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| タイトル | 著者 | 出版社 | 価格 | 値引率 |
|---|---|---|---|---|
| Heaviness in Metal Music Production, Volume II | Jan-Peter Herbst/Mark Mynett | Taylor & Francis | 0 | 0 |
| Heaviness in Metal Music Production, Volume I | Jan-Peter Herbst/Mark Mynett | Taylor & Francis | 0 | 0 |
| Etudes on the Philosophy of Music | Juozas Rimas/Juozas Rimas Jr. | Springer Nature Switzerland | 0 | 0 |
| Código Grey - Ingeniería Musical | Damn Black | Damn Black | 0 | 0 |
| Cultural Policy for Arts Education | Wolfgang Schneider/Yvette Hardie/Emily Akuno/Daniel Gad | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 0 | 0 |
| Synthesizer Cookbook: How to Use Filters | Screech House | Screech House | 0 | 0 |
| Global Metal Music and Culture | Taylor & Francis | 0 | 0 | |
| Tritonus-Tuning für Gitarre & andere Saiteninstrumente - Eine kleine Einführung - Teil II | Zarko Maroli | Zarko Maroli | 0 | 0 |
| Tritonus-Tuning für Gitarre & andere Saiteninstrumente - Eine kleine Einführung - Teil I | Zarko Maroli | Zarko Maroli | 0 | 0 |
| The Modes of Ancient Greek Music | D. B. Monro/Colton Marsh | DigiCat | 150 | 52 |
| Descriptive Analyses of Piano Works | Edward Baxter Perry/Tyler Ashford | DigiCat | 150 | 52 |
| Manual on Music Form | Percy Goetschius | Musaicum Books | 150 | 52 |
| Piano and Song | Friedrich Wieck | DigiCat | 150 | 0 |
| How to Appreciate Music | Gustav Kobbé | Good Press | 150 | 0 |
| The Evolution of Modern Orchestration | Louis Adolphe Coerne | DigiCat | 310 | 0 |
| Lessons in Music Form | Percy Goetschius/Max Dillon | DigiCat | 310 | 0 |
| The Evolution of Modern Orchestration | Louis Adolphe Coerne/Dorian Ellsworth | Good Press | 310 | 0 |
| Sketch of a New Esthetic of Music | Ferruccio Busoni/Fiona Dixon | Good Press | 310 | 0 |
| Entwurf einer neuen Ästhetik der Tonkunst | Ferruccio Busoni/Winslow Marsh | Good Press | 310 | 0 |
| How to Write Music: Musical Orthography | Clement A. Harris/Quentin Sharp | Good Press | 310 | 0 |
| Piano and Song | Friedrich Wieck/Kelsey Bates | Good Press | 310 | 0 |
| Theory and Practice of Piano Construction | William Braid White/Kelsey Ramsey | Good Press | 310 | 0 |
| The Modes of Ancient Greek Music | D. B. Monro/Kayla Huntley | Good Press | 390 | 0 |
| Descriptive Analyses of Piano Works | Edward Baxter Perry/Holly Murray | Good Press | 390 | 0 |
| L’espressività come modello interpretativo dell’esperienza musicale | Roberto Terlizzi | Robertoterlizzi | 763 | 0 |
| La obra de arte del futuro (2a ed.) | Richard Wagner | Publicacions de la Universitat de València | 1300 | 0 |
| Music and the Mind | Anthony Storr | HarperCollins Publishers | 1378 | 0 |
| La voce e lo spazio | Carlo Serra | Il Saggiatore | 1400 | 0 |
| Histoire de la Marseillaise | Julien Tiersot/Ligaran | Ligaran | 1500 | 0 |
| Let's Talk About Love | Carl Wilson | Bloomsbury Publishing | 1675 | 2 |
| Beethoven | Laura Tunbridge | Penguin Books Ltd | 1836 | 0 |
| Quasi Una Fantasia | Theodor Adorno | Verso | 1837 | 0 |
| Against Ambience | PhD Seth Kim-Cohen | Bloomsbury Publishing | 1969 | 2 |
