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| タイトル | 著者 | 出版社 | 価格 | 値引率 |
|---|---|---|---|---|
| A Practical Guide to Costumed Interpretation | Jackie Lee | Taylor & Francis | 8075 | 0 |
| Routledge Revivals: David Rabe (1988) | Philip C. Kolin | Taylor & Francis | 8075 | 0 |
| The Rise of the Victorian Actor | Michael Baker | Taylor & Francis | 8075 | 0 |
| Henry Irving and The Victorian Theatre | Madeleine Bingham | Taylor & Francis | 8075 | 0 |
| The Merchant of Venice | Taylor & Francis | 8075 | 0 | |
| Creating Solo Performance | Sean Bruno/Luke Dixon | Taylor & Francis | 8075 | 0 |
| Auditions | Richard Evans | Taylor & Francis | 8075 | 0 |
| Integrative Performance | Experience Bryon | Taylor & Francis | 8075 | 0 |
| Body Voice Imagination | David Zinder | Taylor & Francis | 8075 | 0 |
| Animated Life | Floyd Norman | CRC Press | 8075 | 0 |
| Embodied Acting | Rick Kemp | Taylor & Francis | 8075 | 0 |
| An Actor Prepares | Constantin Stanislavski | Taylor and Francis | 8075 | 0 |
| Acting Reframes | Robert Barton | Taylor & Francis | 8075 | 0 |
| Notes From An Odin Actress | Julia Varley | Taylor & Francis | 8075 | 0 |
| The Intercultural Performance Handbook | John Martin | Taylor & Francis | 8075 | 0 |
| Game Worlds Get Real | Zek Valkyrie | Bloomsbury Publishing | 8144 | 0 |
| The Intimate Act Of Choreography | Lynne Anne Blom/L. Tarin Chaplin | University of Pittsburgh Press | 8166 | 0 |
| Critical Acting Pedagogy | Taylor & Francis | 8243 | 0 | |
| The Art of Broadsword Fighting for Stage and Screen | Erick Vaughn Wolfe | Taylor & Francis | 8243 | 0 |
| Teaching What You Want to Learn | Bill Evans | Taylor & Francis | 8243 | 0 |
| The Art of Knife Fighting for Stage and Screen | Erick Vaughn Wolfe | Taylor & Francis | 8243 | 0 |
| Re-Purposing Suzuki | Maria Porter | Taylor & Francis | 8243 | 0 |
| Inclusivity and Equality in Performance Training | Taylor & Francis | 8243 | 0 | |
| Mythic Imagination and the Actor | Marissa Chibás | Taylor & Francis | 8243 | 0 |
| Lessons from The Maestro | David L. Boushey | Taylor & Francis | 8243 | 0 |
| Applied Meisner for the 21st-Century Actor | Kevin Otos/Kim Shively | Taylor & Francis | 8243 | 0 |
| Act as a Feminist | Lisa Peck | Taylor & Francis | 8243 | 0 |
| Inclusive Character Analysis | Jennifer Thomas/Robert J. Vrtis | Taylor & Francis | 8243 | 0 |
| Shakespeare & Company | Bella Merlin/Tina Packer | Taylor & Francis | 8243 | 0 |
| Auditioning for Musical Theatre | Denny Berry | Taylor & Francis | 8243 | 0 |
| The Thriving Artist | David Maurice Sharp | Taylor & Francis | 8243 | 0 |
| The Vakhtangov Sourcebook | Taylor & Francis | 8243 | 0 | |
| How and Why We Teach Shakespeare | Sidney Homan | Taylor & Francis | 8245 | 0 |
| Inside The Performance Workshop | Taylor & Francis | 8412 | 0 | |
| Trump Was a Joke | Sophia A Mcclennen | Taylor & Francis | 8412 | 0 |
| Ernie McClintock and the Jazz Actors Family | Elizabeth M. Cizmar | Taylor & Francis | 8412 | 0 |
| Lessons from Shakespeare’s Classroom | Robin Lithgow | Taylor & Francis | 8412 | 0 |
| Politics as Public Art | Taylor & Francis | 8412 | 0 | |
| Entangled Performance Histories | Taylor & Francis | 8412 | 0 | |
| Playgrounds | David J. Amelang | Taylor & Francis | 8412 | 0 |
| Hamlet’s Hereditary Queen | Kerrie Roberts | Taylor & Francis | 8412 | 0 |
| Sport and Performance in the Twenty-First Century | Kelsey Blair | Taylor & Francis | 8412 | 0 |
| Liveness | Philip Auslander | Taylor & Francis | 8412 | 0 |
| Plays of Our Own | Willy Conley | Taylor & Francis | 8412 | 0 |
| Sonic Engagement | Taylor & Francis | 8412 | 0 | |
| Integrated Access in Live Performance | Louise Fryer/Amelia Cavallo | Taylor & Francis | 8412 | 0 |
| Gómez-Peña Unplugged | Guillermo Gómez-Peña | Taylor & Francis | 8412 | 0 |
| Time and Performer Training | Taylor & Francis | 8412 | 0 | |
| White Holes and the Visualization of the Body | Žarko Paić | Springer International Publishing | 8507 | 0 |
| Making Music in Selznick's Hollywood | Nathan Platte | Oxford University Press | 8580 | 0 |
