | 15800 | 0 | |
| Performativity in the Gallery | Peter Lang AG, Internationaler Verlag der Wissenschaften | 15726 | 0 | |
| Experiencing Stanislavsky Today | Stephanie Daventry French/Philip G. Bennett | Taylor & Francis | 15546 | 0 |
| Le corps de l’audible | Helga Finter | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 15524 | 0 |
| Performance and Real Relationships | Ildikó Rippel | Bloomsbury Publishing | 15369 | 0 |
| The Actor's Survival Guide | Jon S. Robbins | Bloomsbury Publishing | 15369 | 0 |
| Playing Shakespeare's Villains | Peter Lang Inc., International Academic Publishers | 15294 | 0 | |
| Playing Shakespeare’s Lovers | Peter Lang Inc., International Academic Publishers | 15294 | 0 | |
| Cruel Britannia | Jolene Armstrong | Peter Lang AG, Internationaler Verlag der Wissenschaften | 15088 | 0 |
| On the Origins of Theater | Mirosław Kocur | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 14894 | 0 |
| Theatre for Lifelong Learning | Rae Mansfield/Linda Lau | Intellect Books | 14850 | 0 |
| Acting and Character Animation | Rolf Giesen/Anna Khan | CRC Press | 14848 | 0 |
| The Routledge Anthology of Restoration and Eighteenth-Century Drama | Taylor & Francis | 14848 | 0 | |
| Human Theatre and Energetic Alchemy | Richard Martinez | Intellect Books | 14842 | 0 |
| Shakespeare in the Theatre: Reduced Shakespeare Company | Dr Ronan Hatfull/Stephen Purcell/Peter Holland/Dr. Farah Karim Cooper | Bloomsbury Publishing | 14702 | 0 |
| Performing Identity | Barry King | Springer International Publishing | 14585 | 0 |
| Anglo-American Stage and Screen Drama | Mike Ingham | Springer International Publishing | 14585 | 0 |
| Interactional Approach to Cinematic Discourse | Neda Chepinchikj | Springer International Publishing | 14585 | 0 |
| When Warners Brought Broadway to Hollywood, 1923-1939 | Martin Shingler | Palgrave Macmillan UK | 14585 | 0 |
| Python beyond Python | Springer International Publishing | 14585 | 0 | |
| Music in Contemporary French Cinema | Phil Powrie | Springer International Publishing | 14585 | 0 |
| The Improvisation Studies Reader | Taylor & Francis | 14498 | 0 | |
| Immigration and Contemporary British Theater | Victoria Sams | Peter Lang Inc., International Academic Publishers | 14352 | 0 |
| Adolphe Appia: Artist and Visionary of the Modern Theatre | Richard C. Beacham | Taylor & Francis | 14149 | 0 |
| Science and the Stanislavsky Tradition of Acting | Jonathan Pitches | Taylor & Francis | 14149 | 0 |
| Commedia Dell'Arte: An Actor's Handbook | John Rudlin | Taylor & Francis | 14149 | 0 |
| Die Praxis der/des Echo | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 13809 | 0 | |
| Interkulturalitaet und Transkulturalitaet in Drama, Theater und Film | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 13809 | 0 | |
| Acting and its Refusal in Theatre and Film | Marian McCurdy | Intellect Books | 13784 | 0 |
| The Physiognomical Discourse and European Theatre | Maria-Christina Mur | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 13714 | 0 |
| Actress | Yvonne Mitchell | Taylor & Francis | 13625 | 0 |
| Voice and Identity | Taylor & Francis | 13625 | 0 | |
| Out of Time? | Taylor & Francis | 13625 | 0 | |
| British Nautical Melodramas, 1820–1850 | Arnold Schmidt | Taylor & Francis | 13625 | 0 |
| British Nautical Melodramas, 1820–1850 | Arnold Schmidt | Taylor & Francis | 13625 | 0 |
| Bernard Shaw in Brazil | Rosalie Rahal Haddad | Peter Lang AG, Internationaler Verlag der Wissenschaften | 13625 | 0 |
| Your Murderer | Vassily Aksyonov | Taylor & Francis | 13625 | 0 |
| Acting Power | Robert Cohen | Taylor and Francis | 13625 | 0 |
| The Routledge Anthology of Restoration and Eighteenth-Century Performance | Taylor & Francis | 13450 | 0 | |
| The Odin Teatret Archives | Mirella Schino | Taylor & Francis | 13450 | 0 |
| A Critical Companion to Lynn Nottage | Taylor & Francis | 13450 | 0 | |
| The Routledge Companion to Michael Chekhov | Taylor & Francis | 13450 | 0 | |
| Postcolonial Plays | Taylor & Francis | 13450 | 0 | |
| Acting (Re)Considered | Taylor & Francis | 13450 | 0 | |
| Blockbuster Performances | Daniel Smith-Rowsey | Palgrave Macmillan UK | 13369 | 0 |
| Film Stardom and the Ancient Past | Michael Williams | Palgrave Macmillan UK | 13369 | 0 |
| Dance’s Duet with the Camera | Palgrave Macmillan UK | 13369 | 0 | |
| Shakespeare in the Theatre Kathryn Hunter | Stephen Purcell/Dr. Farah Karim Cooper/Stephen Purcell/Peter Holland | Bloomsbury Publishing | 13365 | 0 |
| Games for Actors and Non-Actors | Augusto Boal | Taylor & Francis | 13276 | 0 |
| Modern Drama by Women 1880s-1930s | Taylor & Francis | 13276 | 0 | |
| Movement | Robert Barton/Barbara Sellers-Young | Taylor & Francis | 12926 | 0 |
| The Routledge Companion to Jacques Lecoq | Taylor & Francis | 12926 | 0 | |
| The Major Plays of Nikolai Erdman | Nikolai Erdman | Taylor & Francis | 12926 | 0 |
| Bakhtin and Theatre | Dick Mccaw | Taylor & Francis | 12926 | 0 |
| Acting with Grotowski | Zbigniew Cynkutis | Taylor & Francis | 12926 | 0 |
| The Routledge Companion to Stanislavsky | Taylor & Francis | 12926 | 0 | |
| The Path Of The Actor | Michael Chekhov | Taylor & Francis | 12926 | 0 |
| Dialects for the Stage | Evangeline Machlin | Taylor & Francis | 12926 | 0 |
| Dancer – Researcher – Performer: A Learning Process | Graziela Rodrigues | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 12719 | 0 |
| An Introduction to the Phenomenology of Performance Art | T. J. Bacon | Intellect Books | 12623 | 0 |
| The Routledge Companion to Performance-Related Concepts in Non-European Languages | Taylor & Francis | 12403 | 0 | |
| A Strange Proximity | Jon Foley Sherman | Taylor & Francis | 12403 | 0 |
| Physical Theatres | Simon Murray/John Keefe | Taylor & Francis | 12403 | 0 |
| The Routledge Companion to Commedia dell'Arte | Taylor & Francis | 12403 | 0 | |
| Arthur Lessac's Embodied Actor Training | Melissa Hurt | Taylor & Francis | 12403 | 0 |
| Improvisation Hypermedia and the Arts since 1945 | Roger Dean/Hazel Smith | Taylor & Francis | 12403 | 0 |
| Acting Shakespeare | Bertram Leon Joseph | Taylor & Francis | 12228 | 0 |
| The Politics of American Actor Training | Taylor & Francis | 12228 | 0 | |
| An Actor's Work on a Role | Konstantin Stanislavski | Taylor & Francis | 12228 | 0 |
| Movement Training for the Modern Actor | Mark Evans | Taylor & Francis | 12228 | 0 |
| Crossing Cultural Borders Through the Actor's Work | Cláudia Tatinge Nascimento | Taylor & Francis | 12228 | 0 |
| LO: TECH: POP: CULT | Taylor & Francis | 12053 | 0 | |
| The Routledge Companion to Performance Practitioners | Taylor & Francis | 12053 | 0 | |
| The Routledge Anthology of British Women Playwrights, 1777-1843 | Taylor & Francis | 12053 | 0 | |
| Nikolai Demidov | Nikolai Demidov | Taylor & Francis | 12053 | 0 |
| A Dream | Felicja Kruszewska | Taylor & Francis | 12053 | 0 |
| The Casting Handbook | Suzy Catliff/Jennifer Granville | Taylor & Francis | 12053 | 0 |
| Psychophysical Acting | Phillip B. Zarrilli | Taylor & Francis | 12053 | 0 |
| Mr Price, or Tropical Madness and Metaphysics of a Two- Headed Calf | Stanislaw Ignacy Witkiewicz | Taylor & Francis | 12053 | 0 |
| ‘Dancing As If Language No Longer Existed’ | Katarzyna Ojrzynska | Peter Lang AG, Internationaler Verlag der Wissenschaften | 11894 | 0 |
| Lightwork | Patrick Duggan | Intellect Books | 11879 | 0 |
| Etienne Decroux and his Theatre Laboratory | Marco de Marinis | Taylor & Francis | 11878 | 0 |
| Acting in Musical Theatre | Joe Deer/Rocco Dal Vera | Taylor & Francis | 11878 | 0 |
| British and French Television Drama | Joy Leman | Intellect Books | 11872 | 0 |
| On Training and Performance | Roberta Carreri | Taylor & Francis | 11703 | 0 |
| Shylock on the Stage | Toby Lelyveld | Taylor & Francis | 11703 | 0 |
| Adolphe Appia | Richard C. Beacham | Taylor & Francis | 11703 | 0 |
| So Therefore... | Al Ruscio | Taylor & Francis | 11703 | 0 |
| An Actor's Work | Konstantin Stanislavski | Taylor and Francis | 11703 | 0 |
| Jacobean Public Theatre | Alexander Leggatt | Taylor & Francis | 11703 | 0 |
| New Territories | P.I.E-Peter Lang S.A., Éditions Scientifiques Internationales | 11627 | 0 | |
