楽天Koboセール検索(1000件ずつまとめてイッキにチェック)
お得なセール情報を見つけたらお友達・フォロワーさんに教えてあげてください!
※価格・値引率はポイント還元分も値引とみなして計算しています。
※使い方がわからない方はこちら⇒【楽天Kobo】セール情報の探し方・検索方法
通常の楽天Koboセール検索はこちら
- 前へ
- 1
- 次へ
| タイトル | 著者 | 出版社 | 価格 | 値引率 |
|---|---|---|---|---|
| Etienne Decroux and his Theatre Laboratory | Marco de Marinis | Taylor & Francis | 10929 | 3 |
| Immersive Sound Volume II | Taylor & Francis | 14301 | 0 | |
| Performing Recovery | Zoe Zontou | Taylor & Francis | 10430 | 0 |
| Commedia dell’Arte | Taylor & Francis | 9758 | 0 | |
| Stop Memorizing Your Lines | Loren E. Chadima | Taylor & Francis | 8748 | 0 |
| Zombies, Werewolves, Robots, and Extraterrestrials | Gerald Large | Taylor & Francis | 9758 | 0 |
| Performative Beauty | Falk Heinrich | Taylor & Francis | 0 | 0 |
| Experiencing Speech: A Skills-Based, Panlingual Approach to Actor Training | Andrea Caban/Julie Foh/Jeffrey Parker | Taylor & Francis | 8748 | 0 |
| No Mother, No Future | Kailin Wright | Taylor & Francis | 10430 | 0 |
| Encountering Disability and Citizenship through Contemporary Dance in Africa | Yvette Hutchison/Lliane Loots | Taylor & Francis | 0 | 0 |
| Stanislavsky and Screen Actor Training | Taylor & Francis | 9758 | 0 | |
| The Reason to Sing | Craig Carnelia | Taylor & Francis | 8075 | 0 |
| The Science of Arts Engagement | Agnieszka Wlazeł | Taylor & Francis | 10430 | 0 |
| The Frantic Assembly Book of Devising Theatre | Scott Graham/Steven Hoggett | Taylor & Francis | 9758 | 0 |
| In Search of the Performer’s Way | Jong Hyuk Song | Taylor & Francis | 10430 | 0 |
| Milestones in Actor Training | Taylor & Francis | 9758 | 0 | |
| Acting the Michael Chekhov Way | Lisa Loving Dalton | Taylor & Francis | 8075 | 0 |
| Laughter, Power, and the Unconscious | Maria Grazia Turri/Bridget Escolme | Taylor & Francis | 10430 | 0 |
| Mattering Voices | Taylor & Francis | 10430 | 0 | |
| Carlo Boso | Peter Jordan/Olly Crick | Taylor & Francis | 9758 | 0 |
| Situating Data | Taylor & Francis | 0 | 0 | |
| Acting Heightened Text | Catherine Weidner | Taylor & Francis | 5382 | 0 |
| Shakespeare's 'Method' for Actors | Christine Ozanne | Taylor & Francis | 10430 | 0 |
| Fitzmaurice Voicework | Catherine Fitzmaurice/Michael Morgan | Taylor & Francis | 9758 | 0 |
| Edward Albee and the Emergence of Difference and Diversity in US and World Theatre | Taylor & Francis | 10430 | 0 | |
| Actor Trainers on Acting | Taylor & Francis | 9758 | 0 | |
| A History of Intimacy Professionals in Entertainment | Brooke M. Haney | Taylor & Francis | 7065 | 0 |
| How to Rehearse a Scene | Timothy Johnson | Taylor & Francis | 9758 | 0 |
| Black Activists Write Wheatley and Washington | Lurana Donnels O’Malley | Taylor & Francis | 10430 | 0 |
| The Art of Drag | Michael Twaits | Taylor & Francis | 8748 | 0 |
| Voice: Onstage and Off | Robert Barton/Rocco Dal Vera | Taylor & Francis | 10430 | 0 |
| Audio Augmented Reality | Matias Harju | Taylor & Francis | 8075 | 0 |
| Race and Beauty | Josie Schoel | Taylor & Francis | 9758 | 0 |
| Sound Design for the Visual Storyteller | Christopher D. Anderson | Taylor & Francis | 7065 | 0 |
| Restoration Theatre Production | Jocelyn Powell | Taylor & Francis | 12450 | 0 |
| Creative Confidence and Music Production | Liina Turtonen | Taylor & Francis | 9253 | 0 |
| Vladimir Nemirovich-Danchenko and the Moscow Art Theatre | Inna Solovyova | Taylor & Francis | 10430 | 0 |
| Research, Development and Innovation in the Creative Industries | Ruxandra Lupu/Marlen Komorowski/Justin Lewis/Máté Miklos Fodor | Taylor & Francis | 0 | 0 |
| Contemporary Performance and Political Economy | Katerina Paramana | Taylor & Francis | 10430 | 0 |
| Radical Sensing and Performer Training | Rebecca Loukes | Taylor & Francis | 9758 | 0 |
| Sustainability Teaching for Impact | Taylor & Francis | 0 | 0 | |
| Acting in Aotearoa | Taylor & Francis | 8917 | 0 | |
| Beyond Virtual Production | Taylor & Francis | 0 | 0 | |
| Performing Corporate Bodies | Sarah Saddler | Taylor & Francis | 10430 | 0 |
| Shakespeare’s First Folio Cue Scripts – Romances and Histories | Patrick Tucker | Taylor & Francis | 8917 | 0 |
| Staging Muslims in Britain | Önder Çakırtaş | Taylor & Francis | 10430 | 0 |
| Queering the Stage | Adi Cabral | Taylor & Francis | 8075 | 0 |