| Illusive Utopia | Suk-Young Kim | University of Michigan Press | 8743 | 0 |
| Spanish Accents and Dialects for Actors | Elisa Gonzales/Josh F.S. Moser/Adi Cabral | Taylor & Francis | 8748 | 0 |
| Stop Memorizing Your Lines | Loren E. Chadima | Taylor & Francis | 8748 | 0 |
| Navigating a Career in Performance | Jessica Champagne Hansen/Camille Schenkkan/Vanessa Mizzone Pellegrini | Taylor & Francis | 8748 | 0 |
| The Art of Drag | Michael Twaits | Taylor & Francis | 8748 | 0 |
| Milestones in African Literature | Toyin Falola | Taylor & Francis | 8748 | 0 |
| The Third Space | Robert Lewis | Taylor & Francis | 8748 | 0 |
| Mime into Physical Theatre: A UK Cultural History 1970–2000 | Mark Evans/Simon Murray | Taylor & Francis | 8748 | 0 |
| From SWEETBACK to SUPER FLY | Gerald R. Butters Jr. | University of Missouri Press | 8749 | 0 |
| Acting in Aotearoa | Taylor & Francis | 8917 | 0 | |
| 1000 Ways to Ask Why | Emily LeQuesne | Taylor & Francis | 8917 | 0 |
| Foundations for Performance Training | Cara Harker | Taylor & Francis | 8917 | 0 |
| Performing in Contemporary Musicals | David Sisco/Laura Josepher | Taylor & Francis | 8917 | 0 |
| Stanislavsky in Focus | Sharon Marie Carnicke | Taylor & Francis | 8917 | 0 |
| Exercises for Embodied Actors | Scott Illingworth | Taylor & Francis | 8917 | 0 |
| The Michael Chekhov Handbook | Lenard Petit | Taylor & Francis | 8917 | 0 |
| The Seagull | Taylor & Francis | 8917 | 0 | |
| Acting, Archetype, and Neuroscience | Jane Drake Brody | Taylor & Francis | 8917 | 0 |
| The Piscator Notebook | Judith Malina | Taylor & Francis | 8917 | 0 |
| The Routledge Companion to Actors' Shakespeare | Taylor & Francis | 8917 | 0 | |
| And Then, You Act | Anne Bogart | Taylor & Francis | 8917 | 0 |
| The Italian Commedia and Please be Gentle | David Griffiths | Taylor & Francis | 8917 | 0 |
| Performing Brecht | Margaret Eddershaw | Taylor & Francis | 8917 | 0 |
| Commedia Dell'Arte | Oliver Crick/John Rudlin | Taylor & Francis | 8917 | 0 |
| Liquid Ecologies in Latin American and Caribbean Art | Taylor & Francis | 9086 | 0 | |
| Greek Tragedy and the Contemporary Actor | Zachary Dunbar/Stephe Harrop | Springer International Publishing | 9116 | 0 |
| Adaptation and Nation | Catherine Rees | Palgrave Macmillan UK | 9116 | 0 |
| Federico García Lorca | Simon Breden | Taylor & Francis | 9253 | 0 |
| Juan Mayorga | Taylor & Francis | 9253 | 0 | |
| Jerzy Grotowski's Journeys to the East | Zbigniew Osinski | Taylor & Francis | 9253 | 0 |
| Dancing Motherhood | Ali Duffy | Taylor & Francis | 9253 | 0 |
| Latinx Actor Training | Taylor & Francis | 9253 | 0 | |
| Clowns | David Bridel/Ezra LeBank | Taylor & Francis | 9253 | 0 |
| Acting the Essence | Giuliano Campo | Taylor & Francis | 9253 | 0 |
| Sound Art | Thom Holmes | Taylor & Francis | 9253 | 0 |
| Antonin Artaud | Blake Morris | Taylor & Francis | 9253 | 0 |
| Illusion in Cultural Practice | Katharina Rein | Taylor & Francis | 9253 | 0 |
| Kinetic Atmospheres | Johannes Birringer | Taylor & Francis | 9253 | 0 |
| Jana Sanskriti | Ralph Yarrow | Taylor & Francis | 9253 | 0 |
| Frantic Assembly | Mark Evans/Mark Smith | Taylor & Francis | 9253 | 0 |
| A Poetics of Third Theatre | Jane Turner/Patrick Campbell | Taylor & Francis | 9253 | 0 |
| Owning Our Voices | Margaret Pikes/Patrick Campbell | Taylor & Francis | 9253 | 0 |
| Performing Shakespeare Unrehearsed | Bill Kincaid | Taylor & Francis | 9253 | 0 |
| The Method Acting Exercises Handbook | Lola Cohen | Taylor & Francis | 9253 | 0 |
| Craft Notes for Animators | Ed Hooks | Taylor & Francis | 9253 | 0 |
| Screenwriting Fundamentals | Irv Bauer | Taylor & Francis | 9253 | 0 |
| Through the Body | Dymphna Callery | Taylor & Francis | 9253 | 0 |
| The Non-Cycle Mystery Plays | Taylor & Francis | 9253 | 0 | |
| Playwrights in Rehearsal | Susan Letzler Cole | Taylor & Francis | 9253 | 0 |
| Acting: The First Six Lessons | Richard Boleslavsky | Taylor & Francis | 9253 | 0 |
