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| タイトル | 著者 | 出版社 | 価格 | 値引率 |
|---|---|---|---|---|
| Compression Mode | Stephen Kennedy | Bloomsbury Publishing | 4622 | 65 |
| How to Appreciate Music | Gustav Kobbé | Good Press | 150 | 50 |
| The Modes of Ancient Greek Music | D. B. Monro/Kayla Huntley | Good Press | 300 | 23 |
| Descriptive Analyses of Piano Works | Edward Baxter Perry/Holly Murray | Good Press | 300 | 23 |
| Entwurf einer neuen Ästhetik der Tonkunst | Ferruccio Busoni/Winslow Marsh | Good Press | 250 | 22 |
| The Modes of Ancient Greek Music | D. B. Monro/Colton Marsh | DigiCat | 300 | 6 |
| Descriptive Analyses of Piano Works | Edward Baxter Perry/Tyler Ashford | DigiCat | 300 | 6 |
| Piano and Song | Friedrich Wieck | DigiCat | 300 | 6 |
| The Evolution of Modern Orchestration | Louis Adolphe Coerne | DigiCat | 300 | 6 |
| Lessons in Music Form | Percy Goetschius/Max Dillon | DigiCat | 300 | 6 |
| The Evolution of Modern Orchestration | Louis Adolphe Coerne/Dorian Ellsworth | Good Press | 300 | 6 |
| Sketch of a New Esthetic of Music | Ferruccio Busoni/Fiona Dixon | Good Press | 300 | 6 |
| Manual on Music Form | Percy Goetschius | Musaicum Books | 300 | 6 |
| How to Write Music: Musical Orthography | Clement A. Harris/Quentin Sharp | Good Press | 300 | 6 |
| Theory and Practice of Piano Construction | William Braid White/Kelsey Ramsey | Good Press | 300 | 6 |
| Wild Sound | Michael Pigott | Bloomsbury Publishing | 3340 | 4 |
| Music with Stanley Cavell in Mind | Bloomsbury Publishing | 4622 | 4 | |
| Listening, Belonging, and Memory | Dr. Abigail Gardner | Bloomsbury Publishing | 4622 | 4 |
| Urban Roar | Dr Jordan Lacey | Bloomsbury Publishing | 3852 | 4 |
| Heidegger and Music | Joshua Spier/Joshua Spier | Bloomsbury Publishing | 5266 | 4 |
| Sonic Identity at the Margins | Bloomsbury Publishing | 4752 | 4 | |
| Re-Making Sound | Professor Justin Patch/Professor or Dr. Thomas Porcello | Bloomsbury Publishing | 3596 | 4 |
| The Cognitive Continuum of Electronic Music | Professor or Dr. Anil Çamci | Bloomsbury Publishing | 4752 | 4 |
| The Acoustics of the Social on Page and Screen | Bloomsbury Publishing | 4752 | 4 | |
| Sonic Possible Worlds, Revised Edition | Dr Salomé Voegelin | Bloomsbury Publishing | 4237 | 4 |
| Resonant Matter | Prof Lutz Koepnick | Bloomsbury Publishing | 4111 | 4 |
| The Bloomsbury Handbook of Sonic Methodologies | Bloomsbury Publishing | 6808 | 4 | |
| Timbre | Professor or Dr. Isabella Van Elferen | Bloomsbury Publishing | 5008 | 4 |
| Sonic Phantoms | Dr Barbara Ellison/Thomas Bey William Bailey | Bloomsbury Publishing | 5008 | 4 |
| Sonic Fiction | Professor Holger Schulze | Bloomsbury Publishing | 3596 | 4 |
| Sound Art Revisited | Professor Alan Licht | Bloomsbury Publishing | 4366 | 4 |
| Artistic Creation | Paul Fairfield/Jeff Mitscherling | Bloomsbury Publishing | 5523 | 4 |
| Humming | Professor Suk-Jun Kim | Bloomsbury Publishing | 3211 | 4 |
| The Political Possibility of Sound | Dr Salomé Voegelin | Bloomsbury Publishing | 4752 | 4 |
| Future Sounds | Stephen Kennedy | Bloomsbury Publishing | 5523 | 4 |
| The Sonic Persona | Professor Holger Schulze | Bloomsbury Publishing | 5779 | 4 |
| The Sound of Ontology | Kenneth LaFave | Bloomsbury Publishing | 12845 | 4 |
| Immanence and Immersion | Will Schrimshaw | Bloomsbury Publishing | 5652 | 4 |