| Music Theory For Dummies | Michael Pilhofer/Holly Day | Wiley | 2512 | 0 |
| In Search of Wagner | Theodor Adorno | Verso | 2757 | 0 |
| Music as an Art | Sir Roger Scruton | Bloomsbury Publishing | 3015 | 0 |
| Against Ambience and Other Essays | PhD Seth Kim-Cohen | Bloomsbury Publishing | 3020 | 2 |
| Humming | Professor Suk-Jun Kim | Bloomsbury Publishing | 3284 | 2 |
| John Gunn: Musician Scholar in Enlightenment Britain | George Kennaway | Boydell & Brewer | 3364 | 0 |
| Wild Sound | Michael Pigott | Bloomsbury Publishing | 3416 | 2 |
| Re-Making Sound | Professor Justin Patch/Professor or Dr. Thomas Porcello | Bloomsbury Publishing | 3677 | 2 |
| Sonic Fiction | Professor Holger Schulze | Bloomsbury Publishing | 3677 | 2 |
| The Race of Sound | Nina Sun Eidsheim | Duke University Press | 3762 | 0 |
| Hearing Haneke | Elsie Walker | Oxford University Press | 3861 | 0 |
| Urban Roar | Dr Jordan Lacey | Bloomsbury Publishing | 3940 | 2 |
| Desire in Chromatic Harmony | Kenneth M. Smith | Oxford University Press | 4004 | 0 |
| Nothing but Noise | Zachary Wallmark | Oxford University Press | 4147 | 0 |
| Resonant Matter | Prof Lutz Koepnick | Bloomsbury Publishing | 4204 | 2 |
| Sinister Resonance | David Toop | Bloomsbury Publishing | 4204 | 2 |
| Musicology and Dance | Cambridge University Press | 4308 | 0 | |
| Sonic Possible Worlds, Revised Edition | Dr Salomé Voegelin | Bloomsbury Publishing | 4334 | 2 |
| Ludic Dreaming | David Cecchetto/Marc Couroux/Ted Hiebert/Eldritch Priest | Bloomsbury Publishing | 4334 | 2 |
| Sonic Technologies | Robert Strachan | Bloomsbury Publishing | 4334 | 2 |
| Future Nostalgia | Professor of English Shelton Waldrep | Bloomsbury Publishing | 4334 | 2 |
| Absolute Music | Mark Evan Bonds | Oxford University Press | 4432 | 0 |
| Clara Schumann Studies | Cambridge University Press | 4441 | 0 | |
| Sound Art Revisited | Professor Alan Licht | Bloomsbury Publishing | 4466 | 2 |
| Understanding Music | Sir Roger Scruton | Bloomsbury Publishing | 4498 | 0 |
| Musical Concerns | Jerrold Levinson | OUP Oxford | 4575 | 0 |
| The Romantic Generation | Charles Rosen | Harvard University Press | 4577 | 0 |
| The Sonic Episteme | Robin James | Duke University Press | 4705 | 0 |
| Music and the Sonorous Sublime in European Culture, 1680–1880 | Cambridge University Press | 4711 | 0 | |
| Bossa Mundo | K.E. Goldschmitt | Oxford University Press | 4718 | 0 |
| Physics of the Piano | Nicholas J. Giordano | OUP Oxford | 4718 | 0 |
| Music with Stanley Cavell in Mind | Bloomsbury Publishing | 4728 | 2 | |
| Listening, Belonging, and Memory | Dr. Abigail Gardner | Bloomsbury Publishing | 4728 | 2 |
| Resonances | Bloomsbury Publishing | 4728 | 2 | |
| Sonic Identity at the Margins | Bloomsbury Publishing | 4860 | 2 | |
| The Cognitive Continuum of Electronic Music | Professor or Dr. Anil Çamci | Bloomsbury Publishing | 4860 | 2 |
| The Acoustics of the Social on Page and Screen | Bloomsbury Publishing | 4860 | 2 | |
| The Political Possibility of Sound | Dr Salomé Voegelin | Bloomsbury Publishing | 4860 | 2 |
| When Genres Collide | Professor Matt Brennan | Bloomsbury Publishing | 4860 | 2 |