| Phenomenology for Actors | Daniel Johnston | Intellect Books | 11583 | 0 |
| The Routledge Companion to Musical Theatre | Taylor & Francis | 11528 | 0 | |
| The Routledge Companion to Vsevolod Meyerhold | Taylor & Francis | 11528 | 0 | |
| The Routledge Pantomime Reader | Taylor & Francis | 11528 | 0 | |
| The Kinetics of the Invisible | Matteo Bonfitto | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 11441 | 0 |
| The Embattled Academy | Heath A. Diehl | Taylor & Francis | 11354 | 0 |
| Performing Recovery | Zoe Zontou | Taylor & Francis | 11354 | 0 |
| No Mother, No Future | Kailin Wright | Taylor & Francis | 11354 | 0 |
| The Science of Arts Engagement | Agnieszka Wlazeł | Taylor & Francis | 11354 | 0 |
| In Search of the Performer’s Way | Jong Hyuk Song | Taylor & Francis | 11354 | 0 |
| Laughter, Power, and the Unconscious | Maria Grazia Turri/Bridget Escolme | Taylor & Francis | 11354 | 0 |
| New Approaches to Ernst Lubitsch | Taylor & Francis | 11354 | 0 | |
| Shakespeare's 'Method' for Actors | Christine Ozanne | Taylor & Francis | 11354 | 0 |
| Edward Albee and the Emergence of Difference and Diversity in US and World Theatre | Taylor & Francis | 11354 | 0 | |
| Black Activists Write Wheatley and Washington | Lurana Donnels O’Malley | Taylor & Francis | 11354 | 0 |
| Vladimir Nemirovich-Danchenko and the Moscow Art Theatre | Inna Solovyova | Taylor & Francis | 11354 | 0 |
| Contemporary Performance and Political Economy | Katerina Paramana | Taylor & Francis | 11354 | 0 |
| Performing Corporate Bodies | Sarah Saddler | Taylor & Francis | 11354 | 0 |
| Staging Muslims in Britain | Önder Çakırtaş | Taylor & Francis | 11354 | 0 |
| The Human Touch | Chloé Arros | Taylor & Francis | 11354 | 0 |
| Beyond Innocence | Adele Senior | Taylor & Francis | 11354 | 0 |
| Living Death in Early Modern Drama | James Alsop | Taylor & Francis | 11354 | 0 |
| Transfiguring Tragedy | Ryder Thornton | Taylor & Francis | 11354 | 0 |
| The Legacy of Stylistic Theatre in the Creation of a Modern Sinhala Drama in Sri Lanka | Lakshmi D. Bulathsinghala | Taylor & Francis | 11354 | 0 |
| The Shakespeare North Playhouse | Taylor & Francis | 11354 | 0 | |
| Theatre in Practice | Nick O'Brien | Taylor & Francis | 11354 | 0 |
| Meaning in the Midst of Performance | Gareth White | Taylor & Francis | 11354 | 0 |
| How Does Disability Performance Travel? | Taylor & Francis | 11354 | 0 | |
| La MaMa Experimental Theatre – A Lasting Bridge Between Cultures | Monica Cristini | Taylor & Francis | 11354 | 0 |
| Ibsen in the Decolonised South Asian Theatre | Taylor & Francis | 11354 | 0 | |
| Equestrian Drama | Taylor & Francis | 11354 | 0 | |
| Attention in Performance | Cassis Kilian | Taylor & Francis | 11354 | 0 |
| Scoring the Hollywood Actor in the 1950s | Gregory Camp | Taylor & Francis | 11354 | 0 |
| Why the Theatre | Taylor & Francis | 11354 | 0 | |
| Act Approach:The Use of Suggestion for Intergrated Learning | Lynn Dhority | Taylor & Francis | 11354 | 0 |
| European Performative Theatre | Annamaria Cascetta | Taylor & Francis | 11354 | 0 |
| Screening Characters | Taylor & Francis | 11354 | 0 | |
| Secrets of Acting Shakespeare | Patrick Tucker | Taylor & Francis | 11354 | 0 |
| Acting in the Academy | Peter Zazzali | Taylor & Francis | 11354 | 0 |
| Essential Acting | Brigid Panet | Taylor & Francis | 11354 | 0 |
| The Mannequins' Ball | Daniel Gerould/Bruno Jaslenski | Taylor & Francis | 11354 | 0 |
| The Simpleton | Sergei Kokovkin | Taylor & Francis | 11354 | 0 |
| Theorizing Film Acting | Taylor & Francis | 11354 | 0 | |
| Brecht Sourcebook | Taylor & Francis | 11354 | 0 | |
| Dodin and the Maly Drama Theatre | Maria Shevstova | Taylor & Francis | 11354 | 0 |
| Kunqu Masters on Chinese Theatrical Performance | Yip Siu Hing | Anthem Press | 11136 | 0 |
| L’éclosion d’une parole de théâtre | Dominique Ninanne | P.I.E-Peter Lang S.A., Éditions Scientifiques Internationales | 11063 | 0 |
| Recovery and Well-being in the Performing Arts | Taylor & Francis | 11004 | 0 | |
| Crafting Short Screenplays That Connect | Claudia Hunter Johnson | Taylor & Francis | 11004 | 0 |
| In Search of Stanislavsky’s Creative State on the Stage | Gabriela Curpan | Taylor & Francis | 11004 | 0 |
| Contemporary Rehearsal Practice | Gary Cassidy | Taylor & Francis | 11004 | 0 |
| Property and Finance on the Post-Brexit London Stage | Michael Meeuwis | Taylor & Francis | 11004 | 0 |
| Partners of the Imagination | Robert Leach | Taylor & Francis | 11004 | 0 |
| Somatic Voices in Performance Research and Beyond | Taylor & Francis | 11004 | 0 | |
| Film, History and Cultural Citizenship | Taylor & Francis | 11004 | 0 | |
| The Routledge Companion to Performance Practitioners | Taylor & Francis | 11004 | 0 | |
| Minstrel Traditions | Kevin Byrne | Taylor & Francis | 11004 | 0 |
| Shakespeare in Singapore | Philip Smith | Taylor & Francis | 11004 | 0 |
| Stunts of Late Nineteenth-Century New York | Kirstin Smith | Taylor & Francis | 11004 | 0 |
| Reframing Acting in the Digital Age | Artemis Preeshl | Taylor & Francis | 11004 | 0 |
| Incapacity and Theatricality | Tony McCaffrey | Taylor & Francis | 11004 | 0 |
| Jacques Lecoq | Simon Murray | Taylor & Francis | 11004 | 0 |
| Acting, Spectating and the Unconscious | Maria Grazia Turri | Taylor & Francis | 11004 | 0 |
| Foreign Dialects | Lewis Herman/Marguerite Shalett Herman | Taylor & Francis | 11004 | 0 |
| Screen Acting | Taylor & Francis | 11004 | 0 | |
| The Body in Performance | Taylor & Francis | 11004 | 0 | |
| The Rise and Fall of the Well-Made Play (Routledge Revivals) | John Russell Taylor | Taylor & Francis | 11004 | 0 |
| Acting and Performance for Animation | Derek Hayes | CRC Press | 11004 | 0 |
| Actor Training | Alison Hodge | Taylor and Francis | 11004 | 0 |
| In Search of Marie-Antoinette in the 1930s | T. Lawrence Larkin | Springer International Publishing | 10938 | 0 |
| Voice: Onstage and Off | Robert Barton/Rocco Dal Vera | Taylor & Francis | 10830 | 0 |
| The Second Birth of Theatre | Mirosław Kocur | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 10714 | 0 |
| The Theatre Practice of Tadashi Suzuki | Paul Allain | Bloomsbury Publishing | 10692 | 0 |
| Authentic Voice and Speech | Louis Colaianni/Peter Marciano | Taylor & Francis | 10655 | 0 |
| Michael Chekhov’s Pedagogy from Europe to America, Volume II | Lenka Pichlíková-Burke | Taylor & Francis | 10655 | 0 |
| Michael Chekhov’s Pedagogy from Europe to America, Volume I | Lenka Pichlíková-Burke | Taylor & Francis | 10655 | 0 |
| Seven Pillars Acting | Sonya Cooke | Taylor & Francis | 10655 | 0 |
| Commedia dell’Arte | Taylor & Francis | 10655 | 0 | |
| Zombies, Werewolves, Robots, and Extraterrestrials | Gerald Large | Taylor & Francis | 10655 | 0 |
| Stanislavsky and Place | Taylor & Francis | 10655 | 0 | |
| Women and Age on the UK Stage | Bridie Moore | Taylor & Francis | 10655 | 0 |
| Stanislavsky and Screen Actor Training | Taylor & Francis | 10655 | 0 | |
| Milestones in Actor Training | Taylor & Francis | 10655 | 0 | |
| Carlo Boso | Peter Jordan/Olly Crick | Taylor & Francis | 10655 | 0 |
| Being Black and British | Taylor & Francis | 10655 | 0 | |
| Temporary Stages III | Jo Beth Gonzalez | Taylor & Francis | 10655 | 0 |
| Stanislavsky and Mindfulness | Taylor & Francis | 10655 | 0 | |
| Actor Trainers on Acting | Taylor & Francis | 10655 | 0 | |
| How to Rehearse a Scene | Timothy Johnson | Taylor & Francis | 10655 | 0 |
| Practicing Archetype | Göze Saner | Taylor & Francis | 10655 | 0 |
| Three Plays by Luis Valdez | Luis Valdez | Taylor & Francis | 10655 | 0 |
| Stanislavsky and Gender | Taylor & Francis | 10655 | 0 | |
| Radical Sensing and Performer Training | Rebecca Loukes | Taylor & Francis | 10655 | 0 |
| Independent Performing Arts in Europe | Thomas Fabian Eder | Taylor & Francis | 10655 | 0 |
| Bourdieu in the Studio | Evi Stamatiou | Taylor & Francis | 10655 | 0 |
| America Under the Influence | Chloë Rae Edmonson | Taylor & Francis | 10655 | 0 |
| The Loss of Small White Clouds | Morgan Batch | Taylor & Francis | 10655 | 0 |
| Contemporary Storytelling Performance | Stephe Harrop | Taylor & Francis | 10655 | 0 |
