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| タイトル | 著者 | 出版社 | 価格 | 値引率 |
|---|---|---|---|---|
| Clint Eastwood | Richard Schickel | Knopf Doubleday Publishing Group | 1573 | 8 |
| The Ultimate Drama Pot Collection | Joanne Watkinson | Salamander Street Ltd. | 2686 | 6 |
| Theatre in Dublin, 1745–1820 | John C. Greene | Bloomsbury Publishing | 22465 | 2 |
| Theatre in Dublin, 1745–1820 | John C. Greene | Bloomsbury Publishing | 22465 | 2 |
| Freddie Francis | Freddie Francis | Bloomsbury Publishing | 13136 | 2 |
| The Cinema of John Boorman | Brian Hoyle | Bloomsbury Publishing | 13136 | 2 |
| Female Action Heroes | Gladys L. Knight | Bloomsbury Publishing | 13136 | 2 |
| Bringing the Body to the Stage and Screen | Annette Lust | Bloomsbury Publishing | 10640 | 2 |
| The Cinema of Michael Winterbottom | Deborah Allison | Bloomsbury Publishing | 7093 | 2 |
| Terrence Malick and the Thought of Film | Steven Rybin | Bloomsbury Publishing | 7093 | 2 |
| Projected Art History | Doris Berger | Bloomsbury Publishing | 6305 | 2 |
| The Kwagh-hir Theater | Iyorwuese Hagher | Bloomsbury Publishing | 6305 | 2 |
| The Essential Humphrey Bogart | Constantine Santas | Bloomsbury Publishing | 5920 | 2 |
| The Body and the Screen | Kate Ince | Bloomsbury Publishing | 5910 | 2 |
| Labyrinth 2 | Jim McGhee | Bloomsbury Publishing | 5910 | 2 |
| Witness to Phenomenon | Joseph D. Ketner II | Bloomsbury Publishing | 5781 | 2 |
| The Philosophy of Theatre, Drama and Acting | Bloomsbury Publishing | 5781 | 2 | |
| Get the Callback | Jonathan Flom | Bloomsbury Publishing | 5091 | 2 |
| Sounding Conflict | Fiona Magowan/Professor or Dr. Pedro Rebelo/Dr. Stefanie Lehner/Dr. Julie M. Norman/Dr. Ariana Phillips-Hutton | Bloomsbury Publishing | 4860 | 2 |
| Serious Fun | Ruth Yamamoto | Bloomsbury Publishing | 4597 | 2 |
| Tyler Perry's America | Shayne Lee | Bloomsbury Publishing | 3906 | 2 |
| Acting Action | Hugh O'Gorman | Bloomsbury Publishing | 3545 | 2 |
| Acting in the Million Dollar Minute, the Sequel | Tom Logan | Bloomsbury Publishing | 3020 | 2 |
| Acting on the Script | Bruce Miller | Bloomsbury Publishing | 3020 | 2 |
| Screenwriting is Rewriting | Jack Epps, Jr. | Bloomsbury Publishing | 1288 | 2 |
| Thunderbolt Fantasy 東離劍遊紀 官方設定集 | 霹靂國際多媒體股份有限公司 | 大塊文化 | 3072 | 1 |
| 相声入门学习指南 | 张小春、赵永才 | 安徽人民出版社 | 1464 | 1 |
| 悲情城市 | 朱天文、吳念真 | 遠流出版 | 1352 | 1 |
| 故事課1:3分鐘說18萬個故事,打造影響力 | 許榮哲 | 遠流出版 | 1352 | 1 |
| 滾滾紅塵【經典復刻版】 | 三毛/San Mao/Echo | 皇冠文化出版有限公司 | 901 | 1 |
| British Nautical Melodramas, 1820–1850 | Arnold Schmidt | Taylor & Francis | 39542 | 0 |
| Actresses as Working Women | Tracy C. Davis | Taylor & Francis | 37860 | 0 |
| The Oxford Handbook of Radio and Podcasting | Oxford University Press | 29318 | 0 | |
| The Oxford Handbook of the Archaeology of the Contemporary World | OUP Oxford | 26887 | 0 | |
| The Palgrave Handbook of Children's Film and Television | Springer International Publishing | 26740 | 0 | |
| The Oxford Handbook of Sound and Imagination, Volume 1 | Oxford University Press | 24599 | 0 | |
| The Oxford Handbook of Sound and Imagination, Volume 2 | Oxford University Press | 23454 | 0 | |
| Experimental and Expanded Animation | Springer International Publishing | 21878 | 0 | |
| Performing Arts and Digital Humanities | Clarisse Bardiot | Wiley | 20883 | 0 |
| Epic Performances from the Middle Ages into the Twenty-First Century | OUP Oxford | 19450 | 0 | |
| Mark Antony and Popular Culture | Rachael Kelly | Bloomsbury Publishing | 19308 | 0 |
| Inhabiting Ustopia: Science Fiction in Film, Performing Arts, and Digital Media | Springer Nature Switzerland | 18231 | 0 | |
| Embodied Philosophy in Dance | Einav Katan-Schmid | Palgrave Macmillan UK | 18231 | 0 |
| Knowing Bodies, Moving Minds | Springer Netherlands | 18231 | 0 | |
| Galileo and the ‘Invention’ of Opera | F. Kersten | Springer Netherlands | 18231 | 0 |
| Beyond the Happening | Catherine Spencer | Manchester University Press | 17500 | 0 |
| Acting and performance in Hitchcock | Manchester University Press | 17096 | 0 | |
| Performance and Culture in Plato's Laws | Cambridge University Press | 16827 | 0 | |
| Youth and Suicide in American Cinema | Alessandra Seggi | Springer International Publishing | 15800 | 0 |
| Adaptation Considered as a Collaborative Art | Springer International Publishing | 15800 | 0 | |
| Terrence Malick’s Unseeing Cinema | James Batcho | Springer International Publishing | 15800 | 0 |
| Digital Bodies | Palgrave Macmillan UK | 15800 | 0 | |
| Cracking Gilles Deleuze's Crystal | Barry Nevin | Edinburgh University Press | 15618 | 0 |
| John Dahl and Neo-Noir | Paul Monaco | Bloomsbury Publishing | 15501 | 0 |
| The Economics of Sports Broadcasting | Chris Gratton/Harry Arne Solberg | Taylor & Francis | 15143 | 0 |
| Performing Identity | Barry King | Springer International Publishing | 14585 | 0 |
| Anglo-American Stage and Screen Drama | Mike Ingham | Springer International Publishing | 14585 | 0 |
| Theatricality and Performativity | Teemu Paavolainen | Springer International Publishing | 14585 | 0 |
| When Warners Brought Broadway to Hollywood, 1923-1939 | Martin Shingler | Palgrave Macmillan UK | 14585 | 0 |
| Python beyond Python | Springer International Publishing | 14585 | 0 | |
| Complicite, Theatre and Aesthetics | Tomasz Wiśniewski | Springer International Publishing | 14585 | 0 |
| Contemporary Japanese Women’s Theatre and Visual Arts | Nobuko Anan | Palgrave Macmillan UK | 14585 | 0 |
| Theatre for Lifelong Learning | Rae Mansfield/Linda Lau | Intellect Books | 14302 | 0 |
| Structures of Feeling in Seventeenth-Century Cultural Expression | Susan McClary | University of Toronto Press | 13730 | 0 |
| Acting and Character Animation | Rolf Giesen/Anna Khan | CRC Press | 13460 | 0 |
| Routledge Handbook of Media Law | Taylor & Francis | 13460 | 0 | |
| Olympic Media | Andrew Billings | Taylor & Francis | 13460 | 0 |
| Dancing an Embodied Sinthome | Megan Sherritt | Springer Nature Switzerland | 13369 | 0 |
| Time and Poetic Speech: A Philosophical Investigation | Kwok Kui Wong | Springer International Publishing | 13369 | 0 |
| Indigenous Creatures, Native Knowledges, and the Arts | Springer International Publishing | 13369 | 0 | |
| Dance’s Duet with the Camera | Palgrave Macmillan UK | 13369 | 0 | |
| Acting and its Refusal in Theatre and Film | Marian McCurdy | Intellect Books | 13275 | 0 |
| The Improvisation Studies Reader | Taylor & Francis | 13123 | 0 | |
| The World of Physical Culture in Sport and Exercise | Taylor & Francis | 13123 | 0 | |
| Acting Power | Robert Cohen | Taylor and Francis | 13123 | 0 |
| V-Ray 5 for 3ds Max 2020 | Jamie Cardoso | CRC Press | 12955 | 0 |
| Adolphe Appia: Artist and Visionary of the Modern Theatre | Richard C. Beacham | Taylor & Francis | 12955 | 0 |
| Contemporary African American Women Playwrights | Taylor & Francis | 12955 | 0 | |
| Science and the Stanislavsky Tradition of Acting | Jonathan Pitches | Taylor & Francis | 12955 | 0 |
| Commedia Dell'Arte: An Actor's Handbook | John Rudlin | Taylor & Francis | 12955 | 0 |
| Make the Dream Real | Karen Jean Martinson | Intellect Books | 12865 | 0 |
| Restoration Theatre Production | Jocelyn Powell | Taylor & Francis | 12450 | 0 |
| Voice and Identity | Taylor & Francis | 12450 | 0 | |
| Out of Time? | Taylor & Francis | 12450 | 0 | |
| British Nautical Melodramas, 1820–1850 | Arnold Schmidt | Taylor & Francis | 12450 | 0 |
| British Nautical Melodramas, 1820–1850 | Arnold Schmidt | Taylor & Francis | 12450 | 0 |
| Your Murderer | Vassily Aksyonov | Taylor & Francis | 12450 | 0 |
| Games for Actors and Non-Actors | Augusto Boal | Taylor & Francis | 12282 | 0 |
| The Odin Teatret Archives | Mirella Schino | Taylor & Francis | 12282 | 0 |
| A Critical Companion to Lynn Nottage | Taylor & Francis | 12282 | 0 | |
| Acting (Re)Considered | Taylor & Francis | 12282 | 0 | |
| Modern Drama by Women 1880s-1930s | Taylor & Francis | 12282 | 0 | |
| Dancer – Researcher – Performer: A Learning Process | Graziela Rodrigues | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 12251 | 0 |
| An Introduction to the Phenomenology of Performance Art | T. J. Bacon | Intellect Books | 12157 | 0 |
| Samuel Beckett's Critical Aesthetics | Tim Lawrence | Springer International Publishing | 12154 | 0 |
| Theatre/Ecology/Cognition | T. Paavolainen | Palgrave Macmillan US | 12154 | 0 |
| The Recovery of Beauty: Arts, Culture, Medicine | Corinne Saunders/David Fuller | Palgrave Macmillan UK | 12154 | 0 |
| Audience Participation in Theatre | G. White | Palgrave Macmillan UK | 12154 | 0 |
| Movement | Robert Barton/Barbara Sellers-Young | Taylor & Francis | 11945 | 0 |
| The Routledge Companion to Jacques Lecoq | Taylor & Francis | 11945 | 0 | |
| Bakhtin and Theatre | Dick Mccaw | Taylor & Francis | 11945 | 0 |
| Acting with Grotowski | Zbigniew Cynkutis | Taylor & Francis | 11945 | 0 |
| The Path Of The Actor | Michael Chekhov | Taylor & Francis | 11945 | 0 |
| Messy Connections | Cathy Sloan | Taylor & Francis | 11608 | 0 |
| Lightwork | Patrick Duggan | Intellect Books | 11441 | 0 |
| Performing Epic or Telling Tales | Fiona Macintosh/Justine McConnell | OUP Oxford | 11441 | 0 |
| The Routledge Companion to Performance-Related Concepts in Non-European Languages | Taylor & Francis | 11440 | 0 | |
| A Strange Proximity | Jon Foley Sherman | Taylor & Francis | 11440 | 0 |
| Physical Theatres | Simon Murray/John Keefe | Taylor & Francis | 11440 | 0 |
| Haptic Allegories | Kathleen Gough | Taylor & Francis | 11440 | 0 |
| Improvisation Hypermedia and the Arts since 1945 | Roger Dean/Hazel Smith | Taylor & Francis | 11440 | 0 |
| The Screenplay Business | Peter Bloore | Taylor & Francis | 11440 | 0 |
| Acting Shakespeare | Bertram Leon Joseph | Taylor & Francis | 11272 | 0 |
| The Politics of American Actor Training | Taylor & Francis | 11272 | 0 | |
| An Actor's Work on a Role | Konstantin Stanislavski | Taylor & Francis | 11272 | 0 |
| Movement Training for the Modern Actor | Mark Evans | Taylor & Francis | 11272 | 0 |
| Crossing Cultural Borders Through the Actor's Work | Cláudia Tatinge Nascimento | Taylor & Francis | 11272 | 0 |