| To the Actor | Michael Chekhov | Taylor and Francis | 9253 | 0 |
| Ensemble Theatre Making | Rose Burnett Bonczek/David Storck | Taylor & Francis | 9253 | 0 |
| The Decroux Sourcebook | Taylor & Francis | 9253 | 0 | |
| Zygmunt Molik's Voice and Body Work | Giuliano Campo/Zygmunt Molik | Taylor & Francis | 9253 | 0 |
| The Science Of Acting | Sam Kogan/Helen Kogan | Taylor & Francis | 9253 | 0 |
| Reworking the Ballet | Vida L. Midgelow | Taylor & Francis | 9253 | 0 |
| Systems of Rehearsal | Shomit Mitter | Taylor & Francis | 9253 | 0 |
| Ballet Beyond Tradition | Anna Paskevska | Taylor & Francis | 9253 | 0 |
| Who Is In the Room? | Brooke O'Harra | Taylor & Francis | 9422 | 0 |
| Sophia Robot | Thomas Riccio | Taylor & Francis | 9422 | 0 |
| Working with Children in Contemporary Performance | Sarah Austin | Taylor & Francis | 9422 | 0 |
| Towards Embodied Performance | Rachel Dickstein | Taylor & Francis | 9422 | 0 |
| Nine questions every actor of color should consider when tokenism is not enough | Taylor & Francis | 9422 | 0 | |
| Innovation & Digital Theatremaking | Robert Myles/Valerie Clayman Pye | Taylor & Francis | 9422 | 0 |
| Stanislavsky and Intimacy | Taylor & Francis | 9422 | 0 | |
| Stanislavsky and Race | Taylor & Francis | 9422 | 0 | |
| Futures of Performance | Taylor & Francis | 9422 | 0 | |
| Stanislavsky and Pedagogy | Taylor & Francis | 9422 | 0 | |
| Kristin Linklater | Bernadette Cronin/Regina Crowley | Taylor & Francis | 9422 | 0 |
| The Body in Sound, Music and Performance | Taylor & Francis | 9422 | 0 | |
| Kingship, Madness, and Masculinity on the Early Modern Stage | Taylor & Francis | 9422 | 0 | |
| Actor Training in Anglophone Countries | Peter Zazzali | Taylor & Francis | 9422 | 0 |
| Shakespeare and Celebrity Cultures | Jennifer Holl | Taylor & Francis | 9422 | 0 |
| Staging Detection | Isabel Stowell-Kaplan | Taylor & Francis | 9422 | 0 |
| Asian City Crossings | Taylor & Francis | 9422 | 0 | |
| The Self-Centred Art | Jakub Boguszak | Taylor & Francis | 9422 | 0 |
| Theatre Studios | Tom Cornford | Taylor & Francis | 9422 | 0 |
| Dance Legacies of Scotland | Mats Melin/Jennifer Schoonover | Taylor & Francis | 9422 | 0 |
| How Greek Tragedy Works | Brian Kulick | Taylor & Francis | 9422 | 0 |
| Blue Sky Body | Ben Spatz | Taylor & Francis | 9422 | 0 |
| A Concise Dictionary of the Avant-Gardes | Richard Kostelanetz | Taylor & Francis | 9422 | 0 |
| The Elements of Theatrical Expression | Brian Kulick | Taylor & Francis | 9422 | 0 |
| The Routledge Comedy Studies Reader | Taylor & Francis | 9422 | 0 | |
| Teaching Acting with Practical Aesthetics | Troy Dobosiewicz | Taylor & Francis | 9422 | 0 |
| Fiction's Truth | Danielle Szlawieniec-Haw | Taylor & Francis | 9422 | 0 |
| Intercultural Acting and Performer Training | Taylor & Francis | 9422 | 0 | |
| Psychology for Actors | Kevin Page | Taylor & Francis | 9422 | 0 |
| The Birth of Modern Theatre | Norman S. Poser | Taylor & Francis | 9422 | 0 |
| Konstantin Stanislavsky | Bella Merlin | Taylor & Francis | 9422 | 0 |
| Jerzy Grotowski | James Slowiak/Jairo Cuesta | Taylor & Francis | 9422 | 0 |
| The Moon Rises from the Ganges | Eugenio Barba | Taylor & Francis | 9422 | 0 |
| Performing in Comedy | Ian Wilkie | Taylor & Francis | 9422 | 0 |
| Rooms in Dramatic Realism | Fred Miller Robinson | Taylor & Francis | 9422 | 0 |
| Shakespeare on Theatre | Robert Cohen | Taylor & Francis | 9422 | 0 |
| What a Body Can Do | Ben Spatz | Taylor & Francis | 9422 | 0 |
| Book of Sides: Original, One-Page Scenes for Actors and Directors | Dave Kost | Taylor & Francis | 9422 | 0 |
| Art and Ventriloquism | David Goldblatt | Taylor & Francis | 9422 | 0 |
| Yevgeny Vakhtangov | Andrei Malaev-Babel | Taylor & Francis | 9422 | 0 |
| An Actress Prepares | Rosemary Malague | Taylor & Francis | 9422 | 0 |
| Russians in Britain | Taylor & Francis | 9422 | 0 | |
| The Actor, Image, and Action | Rhonda Blair | Taylor & Francis | 9422 | 0 |
| Two Plays by Olga Mukhina | Taylor & Francis | 9422 | 0 | |