| Puppet and Spirit: Ritual, Religion, and Performing Objects | Taylor & Francis | 10655 | 0 | |
| Reconstructing Performance Art | Taylor & Francis | 10655 | 0 | |
| Contemporary Irish Theatre and Social Change | Emer O'Toole | Taylor & Francis | 10655 | 0 |
| Shakespeare and Cultural Appropriation | Taylor & Francis | 10655 | 0 | |
| Vocal Traditions | Taylor & Francis | 10655 | 0 | |
| Venus’s Palace | Reut Barzilai | Taylor & Francis | 10655 | 0 |
| Songs of Tagore | Rabindranath Tagore/Satyajit Ray | Taylor & Francis | 10655 | 0 |
| A Sourcebook of Performance Labor | Joey Orr | Taylor & Francis | 10655 | 0 |
| Harold Pinter's Shakespeare | Charles Morton | Taylor & Francis | 10655 | 0 |
| Imitation and Contamination of the Classics in the Comedies of Ben Jonson | Tom Harrison | Taylor & Francis | 10655 | 0 |
| Devised Theater’s Collaborative Performance | Telory D Arendell | Taylor & Francis | 10655 | 0 |
| Appropriations of Irish Drama in Modern Korean Nationalist Theatre | Hunam Yun | Taylor & Francis | 10655 | 0 |
| From Playtext to Performance on the Early Modern Stage | Leslie Thomson | Taylor & Francis | 10655 | 0 |
| Deburau | Edward Nye | Taylor & Francis | 10655 | 0 |
| Copeau/Decroux, Irving/Craig | Thomas Leabhart | Taylor & Francis | 10655 | 0 |
| Shakespeare’s Contested Nations | L. Monique Pittman | Taylor & Francis | 10655 | 0 |
| ASHÉ | Taylor & Francis | 10655 | 0 | |
| Aesthetic Collectives | Andrew Wiskowski | Taylor & Francis | 10655 | 0 |
| Borderlands Children’s Theatre | Cecilia Josephine Aragón | Taylor & Francis | 10655 | 0 |
| Eugene O'Neill's Philosophy of Difficult Theatre | Jeremy Killian | Taylor & Francis | 10655 | 0 |
| Mysticism in the Theater | Tom Block | Taylor & Francis | 10655 | 0 |
| Chinese Traditional Theatre and Male Dan | Guo Chao | Taylor & Francis | 10655 | 0 |
| Pandemic Performance | Taylor & Francis | 10655 | 0 | |
| D’Oyly Carte | Paul Seeley | Taylor & Francis | 10655 | 0 |
| French Theatre, Orientalism, and the Representation of India, 1770-1865 | David Hammerbeck | Taylor & Francis | 10655 | 0 |
| Consent in Shakespeare | Artemis Preeshl | Taylor & Francis | 10655 | 0 |
| Rabindranath Tagore's Theatre | Abhijit Sen | Taylor & Francis | 10655 | 0 |
| Performances that Change the Americas | Taylor & Francis | 10655 | 0 | |
| Precariousness and the Performances of Welfare | Taylor & Francis | 10655 | 0 | |
| On Screen Acting | Edward Dmytryk/Jean Porter Dmytryk | Taylor & Francis | 10655 | 0 |
| Book of Sides II: Original, Two-Page Scenes for Actors and Directors | Dave Kost | Taylor & Francis | 10655 | 0 |
| Stanislavsky: A Life in Letters | Taylor & Francis | 10655 | 0 | |
| Towards a Poor Theatre | Jerzy Grotowski | Taylor & Francis | 10655 | 0 |
| Crossing the Stage | Taylor & Francis | 10655 | 0 | |
| Strategies for Survival at SIBIKWA 1988 – 2021 | Taylor & Francis | 10481 | 0 | |
| Impro | Keith Johnstone | Taylor and Francis | 10481 | 0 |
| Interchangeable Parts | Victor Holtcamp | University of Michigan Press | 10474 | 0 |
| Queer Girls, Temporality and Screen Media | Whitney Monaghan | Palgrave Macmillan UK | 10331 | 0 |
| Who Is In the Room? | Brooke O'Harra | Taylor & Francis | 10306 | 0 |
| Working with Children in Contemporary Performance | Sarah Austin | Taylor & Francis | 10306 | 0 |
| Towards Embodied Performance | Rachel Dickstein | Taylor & Francis | 10306 | 0 |
| Nine questions every actor of color should consider when tokenism is not enough | Taylor & Francis | 10306 | 0 | |
| Antiracism in Ballet Teaching | Taylor & Francis | 10306 | 0 | |
| Stanislavsky and Intimacy | Taylor & Francis | 10306 | 0 | |
| Stanislavsky and Race | Taylor & Francis | 10306 | 0 | |
| Futures of Performance | Taylor & Francis | 10306 | 0 | |
| Stanislavsky and Pedagogy | Taylor & Francis | 10306 | 0 | |
| Kristin Linklater | Bernadette Cronin/Regina Crowley | Taylor & Francis | 10306 | 0 |
| Performance Cultures as Epistemic Cultures, Volume I | Taylor & Francis | 10306 | 0 | |
| A Meeting About Laughter | Taylor & Francis | 10306 | 0 | |
| Stepping Stones | Ingemar Lindh | Taylor & Francis | 10306 | 0 |
| Actor Training in Anglophone Countries | Peter Zazzali | Taylor & Francis | 10306 | 0 |
| Shakespeare and Celebrity Cultures | Jennifer Holl | Taylor & Francis | 10306 | 0 |
| Staging Detection | Isabel Stowell-Kaplan | Taylor & Francis | 10306 | 0 |
| Asian City Crossings | Taylor & Francis | 10306 | 0 | |
| The Motional Improvisation of Al Wunder | H.R. Elliott | Taylor & Francis | 10306 | 0 |
| The Self-Centred Art | Jakub Boguszak | Taylor & Francis | 10306 | 0 |
| Theatre Studios | Tom Cornford | Taylor & Francis | 10306 | 0 |
| Performer Training and Technology | Maria Kapsali | Taylor & Francis | 10306 | 0 |
| Michael Chekhov and Sanford Meisner | Taylor & Francis | 10306 | 0 | |
| The Selected Plays of Hélène Cixous | Hélène Cixous | Taylor & Francis | 10306 | 0 |
| Blue Sky Body | Ben Spatz | Taylor & Francis | 10306 | 0 |
| Performing Nerves | Anna Furse | Taylor & Francis | 10306 | 0 |
| Actors and Audiences | Caroline Heim | Taylor & Francis | 10306 | 0 |
| Women Writing and Directing in the USA | Kiara Pipino | Taylor & Francis | 10306 | 0 |
| The Elements of Theatrical Expression | Brian Kulick | Taylor & Francis | 10306 | 0 |
| The Routledge Comedy Studies Reader | Taylor & Francis | 10306 | 0 | |
| (toward) a phenomenology of acting | Phillip Zarrilli | Taylor & Francis | 10306 | 0 |
| Teaching Acting with Practical Aesthetics | Troy Dobosiewicz | Taylor & Francis | 10306 | 0 |
| Teaching Strategies for Neurodiversity and Dyslexia in Actor Training | Petronilla Whitfield | Taylor & Francis | 10306 | 0 |
| Fiction's Truth | Danielle Szlawieniec-Haw | Taylor & Francis | 10306 | 0 |
| Intercultural Acting and Performer Training | Taylor & Francis | 10306 | 0 | |
| The Actor and the Character | Vladimir Mirodan | Taylor & Francis | 10306 | 0 |
| Psychology for Actors | Kevin Page | Taylor & Francis | 10306 | 0 |
| Michael Chekhov | Franc Chamberlain | Taylor & Francis | 10306 | 0 |
| Acting & Auditioning for the 21st Century | Stephanie Barton-Farcas | Taylor & Francis | 10306 | 0 |
| Training Actors' Voices | Tara McAllister-Viel | Taylor & Francis | 10306 | 0 |
| Konstantin Stanislavsky | Bella Merlin | Taylor & Francis | 10306 | 0 |
| Physical Dramaturgy | Taylor & Francis | 10306 | 0 | |
| Advanced Consciousness Training for Actors | Kevin Page | Taylor & Francis | 10306 | 0 |
| Vsevolod Meyerhold | Prof Jonathan Pitches | Taylor & Francis | 10306 | 0 |
| Jerzy Grotowski | James Slowiak/Jairo Cuesta | Taylor & Francis | 10306 | 0 |
| Jacques Copeau | Mark Evans | Taylor & Francis | 10306 | 0 |
| A Korean Approach to Actor Training | Jeungsook Yoo | Taylor & Francis | 10306 | 0 |
| The Moon Rises from the Ganges | Eugenio Barba | Taylor & Francis | 10306 | 0 |
| Performing in Comedy | Ian Wilkie | Taylor & Francis | 10306 | 0 |
| Shakespeare on Theatre | Robert Cohen | Taylor & Francis | 10306 | 0 |
| Acting Comedy | Taylor & Francis | 10306 | 0 | |
| Book of Sides: Original, One-Page Scenes for Actors and Directors | Dave Kost | Taylor & Francis | 10306 | 0 |
| The Training of Noh Actors and The Dove | David Griffiths | Taylor & Francis | 10306 | 0 |
| The Actor's Survival Handbook | Patrick Tucker/Christine Ozanne | Taylor & Francis | 10306 | 0 |
| Performer Training | Taylor & Francis | 10306 | 0 | |
| The Actress | Karen Hollinger | Taylor & Francis | 10306 | 0 |
| Jacques Lecoq and the British Theatre | Taylor & Francis | 10306 | 0 | |
| Yevgeny Vakhtangov | Andrei Malaev-Babel | Taylor & Francis | 10306 | 0 |
| An Actress Prepares | Rosemary Malague | Taylor & Francis | 10306 | 0 |
| New Sites For Shakespeare | John Russell Brown | Taylor & Francis | 10306 | 0 |
| The Craft of Comedy | Athene Seyler/Stephen Haggard | Taylor & Francis | 10306 | 0 |
| Russians in Britain | Taylor & Francis | 10306 | 0 | |
| The Actor, Image, and Action | Rhonda Blair | Taylor & Francis | 10306 | 0 |
| Acting from Shakespeare's First Folio | Don Weingust | Taylor & Francis | 10306 | 0 |
| Two Plays by Olga Mukhina | Taylor & Francis | 10306 | 0 | |