| Etienne Decroux and his Theatre Laboratory | Marco de Marinis | Taylor & Francis | 11252 | 0 |
| LO: TECH: POP: CULT | Taylor & Francis | 11103 | 0 | |
| The Routledge Companion to Theatre and Performance Historiography | Taylor & Francis | 11103 | 0 | |
| Horror Film and Affect | Xavier Aldana Reyes | Taylor & Francis | 11103 | 0 |
| A Dream | Felicja Kruszewska | Taylor & Francis | 11103 | 0 |
| Lamp and the Lute | Bonamy Dobree | Taylor & Francis | 11103 | 0 |
| Dancing in the Vortex | Vicki Woolf | Taylor & Francis | 11103 | 0 |
| Psychophysical Acting | Phillip B. Zarrilli | Taylor & Francis | 11103 | 0 |
| Archaeologies of Presence | Taylor & Francis | 11103 | 0 | |
| Mr Price, or Tropical Madness and Metaphysics of a Two- Headed Calf | Stanislaw Ignacy Witkiewicz | Taylor & Francis | 11103 | 0 |
| Shylock on the Stage | Toby Lelyveld | Taylor & Francis | 10767 | 0 |
| Adolphe Appia | Richard C. Beacham | Taylor & Francis | 10767 | 0 |
| A Philosophy of the Screenplay | Ted Nannicelli | Taylor & Francis | 10767 | 0 |
| So Therefore... | Al Ruscio | Taylor & Francis | 10767 | 0 |
| Suzan-Lori Parks | Taylor & Francis | 10767 | 0 | |
| Critical Dictionary of Film and Television Theory | Taylor & Francis | 10767 | 0 | |
| Jacobean Public Theatre | Alexander Leggatt | Taylor & Francis | 10767 | 0 |
| Crafting Short Screenplays That Connect | Claudia Hunter Johnson | Taylor & Francis | 10599 | 0 |
| The Routledge Companion to Musical Theatre | Taylor & Francis | 10599 | 0 | |
| The Routledge Companion to Vsevolod Meyerhold | Taylor & Francis | 10599 | 0 | |
| The Routledge Pantomime Reader | Taylor & Francis | 10599 | 0 | |
| Spatial Practices | Taylor & Francis | 10599 | 0 | |
| Social Works | Shannon Jackson | Taylor & Francis | 10599 | 0 |
| Actor Training | Alison Hodge | Taylor and Francis | 10599 | 0 |
| Perform or Else | Jon McKenzie | Taylor and Francis | 10599 | 0 |
| Crossing Central Europe | University of Toronto Press | 10500 | 0 | |
| Classical and Romantic Performing Practice | Clive Brown | Oxford University Press | 10439 | 0 |
| Performing Recovery | Zoe Zontou | Taylor & Francis | 10430 | 0 |
| No Mother, No Future | Kailin Wright | Taylor & Francis | 10430 | 0 |
| The Science of Arts Engagement | Agnieszka Wlazeł | Taylor & Francis | 10430 | 0 |
| In Search of the Performer’s Way | Jong Hyuk Song | Taylor & Francis | 10430 | 0 |
| Laughter, Power, and the Unconscious | Maria Grazia Turri/Bridget Escolme | Taylor & Francis | 10430 | 0 |
| Mattering Voices | Taylor & Francis | 10430 | 0 | |
| Shakespeare's 'Method' for Actors | Christine Ozanne | Taylor & Francis | 10430 | 0 |
| Edward Albee and the Emergence of Difference and Diversity in US and World Theatre | Taylor & Francis | 10430 | 0 | |
| Transnational Perspectives on the Art of Piero Manzoni and Hélio Oiticica | Lara Demori | Taylor & Francis | 10430 | 0 |
| Black Activists Write Wheatley and Washington | Lurana Donnels O’Malley | Taylor & Francis | 10430 | 0 |
| African American Artists Performing for the Camera After 1970 | Martyna Ewa Majewska | Taylor & Francis | 10430 | 0 |
| Vladimir Nemirovich-Danchenko and the Moscow Art Theatre | Inna Solovyova | Taylor & Francis | 10430 | 0 |
| Contemporary Performance and Political Economy | Katerina Paramana | Taylor & Francis | 10430 | 0 |
| Performing Corporate Bodies | Sarah Saddler | Taylor & Francis | 10430 | 0 |
| Staging Muslims in Britain | Önder Çakırtaş | Taylor & Francis | 10430 | 0 |
| The Human Touch | Chloé Arros | Taylor & Francis | 10430 | 0 |
| Applied Theatre and the Sustainable Development Goals | Taylor & Francis | 10430 | 0 | |
| Beyond Innocence | Adele Senior | Taylor & Francis | 10430 | 0 |
| Living Death in Early Modern Drama | James Alsop | Taylor & Francis | 10430 | 0 |
| 1964, A Year in African American Performance History | David Krasner | Taylor & Francis | 10430 | 0 |
| Transfiguring Tragedy | Ryder Thornton | Taylor & Francis | 10430 | 0 |
| The Legacy of Stylistic Theatre in the Creation of a Modern Sinhala Drama in Sri Lanka | Lakshmi D. Bulathsinghala | Taylor & Francis | 10430 | 0 |
| The Shakespeare North Playhouse | Taylor & Francis | 10430 | 0 | |
| Meaning in the Midst of Performance | Gareth White | Taylor & Francis | 10430 | 0 |
| How Does Disability Performance Travel? | Taylor & Francis | 10430 | 0 | |
| La MaMa Experimental Theatre – A Lasting Bridge Between Cultures | Monica Cristini | Taylor & Francis | 10430 | 0 |
| Ibsen in the Decolonised South Asian Theatre | Taylor & Francis | 10430 | 0 | |
| Equestrian Drama | Taylor & Francis | 10430 | 0 | |
| Why the Theatre | Taylor & Francis | 10430 | 0 | |
| Performing Arts in Changing Societies | Taylor & Francis | 10430 | 0 | |
| Making Another World Possible | Taylor & Francis | 10430 | 0 | |
| European Performative Theatre | Annamaria Cascetta | Taylor & Francis | 10430 | 0 |
| Screening Characters | Taylor & Francis | 10430 | 0 | |
| A Dictionary of the American Avant-Gardes | Richard Kostelanetz | Taylor & Francis | 10430 | 0 |
| History Dances | Ofosuwa M. Abiola | Taylor & Francis | 10430 | 0 |
| Attic Oratory and Performance | Andreas Serafim | Taylor & Francis | 10430 | 0 |
| Acting in the Academy | Peter Zazzali | Taylor & Francis | 10430 | 0 |
| Learning How to Fall | T Nikki Cesare Schotzko | Taylor & Francis | 10430 | 0 |
| The Mannequins' Ball | Daniel Gerould/Bruno Jaslenski | Taylor & Francis | 10430 | 0 |
| Menander in Contexts | Taylor & Francis | 10430 | 0 | |
| Performance and the Politics of Space | Taylor & Francis | 10430 | 0 | |
| Brecht Sourcebook | Taylor & Francis | 10430 | 0 | |
| Dodin and the Maly Drama Theatre | Maria Shevstova | Taylor & Francis | 10430 | 0 |
| Theatre at the Crossroads of Culture | Patrice Pavis | Taylor & Francis | 10430 | 0 |
| Humanism, Drama, and Performance | Hana Worthen | Springer International Publishing | 10331 | 0 |
| The Literature and Arts of the Niger Delta | Taylor & Francis | 10095 | 0 | |
| In Search of Stanislavsky’s Creative State on the Stage | Gabriela Curpan | Taylor & Francis | 10095 | 0 |
| Contemporary Rehearsal Practice | Gary Cassidy | Taylor & Francis | 10095 | 0 |
| Property and Finance on the Post-Brexit London Stage | Michael Meeuwis | Taylor & Francis | 10095 | 0 |
| An Ethico-Phenomenology of Digital Art Practices | Giuseppe Torre | Taylor & Francis | 10095 | 0 |
| Partners of the Imagination | Robert Leach | Taylor & Francis | 10095 | 0 |
| Somatic Voices in Performance Research and Beyond | Taylor & Francis | 10095 | 0 | |
| Dance and the Corporeal Uncanny | Philipa Rothfield | Taylor & Francis | 10095 | 0 |
| Minstrel Traditions | Kevin Byrne | Taylor & Francis | 10095 | 0 |
| Shakespeare in Singapore | Philip Smith | Taylor & Francis | 10095 | 0 |
| Civic Performance | Taylor & Francis | 10095 | 0 | |
| Performing Home | Stuart Andrews | Taylor & Francis | 10095 | 0 |
| Stunts of Late Nineteenth-Century New York | Kirstin Smith | Taylor & Francis | 10095 | 0 |
| After the Long Silence | Claudia Tatinge Nascimento | Taylor & Francis | 10095 | 0 |
| Law and Intangible Cultural Heritage in the City | Sara Ross | Taylor & Francis | 10095 | 0 |
| Reframing Acting in the Digital Age | Artemis Preeshl | Taylor & Francis | 10095 | 0 |
| Affect and Embodied Meaning in Animation | Sylvie Bissonnette | Taylor & Francis | 10095 | 0 |
| Incapacity and Theatricality | Tony McCaffrey | Taylor & Francis | 10095 | 0 |
| The Routledge Companion to African American Theatre and Performance | Taylor & Francis | 10095 | 0 | |
| Adapting Western Classics for the Chinese Stage | Shouhua Qi | Taylor & Francis | 10095 | 0 |
| Joke-Performance in Africa | Taylor & Francis | 10095 | 0 | |
| Transformative Aesthetics | Erika Fischer-Lichte/Benjamin Wihstutz | Taylor & Francis | 10095 | 0 |
| Analytic Philosophy and the World of the Play | Michael Y. Bennett | Taylor & Francis | 10095 | 0 |
| Acting, Spectating, and the Unconscious | Maria Turri | Taylor & Francis | 10095 | 0 |
| Performing Ethnicity, Performing Gender | Taylor & Francis | 10095 | 0 | |
| Mainstream AIDS Theatre, the Media, and Gay Civil Rights | Jacob Juntunen | Taylor & Francis | 10095 | 0 |
| Food and Theatre on the World Stage | Taylor & Francis | 10095 | 0 | |
| The Body in Performance | Taylor & Francis | 10095 | 0 | |
| Performing Beauty in Participatory Art and Culture | Falk Heinrich | Taylor & Francis | 10095 | 0 |
| The Rise and Fall of the Well-Made Play (Routledge Revivals) | John Russell Taylor | Taylor & Francis | 10095 | 0 |
| Acting and Performance for Animation | Derek Hayes | CRC Press | 10095 | 0 |
| Interchangeable Parts | Victor Holtcamp | University of Michigan Press | 10089 | 0 |
| Black Acting Methods | Taylor & Francis | 10087 | 0 | |
| Zombies, Werewolves, Robots, and Extraterrestrials | Gerald Large | Taylor & Francis | 9758 | 0 |
| Stanislavsky and Place | Taylor & Francis | 9758 | 0 | |
| Women and Age on the UK Stage | Bridie Moore | Taylor & Francis | 9758 | 0 |
| Stanislavsky and Screen Actor Training | Taylor & Francis | 9758 | 0 | |
| Milestones in Actor Training | Taylor & Francis | 9758 | 0 | |
| Carlo Boso | Peter Jordan/Olly Crick | Taylor & Francis | 9758 | 0 |
| Being Black and British | Taylor & Francis | 9758 | 0 | |
| Temporary Stages III | Jo Beth Gonzalez | Taylor & Francis | 9758 | 0 |
| Stanislavsky and Mindfulness | Taylor & Francis | 9758 | 0 | |
| Actor Trainers on Acting | Taylor & Francis | 9758 | 0 | |
| Practicing Archetype | Göze Saner | Taylor & Francis | 9758 | 0 |
| The Lieutenant Nun | Taylor & Francis | 9758 | 0 | |
| Choreomusicology | Taylor & Francis | 9758 | 0 | |
| Stanislavsky and Gender | Taylor & Francis | 9758 | 0 | |
| Radical Sensing and Performer Training | Rebecca Loukes | Taylor & Francis | 9758 | 0 |
| Imagining Bodies and Performer Training | Ellie Nixon | Taylor & Francis | 9758 | 0 |
| Independent Performing Arts in Europe | Thomas Fabian Eder | Taylor & Francis | 9758 | 0 |
| Bourdieu in the Studio | Evi Stamatiou | Taylor & Francis | 9758 | 0 |
| America Under the Influence | Chloë Rae Edmonson | Taylor & Francis | 9758 | 0 |
| The Loss of Small White Clouds | Morgan Batch | Taylor & Francis | 9758 | 0 |
| Contemporary Storytelling Performance | Stephe Harrop | Taylor & Francis | 9758 | 0 |