| Beyond Unwanted Sound | Marie Thompson | Bloomsbury Publishing | 4860 | 2 |
| After Sound | G Douglas Barrett | Bloomsbury Publishing | 4860 | 2 |
| Groove | Assistant Professor Tiger C. Roholt | Bloomsbury Publishing | 4860 | 2 |
| Sonic Possible Worlds | Dr Salomé Voegelin | Bloomsbury Publishing | 4860 | 2 |
| Reverberations | Bloomsbury Publishing | 4860 | 2 | |
| Listening to Noise and Silence | Dr Salomé Voegelin | Bloomsbury Publishing | 4860 | 2 |
| Timbre | Professor or Dr. Isabella Van Elferen | Bloomsbury Publishing | 5122 | 2 |
| Sonic Phantoms | Dr Barbara Ellison/Thomas Bey William Bailey | Bloomsbury Publishing | 5122 | 2 |
| Beyond Art | Dominic McIver Lopes | OUP Oxford | 5147 | 0 |
| Improvisation in Music and Philosophical Hermeneutics | Dr Sam McAuliffe | Bloomsbury Publishing | 5270 | 0 |
| Making Meaning in Popular Song | Theodore Gracyk | Bloomsbury Publishing | 5270 | 0 |
| Heidegger and Music | Joshua Spier | Bloomsbury Publishing | 5386 | 2 |
| Brahms's Violin Sonatas | Joel Lester | Oxford University Press | 5433 | 0 |
| Form as Harmony in Rock Music | Drew Nobile | Oxford University Press | 5433 | 0 |
| Writing through Music | Jann Pasler | Oxford University Press | 5433 | 0 |
| Artistic Creation | Paul Fairfield/Jeff Mitscherling | Bloomsbury Publishing | 5649 | 2 |
| Future Sounds | Stephen Kennedy | Bloomsbury Publishing | 5649 | 2 |
| Schubert's Late Music | Cambridge University Press | 5654 | 0 | |
| The Cambridge Companion to Adorno | Cambridge University Press | 5654 | 0 | |
| Immanence and Immersion | Will Schrimshaw | Bloomsbury Publishing | 5781 | 2 |
| The Origins of Music Theory in the Age of Plato | Prof Sean Alexander Gurd | Bloomsbury Publishing | 5786 | 0 |
| The Sonic Persona | Professor Holger Schulze | Bloomsbury Publishing | 5910 | 2 |
| The Relentless Pursuit of Tone | Oxford University Press | 6006 | 0 | |
| Antithetical Arts | Peter Kivy | OUP Oxford | 6006 | 0 |
| Godard and Sound | Albertine Fox | Bloomsbury Publishing | 6043 | 0 |
| Sound Actions | Alexander Refsum Jensenius | MIT Press | 6057 | 0 |
| Music in the London Theatre from Purcell to Handel | Cambridge University Press | 6058 | 0 | |
| Musical Witness and Holocaust Representation | Amy Lynn Wlodarski | Cambridge University Press | 6058 | 0 |
| Gustav Mahler's Symphonic Landscapes | Thomas Peattie | Cambridge University Press | 6058 | 0 |
| Sound and the Aesthetics of Play | Justin Christensen | Springer International Publishing | 6076 | 0 |
| Cognition, Culture, and the Arts | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 6172 | 0 | |
| A Theory of Minimalism | Marc Botha | Bloomsbury Publishing | 6172 | 0 |
| Chaos Media | Stephen Kennedy | Bloomsbury Publishing | 6305 | 2 |
| Inner Sound | Jonathan Weinel | Oxford University Press | 6435 | 0 |
| Musical Emotions Explained | Patrik N. Juslin | OUP Oxford | 6578 | 0 |
| Physics and Mathematics in Musical Composition | Kinko Tsuji/Stefan C. Müller | Springer Nature Switzerland | 6685 | 0 |
| The Children's Music Studio | Wendell Hanna | Oxford University Press | 6721 | 0 |