| Country House | Stanislav I. Witkiewicz/D. Gerould/D. Gerould | Taylor & Francis | 10306 | 0 |
| Post-war British Drama: Looking Back in Gender | Michelene Wandor | Taylor & Francis | 10306 | 0 |
| Non-Professional Film Acting | Taylor & Francis | 10131 | 0 | |
| The Frantic Assembly Book of Devising Theatre | Scott Graham/Steven Hoggett | Taylor & Francis | 10131 | 0 |
| Fitzmaurice Voicework | Catherine Fitzmaurice/Michael Morgan | Taylor & Francis | 10131 | 0 |
| Federico García Lorca | Simon Breden | Taylor & Francis | 10131 | 0 |
| Juan Mayorga | Taylor & Francis | 10131 | 0 | |
| Jerzy Grotowski's Journeys to the East | Zbigniew Osinski | Taylor & Francis | 10131 | 0 |
| Latinx Actor Training | Taylor & Francis | 10131 | 0 | |
| Antígona by José Watanabe | Cristina Pérez Díaz | Taylor & Francis | 10131 | 0 |
| Acting the Essence | Giuliano Campo | Taylor & Francis | 10131 | 0 |
| Antonin Artaud | Blake Morris | Taylor & Francis | 10131 | 0 |
| Meyerhold Speaks/Meyerhold Rehearse | V.E. Meyerhold/Aleksandr Gladkov | Taylor & Francis | 10131 | 0 |
| Jana Sanskriti | Ralph Yarrow | Taylor & Francis | 10131 | 0 |
| Frantic Assembly | Mark Evans/Mark Smith | Taylor & Francis | 10131 | 0 |
| A Poetics of Third Theatre | Jane Turner/Patrick Campbell | Taylor & Francis | 10131 | 0 |
| Owning Our Voices | Margaret Pikes/Patrick Campbell | Taylor & Francis | 10131 | 0 |
| A History of Contemporary Stage Combat | Brian LeTraunik | Taylor & Francis | 10131 | 0 |
| A Best Practice Guide to Sex and Storytelling | John Bucher | Taylor & Francis | 10131 | 0 |
| Performing Shakespeare Unrehearsed | Bill Kincaid | Taylor & Francis | 10131 | 0 |
| Turn That Thing Off! | Rose Burnett Bonczek/Roger Manix/David Storck | Taylor & Francis | 10131 | 0 |
| The Science and Art of Acting for the Camera | John Howard Swain | Taylor & Francis | 10131 | 0 |
| Acting Exercises for Non-Traditional Staging | Anjalee Deshpande Hutchinson | Taylor & Francis | 10131 | 0 |
| Physical Actor Training | Andrei Droznin | Taylor & Francis | 10131 | 0 |
| The Method Acting Exercises Handbook | Lola Cohen | Taylor & Francis | 10131 | 0 |
| Craft Notes for Animators | Ed Hooks | Taylor & Francis | 10131 | 0 |
| Through the Body | Dymphna Callery | Taylor & Francis | 10131 | 0 |
| The Non-Cycle Mystery Plays | Taylor & Francis | 10131 | 0 | |
| The Theatrical Firearms Handbook | Kevin Inouye | Taylor & Francis | 10131 | 0 |
| The Invisible Actor | Yoshi Oida/Lorna Marshall | Taylor & Francis | 10131 | 0 |
| Theatre Arts on Acting | Taylor & Francis | 10131 | 0 | |
| Speech for the Stage | Evangeline Machlin | Taylor & Francis | 10131 | 0 |
| Ensemble Theatre Making | Rose Burnett Bonczek/David Storck | Taylor & Francis | 10131 | 0 |
| The Decroux Sourcebook | Taylor & Francis | 10131 | 0 | |
| Zygmunt Molik's Voice and Body Work | Giuliano Campo/Zygmunt Molik | Taylor & Francis | 10131 | 0 |
| The Science Of Acting | Sam Kogan/Helen Kogan | Taylor & Francis | 10131 | 0 |
| AS Drama and Theatre Studies: The Essential Introduction for Edexcel | Alan Perks/Jacqueline Porteous | Taylor & Francis | 10131 | 0 |
| Systems of Rehearsal | Shomit Mitter | Taylor & Francis | 10131 | 0 |
| #RichTV Breaking In | Rich Morrow | Breaking In Vol. 1 | 10096 | 0 |
| Black Women Centre Stage | Paola Prieto López | Taylor & Francis | 9956 | 0 |
| Ethical Agility in Dance | Taylor & Francis | 9956 | 0 | |
| Contemporary Irish Theatre | Kao Wei H. | P.I.E-Peter Lang S.A., Éditions Scientifiques Internationales | 9808 | 0 |
| Acting for Singers | David F. Ostwald | Oxford University Press | 9799 | 0 |
| Acting in Aotearoa | Taylor & Francis | 9781 | 0 | |
| Shakespeare’s First Folio Cue Scripts – Romances and Histories | Patrick Tucker | Taylor & Francis | 9781 | 0 |
| Shakespeare’s First Folio Cue Scripts – Tragedies | Patrick Tucker | Taylor & Francis | 9781 | 0 |
| Shakespeare’s First Folio Cue Scripts - Comedies | Patrick Tucker | Taylor & Francis | 9781 | 0 |
| 1000 Ways to Ask Why | Emily LeQuesne | Taylor & Francis | 9781 | 0 |
| Innovation & Digital Theatremaking | Robert Myles/Valerie Clayman Pye | Taylor & Francis | 9781 | 0 |
| Script Analysis for Actors, Directors, and Designers | James Thomas | Taylor & Francis | 9781 | 0 |
| Foundations for Performance Training | Cara Harker | Taylor & Francis | 9781 | 0 |
| Performing in Contemporary Musicals | David Sisco/Laura Josepher | Taylor & Francis | 9781 | 0 |
| Stanislavsky in Focus | Sharon Marie Carnicke | Taylor & Francis | 9781 | 0 |
| The Singing and Acting Handbook | Thomas De Mallet Burgess/Nicholas Skilbeck | Taylor & Francis | 9781 | 0 |
| Exercises for Embodied Actors | Scott Illingworth | Taylor & Francis | 9781 | 0 |
| Collaborative Playwriting | Taylor & Francis | 9781 | 0 | |
| Application of the Michael Chekhov Technique to Shakespeare’s Sonnets, Soliloquies and Monologues | Mark Monday | Taylor & Francis | 9781 | 0 |
| Changing Direction: A Practical Approach to Directing Actors in Film and Theatre | Lenore DeKoven | Taylor & Francis | 9781 | 0 |
| The Seagull | Taylor & Francis | 9781 | 0 | |
| Acting, Archetype, and Neuroscience | Jane Drake Brody | Taylor & Francis | 9781 | 0 |
| Play Readings | Rob Urbinati | Taylor & Francis | 9781 | 0 |
| Elements of Performance | Pauline Koner | Taylor & Francis | 9781 | 0 |
| The Piscator Notebook | Judith Malina | Taylor & Francis | 9781 | 0 |
| The Routledge Companion to Actors' Shakespeare | Taylor & Francis | 9781 | 0 | |
| The Italian Commedia and Please be Gentle | David Griffiths | Taylor & Francis | 9781 | 0 |
| Performing Brecht | Margaret Eddershaw | Taylor & Francis | 9781 | 0 |
| Commedia Dell'Arte | Oliver Crick/John Rudlin | Taylor & Francis | 9781 | 0 |
| Mental Health Coordination for Stage and Screen | Amanda M. Edwards | Taylor & Francis | 9606 | 0 |
| Stop Memorizing Your Lines | Loren E. Chadima | Taylor & Francis | 9606 | 0 |
| Navigating a Career in Performance | Jessica Champagne Hansen/Camille Schenkkan/Vanessa Mizzone Pellegrini | Taylor & Francis | 9606 | 0 |
| Experiencing Speech: A Skills-Based, Panlingual Approach to Actor Training | Andrea Caban/Julie Foh/Jeffrey Parker | Taylor & Francis | 9606 | 0 |
| Care-full Creativity in Theatre and Dance Education | Nicole Perry | Taylor & Francis | 9606 | 0 |
| Crafting an Intentional Career for the Musical Theatre Performer | David W. Eggers | Taylor & Francis | 9606 | 0 |
| The Art of Drag | Michael Twaits | Taylor & Francis | 9606 | 0 |
| Theatrical Violence Design | Richard Gilbert/David Bareford | Taylor & Francis | 9606 | 0 |
| The Third Space | Robert Lewis | Taylor & Francis | 9606 | 0 |
| Building Embodiment | Taylor & Francis | 9606 | 0 | |
| Mime into Physical Theatre: A UK Cultural History 1970–2000 | Mark Evans/Simon Murray | Taylor & Francis | 9606 | 0 |
| Theatre Masks Out Side In | Wendy J. Meaden/Michael A. Brown | Taylor & Francis | 9606 | 0 |
| Clowns | David Bridel/Ezra LeBank | Taylor & Francis | 9606 | 0 |
| Butoh America | Tanya Calamoneri | Taylor & Francis | 9606 | 0 |
| Directions for Directing | Avra Sidiropoulou | Taylor & Francis | 9606 | 0 |
| The Classical Monologue (M) | Taylor & Francis | 9606 | 0 | |
| Stanislavski's Legacy | Constantin Stanislavski | Taylor & Francis | 9606 | 0 |
| Acting: The First Six Lessons | Richard Boleslavsky | Taylor & Francis | 9606 | 0 |
| The Expressive Actor | Michael Lugering | Taylor & Francis | 9606 | 0 |
| To the Actor | Michael Chekhov | Taylor and Francis | 9606 | 0 |
| In Rehearsal | Gary Sloan | Taylor & Francis | 9606 | 0 |
| Warlikowski: Extra Ecclesiam | Grzegorz Niziolek/Jaroslaw Fazan | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 9259 | 0 |
| Lessons from our Students | Stacey Cabaj/Andrea Odinov | Taylor & Francis | 9258 | 0 |
| Inside The Performance Workshop | Taylor & Francis | 9258 | 0 | |
| The Routledge Companion to Studio Performance Practice | Taylor & Francis | 9258 | 0 | |
| Actors on Guard | Dale Anthony Girard | Taylor & Francis | 9258 | 0 |
| Women, Method Acting, and the Hollywood Film | Keri Walsh | Taylor & Francis | 9258 | 0 |
| Rehearsing Shakespeare | Leon Rubin | Taylor & Francis | 9258 | 0 |
| Style for Actors | Robert Barton | Taylor & Francis | 9258 | 0 |