| Puppet and Spirit: Ritual, Religion, and Performing Objects | Taylor & Francis | 9758 | 0 | |
| Reconstructing Performance Art | Taylor & Francis | 9758 | 0 | |
| Contemporary Irish Theatre and Social Change | Emer O'Toole | Taylor & Francis | 9758 | 0 |
| Shakespeare and Cultural Appropriation | Taylor & Francis | 9758 | 0 | |
| Vocal Traditions | Taylor & Francis | 9758 | 0 | |
| Venus’s Palace | Reut Barzilai | Taylor & Francis | 9758 | 0 |
| Instruments of Embodiment | Eric Mullis | Taylor & Francis | 9758 | 0 |
| A Sourcebook of Performance Labor | Joey Orr | Taylor & Francis | 9758 | 0 |
| Harold Pinter's Shakespeare | Charles Morton | Taylor & Francis | 9758 | 0 |
| Emotion Pictures | Lucy Fischer | Taylor & Francis | 9758 | 0 |
| Imitation and Contamination of the Classics in the Comedies of Ben Jonson | Tom Harrison | Taylor & Francis | 9758 | 0 |
| Devised Theater’s Collaborative Performance | Telory D Arendell | Taylor & Francis | 9758 | 0 |
| Appropriations of Irish Drama in Modern Korean Nationalist Theatre | Hunam Yun | Taylor & Francis | 9758 | 0 |
| From Playtext to Performance on the Early Modern Stage | Leslie Thomson | Taylor & Francis | 9758 | 0 |
| Deburau | Edward Nye | Taylor & Francis | 9758 | 0 |
| Performing the Wound | Niki Tulk | Taylor & Francis | 9758 | 0 |
| Posthuman and Nonhuman Entanglements in Contemporary Art and the Body | Justyna Stępień | Taylor & Francis | 9758 | 0 |
| Copeau/Decroux, Irving/Craig | Thomas Leabhart | Taylor & Francis | 9758 | 0 |
| Shakespeare’s Contested Nations | L. Monique Pittman | Taylor & Francis | 9758 | 0 |
| ASHÉ | Taylor & Francis | 9758 | 0 | |
| Dancehall In/Securities | Taylor & Francis | 9758 | 0 | |
| Transmedia Change | Taylor & Francis | 9758 | 0 | |
| Borderlands Children’s Theatre | Cecilia Josephine Aragón | Taylor & Francis | 9758 | 0 |
| Eugene O'Neill's Philosophy of Difficult Theatre | Jeremy Killian | Taylor & Francis | 9758 | 0 |
| Mysticism in the Theater | Tom Block | Taylor & Francis | 9758 | 0 |
| Chinese Traditional Theatre and Male Dan | Guo Chao | Taylor & Francis | 9758 | 0 |
| Pandemic Performance | Taylor & Francis | 9758 | 0 | |
| D’Oyly Carte | Paul Seeley | Taylor & Francis | 9758 | 0 |
| Home and Away | Taylor & Francis | 9758 | 0 | |
| French Theatre, Orientalism, and the Representation of India, 1770-1865 | David Hammerbeck | Taylor & Francis | 9758 | 0 |
| The Piscatorbühne Century | Drew Lichtenberg | Taylor & Francis | 9758 | 0 |
| Consent in Shakespeare | Artemis Preeshl | Taylor & Francis | 9758 | 0 |
| Rabindranath Tagore's Theatre | Abhijit Sen | Taylor & Francis | 9758 | 0 |
| Performances that Change the Americas | Taylor & Francis | 9758 | 0 | |
| Oral Literary Performance in Africa | Taylor & Francis | 9758 | 0 | |
| Drama in Medieval and Early Modern Europe | Nadia Thérèse van Pelt | Taylor & Francis | 9758 | 0 |
| Recording Voiceover | Tom Blakemore | Taylor & Francis | 9758 | 0 |
| Sex and War on the American Stage | Emily Klein | Taylor & Francis | 9758 | 0 |
| Stanislavsky: A Life in Letters | Taylor & Francis | 9758 | 0 | |
| Managing Performance Stress | David Pargman | Taylor & Francis | 9758 | 0 |
| Nineteenth-Century Theatre and the Imperial Encounter | Marty Gould | Taylor & Francis | 9758 | 0 |
| Crossing the Stage | Taylor & Francis | 9758 | 0 | |
| Seeing as Practice | Eva Schuermann | Springer International Publishing | 9723 | 0 |
| Black Women Centre Stage | Paola Prieto López | Taylor & Francis | 9590 | 0 |
| Ethical Agility in Dance | Taylor & Francis | 9590 | 0 | |
| Strategies for Survival at SIBIKWA 1988 – 2021 | Taylor & Francis | 9590 | 0 | |
| Who Is In the Room? | Brooke O'Harra | Taylor & Francis | 9422 | 0 |
| Sophia Robot | Thomas Riccio | Taylor & Francis | 9422 | 0 |
| Working with Children in Contemporary Performance | Sarah Austin | Taylor & Francis | 9422 | 0 |
| Towards Embodied Performance | Rachel Dickstein | Taylor & Francis | 9422 | 0 |
| Nine questions every actor of color should consider when tokenism is not enough | Taylor & Francis | 9422 | 0 | |
| Innovation & Digital Theatremaking | Robert Myles/Valerie Clayman Pye | Taylor & Francis | 9422 | 0 |
| Stanislavsky and Intimacy | Taylor & Francis | 9422 | 0 | |
| Stanislavsky and Race | Taylor & Francis | 9422 | 0 | |
| Futures of Performance | Taylor & Francis | 9422 | 0 | |
| Stanislavsky and Pedagogy | Taylor & Francis | 9422 | 0 | |
| Kristin Linklater | Bernadette Cronin/Regina Crowley | Taylor & Francis | 9422 | 0 |
| The Body in Sound, Music and Performance | Taylor & Francis | 9422 | 0 | |
| Kingship, Madness, and Masculinity on the Early Modern Stage | Taylor & Francis | 9422 | 0 | |
| Actor Training in Anglophone Countries | Peter Zazzali | Taylor & Francis | 9422 | 0 |
| Shakespeare and Celebrity Cultures | Jennifer Holl | Taylor & Francis | 9422 | 0 |
| Staging Detection | Isabel Stowell-Kaplan | Taylor & Francis | 9422 | 0 |
| Asian City Crossings | Taylor & Francis | 9422 | 0 | |
| The Self-Centred Art | Jakub Boguszak | Taylor & Francis | 9422 | 0 |
| Theatre Studios | Tom Cornford | Taylor & Francis | 9422 | 0 |
| Dance Legacies of Scotland | Mats Melin/Jennifer Schoonover | Taylor & Francis | 9422 | 0 |
| How Greek Tragedy Works | Brian Kulick | Taylor & Francis | 9422 | 0 |
| Blue Sky Body | Ben Spatz | Taylor & Francis | 9422 | 0 |
| A Concise Dictionary of the Avant-Gardes | Richard Kostelanetz | Taylor & Francis | 9422 | 0 |
| The Elements of Theatrical Expression | Brian Kulick | Taylor & Francis | 9422 | 0 |
| The Routledge Comedy Studies Reader | Taylor & Francis | 9422 | 0 | |
| Teaching Acting with Practical Aesthetics | Troy Dobosiewicz | Taylor & Francis | 9422 | 0 |
| Fiction's Truth | Danielle Szlawieniec-Haw | Taylor & Francis | 9422 | 0 |
| Intercultural Acting and Performer Training | Taylor & Francis | 9422 | 0 | |
| Psychology for Actors | Kevin Page | Taylor & Francis | 9422 | 0 |
| The Birth of Modern Theatre | Norman S. Poser | Taylor & Francis | 9422 | 0 |
| Konstantin Stanislavsky | Bella Merlin | Taylor & Francis | 9422 | 0 |
| Jerzy Grotowski | James Slowiak/Jairo Cuesta | Taylor & Francis | 9422 | 0 |
| The Moon Rises from the Ganges | Eugenio Barba | Taylor & Francis | 9422 | 0 |
| Performing in Comedy | Ian Wilkie | Taylor & Francis | 9422 | 0 |
| Rooms in Dramatic Realism | Fred Miller Robinson | Taylor & Francis | 9422 | 0 |
| Shakespeare on Theatre | Robert Cohen | Taylor & Francis | 9422 | 0 |
| What a Body Can Do | Ben Spatz | Taylor & Francis | 9422 | 0 |
| Book of Sides: Original, One-Page Scenes for Actors and Directors | Dave Kost | Taylor & Francis | 9422 | 0 |
| Art and Ventriloquism | David Goldblatt | Taylor & Francis | 9422 | 0 |
| Yevgeny Vakhtangov | Andrei Malaev-Babel | Taylor & Francis | 9422 | 0 |
| An Actress Prepares | Rosemary Malague | Taylor & Francis | 9422 | 0 |
| Russians in Britain | Taylor & Francis | 9422 | 0 | |
| The Actor, Image, and Action | Rhonda Blair | Taylor & Francis | 9422 | 0 |
| Two Plays by Olga Mukhina | Taylor & Francis | 9422 | 0 | |
| The Lure of Perfection | Judith Bennahum | Taylor & Francis | 9422 | 0 |
| Theatre/Archaeology | Mike Pearson/Michael Shanks | Taylor & Francis | 9422 | 0 |
| Country House | Stanislav I. Witkiewicz/D. Gerould/D. Gerould | Taylor & Francis | 9422 | 0 |
| Virtual Theatres | Gabriella Giannachi | Taylor & Francis | 9422 | 0 |
| Performance and Evolution in the Age of Darwin | Jane Goodall | Taylor & Francis | 9422 | 0 |
| Federico García Lorca | Simon Breden | Taylor & Francis | 9253 | 0 |
| Juan Mayorga | Taylor & Francis | 9253 | 0 | |
| Jerzy Grotowski's Journeys to the East | Zbigniew Osinski | Taylor & Francis | 9253 | 0 |
| Dancing Motherhood | Ali Duffy | Taylor & Francis | 9253 | 0 |
| Latinx Actor Training | Taylor & Francis | 9253 | 0 | |
| Clowns | David Bridel/Ezra LeBank | Taylor & Francis | 9253 | 0 |
| Acting the Essence | Giuliano Campo | Taylor & Francis | 9253 | 0 |
| Sound Art | Thom Holmes | Taylor & Francis | 9253 | 0 |
| Antonin Artaud | Blake Morris | Taylor & Francis | 9253 | 0 |
| Illusion in Cultural Practice | Katharina Rein | Taylor & Francis | 9253 | 0 |
| Kinetic Atmospheres | Johannes Birringer | Taylor & Francis | 9253 | 0 |
| Jana Sanskriti | Ralph Yarrow | Taylor & Francis | 9253 | 0 |
| Frantic Assembly | Mark Evans/Mark Smith | Taylor & Francis | 9253 | 0 |
| A Poetics of Third Theatre | Jane Turner/Patrick Campbell | Taylor & Francis | 9253 | 0 |
| Owning Our Voices | Margaret Pikes/Patrick Campbell | Taylor & Francis | 9253 | 0 |
| Performing Shakespeare Unrehearsed | Bill Kincaid | Taylor & Francis | 9253 | 0 |
| The Method Acting Exercises Handbook | Lola Cohen | Taylor & Francis | 9253 | 0 |
| Craft Notes for Animators | Ed Hooks | Taylor & Francis | 9253 | 0 |
| Screenwriting Fundamentals | Irv Bauer | Taylor & Francis | 9253 | 0 |
| Through the Body | Dymphna Callery | Taylor & Francis | 9253 | 0 |
| The Non-Cycle Mystery Plays | Taylor & Francis | 9253 | 0 | |
| Playwrights in Rehearsal | Susan Letzler Cole | Taylor & Francis | 9253 | 0 |
| Acting: The First Six Lessons | Richard Boleslavsky | Taylor & Francis | 9253 | 0 |
| To the Actor | Michael Chekhov | Taylor and Francis | 9253 | 0 |
| Ensemble Theatre Making | Rose Burnett Bonczek/David Storck | Taylor & Francis | 9253 | 0 |
| The Decroux Sourcebook | Taylor & Francis | 9253 | 0 | |
| Zygmunt Molik's Voice and Body Work | Giuliano Campo/Zygmunt Molik | Taylor & Francis | 9253 | 0 |
| The Science Of Acting | Sam Kogan/Helen Kogan | Taylor & Francis | 9253 | 0 |
| Reworking the Ballet | Vida L. Midgelow | Taylor & Francis | 9253 | 0 |
| Systems of Rehearsal | Shomit Mitter | Taylor & Francis | 9253 | 0 |
| Ballet Beyond Tradition | Anna Paskevska | Taylor & Francis | 9253 | 0 |
| Greek Tragedy and the Contemporary Actor | Zachary Dunbar/Stephe Harrop | Springer International Publishing | 9116 | 0 |
| Adaptation and Nation | Catherine Rees | Palgrave Macmillan UK | 9116 | 0 |
| Liquid Ecologies in Latin American and Caribbean Art | Taylor & Francis | 9086 | 0 | |
| Acting in Aotearoa | Taylor & Francis | 8917 | 0 | |
| 1000 Ways to Ask Why | Emily LeQuesne | Taylor & Francis | 8917 | 0 |
