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| タイトル | 著者 | 出版社 | 価格 | 値引率 |
|---|---|---|---|---|
| Smile When the Raindrops Fall | Brian Anthony/Andy Edmonds | Bloomsbury Publishing | 10537 | 4 |
| Authentic Voice and Speech | Louis Colaianni/Peter Marciano | Taylor & Francis | 10655 | 0 |
| Michael Chekhov’s Pedagogy from Europe to America, Volume II | Lenka Pichlíková-Burke | Taylor & Francis | 10655 | 0 |
| Michael Chekhov’s Pedagogy from Europe to America, Volume I | Lenka Pichlíková-Burke | Taylor & Francis | 10655 | 0 |
| Seven Pillars Acting | Sonya Cooke | Taylor & Francis | 10655 | 0 |
| Commedia dell’Arte | Taylor & Francis | 10655 | 0 | |
| Zombies, Werewolves, Robots, and Extraterrestrials | Gerald Large | Taylor & Francis | 10655 | 0 |
| Stanislavsky and Place | Taylor & Francis | 10655 | 0 | |
| Women and Age on the UK Stage | Bridie Moore | Taylor & Francis | 10655 | 0 |
| Stanislavsky and Screen Actor Training | Taylor & Francis | 10655 | 0 | |
| Milestones in Actor Training | Taylor & Francis | 10655 | 0 | |
| Carlo Boso | Peter Jordan/Olly Crick | Taylor & Francis | 10655 | 0 |
| Being Black and British | Taylor & Francis | 10655 | 0 | |
| Temporary Stages III | Jo Beth Gonzalez | Taylor & Francis | 10655 | 0 |
| Stanislavsky and Mindfulness | Taylor & Francis | 10655 | 0 | |
| Actor Trainers on Acting | Taylor & Francis | 10655 | 0 | |
| How to Rehearse a Scene | Timothy Johnson | Taylor & Francis | 10655 | 0 |
| Practicing Archetype | Göze Saner | Taylor & Francis | 10655 | 0 |
| Three Plays by Luis Valdez | Luis Valdez | Taylor & Francis | 10655 | 0 |
| Stanislavsky and Gender | Taylor & Francis | 10655 | 0 | |
| Radical Sensing and Performer Training | Rebecca Loukes | Taylor & Francis | 10655 | 0 |
| Independent Performing Arts in Europe | Thomas Fabian Eder | Taylor & Francis | 10655 | 0 |
| Bourdieu in the Studio | Evi Stamatiou | Taylor & Francis | 10655 | 0 |
| America Under the Influence | Chloë Rae Edmonson | Taylor & Francis | 10655 | 0 |
| The Loss of Small White Clouds | Morgan Batch | Taylor & Francis | 10655 | 0 |
| Contemporary Storytelling Performance | Stephe Harrop | Taylor & Francis | 10655 | 0 |
| Puppet and Spirit: Ritual, Religion, and Performing Objects | Taylor & Francis | 10655 | 0 | |
| Reconstructing Performance Art | Taylor & Francis | 10655 | 0 | |
| Contemporary Irish Theatre and Social Change | Emer O'Toole | Taylor & Francis | 10655 | 0 |
| Shakespeare and Cultural Appropriation | Taylor & Francis | 10655 | 0 | |
| Vocal Traditions | Taylor & Francis | 10655 | 0 | |
| Venus’s Palace | Reut Barzilai | Taylor & Francis | 10655 | 0 |
| Songs of Tagore | Rabindranath Tagore/Satyajit Ray | Taylor & Francis | 10655 | 0 |
| A Sourcebook of Performance Labor | Joey Orr | Taylor & Francis | 10655 | 0 |
| Harold Pinter's Shakespeare | Charles Morton | Taylor & Francis | 10655 | 0 |
| Imitation and Contamination of the Classics in the Comedies of Ben Jonson | Tom Harrison | Taylor & Francis | 10655 | 0 |
| Devised Theater’s Collaborative Performance | Telory D Arendell | Taylor & Francis | 10655 | 0 |
| Appropriations of Irish Drama in Modern Korean Nationalist Theatre | Hunam Yun | Taylor & Francis | 10655 | 0 |