| Ludic Dreaming | David Cecchetto/Marc Couroux/Ted Hiebert/Eldritch Priest | Bloomsbury Publishing | 4237 | 4 |
| When Genres Collide | Professor Matt Brennan | Bloomsbury Publishing | 4752 | 4 |
| Beyond Unwanted Sound | Marie Thompson | Bloomsbury Publishing | 4752 | 4 |
| Sonic Technologies | Robert Strachan | Bloomsbury Publishing | 4237 | 4 |
| After Sound | G Douglas Barrett | Bloomsbury Publishing | 4752 | 4 |
| Against Ambience and Other Essays | PhD Seth Kim-Cohen | Bloomsbury Publishing | 2952 | 4 |
| Future Nostalgia | Professor of English Shelton Waldrep | Bloomsbury Publishing | 4237 | 4 |
| Chaos Media | Stephen Kennedy | Bloomsbury Publishing | 6164 | 4 |
| Groove | Assistant Professor Tiger C. Roholt | Bloomsbury Publishing | 4752 | 4 |
| Hip-Hop within and without the Academy | Karen Snell/Johan Söderman | Bloomsbury Publishing | 6934 | 4 |
| Sonic Possible Worlds | Dr Salomé Voegelin | Bloomsbury Publishing | 4752 | 4 |
| Let's Talk About Love | Carl Wilson | Bloomsbury Publishing | 1638 | 4 |
| Against Ambience | PhD Seth Kim-Cohen | Bloomsbury Publishing | 1925 | 4 |
| Resonances | Bloomsbury Publishing | 4622 | 4 | |
| Reverberations | Bloomsbury Publishing | 4752 | 4 | |
| Sinister Resonance | David Toop | Bloomsbury Publishing | 4111 | 4 |
| Listening to Noise and Silence | Dr Salomé Voegelin | Bloomsbury Publishing | 4752 | 4 |
| Piano and Song | Friedrich Wieck/Kelsey Bates | Good Press | 300 | 3 |
| Audio Paper | Professor Sanne Krogh Groth/Professor Stefan Östersjö | Bloomsbury Publishing | 2952 | 0 |
| Hearing Homophony | Megan Kaes Long | Oxford University Press | 14254 | 0 |
| Mathematics of Music Made Simple | Turing Editorial Team | The Turing App | 500 | 0 |
| Virtual Reality Audio | Anıl Çamcı/Jason Corey | Taylor & Francis | 10655 | 0 |
| Innovation in Music: Innovative Creative Practice | Taylor & Francis | 13450 | 0 | |
| Innovation in Music: Current Research Perspectives | Taylor & Francis | 12751 | 0 | |
| The Roland x0x Series | James Newman | Taylor & Francis | 9606 | 0 |
| Critical Listening Education in Sound Engineering | Taylor & Francis | 9606 | 0 | |
| Sound Signatures | Nick Feldman | Taylor & Francis | 10655 | 0 |
| Artificial Intelligence and Music Ecosystem | Taylor & Francis | 11004 | 0 | |
| Making Synthwave | Jess Blaise Ward | Taylor & Francis | 10655 | 0 |
| Principles of Electronic Music Production | Thomas Brett | Taylor & Francis | 10655 | 0 |
| Heaviness in Metal Music Production, Volume II | Jan-Peter Herbst/Mark Mynett | Taylor & Francis | 0 | 0 |
| Heaviness in Metal Music Production, Volume I | Jan-Peter Herbst/Mark Mynett | Taylor & Francis | 0 | 0 |
| Proceedings of the 11th Conference on Sound and Music Technology | Springer Nature Singapore | 24309 | 0 | |
| Physics and Mathematics in Musical Composition | Kinko Tsuji/Stefan C. Müller | Springer Nature Switzerland | 6685 | 0 |
| Mixing in Flow | Jane Arnison | Taylor & Francis | 11528 | 0 |
| Play with Sound | Tommaso Rosati/Timothy Hsu | Taylor & Francis | 10655 | 0 |
| The Mathematical Theory of Tone Systems | Jan Haluska | CRC Press | 16595 | 0 |
| Mastering Electronic Dance Music | Alexandra Bartles | Taylor & Francis | 8733 | 0 |
| Collaboration, Engagement, and Tradition in Contemporary and Electronic Music | Taylor & Francis | 10306 | 0 | |