| Foundations for Performance Training | Cara Harker | Taylor & Francis | 8917 | 0 |
| Performing in Contemporary Musicals | David Sisco/Laura Josepher | Taylor & Francis | 8917 | 0 |
| Stanislavsky in Focus | Sharon Marie Carnicke | Taylor & Francis | 8917 | 0 |
| Exercises for Embodied Actors | Scott Illingworth | Taylor & Francis | 8917 | 0 |
| The Michael Chekhov Handbook | Lenard Petit | Taylor & Francis | 8917 | 0 |
| The Seagull | Taylor & Francis | 8917 | 0 | |
| Acting, Archetype, and Neuroscience | Jane Drake Brody | Taylor & Francis | 8917 | 0 |
| The Piscator Notebook | Judith Malina | Taylor & Francis | 8917 | 0 |
| The Routledge Companion to Actors' Shakespeare | Taylor & Francis | 8917 | 0 | |
| And Then, You Act | Anne Bogart | Taylor & Francis | 8917 | 0 |
| The Italian Commedia and Please be Gentle | David Griffiths | Taylor & Francis | 8917 | 0 |
| Performing Brecht | Margaret Eddershaw | Taylor & Francis | 8917 | 0 |
| Commedia Dell'Arte | Oliver Crick/John Rudlin | Taylor & Francis | 8917 | 0 |
| From SWEETBACK to SUPER FLY | Gerald R. Butters Jr. | University of Missouri Press | 8749 | 0 |
| Spanish Accents and Dialects for Actors | Elisa Gonzales/Josh F.S. Moser/Adi Cabral | Taylor & Francis | 8748 | 0 |
| Stop Memorizing Your Lines | Loren E. Chadima | Taylor & Francis | 8748 | 0 |
| Navigating a Career in Performance | Jessica Champagne Hansen/Camille Schenkkan/Vanessa Mizzone Pellegrini | Taylor & Francis | 8748 | 0 |
| The Art of Drag | Michael Twaits | Taylor & Francis | 8748 | 0 |
| Milestones in African Literature | Toyin Falola | Taylor & Francis | 8748 | 0 |
| The Third Space | Robert Lewis | Taylor & Francis | 8748 | 0 |
| Mime into Physical Theatre: A UK Cultural History 1970–2000 | Mark Evans/Simon Murray | Taylor & Francis | 8748 | 0 |
| Illusive Utopia | Suk-Young Kim | University of Michigan Press | 8743 | 0 |
| Making Music in Selznick's Hollywood | Nathan Platte | Oxford University Press | 8580 | 0 |
| White Holes and the Visualization of the Body | Žarko Paić | Springer International Publishing | 8507 | 0 |
| Inside The Performance Workshop | Taylor & Francis | 8412 | 0 | |
| Trump Was a Joke | Sophia A Mcclennen | Taylor & Francis | 8412 | 0 |
| Ernie McClintock and the Jazz Actors Family | Elizabeth M. Cizmar | Taylor & Francis | 8412 | 0 |
| Lessons from Shakespeare’s Classroom | Robin Lithgow | Taylor & Francis | 8412 | 0 |
| Politics as Public Art | Taylor & Francis | 8412 | 0 | |
| Entangled Performance Histories | Taylor & Francis | 8412 | 0 | |
| Playgrounds | David J. Amelang | Taylor & Francis | 8412 | 0 |
| Hamlet’s Hereditary Queen | Kerrie Roberts | Taylor & Francis | 8412 | 0 |
| Sport and Performance in the Twenty-First Century | Kelsey Blair | Taylor & Francis | 8412 | 0 |
| Liveness | Philip Auslander | Taylor & Francis | 8412 | 0 |
| Plays of Our Own | Willy Conley | Taylor & Francis | 8412 | 0 |
| Sonic Engagement | Taylor & Francis | 8412 | 0 | |
| Integrated Access in Live Performance | Louise Fryer/Amelia Cavallo | Taylor & Francis | 8412 | 0 |
| Gómez-Peña Unplugged | Guillermo Gómez-Peña | Taylor & Francis | 8412 | 0 |
| Time and Performer Training | Taylor & Francis | 8412 | 0 | |
| How and Why We Teach Shakespeare | Sidney Homan | Taylor & Francis | 8245 | 0 |
| Critical Acting Pedagogy | Taylor & Francis | 8243 | 0 | |
| The Art of Broadsword Fighting for Stage and Screen | Erick Vaughn Wolfe | Taylor & Francis | 8243 | 0 |
| Teaching What You Want to Learn | Bill Evans | Taylor & Francis | 8243 | 0 |
| The Art of Knife Fighting for Stage and Screen | Erick Vaughn Wolfe | Taylor & Francis | 8243 | 0 |
| Re-Purposing Suzuki | Maria Porter | Taylor & Francis | 8243 | 0 |
| Inclusivity and Equality in Performance Training | Taylor & Francis | 8243 | 0 | |
| Mythic Imagination and the Actor | Marissa Chibás | Taylor & Francis | 8243 | 0 |
| Lessons from The Maestro | David L. Boushey | Taylor & Francis | 8243 | 0 |
| Applied Meisner for the 21st-Century Actor | Kevin Otos/Kim Shively | Taylor & Francis | 8243 | 0 |
| Act as a Feminist | Lisa Peck | Taylor & Francis | 8243 | 0 |
| Inclusive Character Analysis | Jennifer Thomas/Robert J. Vrtis | Taylor & Francis | 8243 | 0 |
| Shakespeare & Company | Bella Merlin/Tina Packer | Taylor & Francis | 8243 | 0 |
| Auditioning for Musical Theatre | Denny Berry | Taylor & Francis | 8243 | 0 |
| The Thriving Artist | David Maurice Sharp | Taylor & Francis | 8243 | 0 |
| The Vakhtangov Sourcebook | Taylor & Francis | 8243 | 0 | |
| The Intimate Act Of Choreography | Lynne Anne Blom/L. Tarin Chaplin | University of Pittsburgh Press | 8166 | 0 |
| Game Worlds Get Real | Zek Valkyrie | Bloomsbury Publishing | 8144 | 0 |
| The Reason to Sing | Craig Carnelia | Taylor & Francis | 8075 | 0 |
| Acting the Michael Chekhov Way | Lisa Loving Dalton | Taylor & Francis | 8075 | 0 |
| Queering the Stage | Adi Cabral | Taylor & Francis | 8075 | 0 |
| Preparing for Rehearsal | Chris Pickles | Taylor & Francis | 8075 | 0 |
| Improvisation the Michael Chekhov Way | Wil Kilroy | Taylor & Francis | 8075 | 0 |
| Starting a Theatre Company | Karl Falconer | Taylor & Francis | 8075 | 0 |
| A Practical Guide to Costumed Interpretation | Jackie Lee | Taylor & Francis | 8075 | 0 |
| Routledge Revivals: David Rabe (1988) | Philip C. Kolin | Taylor & Francis | 8075 | 0 |
| The Rise of the Victorian Actor | Michael Baker | Taylor & Francis | 8075 | 0 |
| Henry Irving and The Victorian Theatre | Madeleine Bingham | Taylor & Francis | 8075 | 0 |
| Creating Solo Performance | Sean Bruno/Luke Dixon | Taylor & Francis | 8075 | 0 |
| Auditions | Richard Evans | Taylor & Francis | 8075 | 0 |
| Integrative Performance | Experience Bryon | Taylor & Francis | 8075 | 0 |
| Body Voice Imagination | David Zinder | Taylor & Francis | 8075 | 0 |
| Animated Life | Floyd Norman | CRC Press | 8075 | 0 |
| Embodied Acting | Rick Kemp | Taylor & Francis | 8075 | 0 |
| An Actor Prepares | Constantin Stanislavski | Taylor and Francis | 8075 | 0 |
| Acting Reframes | Robert Barton | Taylor & Francis | 8075 | 0 |
| Notes From An Odin Actress | Julia Varley | Taylor & Francis | 8075 | 0 |
| The Intercultural Performance Handbook | John Martin | Taylor & Francis | 8075 | 0 |
| Backstage Stories | Barbara Baker | Bloomsbury Publishing | 7852 | 0 |
| Analysis through Action for Actors and Directors | David Chambers | Taylor & Francis | 7739 | 0 |
| Stages of Reckoning | Taylor & Francis | 7739 | 0 | |
| Peter Brook and the Mahabharata | Taylor & Francis | 7739 | 0 | |
| Active Analysis | Maria Knebel | Taylor & Francis | 7739 | 0 |
| Building A Character | Constantin Stanislavski | Taylor & Francis | 7739 | 0 |
| Audition Speeches for Younger Actors 16+ | Jean Marlow | Taylor & Francis | 7739 | 0 |
| African Discourse in Islam, Oral Traditions, and Performance | Abdul-Rasheed Na'Allah | Taylor & Francis | 7739 | 0 |
| The Aesthetics of Imperfection in Music and the Arts | Bloomsbury Publishing | 7588 | 0 | |
| Networked Music Performance | Miriam Iorwerth | Taylor & Francis | 7570 | 0 |
| Performing Electronic Music Live | Kirsten Hermes | Taylor & Francis | 7570 | 0 |
| At Work with Grotowski on Physical Actions | Thomas Richards | Taylor & Francis | 7402 | 0 |
| The Beautiful Skin | Vlad Dima | Michigan State University Press | 7398 | 0 |
| Intermedial Praxis and Practice as Research | Joanne Scott | Palgrave Macmillan UK | 7292 | 0 |
| Understanding Blackness through Performance | Anne Cremieux | Palgrave Macmillan US | 7292 | 0 |
| Techniques of Acting | Ronald Hayman | Taylor & Francis | 7234 | 0 |
| Fifty Key Figures in LatinX and Latin American Theatre | Taylor & Francis | 7234 | 0 | |
| The Nineteenth-Century Theatre in Spain | Margaret A. Rees | Taylor & Francis | 7234 | 0 |
| Short Plays with Great Roles for Women | Taylor & Francis | 7234 | 0 | |
| Medieval English Drama | Sidney E. Berger | Taylor & Francis | 7234 | 0 |
| The Comedy Improv Handbook | Matt Fotis/Siobhan O'Hara | Taylor & Francis | 7234 | 0 |
| Casting a Movement | Taylor & Francis | 7227 | 0 | |
| Edgar G. Ulmer | Stephen Broomer/Kevin Heffernan/David Hogan/Reynold Humphries/Chris Justice/Scott Loren/Hugh S. Manon/Alison Peirse/Claudia Pummer/Marlisa Santos/Robert Singer/Tony Tracy/Dion Tubrett/Yannis Tzioumakis/Tony J. Williams/Graeme Harper/Steffen Hantke/Phillip Sipiora | Bloomsbury Publishing | 7093 | 0 |
| Sketching for Animation | Professor Peter Parr | Bloomsbury Publishing | 7072 | 0 |
| Theatre in Pieces: Politics, Poetics and Interdisciplinary Collaboration | Bloomsbury Publishing | 7072 | 0 | |
| A History of Intimacy Professionals in Entertainment | Brooke M. Haney | Taylor & Francis | 7065 | 0 |
| Sound Design for the Visual Storyteller | Christopher D. Anderson | Taylor & Francis | 7065 | 0 |
| Beckett, Deleuze and Performance | Daniel Koczy | Springer International Publishing | 6928 | 0 |
| Acting for Animators | Ed Hooks | Taylor & Francis | 6897 | 0 |
| Pronouncing Shakespeare's Words | Dale Coye | Taylor & Francis | 6897 | 0 |
| Dreamwork for Actors | Janet Sonenberg | Taylor & Francis | 6897 | 0 |
| Choral Mediations in Greek Tragedy | Cambridge University Press | 6730 | 0 | |
| Peter Weir | University Press of Mississippi | 6730 | 0 | |
| Agnès Varda | University Press of Mississippi | 6730 | 0 | |
| The World in an Orange | Irene Stephanou/Leila Henriques | Seven Stories Press | 6730 | 0 |
| The Improv Dictionary | David Charles | Taylor & Francis | 6729 | 0 |
| Teaching Performance Practices in Remote and Hybrid Spaces | Taylor & Francis | 6729 | 0 | |
| Creating Improvised Theatre | Mark Jane | Taylor & Francis | 6729 | 0 |
| La Pocha Nostra | Guillermo Gómez-Peña/Saúl García-López | Taylor & Francis | 6729 | 0 |
| Hollywood Aesthetic | Todd Berliner | Oxford University Press | 6721 | 0 |
| Robert Bresson | Tony Pipolo | Oxford University Press | 6721 | 0 |
| Rene Blum and The Ballets Russes | Judith Chazin-Bennahum | Oxford University Press | 6721 | 0 |
| Collective Participation and Audience Engagement in Rap Music | David Diallo | Springer International Publishing | 6685 | 0 |
| David Lynch | Greg Olson | Bloomsbury Publishing | 6568 | 0 |
| Making a Scene | Bill Gelber | Taylor & Francis | 6560 | 0 |