| From Playtext to Performance on the Early Modern Stage | Leslie Thomson | Taylor & Francis | 10655 | 0 |
| Deburau | Edward Nye | Taylor & Francis | 10655 | 0 |
| Copeau/Decroux, Irving/Craig | Thomas Leabhart | Taylor & Francis | 10655 | 0 |
| Shakespeare’s Contested Nations | L. Monique Pittman | Taylor & Francis | 10655 | 0 |
| ASHÉ | Taylor & Francis | 10655 | 0 | |
| Aesthetic Collectives | Andrew Wiskowski | Taylor & Francis | 10655 | 0 |
| Borderlands Children’s Theatre | Cecilia Josephine Aragón | Taylor & Francis | 10655 | 0 |
| Eugene O'Neill's Philosophy of Difficult Theatre | Jeremy Killian | Taylor & Francis | 10655 | 0 |
| Mysticism in the Theater | Tom Block | Taylor & Francis | 10655 | 0 |
| Chinese Traditional Theatre and Male Dan | Guo Chao | Taylor & Francis | 10655 | 0 |
| Pandemic Performance | Taylor & Francis | 10655 | 0 | |
| D’Oyly Carte | Paul Seeley | Taylor & Francis | 10655 | 0 |
| French Theatre, Orientalism, and the Representation of India, 1770-1865 | David Hammerbeck | Taylor & Francis | 10655 | 0 |
| Consent in Shakespeare | Artemis Preeshl | Taylor & Francis | 10655 | 0 |
| Rabindranath Tagore's Theatre | Abhijit Sen | Taylor & Francis | 10655 | 0 |
| Performances that Change the Americas | Taylor & Francis | 10655 | 0 | |
| Precariousness and the Performances of Welfare | Taylor & Francis | 10655 | 0 | |
| On Screen Acting | Edward Dmytryk/Jean Porter Dmytryk | Taylor & Francis | 10655 | 0 |
| Book of Sides II: Original, Two-Page Scenes for Actors and Directors | Dave Kost | Taylor & Francis | 10655 | 0 |
| Stanislavsky: A Life in Letters | Taylor & Francis | 10655 | 0 | |
| Towards a Poor Theatre | Jerzy Grotowski | Taylor & Francis | 10655 | 0 |
| Crossing the Stage | Taylor & Francis | 10655 | 0 | |
| The Theatre Practice of Tadashi Suzuki | Paul Allain | Bloomsbury Publishing | 10692 | 0 |
| The Second Birth of Theatre | Mirosław Kocur | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 10714 | 0 |
| Voice: Onstage and Off | Robert Barton/Rocco Dal Vera | Taylor & Francis | 10830 | 0 |
| In Search of Marie-Antoinette in the 1930s | T. Lawrence Larkin | Springer International Publishing | 10938 | 0 |
| Recovery and Well-being in the Performing Arts | Taylor & Francis | 11004 | 0 | |
| Crafting Short Screenplays That Connect | Claudia Hunter Johnson | Taylor & Francis | 11004 | 0 |
| In Search of Stanislavsky’s Creative State on the Stage | Gabriela Curpan | Taylor & Francis | 11004 | 0 |
| Contemporary Rehearsal Practice | Gary Cassidy | Taylor & Francis | 11004 | 0 |
| Property and Finance on the Post-Brexit London Stage | Michael Meeuwis | Taylor & Francis | 11004 | 0 |
| Partners of the Imagination | Robert Leach | Taylor & Francis | 11004 | 0 |
| Somatic Voices in Performance Research and Beyond | Taylor & Francis | 11004 | 0 | |
| Film, History and Cultural Citizenship | Taylor & Francis | 11004 | 0 | |
| The Routledge Companion to Performance Practitioners | Taylor & Francis | 11004 | 0 | |
| Minstrel Traditions | Kevin Byrne | Taylor & Francis | 11004 | 0 |
| Shakespeare in Singapore | Philip Smith | Taylor & Francis | 11004 | 0 |