| Proceedings of the 10th Conference on Sound and Music Technology | Springer Nature Singapore | 26740 | 0 | |
| Engineering of Music for the Digital Age | Jeffrey Ewing/Steven Simske | River Publishers | 20964 | 0 |
| Etudes on the Philosophy of Music | Juozas Rimas/Juozas Rimas Jr. | Springer Nature Switzerland | 0 | 0 |
| Build AI-Enhanced Audio Plugins with C++ | Matthew John Yee-King | Taylor & Francis | 11354 | 0 |
| Código Grey - Ingeniería Musical | Damn Black | Damn Black | 0 | 0 |
| Innovation in Music: Cultures and Contexts | Taylor & Francis | 14848 | 0 | |
| Innovation in Music: Technology and Creativity | Taylor & Francis | 14848 | 0 | |
| Ecologies of Creative Music Practice | Matthew Lovett | Taylor & Francis | 10131 | 0 |
| Making It Happen | Hannah Trigwell | Taylor & Francis | 9606 | 0 |
| Leadership in Music Technology Education | Daniel Walzer | Taylor & Francis | 10306 | 0 |
| Remastering Music and Cultural Heritage | Stephen Bruel | Taylor & Francis | 10306 | 0 |
| Music Technology Essentials | Andrew Maz | Taylor & Francis | 10306 | 0 |
| Live Looping in Musical Performance | Taylor & Francis | 9781 | 0 | |
| Mixing Audio | Roey Izhaki | Taylor & Francis | 12926 | 0 |
| Reimagining Sample-based Hip Hop | Michail Exarchos | Taylor & Francis | 10306 | 0 |
| Become a Competent Music Producer in 365 Days | Sam George | Taylor & Francis | 8733 | 0 |
| Distortion in Music Production | Taylor & Francis | 11703 | 0 | |
| The Game Music Toolbox | Marios Aristopoulos | Taylor & Francis | 8034 | 0 |
| Analyzing Recorded Music | Taylor & Francis | 12926 | 0 | |
| The Music in the Data | Christopher White | Taylor & Francis | 11354 | 0 |
| Sound Actions | Alexander Refsum Jensenius | MIT Press | 6288 | 0 |
| Cultural Policy for Arts Education | Wolfgang Schneider/Yvette Hardie/Emily Akuno/Daniel Gad | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 0 | 0 |
| Cognition, Culture, and the Arts | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 6408 | 0 | |
| Proceedings of the 9th Conference on Sound and Music Technology | Springer Nature Singapore | 18231 | 0 | |
| Making Meaning in Popular Song | Theodore Gracyk | Bloomsbury Publishing | 5471 | 0 |
| Coproduction | Robert Wilsmore/Christopher Johnson | Taylor & Francis | 16595 | 0 |
| Mathematical Music | Nikita Braguinski | Taylor & Francis | 9258 | 0 |
| Introduction to Digital Music with Python Programming | Michael S. Horn/Melanie West/Cameron Roberts | Taylor & Francis | 9781 | 0 |
| Nothing but Noise | Zachary Wallmark | Oxford University Press | 4602 | 0 |
| Performing Electronic Music Live | Kirsten Hermes | Taylor & Francis | 8384 | 0 |
| The Oxford Handbook of Timbre | Emily I. Dolan/Alexander Rehding | Oxford University Press | 25540 | 0 |
| Sound Inventions | Taylor & Francis | 10481 | 0 | |
| The Creative Electronic Music Producer | Thomas Brett | Taylor & Francis | 9083 | 0 |
| Drum Sound and Drum Tuning | Rob Toulson | Taylor & Francis | 9606 | 0 |
| Inventing the Recording | Eva Moreda Rodríguez | Oxford University Press | 13066 | 0 |
| Leading with Sound | Rob Bridgett | Taylor & Francis | 9606 | 0 |
| Reminded by the Instruments | You Nakai | Oxford University Press | 14254 | 0 |
| Experiencing of Musical Sound | F. J. Smith | Taylor & Francis | 13625 | 0 |
| The Art of Digital Orchestration | Sam McGuire/Zbyněk Matějů | Taylor & Francis | 9956 | 0 |