| Embodied Playwriting | Taylor & Francis | 6560 | 0 | |
| Fade In, Crossroads | Robert Jackson | Oxford University Press | 6435 | 0 |
| Mae West | Jill Watts | Oxford University Press | 6435 | 0 |
| The Making of Avatar | Joe Fordham | Dorling Kindersley Ltd | 6431 | 0 |
| The Writers | Miranda J. Banks | Rutgers University Press | 6321 | 0 |
| Acting: Make It Your Business | Paul Russell | Taylor & Francis | 6224 | 0 |
| More Alternative Shakespeare Auditions for Women | Simon Dunmore | Taylor & Francis | 6224 | 0 |
| American Accent Drills for British and Australian Speakers | Amanda Quaid | Taylor & Francis | 6224 | 0 |
| A Year with the Producers | Jeffry Denman | Taylor & Francis | 6224 | 0 |
| Lyric Incarnate | Timothy Westphalen | Taylor & Francis | 6224 | 0 |
| Audition Speeches for Young Actors 16+ | Jean Marlow | Taylor & Francis | 6224 | 0 |
| Award Monologues for Women | Taylor and Francis | 6224 | 0 | |
| Serving Athena | Julia L. Shear | Cambridge University Press | 6193 | 0 |
| Second Skin | Anne Anlin Cheng | Oxford University Press | 6149 | 0 |
| Yankee Theatre | Francis Hodge | University of Texas Press | 6116 | 0 |
| Error, Ambiguity, and Creativity | Springer International Publishing | 6076 | 0 | |
| Politics of Practice | Lynette Hunter | Springer International Publishing | 6076 | 0 |
| Black Consciousness and South Africa’s National Literature | Tom Penfold | Springer International Publishing | 6076 | 0 |
| Russell Brand: Comedy, Celebrity, Politics | Jane Arthurs/Ben Little | Palgrave Macmillan UK | 6076 | 0 |
| Myth and Philosophy in Platonic Dialogues | Omid Tofighian | Palgrave Macmillan UK | 6076 | 0 |
| Language, Music, and Computing | Springer International Publishing | 6076 | 0 | |
| Sam Shepard and the Aesthetics of Performance | E. Creedon | Palgrave Macmillan US | 6076 | 0 |
| Transcultural Aesthetics in the Plays of Gao Xingjian | T. Coulter | Palgrave Macmillan US | 6076 | 0 |
| Contemporary Street Arts in Europe | S. Haedicke | Palgrave Macmillan UK | 6076 | 0 |
| Evolving Hamlet | A. Fletcher | Palgrave Macmillan US | 6076 | 0 |
| A Pathognomy of Performance | S. Bayly | Palgrave Macmillan UK | 6076 | 0 |
| Solo Dance in Archaic and Classical Greek Literature | Sarah Olsen | Cambridge University Press | 6058 | 0 |
| Beyond the Epic | Gene D. Phillips | The University Press of Kentucky | 6058 | 0 |
| Inhabiting the Impossible | University of Michigan Press | 6051 | 0 | |
| Godard and Sound | Albertine Fox | Bloomsbury Publishing | 6043 | 0 |
| Buccaneer | Donald Dewey | Bloomsbury Publishing | 5920 | 0 |
| In the Company of Actors | Carole Zucker | Taylor & Francis | 5887 | 0 |
| Merely Players? | Jonathan Holmes | Taylor & Francis | 5887 | 0 |
| Kitsch and Art | Thomas Kulka | Penn State University Press | 5873 | 0 |
| Voice and the Young Actor | Rena Cook | Bloomsbury Publishing | 5786 | 0 |
| The Improv Handbook | Tom Salinsky/Deborah Frances-White | Bloomsbury Publishing | 5786 | 0 |
| AI for Arts | Niklas Hageback/Daniel Hedblom | CRC Press | 5719 | 0 |
| Embodied Performativity in Southeast Asia | Taylor & Francis | 5719 | 0 | |
| Stanislavsky and Yoga | Sergei Tcherkasski | Taylor & Francis | 5719 | 0 |
| Schubert's Late Music | Cambridge University Press | 5654 | 0 | |
| Classical Myth in Alfred Hitchcock's Wrong Man and Grace Kelly Films | Mark William Padilla | Bloomsbury Publishing | 5649 | 0 |
| Invasion of the Mind Snatchers | Eric Burns | Temple University Press | 5586 | 0 |
| The Theatre Arts Audition Book for Men | Taylor & Francis | 5551 | 0 | |
| A World Elsewhere | Steven Berkoff | Taylor & Francis | 5551 | 0 |
| Yoruba Oral Tradition in Islamic Nigeria | Abdul-Rasheed Na'Allah | Taylor & Francis | 5551 | 0 |
| The Theatre Arts Audition Book for Women | Taylor & Francis | 5551 | 0 | |
| Drag Histories, Herstories and Hairstories | Prof. Enoch Brater/Mark Taylor-Batty | Bloomsbury Publishing | 5528 | 0 |
| Video Games, Violence, and the Ethics of Fantasy | Christopher Bartel | Bloomsbury Publishing | 5528 | 0 |
| Costume in Performance | Donatella Barbieri | Bloomsbury Publishing | 5528 | 0 |
| Stage Lighting: The Technicians' Guide | Skip Mort | Bloomsbury Publishing | 5528 | 0 |
| The Many Cinemas of Michael Curtiz | University of Texas Press | 5517 | 0 | |
| James M. Cain and the American Authors' Authority | Richard Fine | University of Texas Press | 5517 | 0 |
| Adventures in Shondaland | Michaela D.E. Meyer/Rachel Alicia Griffin/Emily Vajjala/Joan Faber McAlister/Jessica L Furgerson/Jennifer Billinson/Jade Petermon/Shadee Abdi/Bernadette Calafell/Stephanie Young/Vincent Pham/Myra Washington/Tina Harris/Mark P Orbe/Mary Ingram-Waters/Leslie Balderas/Melissa Ames/Sean Swenson/Richard G Jones Jr | Rutgers University Press | 5512 | 0 |
| Los personajes femeninos en el cine español de animación contemporáneo | Mercedes Álvarez San Román | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 5427 | 0 |
| Theater in the Middle East | Anthem Press | 5385 | 0 | |
| Veit Harlan | Frank Noack | The University Press of Kentucky | 5385 | 0 |
| Kathryn Bigelow | University Press of Mississippi | 5385 | 0 | |
| Anthony Minghella | University Press of Mississippi | 5385 | 0 | |
| Neil Jordan | University Press of Mississippi | 5385 | 0 | |
| Eric Rohmer | University Press of Mississippi | 5385 | 0 | |
| Abraham Polonsky | University Press of Mississippi | 5385 | 0 | |
| The Living Line | Robin Veder | Dartmouth College Press | 5383 | 0 |
| Giving Voice | Carol J. Maples | Taylor & Francis | 5382 | 0 |
| Exploring Character Through Structural Metaphor | John Gribas/Angeline Underwood | Taylor & Francis | 5382 | 0 |
| Dramaturgy of Sex on Stage in Contemporary Theatre | Taylor & Francis | 5382 | 0 | |
| An Actor Survives | Tomasz Kubikowski | Taylor & Francis | 5382 | 0 |
| Circus Psychology | Fleur van Rens | Taylor & Francis | 5382 | 0 |
| Commedia dell'Arte, its Structure and Tradition | John Rudlin/Antonio Fava | Taylor & Francis | 5382 | 0 |
| Preaching the Blues | Maisha S. Akbar | Taylor & Francis | 5382 | 0 |
| Stanislavski: The Basics | Rose Whyman | Taylor and Francis | 5382 | 0 |
| On Hamlet | Salvador Madariaga | Taylor & Francis | 5382 | 0 |
| Late Stage | University of Michigan Press | 5378 | 0 | |
| Liner Notes for the Revolution | Daphne A. Brooks | Harvard University Press | 5378 | 0 |
| Collective Situations | Duke University Press | 5378 | 0 | |
| Clive Barker and His Legacy | Dr Paul Fryer/Dr Nesta Jones | Bloomsbury Publishing | 5270 | 0 |
| Collaborative Embodied Performance | Prof Nicola Shaughnessy/Professor John Lutterbie | Bloomsbury Publishing | 5270 | 0 |
| Thinking Through Theatre and Performance | Bloomsbury Publishing | 5270 | 0 | |
| Cultural Struggles | Dwight Conquergood | University of Michigan Press | 5243 | 0 |
| Trying to Get Over | Keith Corson | University of Texas Press | 5157 | 0 |
| Impossible Project | Daria Khitrova | Oxford University Press | 5147 | 0 |
| Pompeii in the Visual and Performing Arts | Bloomsbury Publishing | 5141 | 0 | |
| The Art of Rehearsal | Bloomsbury Publishing | 5141 | 0 | |
| Nollywood | Jonathan Haynes | University of Chicago Press | 5114 | 0 |
| Raymond Bellour | Hilary Radner | Edinburgh University Press | 5074 | 0 |
| Playa Fire | Stewart Harvey | HarperCollins | 5055 | 0 |
| Dorothy and Otis | Norman Hathaway/Dan Nadel | HarperCollins | 5055 | 0 |
| Mike Nichols | Kyle Stevens | Oxford University Press | 5004 | 0 |
| Cartoon Vision | Dan Bashara | University of California Press | 4998 | 0 |
| Acts | Tzachi Zamir | University of Michigan Press | 4974 | 0 |
| Raoul Walsh | Marilyn Ann Moss | The University Press of Kentucky | 4974 | 0 |
| The Disney Musical on Stage and Screen | Bloomsbury Publishing | 4884 | 0 | |
| Secrets of Performing Confidence | Mr Andrew Evans | Bloomsbury Publishing | 4884 | 0 |
| Fifty Key Improv Performers | Matt Fotis | Taylor & Francis | 4879 | 0 |
| Play Directing | Damon Kiely | Taylor & Francis | 4879 | 0 |
| Using Open Scenes to Act Successfully on Stage and Screen | Dan Carter/Brant L. Pope | Taylor & Francis | 4879 | 0 |
| Beethoven and the Lyric Impulse | Amanda Glauert | Taylor & Francis | 4879 | 0 |
| The Logic of Filtering | Melle Jan Kromhout | Oxford University Press | 4861 | 0 |
| In the Studio with Joyce Piven | Joyce Piven/Susan Applebaum | Bloomsbury Publishing | 4755 | 0 |
| Spectacular Listening | Byrd McDaniel | Oxford University Press | 4718 | 0 |
| Real Deceptions | Jennifer Friedlander | Oxford University Press | 4718 | 0 |
| Walt before Mickey | Timothy S. Susanin | University Press of Mississippi | 4711 | 0 |
| Performance, Art, and Politics in the African Diaspora | Myron M. Beasley | Taylor & Francis | 4710 | 0 |
| Up Against the Real | Nadja Millner-Larsen | University of Chicago Press | 4710 | 0 |
| Touched Bodies | Mara Polgovsky Ezcurra | Rutgers University Press | 4705 | 0 |
| Uncle Tom's Cabins | Stefka Mihaylova/Tracy C. Davis | University of Michigan Press | 4705 | 0 |
| Coloring Whiteness | Faedra Chatard Carpenter | University of Michigan Press | 4705 | 0 |
| Skin Acts | Michelle Ann Stephens | Duke University Press | 4705 | 0 |
| Speaking Shakespeare | Patsy Rodenburg | Bloomsbury Publishing | 4627 | 0 |
| Dynamic Acting through Active Analysis | Sharon Marie Carnicke | Bloomsbury Publishing | 4627 | 0 |
| An Introduction to Theatre, Performance and the Cognitive Sciences | Professor John Lutterbie | Bloomsbury Publishing | 4627 | 0 |
| Touring the Screen | Alfio Leotta | Intellect Books | 4577 | 0 |
| Walking, Writing and Performance | Roberta Mock | Intellect Books | 4577 | 0 |
| Theatre and Consciousness | Daniel Meyer-Dinkgräfe | Intellect Books Ltd | 4577 | 0 |
| Thought in Action | Barbara Gail Montero | OUP Oxford | 4575 | 0 |
| Thinking in the Dark | R. Barton Palmer/Murray Pomerance/Jeremy T. Blatter/Tom Gunning/Steven Woodward/Johannes von Moltke/Colin Williamson/Sarah Keller/Matthew Solomon/Dominic Lennard/Nathan Holmes/William Brown/William Rothman/Dudley Andrew/Will Scheibel/Daniel Morgan/Tom Conley/Steven Rybin/Alex Clayton/Gilberto Perez/Jonah Corne/Kristen Hatch | Rutgers University Press | 4569 | 0 |
| Cinema Civil Rights | Ellen C. Scott | Rutgers University Press | 4569 | 0 |