| The Lure of Perfection | Judith Bennahum | Taylor & Francis | 9422 | 0 |
| Theatre/Archaeology | Mike Pearson/Michael Shanks | Taylor & Francis | 9422 | 0 |
| Country House | Stanislav I. Witkiewicz/D. Gerould/D. Gerould | Taylor & Francis | 9422 | 0 |
| Virtual Theatres | Gabriella Giannachi | Taylor & Francis | 9422 | 0 |
| Performance and Evolution in the Age of Darwin | Jane Goodall | Taylor & Francis | 9422 | 0 |
| Black Women Centre Stage | Paola Prieto López | Taylor & Francis | 9590 | 0 |
| Ethical Agility in Dance | Taylor & Francis | 9590 | 0 | |
| Strategies for Survival at SIBIKWA 1988 – 2021 | Taylor & Francis | 9590 | 0 | |
| Seeing as Practice | Eva Schuermann | Springer International Publishing | 9723 | 0 |
| Zombies, Werewolves, Robots, and Extraterrestrials | Gerald Large | Taylor & Francis | 9758 | 0 |
| Stanislavsky and Place | Taylor & Francis | 9758 | 0 | |
| Women and Age on the UK Stage | Bridie Moore | Taylor & Francis | 9758 | 0 |
| Stanislavsky and Screen Actor Training | Taylor & Francis | 9758 | 0 | |
| Milestones in Actor Training | Taylor & Francis | 9758 | 0 | |
| Carlo Boso | Peter Jordan/Olly Crick | Taylor & Francis | 9758 | 0 |
| Being Black and British | Taylor & Francis | 9758 | 0 | |
| Temporary Stages III | Jo Beth Gonzalez | Taylor & Francis | 9758 | 0 |
| Stanislavsky and Mindfulness | Taylor & Francis | 9758 | 0 | |
| Actor Trainers on Acting | Taylor & Francis | 9758 | 0 | |
| Practicing Archetype | Göze Saner | Taylor & Francis | 9758 | 0 |
| The Lieutenant Nun | Taylor & Francis | 9758 | 0 | |
| Choreomusicology | Taylor & Francis | 9758 | 0 | |
| Stanislavsky and Gender | Taylor & Francis | 9758 | 0 | |
| Radical Sensing and Performer Training | Rebecca Loukes | Taylor & Francis | 9758 | 0 |
| Imagining Bodies and Performer Training | Ellie Nixon | Taylor & Francis | 9758 | 0 |
| Independent Performing Arts in Europe | Thomas Fabian Eder | Taylor & Francis | 9758 | 0 |
| Bourdieu in the Studio | Evi Stamatiou | Taylor & Francis | 9758 | 0 |
| America Under the Influence | Chloë Rae Edmonson | Taylor & Francis | 9758 | 0 |
| The Loss of Small White Clouds | Morgan Batch | Taylor & Francis | 9758 | 0 |
| Contemporary Storytelling Performance | Stephe Harrop | Taylor & Francis | 9758 | 0 |
| Puppet and Spirit: Ritual, Religion, and Performing Objects | Taylor & Francis | 9758 | 0 | |
| Reconstructing Performance Art | Taylor & Francis | 9758 | 0 | |
| Contemporary Irish Theatre and Social Change | Emer O'Toole | Taylor & Francis | 9758 | 0 |
| Shakespeare and Cultural Appropriation | Taylor & Francis | 9758 | 0 | |
| Vocal Traditions | Taylor & Francis | 9758 | 0 | |
| Venus’s Palace | Reut Barzilai | Taylor & Francis | 9758 | 0 |
| Instruments of Embodiment | Eric Mullis | Taylor & Francis | 9758 | 0 |
| A Sourcebook of Performance Labor | Joey Orr | Taylor & Francis | 9758 | 0 |
| Harold Pinter's Shakespeare | Charles Morton | Taylor & Francis | 9758 | 0 |
| Emotion Pictures | Lucy Fischer | Taylor & Francis | 9758 | 0 |
| Imitation and Contamination of the Classics in the Comedies of Ben Jonson | Tom Harrison | Taylor & Francis | 9758 | 0 |
| Devised Theater’s Collaborative Performance | Telory D Arendell | Taylor & Francis | 9758 | 0 |
| Appropriations of Irish Drama in Modern Korean Nationalist Theatre | Hunam Yun | Taylor & Francis | 9758 | 0 |
| From Playtext to Performance on the Early Modern Stage | Leslie Thomson | Taylor & Francis | 9758 | 0 |
| Deburau | Edward Nye | Taylor & Francis | 9758 | 0 |
| Performing the Wound | Niki Tulk | Taylor & Francis | 9758 | 0 |
| Posthuman and Nonhuman Entanglements in Contemporary Art and the Body | Justyna Stępień | Taylor & Francis | 9758 | 0 |
| Copeau/Decroux, Irving/Craig | Thomas Leabhart | Taylor & Francis | 9758 | 0 |
| Shakespeare’s Contested Nations | L. Monique Pittman | Taylor & Francis | 9758 | 0 |
| ASHÉ | Taylor & Francis | 9758 | 0 | |
| Dancehall In/Securities | Taylor & Francis | 9758 | 0 | |
| Transmedia Change | Taylor & Francis | 9758 | 0 | |