| The MIDI Manual | David Miles Huber | Taylor & Francis | 8733 | 0 |
| Musicology and Dance | Cambridge University Press | 4752 | 0 | |
| Brahms's Violin Sonatas | Joel Lester | Oxford University Press | 5789 | 0 |
| Chopin | John Rink | Taylor & Francis | 82110 | 0 |
| Being True to Works of Music | Julian Dodd | OUP Oxford | 11878 | 0 |
| Handmade Electronic Music | Nicolas Collins | Taylor & Francis | 9781 | 0 |
| Audio Metering | Eddy Brixen | Taylor & Francis | 10306 | 0 |
| Music and the Sonorous Sublime in European Culture, 1680–1880 | Cambridge University Press | 5171 | 0 | |
| Form as Harmony in Rock Music | Drew Nobile | Oxford University Press | 5789 | 0 |
| Desire in Chromatic Harmony | Kenneth M. Smith | Oxford University Press | 4602 | 0 |
| Major Label Mastering | Evren Göknar | Taylor & Francis | 10131 | 0 |
| Beggars Banquet and the Rolling Stones' Rock and Roll Revolution | Taylor & Francis | 11354 | 0 | |
| The Origins of Music Theory in the Age of Plato | Prof Sean Alexander Gurd | Bloomsbury Publishing | 6006 | 0 |
| The Sonic Episteme | Robin James | Duke University Press | 4885 | 0 |
| The Philosophy of Rhythm | Oxford University Press | 8165 | 0 | |
| Mathematics and Music | James S. Walker/Gary Don | CRC Press | 11004 | 0 |
| Digital Sampling | Paul Harkins | Taylor & Francis | 10655 | 0 |
| The Oxford Handbook of Music and the Brain | OUP Oxford | 8909 | 0 | |
| Analog Synthesizers: Understanding, Performing, Buying | Mark Jenkins | Taylor & Francis | 12751 | 0 |
| Music Theory For Dummies | Michael Pilhofer/Holly Day | Wiley | 2725 | 0 |
| Synthesizer Cookbook: How to Use Filters | Screech House | Screech House | 0 | 0 |
| Musical Emotions Explained | Patrik N. Juslin | OUP Oxford | 7423 | 0 |
| The Race of Sound | Nina Sun Eidsheim | Duke University Press | 3906 | 0 |
| The Relentless Pursuit of Tone | Oxford University Press | 6532 | 0 | |
| Music as an Art | Sir Roger Scruton | Bloomsbury Publishing | 3131 | 0 |
| Upper-Voice Structures and Compositional Process in the Ars Nova Motet | Anna Zayaruznaya | Taylor & Francis | 10306 | 0 |
| Inner Sound | Jonathan Weinel | Oxford University Press | 6978 | 0 |
| Audio Production Principles | Stephane Elmosnino | Oxford University Press | 8165 | 0 |
| MusicーPsychoanalysisーMusicology | Taylor & Francis | 11354 | 0 | |
| Godard and Sound | Albertine Fox | Bloomsbury Publishing | 6273 | 0 |
| Hearing Haneke | Elsie Walker | Oxford University Press | 4454 | 0 |
| A Theory of Minimalism | Marc Botha | Bloomsbury Publishing | 6408 | 0 |
| Music, Time, and Its Other | Roger Savage | Taylor & Francis | 11354 | 0 |
| Music in the London Theatre from Purcell to Handel | Cambridge University Press | 6568 | 0 | |
| A Musicology for Landscape | David Nicholas Buck | Taylor & Francis | 16770 | 0 |
| La obra de arte del futuro (2a ed.) | Richard Wagner | Publicacions de la Universitat de València | 1300 | 0 |
| Music and the Mind | Anthony Storr | HarperCollins Publishers | 1407 | 0 |
| The Children's Music Studio | Wendell Hanna | Oxford University Press | 7423 | 0 |
| Physics of the Piano | Nicholas J. Giordano | OUP Oxford | 4898 | 0 |
| The Oxford Handbook of New Audiovisual Aesthetics | Oxford University Press | 7720 | 0 | |
| Elements of Sonata Theory | James Hepokoski/Warren Darcy | Oxford University Press | 12472 | 0 |
| Generalized Musical Intervals and Transformations | David Lewin | Oxford University Press | 7720 | 0 |