| Performance | Taylor & Francis | 0 | 0 | |
| Logomimesis | Esa Kirkkopelto | Taylor & Francis | 0 | 0 |
| Theatrical Violence Design | Richard Gilbert/David Bareford | Taylor & Francis | 8748 | 0 |
| Making a Scene | Bill Gelber | Taylor & Francis | 6560 | 0 |
| Techniques of Acting | Ronald Hayman | Taylor & Francis | 7234 | 0 |
| Voice and Identity | Taylor & Francis | 12450 | 0 | |
| The Routledge Handbook of Sound Design | Taylor & Francis | 10767 | 0 | |
| The Human Touch | Chloé Arros | Taylor & Francis | 10430 | 0 |
| Who Is In the Room? | Brooke O'Harra | Taylor & Francis | 9422 | 0 |
| Beyond Innocence | Adele Senior | Taylor & Francis | 10430 | 0 |
| Fifty Key Improv Performers | Matt Fotis | Taylor & Francis | 4879 | 0 |
| Modernization of Korean Theatre in the 20th Century | Meewon Lee | Taylor & Francis | 0 | 0 |
| Federico García Lorca | Simon Breden | Taylor & Francis | 9253 | 0 |
| London Opera Observed 1711-1844, Volume I | Taylor & Francis | 10095 | 0 | |
| London Opera Observed 1711–1844, Volume II | Taylor & Francis | 37860 | 0 | |
| London Opera Observed 1711-1844, Volume V | Taylor & Francis | 10095 | 0 | |
| London Opera Observed 1711–1844, Volume IV | Taylor & Francis | 37860 | 0 | |
| Critical Acting Pedagogy | Taylor & Francis | 8243 | 0 | |
| Living Death in Early Modern Drama | James Alsop | Taylor & Francis | 10430 | 0 |
| Transfiguring Tragedy | Ryder Thornton | Taylor & Francis | 10430 | 0 |
| Towards Embodied Performance | Rachel Dickstein | Taylor & Francis | 9422 | 0 |
| Analysis through Action for Actors and Directors | David Chambers | Taylor & Francis | 7739 | 0 |
| The Routledge Companion to Performance-Related Concepts in Non-European Languages | Taylor & Francis | 11440 | 0 | |
| The Legacy of Stylistic Theatre in the Creation of a Modern Sinhala Drama in Sri Lanka | Lakshmi D. Bulathsinghala | Taylor & Francis | 10430 | 0 |
| Juan Mayorga | Taylor & Francis | 9253 | 0 | |
| The Shakespeare North Playhouse | Taylor & Francis | 10430 | 0 | |
| LO: TECH: POP: CULT | Taylor & Francis | 11103 | 0 | |
| Nine questions every actor of color should consider when tokenism is not enough | Taylor & Francis | 9422 | 0 | |
| The Art of Broadsword Fighting for Stage and Screen | Erick Vaughn Wolfe | Taylor & Francis | 8243 | 0 |
| The Improv Dictionary | David Charles | Taylor & Francis | 6729 | 0 |
| Theatre in Practice | Nick O'Brien | Taylor & Francis | 10430 | 0 |
| The Third Space | Robert Lewis | Taylor & Francis | 8748 | 0 |
| Dramaturgy of Sex on Stage in Contemporary Theatre | Taylor & Francis | 5382 | 0 | |
| The Art of Voice Acting | James R. Alburger | Taylor & Francis | 8075 | 0 |
| Art of Sound | Andrew Knight-Hill/Emma Margetson | Taylor & Francis | 10599 | 0 |
| Acting | Bella Merlin | Taylor & Francis | 4879 | 0 |
| Meaning in the Midst of Performance | Gareth White | Taylor & Francis | 10430 | 0 |
| Black Women Centre Stage | Paola Prieto López | Taylor & Francis | 9590 | 0 |
| How Does Disability Performance Travel? | Taylor & Francis | 10430 | 0 | |
| Antiracism in Ballet Teaching | Taylor & Francis | 9422 | 0 | |
| Lessons from our Students | Stacey Cabaj/Andrea Odinov | Taylor & Francis | 8412 | 0 |
| Music Technology in Live Performance | Tim Canfer | Taylor & Francis | 9422 | 0 |
| Innovation & Digital Theatremaking | Robert Myles/Valerie Clayman Pye | Taylor & Francis | 9422 | 0 |
| Stanislavsky and Intimacy | Taylor & Francis | 9422 | 0 | |
| Improvisation the Michael Chekhov Way | Wil Kilroy | Taylor & Francis | 8075 | 0 |
| Ethical Agility in Dance | Taylor & Francis | 9590 | 0 | |
| Experiencing Accents: A Knight-Thompson Speechwork® Guide for Acting in Accent | Philip Thompson/Tyler Seiple/Andrea Caban | Taylor & Francis | 6729 | 0 |
| La MaMa Experimental Theatre – A Lasting Bridge Between Cultures | Monica Cristini | Taylor & Francis | 10430 | 0 |
| Ibsen in the Decolonised South Asian Theatre | Taylor & Francis | 10430 | 0 | |
| Script Analysis for Actors, Directors, and Designers | James Thomas | Taylor & Francis | 9422 | 0 |
| An Actor Survives | Tomasz Kubikowski | Taylor & Francis | 5382 | 0 |
| Voice Made Visible: Multi-Octave Voice Training and Techniques for Performers | Rafael Lopez-Barrantes | Taylor & Francis | 8075 | 0 |