| Interactive Technologies and Music Making | Tracy Redhead | Taylor & Francis | 6729 | 0 |
| Expanding the Horizon of Electroacoustic Music Analysis | Cambridge University Press | 6730 | 0 | |
| The Bloomsbury Handbook of Sonic Methodologies | Bloomsbury Publishing | 6962 | 2 | |
| Music, Art, and Metaphysics | Jerrold Levinson | OUP Oxford | 7007 | 0 |
| Hip-Hop within and without the Academy | Karen Snell/Johan Söderman | Bloomsbury Publishing | 7093 | 2 |
| From Music to Mathematics | Gareth E. Roberts | Johns Hopkins University Press | 7128 | 0 |
| The Oxford Handbook of Algorithmic Music | Oxford University Press | 7150 | 0 | |
| The Oxford Handbook of Technology and Music Education | Oxford University Press | 7150 | 0 | |
| The Oxford Handbook of New Audiovisual Aesthetics | Oxford University Press | 7150 | 0 | |
| Generalized Musical Intervals and Transformations | David Lewin | Oxford University Press | 7150 | 0 |
| Philosophers on Music | OUP Oxford | 7150 | 0 | |
| The Philosophy of Rhythm | Oxford University Press | 7436 | 0 | |
| Audio Production Principles | Stephane Elmosnino | Oxford University Press | 7436 | 0 |
| Networked Music Performance | Miriam Iorwerth | Taylor & Francis | 7570 | 0 |
| Performing Electronic Music Live | Kirsten Hermes | Taylor & Francis | 7570 | 0 |
| Mastering Electronic Dance Music | Alexandra Bartles | Taylor & Francis | 8075 | 0 |
| Electronic Visual Music | Dave Payling | Taylor & Francis | 8075 | 0 |
| Become a Competent Music Producer in 365 Days | Sam George | Taylor & Francis | 8075 | 0 |
| The Oxford Handbook of Music Psychology | OUP Oxford | 8151 | 0 | |
| Mathematical Music | Nikita Braguinski | Taylor & Francis | 8412 | 0 |
| The MIDI Manual | David Miles Huber | Taylor & Francis | 8412 | 0 |
| The Oxford Handbook of Music and the Brain | OUP Oxford | 8580 | 0 | |
| Handbook of Music and Emotion | OUP Oxford | 8723 | 0 | |
| The Roland x0x Series | James Newman | Taylor & Francis | 8748 | 0 |
| Critical Listening Education in Sound Engineering | Taylor & Francis | 8748 | 0 | |
| Making It Happen | Hannah Trigwell | Taylor & Francis | 8748 | 0 |
| The Creative Electronic Music Producer | Thomas Brett | Taylor & Francis | 8748 | 0 |
| Drum Sound and Drum Tuning | Rob Toulson | Taylor & Francis | 8748 | 0 |
| Leading with Sound | Rob Bridgett | Taylor & Francis | 8748 | 0 |
| Live Looping in Musical Performance | Taylor & Francis | 8917 | 0 | |
| The Art of Digital Orchestration | Sam McGuire/Zbyněk Matějů | Taylor & Francis | 9085 | 0 |
| Ecologies of Creative Music Practice | Matthew Lovett | Taylor & Francis | 9253 | 0 |
| Major Label Mastering | Evren Göknar | Taylor & Francis | 9253 | 0 |
| Voice-Overs | Bernard Graham Shaw | Taylor & Francis | 9253 | 0 |
| Collaboration, Engagement, and Tradition in Contemporary and Electronic Music | Taylor & Francis | 9422 | 0 | |
| Leadership in Music Technology Education | Daniel Walzer | Taylor & Francis | 9422 | 0 |
| Remastering Music and Cultural Heritage | Stephen Bruel | Taylor & Francis | 9422 | 0 |
| Music Technology Essentials | Andrew Maz | Taylor & Francis | 9422 | 0 |