| A Geometry of Music | Dmitri Tymoczko | Oxford University Press | 11878 | 0 |
| Classical Form | William E. Caplin | Oxford University Press | 10838 | 0 |
| Absolute Music | Mark Evan Bonds | Oxford University Press | 5047 | 0 |
| Expressiveness in music performance | OUP Oxford | 17224 | 0 | |
| Handbook of Music and Emotion | OUP Oxford | 9947 | 0 | |
| Music, Art, and Metaphysics | Jerrold Levinson | OUP Oxford | 7720 | 0 |
| Antithetical Arts | Peter Kivy | OUP Oxford | 6829 | 0 |
| Philosophers on Music | OUP Oxford | 7869 | 0 | |
| Musical Concerns | Jerrold Levinson | OUP Oxford | 4751 | 0 |
| The Oxford Handbook of Music Psychology | OUP Oxford | 8909 | 0 | |
| Beyond Art | Dominic McIver Lopes | OUP Oxford | 5345 | 0 |
| Contemporary Music | Irène Deliège | Taylor & Francis | 13625 | 0 |
| Music and the Modern Condition: Investigating the Boundaries | Ljubica Ilic | Taylor & Francis | 13625 | 0 |
| Music, Masculinity and the Claims of History | Ian Biddle | Taylor & Francis | 13625 | 0 |
| Sounding the Virtual: Gilles Deleuze and the Theory and Philosophy of Music | Nick Nesbitt | Taylor & Francis | 14848 | 0 |
| Global Metal Music and Culture | Taylor & Francis | 0 | 0 | |
| Expanding the Horizon of Electroacoustic Music Analysis | Cambridge University Press | 7407 | 0 | |
| Tonus Peregrinus: The History of a Psalm-tone and its use in Polyphonic Music | Mattias Lundberg | Taylor & Francis | 10481 | 0 |
| Understanding Music | Sir Roger Scruton | Bloomsbury Publishing | 4671 | 0 |
| Towards a Twenty-First-Century Feminist Politics of Music | Sally Macarthur | Taylor & Francis | 14848 | 0 |
| From Music to Mathematics | Gareth E. Roberts | Johns Hopkins University Press | 7400 | 0 |
| Schubert's Late Music | Cambridge University Press | 6149 | 0 | |
| Tritonus-Tuning für Gitarre & andere Saiteninstrumente - Eine kleine Einführung - Teil I | Zarko Maroli | Zarko Maroli | 0 | 0 |
| Musical Witness and Holocaust Representation | Amy Lynn Wlodarski | Cambridge University Press | 6568 | 0 |
| Gustav Mahler's Symphonic Landscapes | Thomas Peattie | Cambridge University Press | 6568 | 0 |
| The Cambridge History of Western Music Theory | Cambridge University Press | 5870 | 0 | |
| The Cambridge Companion to Adorno | Cambridge University Press | 6290 | 0 | |
| A Study on the Thematic, Narrative, and Musical Structure of Guan Hanqing’s Yuan «Zaju, Injustice to Dou E» | Yumin Ao | Peter Lang Inc., International Academic Publishers | 16349 | 0 |
| Audio Production Tips | Peter Dowsett | Taylor & Francis | 11004 | 0 |
| Weibes Wonne und Wert | Jochen Hörisch/Klaus Arp | Die Andere Bibliothek | 3513 | 0 |
| George Goodman's Harmonica Cheat Sheet | George Goodman | George Goodman | 0 | 0 |
| L’espressività come modello interpretativo dell’esperienza musicale | Roberto Terlizzi | Robertoterlizzi | 792 | 0 |
| An Introduction to Music Technology | Dan Hosken | Taylor & Francis | 17993 | 0 |
| Aesthetics of Music | Taylor & Francis | 14848 | 0 | |
| Music and Marx | Taylor & Francis | 13625 | 0 | |
| La voce e lo spazio | Carlo Serra | Il Saggiatore | 1400 | 0 |
| The Routledge Companion to Philosophy and Music | Taylor & Francis | 20263 | 0 | |
| Writing through Music | Jann Pasler | Oxford University Press | 6236 | 0 |
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