| Independent Performing Arts in Europe | Thomas Fabian Eder | Taylor & Francis | 9758 | 0 |
| Bourdieu in the Studio | Evi Stamatiou | Taylor & Francis | 9758 | 0 |
| How to Swing in Musical Theatre | Jaye J. Elster | Taylor & Francis | 8075 | 0 |
| Stanislavsky and Race | Taylor & Francis | 9422 | 0 | |
| America Under the Influence | Chloë Rae Edmonson | Taylor & Francis | 9758 | 0 |
| Networked Music Performance | Miriam Iorwerth | Taylor & Francis | 7570 | 0 |
| Theatre and Boxing | Franco Ruffini | Taylor & Francis | 6224 | 0 |
| The Loss of Small White Clouds | Morgan Batch | Taylor & Francis | 9758 | 0 |
| Contemporary Storytelling Performance | Stephe Harrop | Taylor & Francis | 9758 | 0 |
| Puppet and Spirit: Ritual, Religion, and Performing Objects | Taylor & Francis | 9758 | 0 | |
| Embodied Playwriting | Taylor & Francis | 6560 | 0 | |
| Out of Time? | Taylor & Francis | 12450 | 0 | |
| Stanislavsky and Pedagogy | Taylor & Francis | 9422 | 0 | |
| Kristin Linklater | Bernadette Cronin/Regina Crowley | Taylor & Francis | 9422 | 0 |
| Acting and Directing Shakespeare's Comedies | Kevin Otos | Taylor & Francis | 8075 | 0 |
| Secrets of Screen Acting | Patrick Tucker | Taylor & Francis | 8748 | 0 |
| Building Embodiment | Taylor & Francis | 8748 | 0 | |
| Inside The Performance Workshop | Taylor & Francis | 8412 | 0 | |
| Crisis and Communitas | Taylor & Francis | 0 | 0 | |
| Reconstructing Performance Art | Taylor & Francis | 9758 | 0 | |
| Acting for Animators | Ed Hooks | Taylor & Francis | 6897 | 0 |
| Dancing Motherhood | Ali Duffy | Taylor & Francis | 9253 | 0 |
| Starting a Theatre Company | Karl Falconer | Taylor & Francis | 8075 | 0 |
| Activated Script Analysis | Elizabeth Brendel Horn | Taylor & Francis | 8748 | 0 |
| Stanislavski in Rehearsal | Vasily Osipovich Toporkov | Taylor & Francis | 5551 | 0 |
| Play-Acting | Luke Dixon | Taylor & Francis | 4374 | 0 |
| Contemporary Irish Theatre and Social Change | Emer O'Toole | Taylor & Francis | 9758 | 0 |
| Performance Cultures as Epistemic Cultures, Volume I | Taylor & Francis | 9422 | 0 | |
| Mime into Physical Theatre: A UK Cultural History 1970–2000 | Mark Evans/Simon Murray | Taylor & Francis | 8748 | 0 |
| The Voice Coach's Toolkit | Pamela Prather | Taylor & Francis | 7739 | 0 |
| Shakespeare and Cultural Appropriation | Taylor & Francis | 9758 | 0 | |
| Vocal Traditions | Taylor & Francis | 9758 | 0 | |
| Venus’s Palace | Reut Barzilai | Taylor & Francis | 9758 | 0 |
| Staging Slavery | Taylor & Francis | 9590 | 0 | |
| Latinx Actor Training | Taylor & Francis | 9253 | 0 | |
| Songs of Tagore | Rabindranath Tagore/Satyajit Ray | Taylor & Francis | 9758 | 0 |
| Hermeneutic Shakespeare | Min Jiao | Taylor & Francis | 9253 | 0 |
| Ernie McClintock and the Jazz Actors Family | Elizabeth M. Cizmar | Taylor & Francis | 8412 | 0 |
| Stages of Reckoning | Taylor & Francis | 7739 | 0 | |
| Liveness | Philip Auslander | Taylor & Francis | 8412 | 0 |
| Strategies for Survival at SIBIKWA 1988 – 2021 | Taylor & Francis | 9590 | 0 | |
| Plays of Our Own | Willy Conley | Taylor & Francis | 8412 | 0 |
| The Routledge Companion to Musical Theatre | Taylor & Francis | 10599 | 0 | |
| Sonic Engagement | Taylor & Francis | 8412 | 0 | |
| Mothering Performance | Taylor & Francis | 0 | 0 | |
| An Actor’s Research | Tamsin Stanley/Philippa Strandberg-Long | Taylor & Francis | 7739 | 0 |
| Supporting Staged Intimacy | Alexis Black/Tina M. Newhauser | Taylor & Francis | 7739 | 0 |
| A Sourcebook of Performance Labor | Joey Orr | Taylor & Francis | 9758 | 0 |
| Harold Pinter's Shakespeare | Charles Morton | Taylor & Francis | 9758 | 0 |
| Imitation and Contamination of the Classics in the Comedies of Ben Jonson | Tom Harrison | Taylor & Francis | 9758 | 0 |
| Devised Theater’s Collaborative Performance | Telory D Arendell | Taylor & Francis | 9758 | 0 |
| Play Directing | Damon Kiely | Taylor & Francis | 4879 | 0 |
| Meisner and Mindfulness | Royce Sparks | Taylor & Francis | 8243 | 0 |
| Appropriations of Irish Drama in Modern Korean Nationalist Theatre | Hunam Yun | Taylor & Francis | 9758 | 0 |
| Peter Brook and the Mahabharata | Taylor & Francis | 7739 | 0 | |
| Performing Sustainability in West Africa | Taylor & Francis | 0 | 0 | |