| The Michael Chekhov Handbook | Lenard Petit | Taylor & Francis | 9258 | 0 |
| How and Why We Teach Shakespeare | Sidney Homan | Taylor & Francis | 9258 | 0 |
| The Performer in Mass Media | Beth Olson | Taylor & Francis | 9258 | 0 |
| The Producer's Playbook: Real People on Camera | Amy DeLouise | Taylor & Francis | 9258 | 0 |
| The Art of Unarmed Stage Combat | Robert Najarian | Taylor & Francis | 9258 | 0 |
| And Then, You Act | Anne Bogart | Taylor & Francis | 9258 | 0 |
| Adaptation and Nation | Catherine Rees | Palgrave Macmillan UK | 9116 | 0 |
| Performing with Resilience | Aryn Mott | Taylor & Francis | 9083 | 0 |
| Spanish Accents and Dialects for Actors | Elisa Gonzales/Josh F.S. Moser/Adi Cabral | Taylor & Francis | 9083 | 0 |
| Critical Acting Pedagogy | Taylor & Francis | 9083 | 0 | |
| The Art of Broadsword Fighting for Stage and Screen | Erick Vaughn Wolfe | Taylor & Francis | 9083 | 0 |
| Secrets of Screen Acting | Patrick Tucker | Taylor & Francis | 9083 | 0 |
| The Actor's Way | Erik Exe Christoffersen | Taylor & Francis | 9083 | 0 |
| Activated Script Analysis | Elizabeth Brendel Horn | Taylor & Francis | 9083 | 0 |
| Ernie McClintock and the Jazz Actors Family | Elizabeth M. Cizmar | Taylor & Francis | 9083 | 0 |
| Lessons from Shakespeare’s Classroom | Robin Lithgow | Taylor & Francis | 9083 | 0 |
| Entangled Performance Histories | Taylor & Francis | 9083 | 0 | |
| Playgrounds | David J. Amelang | Taylor & Francis | 9083 | 0 |
| Hamlet’s Hereditary Queen | Kerrie Roberts | Taylor & Francis | 9083 | 0 |
| Plays of Our Own | Willy Conley | Taylor & Francis | 9083 | 0 |
| Meisner and Mindfulness | Royce Sparks | Taylor & Francis | 9083 | 0 |
| Teaching What You Want to Learn | Bill Evans | Taylor & Francis | 9083 | 0 |
| The Art of Knife Fighting for Stage and Screen | Erick Vaughn Wolfe | Taylor & Francis | 9083 | 0 |
| Cutting Plays for Performance | Toby Malone/Aili Huber | Taylor & Francis | 9083 | 0 |
| Re-Purposing Suzuki | Maria Porter | Taylor & Francis | 9083 | 0 |
| Inclusivity and Equality in Performance Training | Taylor & Francis | 9083 | 0 | |
| Mythic Imagination and the Actor | Marissa Chibás | Taylor & Francis | 9083 | 0 |
| Lessons from The Maestro | David L. Boushey | Taylor & Francis | 9083 | 0 |
| Act as a Feminist | Lisa Peck | Taylor & Francis | 9083 | 0 |
| Inclusive Character Analysis | Jennifer Thomas/Robert J. Vrtis | Taylor & Francis | 9083 | 0 |
| How to Rehearse a Play | Damon Kiely | Taylor & Francis | 9083 | 0 |
| Stage Fright in the Actor | Linda Brennan | Taylor & Francis | 9083 | 0 |
| Shakespeare & Company | Bella Merlin/Tina Packer | Taylor & Francis | 9083 | 0 |
| Auditioning for Musical Theatre | Denny Berry | Taylor & Francis | 9083 | 0 |
| Acting Shakespeare is Outrageous! | Herb Parker | Taylor & Francis | 9083 | 0 |
| One Minute Plays | Taylor & Francis | 9083 | 0 | |
| African Accents | Beth McGuire | Taylor & Francis | 9083 | 0 |
| The Thriving Artist | David Maurice Sharp | Taylor & Francis | 9083 | 0 |
| The Vakhtangov Sourcebook | Taylor & Francis | 9083 | 0 | |
| Acting the Michael Chekhov Way | Lisa Loving Dalton | Taylor & Francis | 8733 | 0 |
| Queering the Stage | Adi Cabral | Taylor & Francis | 8733 | 0 |
| Preparing for Rehearsal | Chris Pickles | Taylor & Francis | 8733 | 0 |
| Improvisation the Michael Chekhov Way | Wil Kilroy | Taylor & Francis | 8733 | 0 |
| Voice Made Visible: Multi-Octave Voice Training and Techniques for Performers | Rafael Lopez-Barrantes | Taylor & Francis | 8733 | 0 |
| How to Swing in Musical Theatre | Jaye J. Elster | Taylor & Francis | 8733 | 0 |
| Acting and Directing Shakespeare's Comedies | Kevin Otos | Taylor & Francis | 8733 | 0 |
| Starting a Theatre Company | Karl Falconer | Taylor & Francis | 8733 | 0 |
| A Practical Guide to Costumed Interpretation | Jackie Lee | Taylor & Francis | 8733 | 0 |
| The Authentic Leader | Royce Sparks | Taylor & Francis | 8733 | 0 |
| Staging Sex | Chelsea Pace | Taylor & Francis | 8733 | 0 |
| Your Body Knows | Meade Andrews, PhD/Jana Tift, MFA | Taylor & Francis | 8733 | 0 |
| Time and Performer Training | Taylor & Francis | 8733 | 0 | |
| The Rise of the Victorian Actor | Michael Baker | Taylor & Francis | 8733 | 0 |
| Henry Irving and The Victorian Theatre | Madeleine Bingham | Taylor & Francis | 8733 | 0 |
| Creating Solo Performance | Sean Bruno/Luke Dixon | Taylor & Francis | 8733 | 0 |
| Auditions | Richard Evans | Taylor & Francis | 8733 | 0 |
| Integrative Performance | Experience Bryon | Taylor & Francis | 8733 | 0 |
| Body Voice Imagination | David Zinder | Taylor & Francis | 8733 | 0 |
| Auditioning On Camera | Joseph Hacker | Taylor & Francis | 8733 | 0 |
| Embodied Acting | Rick Kemp | Taylor & Francis | 8733 | 0 |
| Acting Reframes | Robert Barton | Taylor & Francis | 8733 | 0 |
| Notes From An Odin Actress | Julia Varley | Taylor & Francis | 8733 | 0 |
| The Lee Strasberg Notes | Taylor & Francis | 8733 | 0 | |
| Stanislavsky in America | Mel Gordon | Taylor & Francis | 8733 | 0 |
| The Intercultural Performance Handbook | John Martin | Taylor & Francis | 8733 | 0 |
| How to Read a Play | Damon Kiely | Taylor & Francis | 8559 | 0 |
| Analysis through Action for Actors and Directors | David Chambers | Taylor & Francis | 8559 | 0 |
| The Voice Coach's Toolkit | Pamela Prather | Taylor & Francis | 8559 | 0 |
| Stages of Reckoning | Taylor & Francis | 8559 | 0 | |
| An Actor’s Research | Tamsin Stanley/Philippa Strandberg-Long | Taylor & Francis | 8559 | 0 |
| Peter Brook and the Mahabharata | Taylor & Francis | 8559 | 0 | |
| Acting for the Camera: Back to One | Peter Allen Stone | Taylor & Francis | 8559 | 0 |
| Applied Meisner for the 21st-Century Actor | Kevin Otos/Kim Shively | Taylor & Francis | 8559 | 0 |
| Becoming an Actor’s Director | Regge Life | Taylor & Francis | 8559 | 0 |
| Casting a Movement | Taylor & Francis | 8559 | 0 | |
| Stanislavski in Practice | Nick O'Brien | Taylor & Francis | 8559 | 0 |
| Creating A Role | Constantin Stanislavski | Taylor & Francis | 8559 | 0 |
| Silent Film Performance | Elisabetta Girelli | Springer International Publishing | 8507 | 0 |
| Ivar Kreuger and Jeanne de la Motte | Intellect Books | 8465 | 0 | |
| Actuación y neurociencias | Martín Fons Sastre | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 8457 | 0 |
| The Reason to Sing | Craig Carnelia | Taylor & Francis | 8384 | 0 |
| The Art of Voice Acting | James R. Alburger | Taylor & Francis | 8384 | 0 |
| Audition Speeches for Younger Actors 16+ | Jean Marlow | Taylor & Francis | 8384 | 0 |
| An Actor Prepares | Constantin Stanislavski | Taylor and Francis | 8384 | 0 |
| Psychiatry on the Stage | Carol W. Berman | Oxford University Press | 8165 | 0 |
| Techniques of Acting | Ronald Hayman | Taylor & Francis | 8034 | 0 |
| Poison, Play, and Duel | Nigel Alexander | Taylor & Francis | 8034 | 0 |
| Supporting Staged Intimacy | Alexis Black/Tina M. Newhauser | Taylor & Francis | 8034 | 0 |
| Tragicomedy | David L. Hirst | Taylor & Francis | 8034 | 0 |
| Fifty Key Figures in LatinX and Latin American Theatre | Taylor & Francis | 8034 | 0 | |
| Active Analysis | Maria Knebel | Taylor & Francis | 8034 | 0 |
| An Actor's Handbook | Taylor & Francis | 8034 | 0 | |
| Short Plays with Great Roles for Women | Taylor & Francis | 8034 | 0 | |
| Acting for the Screen | Mary Lou Belli | Taylor & Francis | 8034 | 0 |
| Medieval English Drama | Sidney E. Berger | Taylor & Francis | 8034 | 0 |
| The Physical Actor | Annie Loui | Taylor & Francis | 8034 | 0 |
| Acting for the Stage | Taylor & Francis | 8034 | 0 | |
| A Monologue is an Outrageous Situation! | Herb Parker | Taylor & Francis | 8034 | 0 |
| The Comedy Improv Handbook | Matt Fotis/Siobhan O'Hara | Taylor & Francis | 8034 | 0 |
| American Dialects | Lewis Herman/Marguerite Shalett Herman | Taylor & Francis | 8034 | 0 |
| Stanislavski and the Actor | Jean Benedetti | Taylor & Francis | 8034 | 0 |
| Building A Character | Constantin Stanislavski | Taylor & Francis | 8034 | 0 |
| At Work with Grotowski on Physical Actions | Thomas Richards | Taylor & Francis | 8034 | 0 |
| Acting for Animators | Ed Hooks | Taylor & Francis | 7860 | 0 |