| Borderlands Children’s Theatre | Cecilia Josephine Aragón | Taylor & Francis | 9758 | 0 |
| Eugene O'Neill's Philosophy of Difficult Theatre | Jeremy Killian | Taylor & Francis | 9758 | 0 |
| Mysticism in the Theater | Tom Block | Taylor & Francis | 9758 | 0 |
| Chinese Traditional Theatre and Male Dan | Guo Chao | Taylor & Francis | 9758 | 0 |
| Pandemic Performance | Taylor & Francis | 9758 | 0 | |
| D’Oyly Carte | Paul Seeley | Taylor & Francis | 9758 | 0 |
| Home and Away | Taylor & Francis | 9758 | 0 | |
| French Theatre, Orientalism, and the Representation of India, 1770-1865 | David Hammerbeck | Taylor & Francis | 9758 | 0 |
| The Piscatorbühne Century | Drew Lichtenberg | Taylor & Francis | 9758 | 0 |
| Consent in Shakespeare | Artemis Preeshl | Taylor & Francis | 9758 | 0 |
| Rabindranath Tagore's Theatre | Abhijit Sen | Taylor & Francis | 9758 | 0 |
| Performances that Change the Americas | Taylor & Francis | 9758 | 0 | |
| Oral Literary Performance in Africa | Taylor & Francis | 9758 | 0 | |
| Drama in Medieval and Early Modern Europe | Nadia Thérèse van Pelt | Taylor & Francis | 9758 | 0 |
| Recording Voiceover | Tom Blakemore | Taylor & Francis | 9758 | 0 |
| Sex and War on the American Stage | Emily Klein | Taylor & Francis | 9758 | 0 |
| Stanislavsky: A Life in Letters | Taylor & Francis | 9758 | 0 | |
| Managing Performance Stress | David Pargman | Taylor & Francis | 9758 | 0 |
| Nineteenth-Century Theatre and the Imperial Encounter | Marty Gould | Taylor & Francis | 9758 | 0 |
| Crossing the Stage | Taylor & Francis | 9758 | 0 | |
| Black Acting Methods | Taylor & Francis | 10087 | 0 | |
| Interchangeable Parts | Victor Holtcamp | University of Michigan Press | 10089 | 0 |
| The Literature and Arts of the Niger Delta | Taylor & Francis | 10095 | 0 | |
| In Search of Stanislavsky’s Creative State on the Stage | Gabriela Curpan | Taylor & Francis | 10095 | 0 |
| Contemporary Rehearsal Practice | Gary Cassidy | Taylor & Francis | 10095 | 0 |
| Property and Finance on the Post-Brexit London Stage | Michael Meeuwis | Taylor & Francis | 10095 | 0 |
| An Ethico-Phenomenology of Digital Art Practices | Giuseppe Torre | Taylor & Francis | 10095 | 0 |
| Partners of the Imagination | Robert Leach | Taylor & Francis | 10095 | 0 |
| Somatic Voices in Performance Research and Beyond | Taylor & Francis | 10095 | 0 | |
| Dance and the Corporeal Uncanny | Philipa Rothfield | Taylor & Francis | 10095 | 0 |
| Minstrel Traditions | Kevin Byrne | Taylor & Francis | 10095 | 0 |
| Shakespeare in Singapore | Philip Smith | Taylor & Francis | 10095 | 0 |
| Civic Performance | Taylor & Francis | 10095 | 0 | |
| Performing Home | Stuart Andrews | Taylor & Francis | 10095 | 0 |
| Stunts of Late Nineteenth-Century New York | Kirstin Smith | Taylor & Francis | 10095 | 0 |
| After the Long Silence | Claudia Tatinge Nascimento | Taylor & Francis | 10095 | 0 |
| Law and Intangible Cultural Heritage in the City | Sara Ross | Taylor & Francis | 10095 | 0 |
| Reframing Acting in the Digital Age | Artemis Preeshl | Taylor & Francis | 10095 | 0 |
| Affect and Embodied Meaning in Animation | Sylvie Bissonnette | Taylor & Francis | 10095 | 0 |
| Incapacity and Theatricality | Tony McCaffrey | Taylor & Francis | 10095 | 0 |
| The Routledge Companion to African American Theatre and Performance | Taylor & Francis | 10095 | 0 | |
| Adapting Western Classics for the Chinese Stage | Shouhua Qi | Taylor & Francis | 10095 | 0 |
| Joke-Performance in Africa | Taylor & Francis | 10095 | 0 | |
| Transformative Aesthetics | Erika Fischer-Lichte/Benjamin Wihstutz | Taylor & Francis | 10095 | 0 |
| Analytic Philosophy and the World of the Play | Michael Y. Bennett | Taylor & Francis | 10095 | 0 |
| Acting, Spectating, and the Unconscious | Maria Turri | Taylor & Francis | 10095 | 0 |
| Performing Ethnicity, Performing Gender | Taylor & Francis | 10095 | 0 | |
| Mainstream AIDS Theatre, the Media, and Gay Civil Rights | Jacob Juntunen | Taylor & Francis | 10095 | 0 |