| Asian Sound Cultures | Taylor & Francis | 9253 | 0 | |
| Clowns | David Bridel/Ezra LeBank | Taylor & Francis | 9253 | 0 |
| Circus Psychology | Fleur van Rens | Taylor & Francis | 5382 | 0 |
| The Live Event Video Technician | Tim Kuschel | Taylor & Francis | 8243 | 0 |
| From Playtext to Performance on the Early Modern Stage | Leslie Thomson | Taylor & Francis | 9758 | 0 |
| Teaching What You Want to Learn | Bill Evans | Taylor & Francis | 8243 | 0 |
| Deburau | Edward Nye | Taylor & Francis | 9758 | 0 |
| Acting the Essence | Giuliano Campo | Taylor & Francis | 9253 | 0 |
| Living the Audio Life | Brad Schiller | Taylor & Francis | 9422 | 0 |
| Posthuman and Nonhuman Entanglements in Contemporary Art and the Body | Justyna Stępień | Taylor & Francis | 9758 | 0 |
| Copeau/Decroux, Irving/Craig | Thomas Leabhart | Taylor & Francis | 9758 | 0 |
| Shakespeare’s Contested Nations | L. Monique Pittman | Taylor & Francis | 9758 | 0 |
| Foundations for Performance Training | Cara Harker | Taylor & Francis | 8917 | 0 |
| Butoh America | Tanya Calamoneri | Taylor & Francis | 9253 | 0 |
| ASHÉ | Taylor & Francis | 9758 | 0 | |
| Dancehall In/Securities | Taylor & Francis | 9758 | 0 | |
| Aesthetic Collectives | Andrew Wiskowski | Taylor & Francis | 9758 | 0 |
| Performing in Contemporary Musicals | David Sisco/Laura Josepher | Taylor & Francis | 8917 | 0 |
| Borderlands Children’s Theatre | Cecilia Josephine Aragón | Taylor & Francis | 9758 | 0 |
| Eugene O'Neill's Philosophy of Difficult Theatre | Jeremy Killian | Taylor & Francis | 9758 | 0 |
| The Art of Knife Fighting for Stage and Screen | Erick Vaughn Wolfe | Taylor & Francis | 8243 | 0 |
| Mysticism in the Theater | Tom Block | Taylor & Francis | 9758 | 0 |
| Chinese Traditional Theatre and Male Dan | Guo Chao | Taylor & Francis | 9758 | 0 |
| Active Analysis | Maria Knebel | Taylor & Francis | 7739 | 0 |
| Performing Electronic Music Live | Kirsten Hermes | Taylor & Francis | 7570 | 0 |
| Staging Voice | Michal Grover-Friedlander | Taylor & Francis | 4542 | 0 |
| Cutting Plays for Performance | Toby Malone/Aili Huber | Taylor & Francis | 8243 | 0 |
| Pandemic Performance | Taylor & Francis | 9758 | 0 | |
| D’Oyly Carte | Paul Seeley | Taylor & Francis | 9758 | 0 |
| Early Modern Court Culture | Taylor & Francis | 9253 | 0 | |
| Re-Purposing Suzuki | Maria Porter | Taylor & Francis | 8243 | 0 |
| Home and Away | Taylor & Francis | 9758 | 0 | |
| French Theatre, Orientalism, and the Representation of India, 1770-1865 | David Hammerbeck | Taylor & Francis | 9758 | 0 |
| Games for Actors and Non-Actors | Augusto Boal | Taylor & Francis | 12282 | 0 |
| Illusion in Cultural Practice | Katharina Rein | Taylor & Francis | 9253 | 0 |
| Doing Research in Sound Design | Taylor & Francis | 11945 | 0 | |
| The Piscatorbühne Century | Drew Lichtenberg | Taylor & Francis | 9758 | 0 |
| Kinetic Atmospheres | Johannes Birringer | Taylor & Francis | 9253 | 0 |
| Integrated Access in Live Performance | Louise Fryer/Amelia Cavallo | Taylor & Francis | 8412 | 0 |
| Using Open Scenes to Act Successfully on Stage and Screen | Dan Carter/Brant L. Pope | Taylor & Francis | 4879 | 0 |
| The Original Portrayal of Mozart’s Don Giovanni | Magnus Tessing Schneider | Taylor & Francis | 0 | 0 |
| Inclusivity and Equality in Performance Training | Taylor & Francis | 8243 | 0 | |
| Consent in Shakespeare | Artemis Preeshl | Taylor & Francis | 9758 | 0 |
| Rabindranath Tagore's Theatre | Abhijit Sen | Taylor & Francis | 9758 | 0 |
| Forced Migration in the Feminist Imagination | Anna Ball | Taylor & Francis | 0 | 0 |
| Performances that Change the Americas | Taylor & Francis | 9758 | 0 | |
| Jana Sanskriti | Ralph Yarrow | Taylor & Francis | 9253 | 0 |
| The Routledge Pantomime Reader | Taylor & Francis | 10599 | 0 | |
| Creating Improvised Theatre | Mark Jane | Taylor & Francis | 6729 | 0 |
| Mythic Imagination and the Actor | Marissa Chibás | Taylor & Francis | 8243 | 0 |
| Actor Training in Anglophone Countries | Peter Zazzali | Taylor & Francis | 9422 | 0 |
| Shakespeare and Celebrity Cultures | Jennifer Holl | Taylor & Francis | 9422 | 0 |
| Staging Detection | Isabel Stowell-Kaplan | Taylor & Francis | 9422 | 0 |
| Theatre of the Sphere | Luis Valdez | Taylor & Francis | 6729 | 0 |