| Audition Success | Don Greene | Taylor & Francis | 7860 | 0 |
| The Voice Book | Michael McCallion | Taylor & Francis | 7860 | 0 |
| Dreamwork for Actors | Janet Sonenberg | Taylor & Francis | 7860 | 0 |
| A History of Intimacy Professionals in Entertainment | Brooke M. Haney | Taylor & Francis | 7685 | 0 |
| Investigating Drama | Kenneth Pickering/Bill Horrocks/David Male | Taylor & Francis | 7685 | 0 |
| Acting Chekhov in Translation | Robin Beth Levenson | Peter Lang Inc., International Academic Publishers | 7552 | 0 |
| Talking Shakespeare | Louis Fantasia | Peter Lang Inc., International Academic Publishers | 7433 | 0 |
| Writing the History of the British Stage | Richard Schoch | Cambridge University Press | 7407 | 0 |
| Theatre in Pieces: Politics, Poetics and Interdisciplinary Collaboration | Bloomsbury Publishing | 7344 | 0 | |
| The Improv Dictionary | David Charles | Taylor & Francis | 7336 | 0 |
| Creating Improvised Theatre | Mark Jane | Taylor & Francis | 7336 | 0 |
| Theatre of the Sphere | Luis Valdez | Taylor & Francis | 7336 | 0 |
| Objectives, Obstacles, and Tactics in Practice | Taylor & Francis | 7336 | 0 | |
| Intermedial Praxis and Practice as Research | Joanne Scott | Palgrave Macmillan UK | 7292 | 0 |
| Dramatism and Musical Theater | Kimberly Eckel Beasley/James P. Beasley | Peter Lang Inc., International Academic Publishers | 7225 | 0 |
| Making a Scene | Bill Gelber | Taylor & Francis | 7161 | 0 |
| Embodied Playwriting | Taylor & Francis | 7161 | 0 | |
| Encountering Texts | Joi Carr/Priya Parmar/Shirley R. Steinberg | Peter Lang Inc., International Academic Publishers | 7098 | 0 |
| Das Kinder- und Jugendtheaterzentrum in der Bundesrepublik Deutschland | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 7084 | 0 | |
| Experiencing Accents: A Knight-Thompson Speechwork® Guide for Acting in Accent | Philip Thompson/Tyler Seiple/Andrea Caban | Taylor & Francis | 6986 | 0 |
| Theatre and Boxing | Franco Ruffini | Taylor & Francis | 6986 | 0 |
| Acting: Make It Your Business | Paul Russell | Taylor & Francis | 6986 | 0 |
| More Alternative Shakespeare Auditions for Women | Simon Dunmore | Taylor & Francis | 6986 | 0 |
| American Accent Drills for British and Australian Speakers | Amanda Quaid | Taylor & Francis | 6986 | 0 |
| Box Set: Ingrid Bergman, Bette Davis, Katharine Hepburn, Elizabeth Taylor | Grace May Carter | New Word City, Inc. | 6986 | 0 |
| Answers from The Working Actor | Jackie Apodaca/Michael Kostroff | Taylor & Francis | 6986 | 0 |
| Voice and Speech in the Theatre | J. Clifford Turner/Malcolm Morrison | Taylor & Francis | 6986 | 0 |
| Presence and Pre-Expressivity 2 | Taylor & Francis | 6986 | 0 | |
| A Chekhov Quartet | Vera Gottlieb | Taylor & Francis | 6986 | 0 |
| Lyric Incarnate | Timothy Westphalen | Taylor & Francis | 6986 | 0 |
| The Modern Monologue | Taylor & Francis | 6986 | 0 | |
| Audition Speeches for Young Actors 16+ | Jean Marlow | Taylor & Francis | 6986 | 0 |
| Alternative Shakespeare Auditions for Women | Taylor & Francis | 6986 | 0 | |
| The Contemporary Monologue: Women | Taylor & Francis | 6986 | 0 | |
| Award Monologues for Women | Taylor and Francis | 6986 | 0 | |
| Award Monologues for Men | Taylor & Francis | 6986 | 0 | |
| Theatre: The Rediscovery of Style and Other Writings | Michel Saint-Denis | Taylor & Francis | 6986 | 0 |
| The Director's Craft | Katie Mitchell | Taylor and Francis | 6986 | 0 |
| Laban's Efforts in Action | Vanessa Ewan/Kate Sagovsky | Bloomsbury Publishing | 6942 | 0 |
| Galvanizing Performance | Debi Adams/Sarah Barker/Corinne Cassini/Kate Conklin/Julianne Eveleigh/Paul Hampton/Julia Guichard/Harvey Thurmer/Michael Frederick/Elaine Williams/Patricia O'Neill/Robert Schubert/Crispin Spaeth | Jessica Kingsley Publishers | 6940 | 0 |
| In the Company of Actors | Carole Zucker | Taylor & Francis | 6811 | 0 |
| The Trap | Tadeusz Rosewicz | Taylor & Francis | 6811 | 0 |
| Merely Players? | Jonathan Holmes | Taylor & Francis | 6811 | 0 |
| A New Corpus Christi | Norman A. Bert | Peter Lang Inc., International Academic Publishers | 6772 | 0 |
| The Politics of British Stand-up Comedy | Sophie Quirk | Springer International Publishing | 6685 | 0 |
| Anatomy of Performance Training | John Matthews | Bloomsbury Publishing | 6675 | 0 |
| Writing and the Modern Stage | Julia Jarcho | Cambridge University Press | 6568 | 0 |
| Stanislavsky and Yoga | Sergei Tcherkasski | Taylor & Francis | 6463 | 0 |
| Cinema of Interruptions | Lalitha Gopalan | Bloomsbury Publishing | 6408 | 0 |
| Performing the Remembered Present | Professor John Lutterbie/Prof Nicola Shaughnessy/Dr Bettina Bläsing/Pil Hansen | Bloomsbury Publishing | 6408 | 0 |
| Script Analysis for Theatre | Professor Robert Knopf | Bloomsbury Publishing | 6408 | 0 |
| Performing Opera | mr Michael Ewans | Bloomsbury Publishing | 6273 | 0 |
| Stage Combat Arts | Christopher DuVal | Bloomsbury Publishing | 6273 | 0 |
| Creating Musical Theatre | Lyn Cramer | Bloomsbury Publishing | 6273 | 0 |
| The Student Actor Prepares | Gai Jones | Intellect Books | 6236 | 0 |
| Behind the Lens | David Suchet | Little, Brown Book Group | 6148 | 0 |
| Stanislavski in Rehearsal | Vasily Osipovich Toporkov | Taylor & Francis | 6113 | 0 |
| The Theatre Arts Audition Book for Men | Taylor & Francis | 6113 | 0 | |
| A World Elsewhere | Steven Berkoff | Taylor & Francis | 6113 | 0 |
| Performing Commedia dell'Arte, 1570-1630 | Natalie Crohn Schmitt | Taylor & Francis | 6113 | 0 |
| Monologues for Actors of Color | Taylor & Francis | 6113 | 0 | |
| Audition Speeches for Women | Taylor & Francis | 6113 | 0 | |
| The Contemporary Monologue: Men | Taylor & Francis | 6113 | 0 | |
| The Theatre Arts Audition Book for Women | Taylor & Francis | 6113 | 0 | |
| Alternative Shakespeare Auditions for Men | Simon Dunmore | Taylor & Francis | 6113 | 0 |
| Mockumentary Comedy | Richard Wallace | Springer International Publishing | 6076 | 0 |
| Russell Brand: Comedy, Celebrity, Politics | Jane Arthurs/Ben Little | Palgrave Macmillan UK | 6076 | 0 |
| Claiming the Real | Brian Winston | Bloomsbury Publishing | 6006 | 0 |
| Acting for the Silent Screen | Chris O'Rourke | Bloomsbury Publishing | 6006 | 0 |
| Voice and the Young Actor | Rena Cook | Bloomsbury Publishing | 6006 | 0 |
| The Final Curtain: The Art of Dying on Stage | Laurence Senelick | Anthem Press | 5940 | 0 |
| Acting Heightened Text | Catherine Weidner | Taylor & Francis | 5938 | 0 |
| Exploring Character Through Structural Metaphor | John Gribas/Angeline Underwood | Taylor & Francis | 5938 | 0 |
| Dramaturgy of Sex on Stage in Contemporary Theatre | Taylor & Francis | 5938 | 0 | |
| An Actor Survives | Tomasz Kubikowski | Taylor & Francis | 5938 | 0 |
| Circus Psychology | Fleur van Rens | Taylor & Francis | 5938 | 0 |
| Commedia dell'Arte, its Structure and Tradition | John Rudlin/Antonio Fava | Taylor & Francis | 5938 | 0 |
| An Actor's Work | Konstantin Stanislavski | Taylor & Francis | 5938 | 0 |
| Theatre Studies: The Basics | Robert Leach | Taylor & Francis | 5938 | 0 |
| Stanislavski: The Basics | Rose Whyman | Taylor and Francis | 5938 | 0 |
| Why Theatre Education Matters | Thalia R. Goldstein | Teachers College Press | 5932 | 0 |
| Drag Histories, Herstories and Hairstories | Prof. Enoch Brater/Mark Taylor-Batty | Bloomsbury Publishing | 5739 | 0 |
| Aline MacMahon | John Stangeland | The University Press of Kentucky | 5590 | 0 |
| Hollywood Unknowns | Anthony Slide | University Press of Mississippi | 5590 | 0 |
| Giving Voice | Carol J. Maples | Taylor & Francis | 5589 | 0 |
| Stanislavski | Jean Benedetti | Taylor & Francis | 5589 | 0 |
| Why Do Actors Train? | Brad Krumholz | Bloomsbury Publishing | 5471 | 0 |
| Clive Barker and His Legacy | Dr Paul Fryer/Dr Nesta Jones | Bloomsbury Publishing | 5471 | 0 |
| Collaborative Embodied Performance | Prof Nicola Shaughnessy/Professor John Lutterbie | Bloomsbury Publishing | 5471 | 0 |
| Sounding Bodies | Ann Cahill/Christine Hamel | Bloomsbury Publishing | 5471 | 0 |
| Thinking Through Theatre and Performance | Bloomsbury Publishing | 5471 | 0 | |
| Directing Screen Performances | Mr Robert Klenner | Bloomsbury Publishing | 5471 | 0 |