| Food and Theatre on the World Stage | Taylor & Francis | 10095 | 0 | |
| The Body in Performance | Taylor & Francis | 10095 | 0 | |
| Performing Beauty in Participatory Art and Culture | Falk Heinrich | Taylor & Francis | 10095 | 0 |
| The Rise and Fall of the Well-Made Play (Routledge Revivals) | John Russell Taylor | Taylor & Francis | 10095 | 0 |
| Acting and Performance for Animation | Derek Hayes | CRC Press | 10095 | 0 |
| Humanism, Drama, and Performance | Hana Worthen | Springer International Publishing | 10331 | 0 |
| Performing Recovery | Zoe Zontou | Taylor & Francis | 10430 | 0 |
| No Mother, No Future | Kailin Wright | Taylor & Francis | 10430 | 0 |
| The Science of Arts Engagement | Agnieszka Wlazeł | Taylor & Francis | 10430 | 0 |
| In Search of the Performer’s Way | Jong Hyuk Song | Taylor & Francis | 10430 | 0 |
| Laughter, Power, and the Unconscious | Maria Grazia Turri/Bridget Escolme | Taylor & Francis | 10430 | 0 |
| Mattering Voices | Taylor & Francis | 10430 | 0 | |
| Shakespeare's 'Method' for Actors | Christine Ozanne | Taylor & Francis | 10430 | 0 |
| Edward Albee and the Emergence of Difference and Diversity in US and World Theatre | Taylor & Francis | 10430 | 0 | |
| Transnational Perspectives on the Art of Piero Manzoni and Hélio Oiticica | Lara Demori | Taylor & Francis | 10430 | 0 |
| Black Activists Write Wheatley and Washington | Lurana Donnels O’Malley | Taylor & Francis | 10430 | 0 |
| African American Artists Performing for the Camera After 1970 | Martyna Ewa Majewska | Taylor & Francis | 10430 | 0 |
| Vladimir Nemirovich-Danchenko and the Moscow Art Theatre | Inna Solovyova | Taylor & Francis | 10430 | 0 |
| Contemporary Performance and Political Economy | Katerina Paramana | Taylor & Francis | 10430 | 0 |
| Performing Corporate Bodies | Sarah Saddler | Taylor & Francis | 10430 | 0 |
| Staging Muslims in Britain | Önder Çakırtaş | Taylor & Francis | 10430 | 0 |
| The Human Touch | Chloé Arros | Taylor & Francis | 10430 | 0 |
| Applied Theatre and the Sustainable Development Goals | Taylor & Francis | 10430 | 0 | |
| Beyond Innocence | Adele Senior | Taylor & Francis | 10430 | 0 |
| Living Death in Early Modern Drama | James Alsop | Taylor & Francis | 10430 | 0 |
| 1964, A Year in African American Performance History | David Krasner | Taylor & Francis | 10430 | 0 |
| Transfiguring Tragedy | Ryder Thornton | Taylor & Francis | 10430 | 0 |
| The Legacy of Stylistic Theatre in the Creation of a Modern Sinhala Drama in Sri Lanka | Lakshmi D. Bulathsinghala | Taylor & Francis | 10430 | 0 |
| The Shakespeare North Playhouse | Taylor & Francis | 10430 | 0 | |
| Meaning in the Midst of Performance | Gareth White | Taylor & Francis | 10430 | 0 |
| How Does Disability Performance Travel? | Taylor & Francis | 10430 | 0 | |
| La MaMa Experimental Theatre – A Lasting Bridge Between Cultures | Monica Cristini | Taylor & Francis | 10430 | 0 |
| Ibsen in the Decolonised South Asian Theatre | Taylor & Francis | 10430 | 0 | |
| Equestrian Drama | Taylor & Francis | 10430 | 0 | |
| Why the Theatre | Taylor & Francis | 10430 | 0 | |
| Performing Arts in Changing Societies | Taylor & Francis | 10430 | 0 | |
| Making Another World Possible | Taylor & Francis | 10430 | 0 | |
| European Performative Theatre | Annamaria Cascetta | Taylor & Francis | 10430 | 0 |
| Screening Characters | Taylor & Francis | 10430 | 0 | |
| A Dictionary of the American Avant-Gardes | Richard Kostelanetz | Taylor & Francis | 10430 | 0 |
| Attic Oratory and Performance | Andreas Serafim | Taylor & Francis | 10430 | 0 |
| Acting in the Academy | Peter Zazzali | Taylor & Francis | 10430 | 0 |
| Learning How to Fall | T Nikki Cesare Schotzko | Taylor & Francis | 10430 | 0 |
| The Mannequins' Ball | Daniel Gerould/Bruno Jaslenski | Taylor & Francis | 10430 | 0 |
| Menander in Contexts | Taylor & Francis | 10430 | 0 | |
| Performance and the Politics of Space | Taylor & Francis | 10430 | 0 | |
| Brecht Sourcebook | Taylor & Francis | 10430 | 0 | |