| The Routledge Handbook of Philosophy and Improvisation in the Arts | Taylor & Francis | 9253 | 0 | |
| Actors on Guard | Dale Anthony Girard | Taylor & Francis | 8412 | 0 |
| Acting for the Camera: Back to One | Peter Allen Stone | Taylor & Francis | 8243 | 0 |
| Lessons from The Maestro | David L. Boushey | Taylor & Francis | 8243 | 0 |
| Applied Meisner for the 21st-Century Actor | Kevin Otos/Kim Shively | Taylor & Francis | 8243 | 0 |
| Dance Lexicon in Shakespeare and His Contemporaries | Fabio Ciambella | Taylor & Francis | 4374 | 0 |
| Asian City Crossings | Taylor & Francis | 9422 | 0 | |
| The Motional Improvisation of Al Wunder | H.R. Elliott | Taylor & Francis | 9422 | 0 |
| Modern Theatres 1950–2020 | Taylor & Francis | 13796 | 0 | |
| Acting in Musical Theatre | Joe Deer/Rocco Dal Vera | Taylor & Francis | 11440 | 0 |
| In Search of Stanislavsky’s Creative State on the Stage | Gabriela Curpan | Taylor & Francis | 10095 | 0 |
| The Self-Centred Art | Jakub Boguszak | Taylor & Francis | 9422 | 0 |
| Contemporary Rehearsal Practice | Gary Cassidy | Taylor & Francis | 10095 | 0 |
| Drag Histories, Herstories and Hairstories | Prof. Enoch Brater/Mark Taylor-Batty | Bloomsbury Publishing | 5528 | 0 |
| Dance Legacies of Scotland | Mats Melin/Jennifer Schoonover | Taylor & Francis | 9422 | 0 |
| Property and Finance on the Post-Brexit London Stage | Michael Meeuwis | Taylor & Francis | 10095 | 0 |
| An Ethico-Phenomenology of Digital Art Practices | Giuseppe Torre | Taylor & Francis | 10095 | 0 |
| Scoring the Hollywood Actor in the 1950s | Gregory Camp | Taylor & Francis | 10430 | 0 |
| Inclusive Character Analysis | Jennifer Thomas/Robert J. Vrtis | Taylor & Francis | 8243 | 0 |
| Partners of the Imagination | Robert Leach | Taylor & Francis | 10095 | 0 |
| Why the Theatre | Taylor & Francis | 10430 | 0 | |
| Commedia dell'Arte, its Structure and Tradition | John Rudlin/Antonio Fava | Taylor & Francis | 5382 | 0 |
| Intellectual and Cultural Property | Fiona Macmillan | Taylor & Francis | 10095 | 0 |
| Somatic Voices in Performance Research and Beyond | Taylor & Francis | 10095 | 0 | |
| The Theatre Arts Audition Book for Men | Taylor & Francis | 5551 | 0 | |
| More Alternative Shakespeare Auditions for Women | Simon Dunmore | Taylor & Francis | 6224 | 0 |
| Beethoven and the Lyric Impulse | Amanda Glauert | Taylor & Francis | 4879 | 0 |
| Costume Design: The Basics | T.M. Delligatti | Taylor & Francis | 4879 | 0 |
| Chopin | John Rink | Taylor & Francis | 75719 | 0 |
| An Actor's Handbook | Constantin Stanislavski | Taylor & Francis | 7234 | 0 |
| Brecht and Critical Theory | Sean Carney | Taylor & Francis | 12955 | 0 |
| Dance and the Corporeal Uncanny | Philipa Rothfield | Taylor & Francis | 10095 | 0 |
| Handmade Electronic Music | Nicolas Collins | Taylor & Francis | 9422 | 0 |
| Sound and Image | Taylor & Francis | 11945 | 0 | |
| Location and Postproduction Sound for Low-Budget Filmmakers | Michael Tierno | Taylor & Francis | 9253 | 0 |
| Performing Arts in Changing Societies | Taylor & Francis | 10430 | 0 | |
| Minstrel Traditions | Kevin Byrne | Taylor & Francis | 10095 | 0 |
| Stage Fright in the Actor | Linda Brennan | Taylor & Francis | 8243 | 0 |
| The Operatic Archive | Colleen Renihan | Taylor & Francis | 10430 | 0 |
| Staging Sex | Chelsea Pace | Taylor & Francis | 8412 | 0 |
| The A to Z of Arts Management | Ann Tonks | Taylor & Francis | 10095 | 0 |
| Shakespeare in Singapore | Philip Smith | Taylor & Francis | 10095 | 0 |
| Civic Performance | Taylor & Francis | 10095 | 0 | |
| Opera Coaching | Alan Montgomery | Taylor & Francis | 9758 | 0 |
| A World Elsewhere | Steven Berkoff | Taylor & Francis | 5551 | 0 |
| Collaborative Playwriting | Taylor & Francis | 8917 | 0 | |
| Application of the Michael Chekhov Technique to Shakespeare’s Sonnets, Soliloquies and Monologues | Mark Monday | Taylor & Francis | 8917 | 0 |
| Objectives, Obstacles, and Tactics in Practice | Taylor & Francis | 6729 | 0 | |
| The Elements of Theatrical Expression | Brian Kulick | Taylor & Francis | 9422 | 0 |
| The Routledge Comedy Studies Reader | Taylor & Francis | 9422 | 0 | |
| Performing Commedia dell'Arte, 1570-1630 | Natalie Crohn Schmitt | Taylor & Francis | 5551 | 0 |