| Stunts of Late Nineteenth-Century New York | Kirstin Smith | Taylor & Francis | 11004 | 0 |
| Reframing Acting in the Digital Age | Artemis Preeshl | Taylor & Francis | 11004 | 0 |
| Incapacity and Theatricality | Tony McCaffrey | Taylor & Francis | 11004 | 0 |
| Jacques Lecoq | Simon Murray | Taylor & Francis | 11004 | 0 |
| Acting, Spectating and the Unconscious | Maria Grazia Turri | Taylor & Francis | 11004 | 0 |
| Foreign Dialects | Lewis Herman/Marguerite Shalett Herman | Taylor & Francis | 11004 | 0 |
| Screen Acting | Taylor & Francis | 11004 | 0 | |
| The Body in Performance | Taylor & Francis | 11004 | 0 | |
| The Rise and Fall of the Well-Made Play (Routledge Revivals) | John Russell Taylor | Taylor & Francis | 11004 | 0 |
| Acting and Performance for Animation | Derek Hayes | CRC Press | 11004 | 0 |
| Actor Training | Alison Hodge | Taylor and Francis | 11004 | 0 |
| L’éclosion d’une parole de théâtre | Dominique Ninanne | P.I.E-Peter Lang S.A., Éditions Scientifiques Internationales | 11063 | 0 |
| Kunqu Masters on Chinese Theatrical Performance | Yip Siu Hing | Anthem Press | 11136 | 0 |
| The Embattled Academy | Heath A. Diehl | Taylor & Francis | 11354 | 0 |
| Performing Recovery | Zoe Zontou | Taylor & Francis | 11354 | 0 |
| No Mother, No Future | Kailin Wright | Taylor & Francis | 11354 | 0 |
| The Science of Arts Engagement | Agnieszka Wlazeł | Taylor & Francis | 11354 | 0 |
| In Search of the Performer’s Way | Jong Hyuk Song | Taylor & Francis | 11354 | 0 |
| Laughter, Power, and the Unconscious | Maria Grazia Turri/Bridget Escolme | Taylor & Francis | 11354 | 0 |
| New Approaches to Ernst Lubitsch | Taylor & Francis | 11354 | 0 | |
| Shakespeare's 'Method' for Actors | Christine Ozanne | Taylor & Francis | 11354 | 0 |
| Edward Albee and the Emergence of Difference and Diversity in US and World Theatre | Taylor & Francis | 11354 | 0 | |
| Black Activists Write Wheatley and Washington | Lurana Donnels O’Malley | Taylor & Francis | 11354 | 0 |
| Vladimir Nemirovich-Danchenko and the Moscow Art Theatre | Inna Solovyova | Taylor & Francis | 11354 | 0 |
| Contemporary Performance and Political Economy | Katerina Paramana | Taylor & Francis | 11354 | 0 |
| Performing Corporate Bodies | Sarah Saddler | Taylor & Francis | 11354 | 0 |
| Staging Muslims in Britain | Önder Çakırtaş | Taylor & Francis | 11354 | 0 |
| The Human Touch | Chloé Arros | Taylor & Francis | 11354 | 0 |
| Beyond Innocence | Adele Senior | Taylor & Francis | 11354 | 0 |
| Living Death in Early Modern Drama | James Alsop | Taylor & Francis | 11354 | 0 |
| Transfiguring Tragedy | Ryder Thornton | Taylor & Francis | 11354 | 0 |
| The Legacy of Stylistic Theatre in the Creation of a Modern Sinhala Drama in Sri Lanka | Lakshmi D. Bulathsinghala | Taylor & Francis | 11354 | 0 |
| The Shakespeare North Playhouse | Taylor & Francis | 11354 | 0 | |
| Theatre in Practice | Nick O'Brien | Taylor & Francis | 11354 | 0 |
| Meaning in the Midst of Performance | Gareth White | Taylor & Francis | 11354 | 0 |
| How Does Disability Performance Travel? | Taylor & Francis | 11354 | 0 | |
| La MaMa Experimental Theatre – A Lasting Bridge Between Cultures | Monica Cristini | Taylor & Francis | 11354 | 0 |