| Reimagining Sample-based Hip Hop | Michail Exarchos | Taylor & Francis | 9422 | 0 |
| The Music of Film | Steven A. Saltzman | Taylor & Francis | 9422 | 0 |
| Introduction to Digital Music with Python Programming | Michael S. Horn/Melanie West/Cameron Roberts | Taylor & Francis | 9422 | 0 |
| Handmade Electronic Music | Nicolas Collins | Taylor & Francis | 9422 | 0 |
| Audio Metering | Eddy Brixen | Taylor & Francis | 9422 | 0 |
| Sound Inventions | Taylor & Francis | 9590 | 0 | |
| Tonus Peregrinus: The History of a Psalm-tone and its use in Polyphonic Music | Mattias Lundberg | Taylor & Francis | 9590 | 0 |
| Virtual Reality Audio | Anıl Çamcı/Jason Corey | Taylor & Francis | 9758 | 0 |
| Sound Signatures | Nick Feldman | Taylor & Francis | 9758 | 0 |
| Making Synthwave | Jess Blaise Ward | Taylor & Francis | 9758 | 0 |
| Principles of Electronic Music Production | Thomas Brett | Taylor & Francis | 9758 | 0 |
| Play with Sound | Tommaso Rosati/Timothy Hsu | Taylor & Francis | 9758 | 0 |
| Digital Sampling | Paul Harkins | Taylor & Francis | 9758 | 0 |
| Artificial Intelligence and Music Ecosystem | Taylor & Francis | 10095 | 0 | |
| Mathematics and Music | James S. Walker/Gary Don | CRC Press | 10095 | 0 |
| Build AI-Enhanced Audio Plugins with C++ | Matthew John Yee-King | Taylor & Francis | 10430 | 0 |
| The Music in the Data | Christopher White | Taylor & Francis | 10430 | 0 |
| Beggars Banquet and the Rolling Stones' Rock and Roll Revolution | Taylor & Francis | 10430 | 0 | |
| Beyond Christian Hip Hop | Taylor & Francis | 10430 | 0 | |
| Music�Psychoanalysis�Musicology | Taylor & Francis | 10430 | 0 | |
| Music, Time, and Its Other | Roger Savage | Taylor & Francis | 10430 | 0 |
| A Geometry of Music | Dmitri Tymoczko | Oxford University Press | 10439 | 0 |
| Mixing in Flow | Jane Arnison | Taylor & Francis | 10599 | 0 |
| Distortion in Music Production | Taylor & Francis | 10767 | 0 | |
| Marketing Recorded Music | Tammy Donham/Amy Sue Macy/Clyde Philip Rolston | Taylor & Francis | 10767 | 0 |
| Being True to Works of Music | Julian Dodd | OUP Oxford | 11011 | 0 |
| Elements of Sonata Theory | James Hepokoski/Warren Darcy | Oxford University Press | 11298 | 0 |
| The Routledge Companion to Teaching Music Composition in Schools | Taylor & Francis | 11440 | 0 | |
| From Servant to Savant | Rebecca Dowd Geoffroy-Schwinden | Oxford University Press | 11441 | 0 |
| Designing Interactions for Music and Sound | Taylor & Francis | 11608 | 0 | |
| Analog Synthesizers: Understanding, Performing, Buying | Mark Jenkins | Taylor & Francis | 11608 | 0 |
| Analyzing Recorded Music | Taylor & Francis | 11945 | 0 | |
| Inventing the Recording | Eva Moreda Rodríguez | Oxford University Press | 12013 | 0 |
| The Extravagance of Music | Gavin Hopps/David Brown | Springer International Publishing | 12154 | 0 |
| Innovation in Music: Innovative Creative Practice | Taylor & Francis | 12282 | 0 | |
| Innovation in Music: Current Research Perspectives | Taylor & Francis | 12282 | 0 | |
| Innovation in Music: Innovation Pathways | Taylor & Francis | 12450 | 0 | |
| Mixing Audio | Roey Izhaki | Taylor & Francis | 12450 | 0 |