| Short Plays with Great Roles for Women | Taylor & Francis | 7234 | 0 | |
| Becoming an Actor’s Director | Regge Life | Taylor & Francis | 7739 | 0 |
| The Routledge Companion to Arts Management | Taylor & Francis | 13460 | 0 | |
| (toward) a phenomenology of acting | Phillip Zarrilli | Taylor & Francis | 9422 | 0 |
| Stunts of Late Nineteenth-Century New York | Kirstin Smith | Taylor & Francis | 10095 | 0 |
| Casting a Movement | Taylor & Francis | 7227 | 0 | |
| Fiction's Truth | Danielle Szlawieniec-Haw | Taylor & Francis | 9422 | 0 |
| European Performative Theatre | Annamaria Cascetta | Taylor & Francis | 10430 | 0 |
| How and Why We Teach Shakespeare | Sidney Homan | Taylor & Francis | 8245 | 0 |
| Reframing Acting in the Digital Age | Artemis Preeshl | Taylor & Francis | 10095 | 0 |
| Intercultural Acting and Performer Training | Taylor & Francis | 9422 | 0 | |
| Why So Serious: On Philosophy and Comedy | Taylor & Francis | 10095 | 0 | |
| Optimal Audio and Video Reproduction at Home | Vincent Verdult | Taylor & Francis | 12450 | 0 |
| Screening Characters | Taylor & Francis | 10430 | 0 | |
| Time and Performer Training | Taylor & Francis | 8412 | 0 | |
| Disney Theatrical Productions | Amy Osatinski | Taylor & Francis | 9422 | 0 |
| Incapacity and Theatricality | Tony McCaffrey | Taylor & Francis | 10095 | 0 |
| Auditioning for Musical Theatre | Denny Berry | Taylor & Francis | 8243 | 0 |
| The Routledge Companion to Shakespeare and Philosophy | Taylor & Francis | 11103 | 0 | |
| Queering Autoethnography | Stacy Holman Jones/Anne M. Harris | Taylor & Francis | 9758 | 0 |
| On Screen Acting | Edward Dmytryk/Jean Porter Dmytryk | Taylor & Francis | 9758 | 0 |
| The Birth of Modern Theatre | Norman S. Poser | Taylor & Francis | 9422 | 0 |
| Michael Chekhov | Franc Chamberlain | Taylor & Francis | 9422 | 0 |
| The Routledge Companion to Butoh Performance | Taylor & Francis | 0 | 0 | |
| Training Actors' Voices | Tara McAllister-Viel | Taylor & Francis | 9422 | 0 |
| Adapting Western Classics for the Chinese Stage | Shouhua Qi | Taylor & Francis | 10095 | 0 |
| Oral Interpretation | Timothy Gura/Benjamin Powell | Taylor & Francis | 20359 | 0 |
| Mixing a Musical | Shannon Slaton | Taylor & Francis | 8412 | 0 |
| The Seagull | Taylor & Francis | 8917 | 0 | |
| Tragedy and Redress in Western Literature | Richard Gaskin | Taylor & Francis | 10767 | 0 |
| Sarah Kane's 4.48 Psychosis | Glenn D'Cruz | Taylor & Francis | 2859 | 0 |
| Vsevolod Meyerhold | Prof Jonathan Pitches | Taylor & Francis | 9422 | 0 |
| Jacques Lecoq | Simon Murray | Taylor & Francis | 10095 | 0 |
| Jacques Copeau | Mark Evans | Taylor & Francis | 9422 | 0 |
| The Odin Teatret Archives | Mirella Schino | Taylor & Francis | 12282 | 0 |
| Aesthetics | David Goldblatt/Lee B. Brown/Stephanie Patridge | Taylor & Francis | 27764 | 0 |
| Transformative Aesthetics | Erika Fischer-Lichte/Benjamin Wihstutz | Taylor & Francis | 10095 | 0 |
| Acting Shakespeare is Outrageous! | Herb Parker | Taylor & Francis | 8243 | 0 |
| Analytic Philosophy and the World of the Play | Michael Y. Bennett | Taylor & Francis | 10095 | 0 |
| Waterborne Pageants and Festivities in the Renaissance | Taylor & Francis | 13460 | 0 | |
| Acting for the Stage | Taylor & Francis | 7234 | 0 | |
| Theater Planning | Gene Leitermann | Taylor & Francis | 15143 | 0 |
| Routledge Handbook of Physical Cultural Studies | Taylor & Francis | 11440 | 0 | |
| One Minute Plays | Taylor & Francis | 8243 | 0 | |
| Unearthing Shakespeare | Valerie Clayman Pye | Taylor & Francis | 0 | 0 |
| Cultural Exchange in Seventeenth-Century France and England | Gesa Stedman | Taylor & Francis | 9758 | 0 |
| European Theatre Performance Practice, 1580-1750 | Robert Henke | Taylor & Francis | 9758 | 0 |
| Duologues for All Accents and Ages | Taylor & Francis | 4542 | 0 | |
| Craft Notes for Animators | Ed Hooks | Taylor & Francis | 9253 | 0 |
| Acting, Spectating, and the Unconscious | Maria Turri | Taylor & Francis | 10095 | 0 |
| Early English Viols: Instruments, Makers and Music | Michael Fleming/John Bryan | Taylor & Francis | 11272 | 0 |
| Secrets of Acting Shakespeare | Patrick Tucker | Taylor & Francis | 10430 | 0 |
| International Entrepreneurship in the Arts | Lidia Varbanova | Taylor & Francis | 16488 | 0 |