| Ibsen in the Decolonised South Asian Theatre | Taylor & Francis | 11354 | 0 | |
| Equestrian Drama | Taylor & Francis | 11354 | 0 | |
| Attention in Performance | Cassis Kilian | Taylor & Francis | 11354 | 0 |
| Scoring the Hollywood Actor in the 1950s | Gregory Camp | Taylor & Francis | 11354 | 0 |
| Why the Theatre | Taylor & Francis | 11354 | 0 | |
| Act Approach:The Use of Suggestion for Intergrated Learning | Lynn Dhority | Taylor & Francis | 11354 | 0 |
| European Performative Theatre | Annamaria Cascetta | Taylor & Francis | 11354 | 0 |
| Screening Characters | Taylor & Francis | 11354 | 0 | |
| Secrets of Acting Shakespeare | Patrick Tucker | Taylor & Francis | 11354 | 0 |
| Acting in the Academy | Peter Zazzali | Taylor & Francis | 11354 | 0 |
| Essential Acting | Brigid Panet | Taylor & Francis | 11354 | 0 |
| The Mannequins' Ball | Daniel Gerould/Bruno Jaslenski | Taylor & Francis | 11354 | 0 |
| The Simpleton | Sergei Kokovkin | Taylor & Francis | 11354 | 0 |
| Theorizing Film Acting | Taylor & Francis | 11354 | 0 | |
| Brecht Sourcebook | Taylor & Francis | 11354 | 0 | |
| Dodin and the Maly Drama Theatre | Maria Shevstova | Taylor & Francis | 11354 | 0 |
| The Kinetics of the Invisible | Matteo Bonfitto | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 11441 | 0 |
| The Routledge Companion to Musical Theatre | Taylor & Francis | 11528 | 0 | |
| The Routledge Companion to Vsevolod Meyerhold | Taylor & Francis | 11528 | 0 | |
| The Routledge Pantomime Reader | Taylor & Francis | 11528 | 0 | |
| Phenomenology for Actors | Daniel Johnston | Intellect Books | 11583 | 0 |
| New Territories | P.I.E-Peter Lang S.A., Éditions Scientifiques Internationales | 11627 | 0 | |
| On Training and Performance | Roberta Carreri | Taylor & Francis | 11703 | 0 |
| Shylock on the Stage | Toby Lelyveld | Taylor & Francis | 11703 | 0 |
| Adolphe Appia | Richard C. Beacham | Taylor & Francis | 11703 | 0 |
| So Therefore... | Al Ruscio | Taylor & Francis | 11703 | 0 |
| An Actor's Work | Konstantin Stanislavski | Taylor and Francis | 11703 | 0 |
| Jacobean Public Theatre | Alexander Leggatt | Taylor & Francis | 11703 | 0 |
| British and French Television Drama | Joy Leman | Intellect Books | 11872 | 0 |
| Etienne Decroux and his Theatre Laboratory | Marco de Marinis | Taylor & Francis | 11878 | 0 |
| Acting in Musical Theatre | Joe Deer/Rocco Dal Vera | Taylor & Francis | 11878 | 0 |
| Lightwork | Patrick Duggan | Intellect Books | 11879 | 0 |
| ‘Dancing As If Language No Longer Existed’ | Katarzyna Ojrzynska | Peter Lang AG, Internationaler Verlag der Wissenschaften | 11894 | 0 |
| LO: TECH: POP: CULT | Taylor & Francis | 12053 | 0 | |
| The Routledge Companion to Performance Practitioners | Taylor & Francis | 12053 | 0 | |
| The Routledge Anthology of British Women Playwrights, 1777-1843 | Taylor & Francis | 12053 | 0 | |
| Nikolai Demidov | Nikolai Demidov | Taylor & Francis | 12053 | 0 |
| A Dream | Felicja Kruszewska | Taylor & Francis | 12053 | 0 |
| The Casting Handbook | Suzy Catliff/Jennifer Granville | Taylor & Francis | 12053 | 0 |
| Psychophysical Acting | Phillip B. Zarrilli | Taylor & Francis | 12053 | 0 |