| Acting in British Television | Dr Tom Cantrell/Dr Christopher Hogg | Bloomsbury Publishing | 5471 | 0 |
| Fifty Key Improv Performers | Matt Fotis | Taylor & Francis | 5414 | 0 |
| Using Open Scenes to Act Successfully on Stage and Screen | Dan Carter/Brant L. Pope | Taylor & Francis | 5414 | 0 |
| Cold War Theatre (Routledge Revivals) | John Elsom | Taylor & Francis | 5414 | 0 |
| King Solomon's Ring | Konrad Lorenz | Taylor and Francis | 5414 | 0 |
| Das I-Moment: Systemisch spielen, improvisieren und Beziehung gestalten | Maja Dshemuchadse/Stefan Scherbaum/Tobias Wolf/Charlotte Utta/Enrico Sperfeld | Vandenhoeck & Ruprecht | 5400 | 0 |
| TRUTH | Susan Batson/Juliette Binoche | Alexander Verlag Berlin | 5400 | 0 |
| Korean Pansori as Voice Theatre | Chan E. Park/Mr Simon Shepherd | Bloomsbury Publishing | 5338 | 0 |
| Performer Training for Actors and Athletes | Mr Frank Camilleri | Bloomsbury Publishing | 5338 | 0 |
| Rethinking Roland Barthes Through Performance | Bloomsbury Publishing | 5338 | 0 | |
| The Improv Handbook | Tom Salinsky/Deborah Frances-White | Bloomsbury Publishing | 5338 | 0 |
| Rhythm in Acting and Performance | Mr Eilon Morris | Bloomsbury Publishing | 5338 | 0 |
| The Art of Rehearsal | Bloomsbury Publishing | 5338 | 0 | |
| The Actor’s Workbook | Alex Clifton | Bloomsbury Publishing | 5338 | 0 |
| Actor-Musicianship | Jeremy Harrison | Bloomsbury Publishing | 5338 | 0 |
| Cracking Shakespeare | Kelly Hunter | Bloomsbury Publishing | 5338 | 0 |
| The Shakespeare Workbook and Video | David Carey/Rebecca Clark Carey | Bloomsbury Publishing | 5338 | 0 |
| Actors and Acting in Shakespeare's Time | John H. Astington | Cambridge University Press | 5311 | 0 |
| Breath in Action | Debbie Green/Jessica Wolf/Katya Bloom/Mel Churcher/David Carey/Stephanie Martin/Joanna Weir Ouston/Judy Lee Vivier/Rocco Dal Vera/Rebecca Cuthbertson/Gillyanne Kayes/Floyd Kennedy/Yolanda Heman-Ackah/Michael Morgan/Kristin Linklater/Marj McDaid/Tara McAllister-Viel/April Pierrot/Lisa Wilson/Roger Smart | Jessica Kingsley Publishers | 5251 | 0 |
| The Politics of the Musical Theatre Screen Adaptation | Oxford University Press | 5195 | 0 | |
| Acts | Tzachi Zamir | University of Michigan Press | 5163 | 0 |
| Michael Gambon | Jasper Rees | Cornerstone | 5115 | 0 |
| Laban - Aristotle | Kiki Selioni | ELLINOEKDOTIKI | 5081 | 0 |
| Clown | Joe Dieffenbacher | Bloomsbury Publishing | 5071 | 0 |
| Voice into Acting | Christina Gutekunst/Mr John Gillett | Bloomsbury Publishing | 5071 | 0 |
| Michael Chekhov’s Acting Technique | Ms Sinéad Rushe | Bloomsbury Publishing | 5071 | 0 |
| Applied Improvisation | Theresa Robbins Dudeck/Caitlin McClure | Bloomsbury Publishing | 5071 | 0 |
| Play Acting | Luke Dixon | Bloomsbury Publishing | 5071 | 0 |
| Secrets of Performing Confidence | Mr Andrew Evans | Bloomsbury Publishing | 5071 | 0 |
| Encountering Ensemble | Reader in Drama, Theatre and Performance David Barnett/Michael Boyd/Bryan Brown/Mr Frank Camilleri/Franc Chamberlain/Terence Chapman/John Collins/Antje Diedrich/Mark Evans/Tanya Gerstle/Professor of Theatre and Media Drama Richard J. Hand/Peter Harrop/Paz Hilfinger-Pardo/Kate Hunter/Malgorzata Jablonska/Duncan Jamieson/Evelyn Jamieson/Chris Johnston/Brad Krumholz/Rebecca Loukes/Mr Eilon Morris/Jonathan Pitches/Anna Porubcansky/Duška Radosavljevic/Marianne Sharp/Amy Skinner/Patrick Stewart/Susan Thompson/Mark Valdez/Julia Varley/Phillip Zarrilli/Dr Adam J. Ledger/Dr. Paul Carr | Bloomsbury Publishing | 5071 | 0 |
| Acting | Bella Merlin | Taylor & Francis | 5064 | 0 |
| Play Directing | Damon Kiely | Taylor & Francis | 5064 | 0 |
| Anne Frank on the Postwar Dutch Stage | Remco Ensel | Taylor & Francis | 5064 | 0 |
| Costume Design: The Basics | T.M. Delligatti | Taylor & Francis | 5064 | 0 |
| Duologues for All Accents and Ages | Taylor & Francis | 5064 | 0 | |
| Contemporary Scenes for Actors | Michael Earley/Philippa Keil | Taylor & Francis | 5064 | 0 |
| Trish Arnold | Lizzie Ballinger | Bloomsbury Publishing | 4938 | 0 |
| The Vocal Arts Workbook | David Carey/Rebecca Clark Carey | Bloomsbury Publishing | 4938 | 0 |
| The Moment of Speech | Annie Morrison | Bloomsbury Publishing | 4938 | 0 |
| The Dramatic Text Workbook and Video | David Carey/Rebecca Clark Carey | Bloomsbury Publishing | 4938 | 0 |
| A Life-coaching Approach to Screen Acting | Daniel Dresner | Bloomsbury Publishing | 4938 | 0 |
| The Laban Workbook for Actors | Barbara Adrian/Claire Porter/Tom Casciero/Katya Bloom/Jennifer Mizenko | Bloomsbury Publishing | 4938 | 0 |
| Impossible Plays | Keith Dewhurst/Mr Jack Shepherd | Bloomsbury Publishing | 4938 | 0 |
| Singing on Stage | Jane Streeton/Philip Raymond | Bloomsbury Publishing | 4938 | 0 |
| In the Studio with Joyce Piven | Joyce Piven/Susan Applebaum | Bloomsbury Publishing | 4938 | 0 |
| Performing Grand-Guignol | Prof. Richard J. Hand/Prof. Michael Wilson | University of Exeter Press | 4901 | 0 |
| Improvising Out Loud | Jeff Corey/Janet Neipris | The University Press of Kentucky | 4892 | 0 |
| Play-Acting | Luke Dixon | Taylor & Francis | 4890 | 0 |
| Dance Lexicon in Shakespeare and His Contemporaries | Fabio Ciambella | Taylor & Francis | 4890 | 0 |
| Charles Boyer | John Baxter | The University Press of Kentucky | 4885 | 0 |
| What Would Garrick Do? Or, Acting Lessons from the Eighteenth Century | James Harriman-Smith | Bloomsbury Publishing | 4804 | 0 |
| Speaking Shakespeare | Patsy Rodenburg | Bloomsbury Publishing | 4804 | 0 |
| The Clowning Workbook | Jon Davison | Bloomsbury Publishing | 4804 | 0 |
| Dynamic Acting through Active Analysis | Sharon Marie Carnicke | Bloomsbury Publishing | 4804 | 0 |
| Michael Chekhov Technique in the Twenty-First Century | Bloomsbury Publishing | 4804 | 0 | |
| An Introduction to Theatre, Performance and the Cognitive Sciences | Professor John Lutterbie | Bloomsbury Publishing | 4804 | 0 |
| Puppetry in Theatre and Arts Education | Johanna Smith | Bloomsbury Publishing | 4804 | 0 |
| A Director’s Guide to the Art of Stand-up | Chris Head | Bloomsbury Publishing | 4804 | 0 |
| Comedy Acting for Theatre | Professor Sidney Homan/Dr Brian Rhinehart | Bloomsbury Publishing | 4804 | 0 |
| Acting Stanislavski | Mr John Gillett | Bloomsbury Publishing | 4804 | 0 |
| Acting Class | Milton Katselas | Phoenix Books, Inc. | 4800 | 0 |
| Schauspielen. Die Sanford-Meisner-Technik | Sanford Meisner/Dennis Longwell | Alexander Verlag Berlin | 4800 | 0 |
| Complete Works of Meta Davis Cumberbatch | Peter Maynard | Peter Maynard | 4764 | 0 |
| My Life In Art | Constantin Stanislavski | Bloomsbury Publishing | 4759 | 0 |
| Walking, Writing and Performance | Roberta Mock | Intellect Books | 4752 | 0 |
| Theatre and Consciousness | Daniel Meyer-Dinkgräfe | Intellect Books Ltd | 4752 | 0 |
| The Ultimate Musical Theater College Audition Guide | Amy Rogers Schwartzreich | Oxford University Press | 4751 | 0 |
| Thought in Action | Barbara Gail Montero | OUP Oxford | 4751 | 0 |
| RAD Musical Theatre Graded Syllabus | RAD Royal Academy of Dance | Royal Academy of Dance Enterprises Ltd | 4716 | 0 |
| The Energetic Performer | Amanda Brennan | Jessica Kingsley Publishers | 4688 | 0 |
| Acting Realism | Stephen Bayly | Bloomsbury Publishing | 4671 | 0 |
| Stanislavski and The Method for the 21st Century Actor | David Barrouk | Bloomsbury Publishing | 4671 | 0 |
| The Right to Speak | Patsy Rodenburg | Bloomsbury Publishing | 4671 | 0 |
| The Applied Improvisation Mindset | Bloomsbury Publishing | 4671 | 0 | |
| Introduction to the Alexander Technique | Bill Connington | Bloomsbury Publishing | 4671 | 0 |
| Voice and Speech for Musical Theatre | Chris Palmer | Bloomsbury Publishing | 4671 | 0 |
| Stanislavski In Rehearsal | Vasili Toporkov | Bloomsbury Publishing | 4671 | 0 |
| Acting with Passion | Niki Flacks | Bloomsbury Publishing | 4671 | 0 |
| From Stage to Screen | Bill Britten | Bloomsbury Publishing | 4671 | 0 |
| Keith Johnstone | Theresa Robbins Dudeck | Bloomsbury Publishing | 4671 | 0 |
| The Alexander Technique For Actors | Kelly McEvenue | Bloomsbury Publishing | 4609 | 0 |