| Butch Queens Up in Pumps | Marlon M. Bailey | University of Michigan Press | 4569 | 0 |
| No Safe Spaces | Angela C. Pao | University of Michigan Press | 4569 | 0 |
| Embodying Black Experience | Harvey Young | University of Michigan Press | 4569 | 0 |
| Story | Robert McKee | HarperCollins | 4550 | 0 |
| Staging Voice | Michal Grover-Friedlander | Taylor & Francis | 4542 | 0 |
| Anne Frank on the Postwar Dutch Stage | Remco Ensel | Taylor & Francis | 4542 | 0 |
| Duologues for All Accents and Ages | Taylor & Francis | 4542 | 0 | |
| Social Interaction and Dramatic Performance | Dr Spencer Hazel | Bloomsbury Publishing | 4498 | 0 |
| Lucasfilm | Cyrus R.K. Patell | Bloomsbury Publishing | 4498 | 0 |
| Shyam Benegal | Samir Chopra | Bloomsbury Publishing | 4498 | 0 |
| Werner Herzog | Professor Richard Eldridge | Bloomsbury Publishing | 4498 | 0 |
| Eric Rohmer | Professor Vittorio Hösle | Bloomsbury Publishing | 4498 | 0 |
| Responding to Site | Intellect Books | 4463 | 0 | |
| The Captive Stage | Douglas A. Jones Jr. | University of Michigan Press | 4435 | 0 |
| Acting Class | Milton Katselas | Phoenix Books, Inc. | 4400 | 0 |
| Realism and the American Dramatic Tradition | University of Alabama Press | 4400 | 0 | |
| Play-Acting | Luke Dixon | Taylor & Francis | 4374 | 0 |
| Dance Lexicon in Shakespeare and His Contemporaries | Fabio Ciambella | Taylor & Francis | 4374 | 0 |
| Grasshoppers and Crickets | Ted Benton | HarperCollins Publishers | 4331 | 0 |
| Europe and the Wolf | Sara Nadal-Melsió | Zone Books | 4308 | 0 |
| Musicology and Dance | Cambridge University Press | 4308 | 0 | |
| Music, Dance, and Drama in Early Modern English Schools | Amanda Eubanks Winkler | Cambridge University Press | 4308 | 0 |
| What Philosophy Wants from Images | D. N. Rodowick | University of Chicago Press | 4305 | 0 |
| Tough Ain't Enough | Stephen Prince/Jonathan Kirshner/Diane Carson/David Sterritt/Murray Pomerance/Lucy Bolton/Alexandra Keller/Charity Lofthouse/Lester D. Friedman/David Desser | Rutgers University Press | 4301 | 0 |
| Making Believe | Lisa Bode | Rutgers University Press | 4301 | 0 |
| Moving Performances | Jeanne Scheper | Rutgers University Press | 4301 | 0 |
| Militant Visions | Elizabeth Reich | Rutgers University Press | 4301 | 0 |
| Designing Sound | Jay Beck | Rutgers University Press | 4301 | 0 |
| Wandering | Sarah Jane Cervenak | Duke University Press | 4301 | 0 |
| Transcending Blackness | Ralina L. Joseph | Duke University Press | 4301 | 0 |
| A Loving Hollywood Romance | Douglas Albert Amos | Douglas Amos | 4300 | 0 |
| The Life and Legacy of a Modern Icon – Arnold Schwarzenegger | Douglas Albert Amos | Douglas Amos | 4300 | 0 |
| Pixologic ZBrush 4R7: A Comprehensive Guide | Sham Tickoo | CADCIM Technologies | 4300 | 0 |
| PUNK! Las Américas Edition | Russ Bestley/Mike Dines/Paula Guerra | Intellect Books | 4291 | 0 |
| It's Not Personal | Professor Susan Best | Bloomsbury Publishing | 4241 | 0 |
| The Outstanding Actor | Mr Ken Rea | Bloomsbury Publishing | 4241 | 0 |
| The Actor and His Body | Litz Pisk | Bloomsbury Publishing | 4241 | 0 |
| The Wes Anderson Collection: Isle of Dogs | Lauren Wilford/Ryan Stevenson/Wes Anderson | ABRAMS | 4239 | 0 |
| Becoming Audible | Austin McQuinn | Penn State University Press | 4208 | 0 |
| Sofia Coppola | Hannah Strong | ABRAMS | 4187 | 0 |
| Beyond Black And White | Roger Woodward | ABC Books | 4171 | 0 |
| Cinema between Latin America and Los Angeles | Jacqueline Avila/Alstair Tremps/Viviana García Besné/Desirée J. Garcia/Nina Hoechtl | Rutgers University Press | 4166 | 0 |
| Black Movements | Soyica Diggs Colbert | Rutgers University Press | 4166 | 0 |
| Moment of Action | Murray Pomerance | Rutgers University Press | 4166 | 0 |
| Birth of an Industry | Nicholas Sammond | Duke University Press | 4166 | 0 |
| Paul Robeson and the Cold War Performance Complex | Tony Perucci | University of Michigan Press | 4166 | 0 |
| The Past as Present in the Drama of August Wilson | Harry Justin Elam Jr. | University of Michigan Press | 4166 | 0 |
| Clackamas Chinook Performance Art | Victoria Howard | Nebraska | 4038 | 0 |
| Music in Disney's Animated Features | James Bohn | University Press of Mississippi | 4038 | 0 |
| Krzysztof Kieślowski | University Press of Mississippi | 4038 | 0 | |
| Brian De Palma's Split-Screen | Douglas Keesey | University Press of Mississippi | 4038 | 0 |
| Werner Herzog | University Press of Mississippi | 4038 | 0 | |
| Inside the Whimsy Works | Jimmy Johnson | University Press of Mississippi | 4038 | 0 |
| Transformations of Musical Modernism | Cambridge University Press | 4037 | 0 | |
| Translocas | Lawrence La Fountain-Stokes | University of Michigan Press | 4032 | 0 |
| The Films of Bong Joon Ho | Nam Lee | Rutgers University Press | 4032 | 0 |
| Spectacles of Reform | Amy Hughes/Amy E. Hughes | University of Michigan Press | 4032 | 0 |
| Situated Narratives and Sacred Dance | Jill Flanders Crosby/JT Torres | University of Florida Press | 4005 | 0 |
| Playable Bodies | Kiri Miller | Oxford University Press | 4004 | 0 |
| (Asian) Dramaturgs’ Network: Sensing, Complexity, Tracing and Doing | Centre 42 | 4000 | 0 | |
| The Alexander Technique | Peter Ribeaux | Bloomsbury Publishing | 3983 | 0 |
| Alfred Hitchcock | Professor of German Language and Literature Concurrent Professor of Philosophy Mark William Roche | Bloomsbury Publishing | 3983 | 0 |
| Auditioning for Film and Television | Nancy Bishop | Bloomsbury Publishing | 3983 | 0 |
| What Makes That Black? | Luana | Luana | 3903 | 0 |
| More Than Two to Tango | Anahí Viladrich | University of Arizona Press | 3896 | 0 |
| Acts of Conspicuous Compassion | Sheila C. Moeschen | University of Michigan Press | 3896 | 0 |
| The Art and Business of Acting for Video Games | Julia Bianco Schoeffling | Nibi Press, LLC | 3861 | 0 |
| The Theatre of the Oppressed in Practice Today | Ali Campbell | Bloomsbury Publishing | 3854 | 0 |
| The Audition Series: Auditionarium, Auditionomicon, Auditionatrix | Pete Malicki | Undo Redo Press | 3850 | 0 |
| Monosauce | Pete Malicki | Undo Redo Press | 3850 | 0 |
| Disney The Art of Zootopia 2 | Kalikolehua Hurley | Chronicle Books LLC | 3802 | 0 |
| Hollywood Blackout | Ben Arogundade | Octopus | 3769 | 0 |
| The Baseball Film | Aaron Baker | Rutgers University Press | 3762 | 0 |
| Ethnographic Film | Karl G. Heider | University of Texas Press | 3718 | 0 |
| Disney/Pixar The Art of Inside Out 2 | Disney/Pixar | Chronicle Books LLC | 3678 | 0 |
| Das Theater der Elektrizität | Ulf Otto | J.B. Metzler | 3634 | 0 |
| Movement, Action, Image, Montage | Luka Arsenjuk | University of Minnesota Press | 3634 | 0 |
| Steven Universe: Art & Origins | Chris McDonnell/Cartoon Network Enterprises, Inc. | ABRAMS | 3629 | 0 |
| Opera Capoeira Game of Life: Spec. Ed. | Mestre Jeronimo | Mestre Jeronimo | 3600 | 0 |
| How To Make an Independent Film for $500 and Make $10,000 in 2 Months Without a Film Crew | Frank Ezenekwe | Frank Ezenekwe | 3600 | 0 |
| Acting is Your Business | Wendy S. Kurtzman | Bloomsbury Publishing | 3597 | 0 |
| From Craft to Career | Merri Sugarman/Tracy Moss | Bloomsbury Publishing | 3597 | 0 |
| Introduction to Speechwork for Actors | Ron Carlos | Bloomsbury Publishing | 3597 | 0 |
| The Art of Resonance | Anne Bogart | Bloomsbury Publishing | 3597 | 0 |
| The Afterlives of Kathleen Collins | L. H. Stallings | Indiana University Press | 3575 | 0 |
| Teaching Actors | Ross W. Prior | Intellect Books | 3575 | 0 |
| Performing Processes | Roberta Mock | Intellect Books Ltd | 3575 | 0 |
| The Universe of Peter Max | Peter Max | HarperCollins | 3540 | 0 |
| Elio Petri | Roberto Curti | McFarland & Company, Inc., Publishers | 3499 | 0 |
| Covering McKellen | David Weston | Bloomsbury Publishing | 3468 | 0 |
| Lasting Screen Stars | Palgrave Macmillan UK | 3402 | 0 | |
| Claude Chabrol | University Press of Mississippi | 3365 | 0 | |
| Woody Allen | University Press of Mississippi | 3365 | 0 | |
| Ang Lee | University Press of Mississippi | 3365 | 0 | |
| Barbara Kopple | University Press of Mississippi | 3365 | 0 | |
| Steven Soderbergh | University Press of Mississippi | 3365 | 0 | |
| D. A. Pennebaker | University Press of Mississippi | 3365 | 0 | |
| Peter Bogdanovich | University Press of Mississippi | 3365 | 0 | |
| Baz Luhrmann | University Press of Mississippi | 3365 | 0 | |
| Alexander Payne | University Press of Mississippi | 3365 | 0 | |
| Todd Haynes | University Press of Mississippi | 3365 | 0 | |
| Agnes Varda | University Press of Mississippi | 3365 | 0 | |
| Quentin Tarantino | University Press of Mississippi | 3365 | 0 | |
| Kathryn Bigelow | University Press of Mississippi | 3365 | 0 | |
| Eric Rohmer | University Press of Mississippi | 3365 | 0 | |
| Walt before Mickey | Timothy S. Susanin | University Press of Mississippi | 3365 | 0 |
| Working with Disney | Don Peri | University Press of Mississippi | 3365 | 0 |
| Working with Walt | Don Peri | University Press of Mississippi | 3365 | 0 |
| Scala Radio's A Soundtrack for Life | Scala Radio | Octopus | 3364 | 0 |
| Reactivations | Philip Auslander | University of Michigan Press | 3359 | 0 |
| Memory, Meaning, and Resistance | Fran Leeper Buss | University of Michigan Press | 3359 | 0 |
| Haunted City | Christian DuComb | University of Michigan Press | 3359 | 0 |
| Ireneusz Iredynski | Taylor & Francis | 3357 | 0 | |
| The Principles of Movement | Keith Bain | Bloomsbury Publishing | 3340 | 0 |
| The Rules of Acting | Michael Simkins | Ebury Publishing | 3339 | 0 |
| The Boy, the Mole, the Fox and the Horse: The Animated Story | Charlie Mackesy | HarperCollins | 3336 | 0 |
| Black Patience | Julius B. Fleming Jr. | NYU Press | 3289 | 0 |
| Handling Edna | Barry Humphries | Orion | 3230 | 0 |
| The New Business of Acting | Brad Lemack | Ingenuity Press | 3224 | 0 |
| Stanislavski: An Introduction | Jean Benedetti | Bloomsbury Publishing | 3211 | 0 |
| Joined Forces | Jan Sowa/Dominique Nduhura/Antoine Pickels/Justine Boutens/Elena Basteri/Miriam Tscholl/Roger Bernat/Roberto Fratini Serafide/Ophelia Patricio Arrabal/Ana Vujanović/Tobi Müller/Helgard Haug/Stefan Kaegi/Daniel Wetzel/Rimini Protokoll/Lotte van den Berg/Tea Tupajić/Tom Sellar/Adelheid Roosen/Wojtek Ziemilski/Adam Czirak/Johanna Freiburg/Bastian Trost/Gob Squad | Alexander Verlag Berlin | 3200 | 0 |