| Mr Price, or Tropical Madness and Metaphysics of a Two- Headed Calf | Stanislaw Ignacy Witkiewicz | Taylor & Francis | 12053 | 0 |
| Acting Shakespeare | Bertram Leon Joseph | Taylor & Francis | 12228 | 0 |
| The Politics of American Actor Training | Taylor & Francis | 12228 | 0 | |
| An Actor's Work on a Role | Konstantin Stanislavski | Taylor & Francis | 12228 | 0 |
| Movement Training for the Modern Actor | Mark Evans | Taylor & Francis | 12228 | 0 |
| Crossing Cultural Borders Through the Actor's Work | Cláudia Tatinge Nascimento | Taylor & Francis | 12228 | 0 |
| The Routledge Companion to Performance-Related Concepts in Non-European Languages | Taylor & Francis | 12403 | 0 | |
| A Strange Proximity | Jon Foley Sherman | Taylor & Francis | 12403 | 0 |
| Physical Theatres | Simon Murray/John Keefe | Taylor & Francis | 12403 | 0 |
| The Routledge Companion to Commedia dell'Arte | Taylor & Francis | 12403 | 0 | |
| Arthur Lessac's Embodied Actor Training | Melissa Hurt | Taylor & Francis | 12403 | 0 |
| Improvisation Hypermedia and the Arts since 1945 | Roger Dean/Hazel Smith | Taylor & Francis | 12403 | 0 |
| An Introduction to the Phenomenology of Performance Art | T. J. Bacon | Intellect Books | 12623 | 0 |
| Dancer – Researcher – Performer: A Learning Process | Graziela Rodrigues | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 12719 | 0 |
| Movement | Robert Barton/Barbara Sellers-Young | Taylor & Francis | 12926 | 0 |
| The Routledge Companion to Jacques Lecoq | Taylor & Francis | 12926 | 0 | |
| The Major Plays of Nikolai Erdman | Nikolai Erdman | Taylor & Francis | 12926 | 0 |
| Bakhtin and Theatre | Dick Mccaw | Taylor & Francis | 12926 | 0 |
| Acting with Grotowski | Zbigniew Cynkutis | Taylor & Francis | 12926 | 0 |
| The Routledge Companion to Stanislavsky | Taylor & Francis | 12926 | 0 | |
| The Path Of The Actor | Michael Chekhov | Taylor & Francis | 12926 | 0 |
| Dialects for the Stage | Evangeline Machlin | Taylor & Francis | 12926 | 0 |
| Games for Actors and Non-Actors | Augusto Boal | Taylor & Francis | 13276 | 0 |
| Modern Drama by Women 1880s-1930s | Taylor & Francis | 13276 | 0 | |
| Shakespeare in the Theatre Kathryn Hunter | Stephen Purcell/Dr. Farah Karim Cooper/Stephen Purcell/Peter Holland | Bloomsbury Publishing | 13365 | 0 |
| Blockbuster Performances | Daniel Smith-Rowsey | Palgrave Macmillan UK | 13369 | 0 |
| Film Stardom and the Ancient Past | Michael Williams | Palgrave Macmillan UK | 13369 | 0 |
| Dance’s Duet with the Camera | Palgrave Macmillan UK | 13369 | 0 | |
| The Routledge Anthology of Restoration and Eighteenth-Century Performance | Taylor & Francis | 13450 | 0 | |
| The Odin Teatret Archives | Mirella Schino | Taylor & Francis | 13450 | 0 |
| A Critical Companion to Lynn Nottage | Taylor & Francis | 13450 | 0 | |
| The Routledge Companion to Michael Chekhov | Taylor & Francis | 13450 | 0 | |
| Postcolonial Plays | Taylor & Francis | 13450 | 0 | |
| Acting (Re)Considered | Taylor & Francis | 13450 | 0 | |
| Actress | Yvonne Mitchell | Taylor & Francis | 13625 | 0 |
| Voice and Identity | Taylor & Francis | 13625 | 0 | |
| Out of Time? | Taylor & Francis | 13625 | 0 | |
| British Nautical Melodramas, 1820–1850 | Arnold Schmidt | Taylor & Francis | 13625 | 0 |