| Black Acting Methods | Taylor & Francis | 10087 | 0 | |
| An Actor's Work | Konstantin Stanislavski | Taylor & Francis | 5719 | 0 |
| Heiner Müller's The Hamletmachine | David Barnett | Taylor & Francis | 2859 | 0 |
| Performing Ethnicity, Performing Gender | Taylor & Francis | 10095 | 0 | |
| The Classical Monologue (M) | Taylor & Francis | 8748 | 0 | |
| Tragedy and Dramatic Theatre | Hans-Thies Lehmann | Taylor & Francis | 12282 | 0 |
| Dynastic Marriages 1612/1615 | Taylor & Francis | 12450 | 0 | |
| A Critical Companion to Lynn Nottage | Taylor & Francis | 12282 | 0 | |
| Shakespeare and Hospitality | Taylor & Francis | 0 | 0 | |
| Audition Speeches for Women | Taylor & Francis | 5551 | 0 | |
| The Contemporary Monologue: Men | Taylor & Francis | 5551 | 0 | |
| Supernatural and Secular Power in Early Modern England | Marcus Harmes/Victoria Bladen | Taylor & Francis | 9590 | 0 |
| Acting in the Academy | Peter Zazzali | Taylor & Francis | 10430 | 0 |
| Ceremonial Entries in Early Modern Europe | Taylor & Francis | 9590 | 0 | |
| Sound Systems: Design and Optimization | Bob McCarthy | Taylor & Francis | 16320 | 0 |
| A Monologue is an Outrageous Situation! | Herb Parker | Taylor & Francis | 7739 | 0 |
| Horror Film and Affect | Xavier Aldana Reyes | Taylor & Francis | 11103 | 0 |
| Through the Body | Dymphna Callery | Taylor & Francis | 9253 | 0 |
| The Comedy Improv Handbook | Matt Fotis/Siobhan O'Hara | Taylor & Francis | 7234 | 0 |
| Play Readings | Rob Urbinati | Taylor & Francis | 8917 | 0 |
| The Non-Cycle Mystery Plays | Taylor & Francis | 9253 | 0 | |
| The Rise of the Victorian Actor | Michael Baker | Taylor & Francis | 8075 | 0 |
| Henry Irving and The Victorian Theatre | Madeleine Bingham | Taylor & Francis | 8075 | 0 |
| Essential Acting | Brigid Panet | Taylor & Francis | 10430 | 0 |
| Audition Success | Don Greene | Taylor & Francis | 6897 | 0 |
| The Routledge Companion to Michael Chekhov | Taylor & Francis | 12282 | 0 | |
| The Illuminated Theatre | Joe Kelleher | Taylor & Francis | 10430 | 0 |
| Performance and Phenomenology | Taylor & Francis | 10430 | 0 | |
| The Thriving Artist | David Maurice Sharp | Taylor & Francis | 8243 | 0 |
| Learning How to Fall | T Nikki Cesare Schotzko | Taylor & Francis | 10430 | 0 |
| The Routledge Companion to Commedia dell'Arte | Taylor & Francis | 11440 | 0 | |
| Cold War Theatre (Routledge Revivals) | John Elsom | Taylor & Francis | 4879 | 0 |
| Creating Solo Performance | Sean Bruno/Luke Dixon | Taylor & Francis | 8075 | 0 |
| Acting Shakespeare | Bertram Leon Joseph | Taylor & Francis | 11272 | 0 |
| Shylock on the Stage | Toby Lelyveld | Taylor & Francis | 10767 | 0 |
| The Improvisation Studies Reader | Taylor & Francis | 13123 | 0 | |
| The Mannequins' Ball | Daniel Gerould/Bruno Jaslenski | Taylor & Francis | 10430 | 0 |
| The Training of Noh Actors and The Dove | David Griffiths | Taylor & Francis | 9422 | 0 |
| Foreign Dialects | Lewis Herman/Marguerite Shalett Herman | Taylor & Francis | 10095 | 0 |
| Integrative Performance | Experience Bryon | Taylor & Francis | 8075 | 0 |
| Performing Beauty in Participatory Art and Culture | Falk Heinrich | Taylor & Francis | 10095 | 0 |
| Arthur Lessac's Embodied Actor Training | Melissa Hurt | Taylor & Francis | 11440 | 0 |
| Ireneusz Iredynski | Taylor & Francis | 3357 | 0 | |
| American Dialects | Lewis Herman/Marguerite Shalett Herman | Taylor & Francis | 7234 | 0 |
| The Rise and Fall of the Well-Made Play (Routledge Revivals) | John Russell Taylor | Taylor & Francis | 10095 | 0 |
| Presence and Pre-Expressivity 2 | Taylor & Francis | 6224 | 0 | |
| Haptic Allegories | Kathleen Gough | Taylor & Francis | 11440 | 0 |
| Adolphe Appia | Richard C. Beacham | Taylor & Francis | 10767 | 0 |
| Performer Training | Taylor & Francis | 9422 | 0 | |
| Improvisation Hypermedia and the Arts since 1945 | Roger Dean/Hazel Smith | Taylor & Francis | 11440 | 0 |
| Audition Speeches for Younger Actors 16+ | Jean Marlow | Taylor & Francis | 7739 | 0 |
| The Simpleton | Sergei Kokovkin | Taylor & Francis | 10430 | 0 |
| The Modern Monologue | Taylor & Francis | 6224 | 0 | |
| Audition Speeches for Young Actors 16+ | Jean Marlow | Taylor & Francis | 6224 | 0 |