| Thornton Wilder's The Skin of our Teeth | Kyle Gillette | Taylor & Francis | 3196 | 0 |
| What's It All About? | Cilla Black | Ebury Publishing | 3172 | 0 |
| Steven Universe: End of an Era | Chris McDonnell | ABRAMS | 3139 | 0 |
| The World of Avatar Updated Edition | Joshua Izzo/Simon Beecroft | Dorling Kindersley Ltd | 3122 | 0 |
| Killing Poetry | Javon Johnson | Rutgers University Press | 3090 | 0 |
| Harmony Korine | University Press of Mississippi | 3075 | 0 | |
| Getting The Joke | Oliver Double | Bloomsbury Publishing | 3055 | 0 |
| Mid-Term Report | Phil Redmond | Random House | 3005 | 0 |
| Iwao Takamoto | Iwao Takamoto | University Press of Mississippi | 2961 | 0 |
| Sergei Eisenstein | Mike O'Mahony | Reaktion Books | 2961 | 0 |
| The Artist in Time | Chris Fite-Wassilak | Bloomsbury Publishing | 2960 | 0 |
| Improv Your Life | Pippa Evans | Hodder & Stoughton | 2960 | 0 |
| The Festival Organiser's Bible | Judith Spelman | Little, Brown Book Group | 2960 | 0 |
| F.M.: The Life Of Frederick Matthias Alexander | Michael Bloch | Little, Brown Book Group | 2960 | 0 |
| Hear Me Now | Bloomsbury Publishing | 2954 | 0 | |
| Most of What Follows is a Complete Waste of Time | N.F. Simpson | Bloomsbury Publishing | 2954 | 0 |
| From Word to Play | Cicely Berry | Bloomsbury Publishing | 2954 | 0 |
| The Sacred Art of Teaching | Royce Turner | Royce Turner | 2950 | 0 |
| Moreish | Super Hans | HarperCollins Publishers | 2940 | 0 |
| The House of Hidden Meanings | RuPaul | HarperCollins Publishers | 2940 | 0 |
| Cultural Amnesia | Clive James | Pan Macmillan | 2938 | 0 |
| Show Business | Scott Strand/Diane Strand | Life to Paper Publishing | 2859 | 0 |
| Sweeney Todd | Aaron Thomas | Taylor & Francis | 2859 | 0 |
| Sondheim and Lapine's Into the Woods | Olaf Jubin | Taylor & Francis | 2859 | 0 |
| Jacques Tati | David Bellos | Random House | 2838 | 0 |
| Text In Action | Cicely Berry | Ebury Publishing | 2838 | 0 |
| The World of Avatar | Joshua Izzo | Dorling Kindersley Ltd | 2754 | 0 |
| A Touch Of Orange | Damont Combs | Damont Combs | 2750 | 0 |
| Frida | Hayden Herrera | HarperCollins | 2729 | 0 |
| Playing Commedia | Barry Grantham | Nick Hern Books | 2720 | 0 |
| Law 101 | Jay M. Feinman | Oxford University Press | 2716 | 0 |
| The Noble Approach | Tod Polson | Chronicle Books LLC | 2693 | 0 |
| To Embody the Marvelous | Esther Fernández | Vanderbilt University Press | 2691 | 0 |
| Learn how to become an Actress | Brittany Melvin | Brittany Melvin | 2691 | 0 |
| Sherlock Holmes for the 21st Century | McFarland & Company, Inc., Publishers | 2691 | 0 | |
| If This Is Your Land, Where Are Your Stories? | J. Edward Chamberlin | Knopf Canada | 2691 | 0 |
| Federico Fellini as Auteur | John C. Stubbs | Southern Illinois University Press | 2691 | 0 |
| Lowering the Boom | Jay Beck/Jay Beck/John Belton/Clark Farmer/Paul Grainge/Tony Grajeda/David T. Johnson/Anahid Kassabian/David Laderman/James Lastra/Arnt Maasø/Matthew Malksy/Barry Mauer/Robert Miklitsch/Nancy Newman/Melissa Ragona/Petr Szczepanik/Paul Théberge/Debra White-Stanley | University of Illinois Press | 2686 | 0 |
| Voicing the Cinema | Julie Brown/James Buhler/Marcia J. Citron/Eric Dienstfrey/Erik Heine/Julie Hubbert/Hannah Lewis/Brooke McCorkle/Cari McDonnell/David Neumeyer/Nathan Platte/Katie Quanz/Jeff Smith/Janet Staiger/Robynn Stilwell | University of Illinois Press | 2686 | 0 |
| Hot Feet and Social Change | Danny Glover/Harry Belafonte/James Counts Early/Ausettua Amor Amenkum/Abby Carlozzo/Steven Cornelius/Yvonne Daniel/Charles Davis/Esailama Diouf/Indira Etwaroo/Habib Iddrisu/Julie B. Johnson/C. Kemal Nance/Halifu Osumare/Amaniyea Payne/William Serrano-Franklin/Kariamu Welsh | University of Illinois Press | 2686 | 0 |
| Shoot an Iraqi | Wafaa Bilal/Kari Lydersen | City Lights Publishers | 2686 | 0 |
| Alfred Hitchcock | Patrick McGilligan | HarperCollins | 2628 | 0 |
| Apariencia ou l’instant du dévoilement | Hector Ruiz Soto | Casa de Velázquez | 2600 | 0 |
| The Methuen Drama Book of Comic Monologues for Women | Katy Wix | Bloomsbury Publishing | 2567 | 0 |
| The Improv Book | Alison Goldie | Bloomsbury Publishing | 2567 | 0 |
| Year of the King | Antony Sher | Nick Hern Books | 2560 | 0 |
| Other People's Shoes | Harriet Walter | Nick Hern Books | 2560 | 0 |
| The Art of Looking | Lance Esplund | Basic Books | 2558 | 0 |
| Play and the City | Alex Bonham | Little, Brown Book Group | 2556 | 0 |
| Forgotten Women: The Artists | Zing Tsjeng/Zhi Ying Tsjeng | Octopus | 2556 | 0 |
| Moguls, Monsters and Madmen | Barry Avrich | ECW Press | 2556 | 0 |
| A-Z Great Film Directors | Andy Tuohy | Octopus | 2556 | 0 |
| Writing Television Drama | Nicholas Gibbs | John Murray Press | 2556 | 0 |
| Halfway To Hollywood | Michael Palin | Orion | 2556 | 0 |
| SKAM Sæson 3, Isak | Julie Andem | Gyldendal | 2547 | 0 |
| The Quite Nice and Fairly Accurate Good Omens Script Book | Neil Gaiman | HarperCollins | 2527 | 0 |
| Naturally Tan | Tan France | Ebury Publishing | 2504 | 0 |
| The Lord of the Rings: The War of the Rohirrim Official Visual Companion | Chris Smith | HarperCollins Publishers | 2497 | 0 |
| Albert Kawaskar | Imama Jacobson | Imama Jacobson | 2446 | 0 |
| The Oberon Book of Modern Monologues for Women | Bloomsbury Publishing | 2439 | 0 | |
| Ghetto Klown | John Leguizamo | Abrams ComicArts | 2422 | 0 |
| The Actor's Other Selves | Eric Morris | Ermor Enterprises | 2417 | 0 |
| Transgender Cinema | Rebecca Bell-Metereau | Rutgers University Press | 2417 | 0 |
| The Kilroys List, Volume One | The Kilroys | Theatre Communications Group | 2417 | 0 |
| Bad Boy Nietzsche! and Other Plays | Richard Foreman | Theatre Communications Group | 2417 | 0 |
| Frida | Hayden Herrera | Atlas Contact, Uitgeverij | 2400 | 0 |
| Through The Body | Dymphna Callery | Nick Hern Books | 2400 | 0 |
| Shakespeare On Stage | Julian Curry | Nick Hern Books | 2400 | 0 |
| So You Want To Go To Drama School? | Helen Freeman | Nick Hern Books | 2400 | 0 |
| New African Cinema | Valérie K. Orlando | Rutgers University Press | 2382 | 0 |
| Breaking into Acting For Dummies | Larry Garrison/Wallace Wang | Wiley | 2378 | 0 |
| Respect for Acting | Uta Hagen | Wiley | 2364 | 0 |
| Stranger Things: The Complete Scripts, Season 3 | The Duffer Brothers/Netflix | Random House Worlds | 2358 | 0 |
| The Futurist | Rebecca Keegan | Crown | 2358 | 0 |
| The View from the Bridge | Nicholas Meyer | Penguin Publishing Group | 2358 | 0 |
| Danny Boyle - Lust for Life | Mark Browning | Andrews UK | 2354 | 0 |
| SOYEZ L’ARTISTE DE VOTRE VIE | Dominique Loquin | Dominique Loquin | 2344 | 0 |
| Here We Are Now | Charles R. Cross | HarperCollins | 2325 | 0 |
| Spirited Away | Andrew Osmond | Bloomsbury Publishing | 2309 | 0 |
| Accidentally Wes Anderson | Wally Koval | Little, Brown and Company | 2288 | 0 |
| Celestial Bodies | Laura Jacobs | Basic Books | 2288 | 0 |
| Finding You in Every Script | Shaunte Massard | Pen Legacy Publishing | 2287 | 0 |
| Dragon at the Edge of a Flat World | Joseph Keckler | Turtle Point Press | 2287 | 0 |
| Title and Deed / Oh, the Humanity and other good intentions | Will Eno | Theatre Communications Group | 2281 | 0 |
| 100 (monologues) | Eric Bogosian | Theatre Communications Group | 2281 | 0 |
| The Manifestos and Essays | Richard Foreman | Theatre Communications Group | 2281 | 0 |
| Contemporary American Monologues for Women | Theatre Communications Group | 2281 | 0 | |
| Luna Park | Donald Margulies | Theatre Communications Group | 2281 | 0 |
| Spider Speculations | Jo Carson | Theatre Communications Group | 2281 | 0 |
| Plays, 1996-2000 (Maxwell) | Richard Maxwell | Theatre Communications Group | 2281 | 0 |
| Lynch on Lynch | David Lynch | Faber & Faber | 2240 | 0 |
| Sonny Boy | Al Pacino | Penguin Publishing Group | 2201 | 0 |
| Modern Nature | Derek Jarman | Random House | 2170 | 0 |
| Rudolf Nureyev | Julie Kavanagh | Penguin Books Ltd | 2170 | 0 |
| Truths, Half Truths and Little White Lies | Nick Frost | Hodder & Stoughton | 2153 | 0 |
| The Life and Loves of a He Devil | Graham Norton | Hodder & Stoughton | 2153 | 0 |
| Going Off Alarming | Danny Baker | Orion | 2153 | 0 |
| Olivier | Philip Ziegler | Quercus | 2153 | 0 |
| Billy Connolly's Route 66 | Billy Connolly | Little, Brown Book Group | 2153 | 0 |
| Pounding Nails in the Floor with My Forehead | Eric Bogosian | Theatre Communications Group | 2147 | 0 |
| The Essential Bogosian | Eric Bogosian | Theatre Communications Group | 2147 | 0 |
| Talk Radio (TCG Edition) | Eric Bogosian | Theatre Communications Group | 2147 | 0 |
| Public Cowboy No. 1 | Holly George-Warren | Oxford University Press | 2144 | 0 |
| Performing Shakespeare | Oliver Ford Davies | Nick Hern Books | 2080 | 0 |
| The Space to Move | Christian Darley | Nick Hern Books | 2080 | 0 |
| Let Me Play the Lion Too | Michael Pennington | Faber & Faber | 2080 | 0 |
| Classical Monologues for Women | Marina Caldarone | Nick Hern Books | 2080 | 0 |
| Classical Monologues for Men | Marina Caldarone | Nick Hern Books | 2080 | 0 |
| Shakespeare Monologues for Women | Luke Dixon | Nick Hern Books | 2080 | 0 |
| Shakespeare Monologues for Men | Luke Dixon | Nick Hern Books | 2080 | 0 |
| Altman on Altman | David Thompson | Faber & Faber | 2080 | 0 |
| Peter Jackson | Brian Sibley | HarperCollins Publishers | 2069 | 0 |
| Audition | Michael Shurtleff | Bloomsbury Publishing | 2046 | 0 |
| Reading the Silver Screen | Thomas C. Foster | HarperCollins | 2021 | 0 |
| I Love Kawaii | Charuca | HarperCollins | 2021 | 0 |
| Scenes from My Life | Michael K. Williams | Pan Macmillan | 2020 | 0 |
| Storyworthy | Matthew Dicks | New World Library | 2017 | 0 |
| Knocked Up | Judd Apatow | HarperCollins | 2016 | 0 |
| Dancing Revolution | Christopher J. Smith | University of Illinois Press | 2013 | 0 |
| Lana and Lilly Wachowski | Cael M. Keegan | University of Illinois Press | 2013 | 0 |
| Easily Distracted | Steve Coogan | Random House | 2003 | 0 |
| The History of Coaches | Thrupp | Science & Technology Publishing | 2000 | 0 |