| Dodin and the Maly Drama Theatre | Maria Shevstova | Taylor & Francis | 10430 | 0 |
| Theatre at the Crossroads of Culture | Patrice Pavis | Taylor & Francis | 10430 | 0 |
| Classical and Romantic Performing Practice | Clive Brown | Oxford University Press | 10439 | 0 |
| Crossing Central Europe | University of Toronto Press | 10500 | 0 | |
| Crafting Short Screenplays That Connect | Claudia Hunter Johnson | Taylor & Francis | 10599 | 0 |
| The Routledge Companion to Musical Theatre | Taylor & Francis | 10599 | 0 | |
| The Routledge Companion to Vsevolod Meyerhold | Taylor & Francis | 10599 | 0 | |
| The Routledge Pantomime Reader | Taylor & Francis | 10599 | 0 | |
| Spatial Practices | Taylor & Francis | 10599 | 0 | |
| Social Works | Shannon Jackson | Taylor & Francis | 10599 | 0 |
| Actor Training | Alison Hodge | Taylor and Francis | 10599 | 0 |
| Perform or Else | Jon McKenzie | Taylor and Francis | 10599 | 0 |
| Bringing the Body to the Stage and Screen | Annette Lust | Bloomsbury Publishing | 10640 | 2 |
| Shylock on the Stage | Toby Lelyveld | Taylor & Francis | 10767 | 0 |
| Adolphe Appia | Richard C. Beacham | Taylor & Francis | 10767 | 0 |
| A Philosophy of the Screenplay | Ted Nannicelli | Taylor & Francis | 10767 | 0 |
| So Therefore... | Al Ruscio | Taylor & Francis | 10767 | 0 |
| Suzan-Lori Parks | Taylor & Francis | 10767 | 0 | |
| Critical Dictionary of Film and Television Theory | Taylor & Francis | 10767 | 0 | |
| Jacobean Public Theatre | Alexander Leggatt | Taylor & Francis | 10767 | 0 |
| LO: TECH: POP: CULT | Taylor & Francis | 11103 | 0 | |
| Horror Film and Affect | Xavier Aldana Reyes | Taylor & Francis | 11103 | 0 |
| A Dream | Felicja Kruszewska | Taylor & Francis | 11103 | 0 |
| Lamp and the Lute | Bonamy Dobree | Taylor & Francis | 11103 | 0 |
| Dancing in the Vortex | Vicki Woolf | Taylor & Francis | 11103 | 0 |
| Psychophysical Acting | Phillip B. Zarrilli | Taylor & Francis | 11103 | 0 |
| Archaeologies of Presence | Taylor & Francis | 11103 | 0 | |
| Mr Price, or Tropical Madness and Metaphysics of a Two- Headed Calf | Stanislaw Ignacy Witkiewicz | Taylor & Francis | 11103 | 0 |
| Etienne Decroux and his Theatre Laboratory | Marco de Marinis | Taylor & Francis | 11252 | 0 |
| Acting Shakespeare | Bertram Leon Joseph | Taylor & Francis | 11272 | 0 |
| The Politics of American Actor Training | Taylor & Francis | 11272 | 0 | |
| An Actor's Work on a Role | Konstantin Stanislavski | Taylor & Francis | 11272 | 0 |
| Movement Training for the Modern Actor | Mark Evans | Taylor & Francis | 11272 | 0 |
| Crossing Cultural Borders Through the Actor's Work | Cláudia Tatinge Nascimento | Taylor & Francis | 11272 | 0 |
| The Routledge Companion to Performance-Related Concepts in Non-European Languages | Taylor & Francis | 11440 | 0 | |
| A Strange Proximity | Jon Foley Sherman | Taylor & Francis | 11440 | 0 |
| Physical Theatres | Simon Murray/John Keefe | Taylor & Francis | 11440 | 0 |
| Haptic Allegories | Kathleen Gough | Taylor & Francis | 11440 | 0 |
| Improvisation Hypermedia and the Arts since 1945 | Roger Dean/Hazel Smith | Taylor & Francis | 11440 | 0 |
| The Screenplay Business | Peter Bloore | Taylor & Francis | 11440 | 0 |
| Lightwork | Patrick Duggan | Intellect Books | 11441 | 0 |
| Performing Epic or Telling Tales | Fiona Macintosh/Justine McConnell | OUP Oxford | 11441 | 0 |
| Messy Connections | Cathy Sloan | Taylor & Francis | 11608 | 0 |
| Movement | Robert Barton/Barbara Sellers-Young | Taylor & Francis | 11945 | 0 |
| The Routledge Companion to Jacques Lecoq | Taylor & Francis | 11945 | 0 | |
| Bakhtin and Theatre | Dick Mccaw | Taylor & Francis | 11945 | 0 |
| Acting with Grotowski | Zbigniew Cynkutis | Taylor & Francis | 11945 | 0 |
| The Path Of The Actor | Michael Chekhov | Taylor & Francis | 11945 | 0 |
| Samuel Beckett's Critical Aesthetics | Tim Lawrence | Springer International Publishing | 12154 | 0 |
| Theatre/Ecology/Cognition | T. Paavolainen | Palgrave Macmillan US | 12154 | 0 |