| British Nautical Melodramas, 1820–1850 | Arnold Schmidt | Taylor & Francis | 13625 | 0 |
| Bernard Shaw in Brazil | Rosalie Rahal Haddad | Peter Lang AG, Internationaler Verlag der Wissenschaften | 13625 | 0 |
| Your Murderer | Vassily Aksyonov | Taylor & Francis | 13625 | 0 |
| Acting Power | Robert Cohen | Taylor and Francis | 13625 | 0 |
| The Physiognomical Discourse and European Theatre | Maria-Christina Mur | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 13714 | 0 |
| Acting and its Refusal in Theatre and Film | Marian McCurdy | Intellect Books | 13784 | 0 |
| Die Praxis der/des Echo | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 13809 | 0 | |
| Interkulturalitaet und Transkulturalitaet in Drama, Theater und Film | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 13809 | 0 | |
| Adolphe Appia: Artist and Visionary of the Modern Theatre | Richard C. Beacham | Taylor & Francis | 14149 | 0 |
| Science and the Stanislavsky Tradition of Acting | Jonathan Pitches | Taylor & Francis | 14149 | 0 |
| Commedia Dell'Arte: An Actor's Handbook | John Rudlin | Taylor & Francis | 14149 | 0 |
| Immigration and Contemporary British Theater | Victoria Sams | Peter Lang Inc., International Academic Publishers | 14352 | 0 |
| The Improvisation Studies Reader | Taylor & Francis | 14498 | 0 | |
| Performing Identity | Barry King | Springer International Publishing | 14585 | 0 |
| Anglo-American Stage and Screen Drama | Mike Ingham | Springer International Publishing | 14585 | 0 |
| Interactional Approach to Cinematic Discourse | Neda Chepinchikj | Springer International Publishing | 14585 | 0 |
| When Warners Brought Broadway to Hollywood, 1923-1939 | Martin Shingler | Palgrave Macmillan UK | 14585 | 0 |
| Python beyond Python | Springer International Publishing | 14585 | 0 | |
| Music in Contemporary French Cinema | Phil Powrie | Springer International Publishing | 14585 | 0 |
| Shakespeare in the Theatre: Reduced Shakespeare Company | Dr Ronan Hatfull/Stephen Purcell/Peter Holland/Dr. Farah Karim Cooper | Bloomsbury Publishing | 14702 | 0 |
| Human Theatre and Energetic Alchemy | Richard Martinez | Intellect Books | 14842 | 0 |
| Acting and Character Animation | Rolf Giesen/Anna Khan | CRC Press | 14848 | 0 |
| The Routledge Anthology of Restoration and Eighteenth-Century Drama | Taylor & Francis | 14848 | 0 | |
| Theatre for Lifelong Learning | Rae Mansfield/Linda Lau | Intellect Books | 14850 | 0 |
| On the Origins of Theater | Mirosław Kocur | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 14894 | 0 |
| Cruel Britannia | Jolene Armstrong | Peter Lang AG, Internationaler Verlag der Wissenschaften | 15088 | 0 |
| Playing Shakespeare's Villains | Peter Lang Inc., International Academic Publishers | 15294 | 0 | |
| Playing Shakespeare’s Lovers | Peter Lang Inc., International Academic Publishers | 15294 | 0 | |
| Performance and Real Relationships | Ildikó Rippel | Bloomsbury Publishing | 15369 | 0 |
| The Actor's Survival Guide | Jon S. Robbins | Bloomsbury Publishing | 15369 | 0 |
| Le corps de l’audible | Helga Finter | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 15524 | 0 |