| Stamp Collecting as a Pastime | Edward James Nankivell | Science & Technology Publishing | 2000 | 0 |
| What Philately Teaches | John Nicholas Luff | Science & Technology Publishing | 2000 | 0 |
| 1-3 Minute Monologues Volume A | Pete Malicki | Undo Redo Press | 2000 | 0 |
| Verdad | Susan Batson/Amado Diéguez | Alba Editorial | 1980 | 0 |
| Trabajar con Grotowski sobre las acciones físicas | Thomas Richards/Elena Vilallonga/Marc Rosich | Alba Editorial | 1980 | 0 |
| Dans la peau d'un monstre (gentil) | Yves Brunier | Intervalles | 1950 | 0 |
| Tradición y experimento en el baile flamenco: Rosa Montes y Alberto Alarcón | Nadine Cordowinus | Carena | 1950 | 0 |
| Red | Mr John Logan | Bloomsbury Publishing | 1923 | 0 |
| Anime from Akira to Howl's Moving Castle | Susan J. Napier | St. Martin's Griffin | 1921 | 0 |
| Downton Abbey Script Book Season 2 | Julian Fellowes | William Morrow Paperbacks | 1921 | 0 |
| Safe at Home | Alyssa Milano | HarperCollins | 1920 | 0 |
| Formula 1 Drive to Survive The Unofficial Companion | Stuart Codling | Motorbooks | 1912 | 0 |
| Expériences vécues du genre et de la race | Éditions de la Sorbonne | 1900 | 0 | |
| The Counselor (Movie Tie-in Edition) | Cormac McCarthy | Knopf Doubleday Publishing Group | 1888 | 0 |
| The Audition Bible | Holly Powell | Tavin Press | 1885 | 0 |
| Big Eyes | Scott Alexander/Larry Karaszewski/Tyler Stallings | Knopf Doubleday Publishing Group | 1885 | 0 |
| Once Upon a Time in Hollywood | Quentin Tarantino | Orion | 1883 | 0 |
| The Museum of Modern Love | Heather Rose | Orion | 1883 | 0 |
| Made in Reality | Stephanie Pratt | Headline | 1883 | 0 |
| The KLF | John Higgs | Orion | 1883 | 0 |
| Tell Me Who I Am | Alex And Marcus Lewis/Joanna Hodgkin | Hodder & Stoughton | 1883 | 0 |
| Get On TV | Katherine Lapworth | John Murray Press | 1883 | 0 |
| Three Hotels | Jon Robin Baitz | Theatre Communications Group | 1878 | 0 |
| Sex, Drugs, Rock & Roll | Eric Bogosian | Theatre Communications Group | 1878 | 0 |
| Contemporary American Monologues for Men | Theatre Communications Group | 1878 | 0 | |
| LEARN GENRE FILM SECRETS | Sally J. Walker | Sally J. Walker | 1858 | 0 |
| LEARN SCREENWRITING | Sally J. Walker | Sally J. Walker | 1858 | 0 |
| Artificial Hells | Claire Bishop | Verso | 1837 | 0 |
| Would It Surprise You To Know…? | Ronnie Archer-Morgan/Janet Gleeson | Cornerstone | 1836 | 0 |
| We Can All Make It | Sara Davies | Transworld | 1836 | 0 |
| Dear Me | Peter Ustinov | Random House | 1836 | 0 |
| Fifty Years Of Carry On | Richard Webber | Random House | 1836 | 0 |
| Declinazioni del postmoderno. Citazionismo e dissacrazione in "O Brother, Where Art Thou?" | Mennato Tedino | Mennato Tedino | 1834 | 0 |
| Under the Big Top | Bruce Feiler | HarperCollins | 1819 | 0 |
| The Bitter Sea | Charles N. Li | HarperCollins | 1819 | 0 |
| Artists in Exile | Joseph Horowitz | HarperCollins | 1819 | 0 |
| Acteur of model worden | J.I. van Brakel | Bewezen Actieplan | 1817 | 0 |
| Le Phénomène Gundam | Jean-Philippe Dubrulle | Third Editions | 1800 | 0 |
| Les Deux Amériques de David Simon | Julien Goyon | Third Editions | 1800 | 0 |
| Rat Pack Confidential (Text Only) | Shawn Levy | HarperCollins Publishers | 1793 | 0 |
| Alan Partridge: Alpha Papa: Script (and Scrapped) | Steve Coogan/Rob Gibbons/Neil Gibbons/Armando Iannucci/Peter Baynham | HarperCollins Publishers | 1793 | 0 |
| Get on TV! | Jacquie Jordan | Sourcebooks | 1782 | 0 |
| Poetry Slam | Manic D Press, Inc. | 1762 | 0 | |
| Chekhov on Theatre | Anton Chekhov/Peter Urban/Jutta Hercher | Nick Hern Books | 1760 | 0 |
| Shakespeare on Theatre | William Shakespeare/Nick de Somogyi | Nick Hern Books | 1760 | 0 |
| Crab Monsters, Teenage Cavemen, and Candy Stripe Nurses | Chris Nashawaty | ABRAMS | 1760 | 0 |
| Hiroshima Mon Amour | Marguerite Duras | Grove Press | 1760 | 0 |
| So You Want To Be An Actor? | Timothy West/Prunella Scales | Nick Hern Books | 1760 | 0 |
| Teatro completo (I) o el gran teatro absurdo (o casi absurdo) del mundo | Marc Llorente | Marc Llorente | 1750 | 0 |
| The African Desperate | Martine Syms/Rocket Caleshu | Nightboat Books | 1749 | 0 |
| Shooting Martha | David Thewlis | Orion | 1749 | 0 |
| Miss Aluminium | Susanna Moore | Orion | 1749 | 0 |
| Grime Kids | DJ Target | Orion | 1749 | 0 |
| The Mammoth Book of Hollywood Scandals | Michelle Morgan | Little, Brown Book Group | 1749 | 0 |
| The Hurt Locker | Mark Boal/Kathryn Bigelow | HarperCollins Publishers | 1749 | 0 |
| Beautiful Thing | Sonia Faleiro | Canongate Books | 1749 | 0 |
| Josh Hartnett Definitely Wants to Do This ... True Stories From A Life: I n The Screen Trade | Bruce Beresford | 4th Estate | 1749 | 0 |
| Resurrection Blues | Arthur Miller | Penguin Publishing Group | 1730 | 0 |
| Confessions of a Video Vixen | Karrine Steffans | HarperCollins | 1718 | 0 |
| Barfly - The Movie | Charles Bukowski | HarperCollins | 1718 | 0 |
| Bleibe Deinem eigenen Weg treu | Karlheinz Schudt | Verlag Märchenhaft leben, Vlotho | 1700 | 0 |
| Het Ware Verhaal van Calamity Jane | Patrick Bernauw/Guy Didelez | vzw de Scriptomanen | 1700 | 0 |
| A Challenge For The Actor | Uta Hagen | Echo Point Books & Media, LLC | 1681 | 0 |
| How To Draw Shojo Manga | HowExpert/Caselyn Villar | HowExpert | 1681 | 0 |
| Independent Pro Wrestling Guide | HowExpert/Matthew Soulia | HowExpert | 1681 | 0 |
| Proiezioni | Mennato Tedino | Mennato Tedino | 1681 | 0 |
| 1 Baton, No. 2 Pencil, 88 Keys, & Liberace | Bo Ayars | BookLocker.com, Inc. | 1681 | 0 |
| Interazioni - Visioni chiastiche di possibili vissuti | Mennato Tedino/Gaetano Panella/Amerigo Ciervo/Leandro Pisano/Gregory Tranchesi/Antonio Vassallo | Publisher s12509 | 1681 | 0 |
| Straight Walk | Patricia Velasquez | Post Hill Press | 1681 | 0 |
| D.W. Griffith: Master of Cinema | Ira H. Gallen | FriesenPress | 1678 | 0 |
| Of Walking In Ice | Werner Herzog | Random House | 1669 | 0 |
| Auditioning | Sam Stevenson | Bloomsbury Publishing | 1667 | 0 |
| Acting | Lucian Msamati | Bloomsbury Publishing | 1667 | 0 |
| Florence Foster Jenkins | Nicholas Martin/Jasper Rees | Pan Macmillan | 1652 | 0 |
| I cartoni animati della mia vita | Nicola Bartolini Carrassi | RCO BOOKS | 1650 | 0 |
| Alligators, Old Mink & New Money | Alison Houtte/Melissa Houtte | HarperCollins | 1617 | 0 |
| Caravaggio | Francine Prose | HarperCollins | 1617 | 0 |
| Methods and Practice of Elizabethan Swordplay | Craig Turner/Tony Soper | Southern Illinois University Press | 1614 | 0 |
| The Quotable Actor | Damon DiMarco | Santa Monica Press | 1614 | 0 |
| How to Speak Shakespeare | Cal Pritner/Louis Coliaianni | Santa Monica Press | 1614 | 0 |
| Wake Up and Smell the Coffee | Eric Bogosian | Theatre Communications Group | 1608 | 0 |
| Animal Joy | Nuar Alsadir | Graywolf Press | 1602 | 0 |
| How to Stop Procrastination | Alapati Pradeep kumar | Alapati Pradeep kumar | 1600 | 0 |
| How To Do Impressions: Everything You Need To Know to Be An Impression God So You Can Rock The House! | Tony's Takes | Tony's Takes | 1600 | 0 |
| The Beautiful Ones | Prince | Random House Publishing Group | 1573 | 0 |
| The Partnership | Pamela Katz | Knopf Doubleday Publishing Group | 1573 | 0 |
| One Day When I Was Lost | James Baldwin | Knopf Doubleday Publishing Group | 1573 | 0 |
| The Art of Alfred Hitchcock | Donald Spoto | Knopf Doubleday Publishing Group | 1573 | 0 |
| An Actor's Life for Me | Zoe F Cunningham | Mind Engagement Publishing | 1572 | 0 |
| Acting Today | Christian Andre Campos | Booked It Press | 1572 | 0 |
| Michael Endes triadische Eschatologie | Floriana Seifert | hockebooks | 1543 | 0 |
| Jane Austen: Masterpieces | Jane Austen/Bauer Books | Bauer Books | 1528 | 0 |
| Shoppers | Denis Johnson | HarperCollins | 1516 | 0 |
| George Lucas | John Baxter | HarperCollins Publishers | 1503 | 0 |
| Hello, Darlings! | James Hogg/Robert Sellers | Transworld | 1502 | 0 |
| Character In Motion | Kyle Portbury | Kyle Portbury | 1500 | 0 |
| Cinematic Representations of Dark Academia | Cassandra Fox | Underwood Publishing | 1500 | 0 |
| Life in a Mid-Shot | Les Chantery | Les Chantery Pty Ltd. | 1500 | 0 |
| The Disaster Artist | Tom Bissell/Greg Sestero | Carlotta Films | 1500 | 0 |
| Turning Point: 1997-2008 | Hayao Miyazaki | VIZ Media | 1496 | 0 |
| Andrei Tarkovsky: A Life on the Cross | Lyudmila Boyadzhieva | Glagoslav Publications Limited | 1481 | 0 |
| Andrei Tarkovsky: The Collector of Dreams | Layla Alexander-Garrett | Glagoslav Publications Limited | 1481 | 0 |
| John Cassavetes: Lifeworks | Tom Charity | Music Sales Limited | 1480 | 0 |
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| Peter O'Toole | Robert Sellers | Pan Macmillan | 1467 | 0 |
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| Pocket Full of Dennis the Menace | Mark Arnold | BearManor Media | 1450 | 0 |
| How To Trash Your Career | Chuck Marra | Foley Marra Studios | 1450 | 0 |
| Casablanca - The Theater Play (Based on the Original Film): Adapted by David Serero | David Serero | World Productions Group | 1450 | 0 |
| Line? The Creative Way for Actors to Quickly Memorize Monologues and Dialogues | Jared Kelner | Jared Kelner | 1450 | 0 |
| D.W. Griffith's 100th Anniversary The Birth of a Nation | Ira H. Gallen | FriesenPress | 1438 | 0 |
| Stella's Next Act | Karen Farrell | Karen Farrell | 1429 | 0 |
| Stage Ready Tales for Creative Youth | meta ScreenPlays | Penguin Authors House | 1429 | 0 |
| Basic On Stage Guide For Amateur Actors | Lee Mueller | Playedwell LLC | 1429 | 0 |
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| Hylo Narrans | Kevin Toksöz Fairbairn | Open Book Publishers | 1375 | 0 |
| Non All'altezza | Rosario Stefanelli/ROSARIO STEFANELLI | Rosario | 1375 | 0 |
| Babelfish | Gino Pitaro | Edizioni Ensemble | 1375 | 0 |
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| Steven Spielberg (Text Only) | John Baxter | HarperCollins Publishers | 1365 | 0 |
| Clips From A Life | Denis Norden | HarperCollins Publishers | 1356 | 0 |
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| When Will I Be Famous? | Martin Kelner | Ebury Publishing | 1335 | 0 |
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