| Tough Ain't Enough | Stephen Prince/Jonathan Kirshner/Diane Carson/David Sterritt/Murray Pomerance/Lucy Bolton/Alexandra Keller/Charity Lofthouse/Lester D. Friedman/David Desser | Rutgers University Press | 4465 | 0 |
| Making Believe | Lisa Bode | Rutgers University Press | 4465 | 0 |
| The Need for Words | Patsy Rodenburg | Bloomsbury Publishing | 4403 | 0 |
| The Actor Speaks | Patsy Rodenburg | Bloomsbury Publishing | 4403 | 0 |
| Inside the Rehearsal Room | Robert Marsden | Bloomsbury Publishing | 4403 | 0 |
| Voiceover Narration | Dian Perry | Bloomsbury Publishing | 4403 | 0 |
| The Outstanding Actor | Mr Ken Rea | Bloomsbury Publishing | 4403 | 0 |
| Adrian Lester and Lolita Chakrabarti: A Working Diary | Adrian Lester/Ms Lolita Chakrabarti | Bloomsbury Publishing | 4403 | 0 |
| Screen Acting Skills | Mr Roger Wooster/Paul Conway | Bloomsbury Publishing | 4403 | 0 |
| The Singer Acts, The Actor Sings | Glenn Seven Allen | Bloomsbury Publishing | 4403 | 0 |
| The Actor and His Body | Litz Pisk | Bloomsbury Publishing | 4403 | 0 |
| Euripides' Medea | Michael Ewans | Taylor & Francis | 4366 | 0 |
| The changing spaces of television acting | Richard Hewett | Manchester University Press | 4325 | 0 |
| Moment of Action | Murray Pomerance | Rutgers University Press | 4325 | 0 |
| A Loving Hollywood Romance | Douglas Albert Amos | Douglas Amos | 4300 | 0 |
| The Life and Legacy of a Modern Icon – Arnold Schwarzenegger | Douglas Albert Amos | Douglas Amos | 4300 | 0 |
| Jacques Tati His Life & Art | David Bellos | Random House | 4261 | 0 |
| Robert De Niro at Work | Adam Ganz/Steven Price | Springer International Publishing | 4254 | 0 |
| Hollywood Unknowns | Anthony Slide | University Press of Mississippi | 4193 | 0 |
| Guillaume | Robert Guillaume/David Ritz | University of Missouri Press | 4187 | 0 |
| Too Darn Hot | Hannah Robbins | Oxford University Press | 4156 | 0 |
| The Integrated Actor | Alex Taylor | Bloomsbury Publishing | 4136 | 0 |
| Working Together in Theatre | Professor Robert Cohen/Joel Veenstra | Bloomsbury Publishing | 4136 | 0 |
| The Alexander Technique | Peter Ribeaux | Bloomsbury Publishing | 4136 | 0 |
| The Craft of Screen Acting | Amanda Brennan | Bloomsbury Publishing | 4136 | 0 |
| Auditioning for Film and Television | Nancy Bishop | Bloomsbury Publishing | 4136 | 0 |
| Julie Hesmondhalgh: A Working Diary | Julie Hesmondhalgh | Bloomsbury Publishing | 4136 | 0 |
| The Oberon Anthology of Contemporary American Plays | Ann Marie Healy/Nick Jones/Ms Suzan-Lori Parks/Adam Rapp | Bloomsbury Publishing | 4136 | 0 |
| Actor Movement | Vanessa Ewan/Debbie Green | Bloomsbury Publishing | 4136 | 0 |
| How To Do Accents | Edda Sharpe/Jan Haydn Rowles | Bloomsbury Publishing | 4136 | 0 |
| An Actor's Tricks | Lorna Marshall/Yoshi Oida | Bloomsbury Publishing | 4136 | 0 |
| The Sarah Siddons Audio Files | Judith Pascoe | University of Michigan Press | 4046 | 0 |
| Freeing the Natural Voice | Kristin Linklater | Silman-James Press, Inc. | 4018 | 0 |
| The Art and Business of Acting for Video Games | Julia Bianco Schoeffling | Nibi Press, LLC | 4008 | 0 |
| Cary Grant, the Making of a Hollywood Legend | Mark Glancy | Oxford University Press | 4008 | 0 |
| Voice Training Through Acting and Movement | Chris Palmer | Bloomsbury Publishing | 4002 | 0 |
| The Theatre of the Oppressed in Practice Today | Ali Campbell | Bloomsbury Publishing | 4002 | 0 |
| Out of the Black Box | Pamela Jikiemi | Bloomsbury Publishing | 4002 | 0 |
| A Beginner’s Guide to Acting Methods | Kimberly Shire | Bloomsbury Publishing | 4002 | 0 |
| Your Rep Book | Adam Wachter | Bloomsbury Publishing | 4002 | 0 |
| (Asian) Dramaturgs’ Network: Sensing, Complexity, Tracing and Doing | Centre 42 | 4000 | 0 | |
| Where There's A Will | Will Mellor | Little, Brown Book Group | 3912 | 0 |
| The Audition Series: Auditionarium, Auditionomicon, Auditionatrix | Pete Malicki | Undo Redo Press | 3850 | 0 |
| Monosauce | Pete Malicki | Undo Redo Press | 3850 | 0 |
| Contemporary Duologues Collection | Nick Hern Books | 3840 | 0 | |
| Impro | Mr Keith Johnstone | Bloomsbury Publishing | 3768 | 0 |
| Out of Character | Alison Steadman | HarperCollins Publishers | 3752 | 0 |
| Worthy | Jada Pinkett Smith | HarperCollins Publishers | 3752 | 0 |
| Elizabeth Taylor | Kate Andersen Brower | HarperCollins Publishers | 3752 | 0 |
| My Pressures | Andy Serkis | Ebury Publishing | 3751 | 0 |
| The Pulse Approach | Tanya Gerstle | Bloomsbury Publishing | 3735 | 0 |
| An Actor’s Guide to Corporate Role Play | Syrus Lowe | Bloomsbury Publishing | 3735 | 0 |
| Acting is Your Business | Wendy S. Kurtzman | Bloomsbury Publishing | 3735 | 0 |
| Listening and Talking | Ms Evan Yionoulis | Bloomsbury Publishing | 3735 | 0 |
| The Vespers | Philip Ridley | Bloomsbury Publishing | 3735 | 0 |
| From Craft to Career | Merri Sugarman/Tracy Moss | Bloomsbury Publishing | 3735 | 0 |
| Introduction to Speechwork for Actors | Ron Carlos | Bloomsbury Publishing | 3735 | 0 |
| Performing for Motion Capture | John Dower/Pascal Langdale | Bloomsbury Publishing | 3735 | 0 |
| My Character Wouldn’t Do That | Ms Donna Soto-Morettini | Bloomsbury Publishing | 3735 | 0 |
| The Art of Resonance | Anne Bogart | Bloomsbury Publishing | 3735 | 0 |
| The Actor's Business Plan | Jane Drake Brody | Bloomsbury Publishing | 3735 | 0 |
| Teaching Actors | Ross W. Prior | Intellect Books | 3711 | 0 |
| Serious Play | Louise Peacock | Intellect Books | 3711 | 0 |
| The Morality of Mrs. Dulska | Teresa Murjas | Intellect Books Ltd | 3711 | 0 |
| Performing Processes | Roberta Mock | Intellect Books Ltd | 3711 | 0 |
| The Young and the Rest of Us | Jess Walton | Citadel Press | 3689 | 0 |
| Ireneusz Iredynski | Taylor & Francis | 3667 | 0 | |
| The Palgrave Handbook of Sound Design and Music in Screen Media | Palgrave Macmillan UK | 3645 | 0 | |
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| Actors’ and Performers’ Yearbook 2026 | Bloomsbury Publishing | 3600 | 0 | |
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| Actors' and Performers' Yearbook 2023 | Bloomsbury Publishing | 3600 | 0 | |
| Shakespearean Rhetoric | Benet Brandreth | Bloomsbury Publishing | 3600 | 0 |
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| Audition Speeches for Young Actors 16+ | Jean Marlow | Bloomsbury Publishing | 3568 | 0 |
| Stage Combat: Armed (Rapier & Dagger) | Roger Bartlett | Nick Hern Books | 3520 | 0 |
| LAMDA Verse and Prose Anthology: Volume 20 | LAMDA Exams | Nick Hern Books | 3520 | 0 |
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| Then What Happens? | Mike Alfreds | Nick Hern Books | 3520 | 0 |
| Into the Blue | Emma Brodie | Orion | 3493 | 0 |
| The Eight Characters of Comedy | Scott Sedita | Atides Publishing | 3487 | 0 |
| You Can Act! | Brown Brown | Michael Wiese Productions | 3487 | 0 |
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| Actors’ and Performers’ Yearbook 2024 | Bloomsbury Publishing | 3467 | 0 | |
| The Invisible Actor | Yoshi Oida/Lorna Marshall | Bloomsbury Publishing | 3467 | 0 |
| The 'd' Monologues | Kaite O'Reilly/Phillip Zarrilli | Bloomsbury Publishing | 3467 | 0 |
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| Actors and Performers Yearbook 2015 | Lloyd Trott | Bloomsbury Publishing | 3467 | 0 |
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| The Rules of Acting | Michael Simkins | Ebury Publishing | 3409 | 0 |
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| The Modern Supernatural and the Beginnings of Cinema | Murray Leeder | Palgrave Macmillan UK | 3402 | 0 |
| Modern Acting | Cynthia Baron | Palgrave Macmillan UK | 3402 | 0 |
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| Learning for the Future | Verlag Theater der Zeit | 3400 | 0 | |
| The New Business of Acting | Brad Lemack | Ingenuity Press | 3347 | 0 |
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| Actors and Performers Yearbook 2016 | Bloomsbury Publishing | 3340 | 0 | |
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| Actors' and Performers' Yearbook 2022 | Bloomsbury Publishing | 3333 | 0 | |
| Stanislavski: An Introduction | Jean Benedetti | Bloomsbury Publishing | 3333 | 0 |
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