| Experiencing Stanislavsky Today | Stephanie Daventry French/Philip G. Bennett | Taylor & Francis | 15546 | 0 |
| Performativity in the Gallery | Peter Lang AG, Internationaler Verlag der Wissenschaften | 15726 | 0 | |
| The Commedia dell'Arte of Flaminio Scala | Bloomsbury Publishing | 15748 | 4 | |
| No-Budget Feature Filmmaking in the Digital Era | Adam Nixon | Springer Nature Switzerland | 15800 | 0 |
| Nonprofessional Film Performance | Miguel Gaggiotti | Springer International Publishing | 15800 | 0 |
| Embodying Adaptation | Christina Wilkins | Springer International Publishing | 15800 | 0 |
| Adaptation Considered as a Collaborative Art | Springer International Publishing | 15800 | 0 | |
| Acting Indie | Cynthia Baron/Yannis Tzioumakis | Palgrave Macmillan UK | 15800 | 0 |
| Digital Bodies | Palgrave Macmillan UK | 15800 | 0 | |
| The Question of Skill | Dr Adam J. Ledger | Bloomsbury Publishing | 16037 | 0 |
| Die Schwedischen Ballette – Les Ballets Suédois | Karin Dietrich | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 16171 | 0 |
| Versuch ueber Kundry | Chikako Kitagawa | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 16171 | 0 |
| The Power of Theater | Miroslaw Kocur | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 16238 | 0 |
| A Study on the Thematic, Narrative, and Musical Structure of Guan Hanqing’s Yuan «Zaju, Injustice to Dou E» | Yumin Ao | Peter Lang Inc., International Academic Publishers | 16349 | 0 |
| Chaos in Theater | Anna Grazia Cafaro | Peter Lang Inc., International Academic Publishers | 16899 | 0 |
| Acting and performance in Hitchcock | Manchester University Press | 17750 | 0 | |
| Performer Training Reconfigured | Mr Frank Camilleri | Bloomsbury Publishing | 18042 | 0 |
| Virtual Character Design for Games and Interactive Media | Robin James Stuart Sloan | CRC Press | 18168 | 0 |
| Inhabiting Ustopia: Science Fiction in Film, Performing Arts, and Digital Media | Springer Nature Switzerland | 18231 | 0 | |
| Staging the Other in Nineteenth-Century British Drama | Peter Lang AG, Internationaler Verlag der Wissenschaften | 18354 | 0 | |
| Die Commedia dell’arte im Theater des 20. Jahrhunderts | Veit Bessenbacher | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 18354 | 0 |
| Literatura y ficción | Alfonso Martín Jiménez | Peter Lang AG, Internationaler Verlag der Wissenschaften | 19268 | 0 |
| Body Language in Film | Yang Yang | Springer Nature Singapore | 19447 | 0 |
| Oral Interpretation | Timothy Gura/Benjamin Powell | Taylor & Francis | 21137 | 0 |
| A Dictionary of Theatre Anthropology | Eugenio Barba | Taylor & Francis | 21137 | 0 |
| Experimental and Expanded Animation | Springer International Publishing | 21878 | 0 | |
| Performing Arts and Digital Humanities | Clarisse Bardiot | Wiley | 22757 | 0 |
| Die soufflierte Stimme: Text, Theater, Medien | Helga Finter | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 22898 | 0 |
| The Cambridge Encyclopedia of Stage Actors and Acting | Cambridge University Press | 29070 | 0 | |
| Actresses as Working Women | Tracy C. Davis | Taylor & Francis | 40878 | 0 |
| British Nautical Melodramas, 1820–1850 | Arnold Schmidt | Taylor & Francis | 42800 | 0 |