| Contemporary Music | Irène Deliège | Taylor & Francis | 12450 | 0 |
| Music and the Modern Condition: Investigating the Boundaries | Ljubica Ilic | Taylor & Francis | 12450 | 0 |
| Music, Masculinity and the Claims of History | Ian Biddle | Taylor & Francis | 12450 | 0 |
| Music and Marx | Taylor & Francis | 12450 | 0 | |
| Hearing Homophony | Megan Kaes Long | Oxford University Press | 12728 | 0 |
| Compression Mode | Stephen Kennedy | Bloomsbury Publishing | 13136 | 2 |
| The Sound of Ontology | Kenneth LaFave | Bloomsbury Publishing | 13136 | 2 |
| Reminded by the Instruments | You Nakai | Oxford University Press | 13156 | 0 |
| The Solfeggio Tradition | Nicholas Baragwanath | Oxford University Press | 13156 | 0 |
| Words, Music, and the Popular | Springer International Publishing | 13369 | 0 | |
| Innovation in Music: Cultures and Contexts | Taylor & Francis | 13460 | 0 | |
| Innovation in Music: Technology and Creativity | Taylor & Francis | 13460 | 0 | |
| Sounding the Virtual: Gilles Deleuze and the Theory and Philosophy of Music | Nick Nesbitt | Taylor & Francis | 13460 | 0 |
| Towards a Twenty-First-Century Feminist Politics of Music | Sally Macarthur | Taylor & Francis | 13460 | 0 |
| Unity Game Audio Implementation | Andrew Coggan | Taylor & Francis | 13628 | 0 |
| Aesthetics of Music | Taylor & Francis | 13628 | 0 | |
| Music as Creative Practice | Nicholas Cook | Oxford University Press | 14301 | 0 |
| The Mathematical Theory of Tone Systems | Jan Haluska | CRC Press | 15143 | 0 |
| Coproduction | Robert Wilsmore/Christopher Johnson | Taylor & Francis | 15143 | 0 |
| A Musicology for Landscape | David Nicholas Buck | Taylor & Francis | 15478 | 0 |
| A Study on the Thematic, Narrative, and Musical Structure of Guan Hanqing’s Yuan «Zaju, Injustice to Dou E» | Yumin Ao | Peter Lang Inc., International Academic Publishers | 15748 | 0 |
| Expressiveness in music performance | OUP Oxford | 16017 | 0 | |
| Music, Culture and Social Reform in the Age of Wagner | James Garratt | Cambridge University Press | 17096 | 0 |
| An Introduction to Music Technology | Dan Hosken | Taylor & Francis | 17329 | 0 |
| Proceedings of the 9th Conference on Sound and Music Technology | Springer Nature Singapore | 18231 | 0 | |
| The Routledge Companion to Philosophy and Music | Taylor & Francis | 18676 | 0 | |
| Engineering of Music for the Digital Age | Jeffrey Ewing/Steven Simske | River Publishers | 20192 | 0 |
| The Power and Value of Music | Andreas Kramarz | Peter Lang Inc., International Academic Publishers | 21175 | 0 |
| The Oxford Handbook of Timbre | Emily I. Dolan/Alexander Rehding | Oxford University Press | 23454 | 0 |
| Proceedings of the 11th Conference on Sound and Music Technology | Springer Nature Singapore | 24309 | 0 | |
| Proceedings of the 10th Conference on Sound and Music Technology | Springer Nature Singapore | 26740 | 0 | |
| The History of the Erard Piano and Harp in Letters and Documents, 1785–1959 | Cambridge University Press | 39980 | 0 | |
| Chopin | John Rink | Taylor & Francis | 75719 | 0 |
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