| Elements of Performance | Pauline Koner | Taylor & Francis | 8917 | 0 |
| The Bodies That Were Not Ours | Coco Fusco | Taylor & Francis | 10095 | 0 |
| The Theatre Arts Audition Book for Women | Taylor & Francis | 5551 | 0 | |
| Gorilla Theater | Christopher Carter Sanderson | Taylor & Francis | 8748 | 0 |
| Alternative Shakespeare Auditions for Women | Taylor & Francis | 6224 | 0 | |
| Philosophy and Theatre | Tom Stern | Taylor & Francis | 9422 | 0 |
| The World of Physical Culture in Sport and Exercise | Taylor & Francis | 13123 | 0 | |
| Hesitancy and Experimentation in Enlightenment Spain and Spanish America | Taylor & Francis | 8243 | 0 | |
| The Voice Book | Michael McCallion | Taylor & Francis | 6897 | 0 |
| The Invisible Actor | Yoshi Oida/Lorna Marshall | Taylor & Francis | 9253 | 0 |
| Contemporary Scenes for Actors | Michael Earley/Philippa Keil | Taylor & Francis | 4542 | 0 |
| Dreamwork for Actors | Janet Sonenberg | Taylor & Francis | 6897 | 0 |
| Yevgeny Vakhtangov | Andrei Malaev-Babel | Taylor & Francis | 9422 | 0 |
| An Actress Prepares | Rosemary Malague | Taylor & Francis | 9422 | 0 |
| Managing Performance Stress | David Pargman | Taylor & Francis | 9758 | 0 |
| Performance and the Politics of Space | Taylor & Francis | 10430 | 0 | |
| The Contemporary Monologue: Women | Taylor & Francis | 6224 | 0 | |
| The Expressive Actor | Michael Lugering | Taylor & Francis | 9253 | 0 |
| To the Actor | Michael Chekhov | Taylor and Francis | 9253 | 0 |
| Speech for the Stage | Evangeline Machlin | Taylor & Francis | 9253 | 0 |
| New Sites For Shakespeare | John Russell Brown | Taylor & Francis | 9422 | 0 |
| Stanislavski: The Basics | Rose Whyman | Taylor and Francis | 5382 | 0 |
| Towards a Poor Theatre | Jerzy Grotowski | Taylor & Francis | 9758 | 0 |
| Impro | Keith Johnstone | Taylor and Francis | 10095 | 0 |
| Ensemble Theatre Making | Rose Burnett Bonczek/David Storck | Taylor & Francis | 9253 | 0 |
| Award Monologues for Women | Taylor and Francis | 6224 | 0 | |
| The Routledge Companion to Actors' Shakespeare | Taylor & Francis | 8917 | 0 | |
| An Actor Prepares | Constantin Stanislavski | Taylor and Francis | 8075 | 0 |
| Russians in Britain | Taylor & Francis | 9422 | 0 | |
| On Humour | Simon Critchley | Taylor & Francis | 6560 | 0 |
| Social Works | Shannon Jackson | Taylor & Francis | 10599 | 0 |
| The Politics of American Actor Training | Taylor & Francis | 11272 | 0 | |
| Stanislavsky in America | Mel Gordon | Taylor & Francis | 8075 | 0 |
| An Actor's Work on a Role | Konstantin Stanislavski | Taylor & Francis | 11272 | 0 |
| On Criticism | Noel Carroll | Taylor & Francis | 5382 | 0 |
| AS Drama and Theatre Studies: The Essential Introduction for Edexcel | Alan Perks/Jacqueline Porteous | Taylor & Francis | 9253 | 0 |
| Movement Training for the Modern Actor | Mark Evans | Taylor & Francis | 11272 | 0 |
| Theatre: The Rediscovery of Style and Other Writings | Michel Saint-Denis | Taylor & Francis | 6224 | 0 |
| Crossing Cultural Borders Through the Actor's Work | Cláudia Tatinge Nascimento | Taylor & Francis | 11272 | 0 |
| An Actor's Work | Konstantin Stanislavski | Taylor and Francis | 11272 | 0 |
| Contemporary African American Women Playwrights | Taylor & Francis | 12955 | 0 | |
| Bobby Baker | Taylor & Francis | 8748 | 0 | |
| Systems of Rehearsal | Shomit Mitter | Taylor & Francis | 9253 | 0 |
| The Path Of The Actor | Michael Chekhov | Taylor & Francis | 11945 | 0 |
| Dialects for the Stage | Evangeline Machlin | Taylor & Francis | 11945 | 0 |
| Stanislavski | Jean Benedetti | Taylor & Francis | 5046 | 0 |
| Science and the Stanislavsky Tradition of Acting | Jonathan Pitches | Taylor & Francis | 12955 | 0 |
| Death, The One and the Art of Theatre | Howard Barker | Taylor & Francis | 8075 | 0 |
| The Intercultural Performance Handbook | John Martin | Taylor & Francis | 8075 | 0 |
| Post-war British Drama: Looking Back in Gender | Michelene Wandor | Taylor & Francis | 9422 | 0 |
| Jacobean Public Theatre | Alexander Leggatt | Taylor & Francis | 10767 | 0 |
| Understanding Dance | Graham McFee | Taylor & Francis | 12282 | 0 |
| Modern Drama by Women 1880s-1930s | Taylor & Francis | 12282 | 0 | |
| Theatre Sound | John A. Leonard | Taylor & Francis | 9253 | 0 |
- 前へ
- 1
- 次へ