| The Recovery of Beauty: Arts, Culture, Medicine | Corinne Saunders/David Fuller | Palgrave Macmillan UK | 12154 | 0 |
| Audience Participation in Theatre | G. White | Palgrave Macmillan UK | 12154 | 0 |
| An Introduction to the Phenomenology of Performance Art | T. J. Bacon | Intellect Books | 12157 | 0 |
| Dancer – Researcher – Performer: A Learning Process | Graziela Rodrigues | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 12251 | 0 |
| Games for Actors and Non-Actors | Augusto Boal | Taylor & Francis | 12282 | 0 |
| The Odin Teatret Archives | Mirella Schino | Taylor & Francis | 12282 | 0 |
| Contemporary Plays by Women of Color | Taylor & Francis | 12282 | 0 | |
| A Critical Companion to Lynn Nottage | Taylor & Francis | 12282 | 0 | |
| Acting (Re)Considered | Taylor & Francis | 12282 | 0 | |
| Modern Drama by Women 1880s-1930s | Taylor & Francis | 12282 | 0 | |
| Restoration Theatre Production | Jocelyn Powell | Taylor & Francis | 12450 | 0 |
| Voice and Identity | Taylor & Francis | 12450 | 0 | |
| Out of Time? | Taylor & Francis | 12450 | 0 | |
| British Nautical Melodramas, 1820–1850 | Arnold Schmidt | Taylor & Francis | 12450 | 0 |
| British Nautical Melodramas, 1820–1850 | Arnold Schmidt | Taylor & Francis | 12450 | 0 |
| Your Murderer | Vassily Aksyonov | Taylor & Francis | 12450 | 0 |
| Make the Dream Real | Karen Jean Martinson | Intellect Books | 12865 | 0 |
| V-Ray 5 for 3ds Max 2020 | Jamie Cardoso | CRC Press | 12955 | 0 |
| Adolphe Appia: Artist and Visionary of the Modern Theatre | Richard C. Beacham | Taylor & Francis | 12955 | 0 |
| Contemporary African American Women Playwrights | Taylor & Francis | 12955 | 0 | |
| Science and the Stanislavsky Tradition of Acting | Jonathan Pitches | Taylor & Francis | 12955 | 0 |
| Commedia Dell'Arte: An Actor's Handbook | John Rudlin | Taylor & Francis | 12955 | 0 |
| The Improvisation Studies Reader | Taylor & Francis | 13123 | 0 | |
| The World of Physical Culture in Sport and Exercise | Taylor & Francis | 13123 | 0 | |
| Acting Power | Robert Cohen | Taylor and Francis | 13123 | 0 |
| Freddie Francis | Freddie Francis | Bloomsbury Publishing | 13136 | 2 |
| The Cinema of John Boorman | Brian Hoyle | Bloomsbury Publishing | 13136 | 2 |
| Female Action Heroes | Gladys L. Knight | Bloomsbury Publishing | 13136 | 2 |
| Acting and its Refusal in Theatre and Film | Marian McCurdy | Intellect Books | 13275 | 0 |
| Dancing an Embodied Sinthome | Megan Sherritt | Springer Nature Switzerland | 13369 | 0 |
| Time and Poetic Speech: A Philosophical Investigation | Kwok Kui Wong | Springer International Publishing | 13369 | 0 |
| Indigenous Creatures, Native Knowledges, and the Arts | Springer International Publishing | 13369 | 0 | |
| Dance’s Duet with the Camera | Palgrave Macmillan UK | 13369 | 0 | |
| Acting and Character Animation | Rolf Giesen/Anna Khan | CRC Press | 13460 | 0 |
| Routledge Handbook of Media Law | Taylor & Francis | 13460 | 0 | |
| Olympic Media | Andrew Billings | Taylor & Francis | 13460 | 0 |
| Structures of Feeling in Seventeenth-Century Cultural Expression | Susan McClary | University of Toronto Press | 13730 | 0 |
| Theatre for Lifelong Learning | Rae Mansfield/Linda Lau | Intellect Books | 14302 | 0 |
| Performing Identity | Barry King | Springer International Publishing | 14585 | 0 |
| Anglo-American Stage and Screen Drama | Mike Ingham | Springer International Publishing | 14585 | 0 |
| Theatricality and Performativity | Teemu Paavolainen | Springer International Publishing | 14585 | 0 |
| When Warners Brought Broadway to Hollywood, 1923-1939 | Martin Shingler | Palgrave Macmillan UK | 14585 | 0 |
| Python beyond Python | Springer International Publishing | 14585 | 0 | |
| Complicite, Theatre and Aesthetics | Tomasz Wiśniewski | Springer International Publishing | 14585 | 0 |
| Contemporary Japanese Women’s Theatre and Visual Arts | Nobuko Anan | Palgrave Macmillan UK | 14585 | 0 |
| The Economics of Sports Broadcasting | Chris Gratton/Harry Arne Solberg | Taylor & Francis | 15143 | 0 |
| John Dahl and Neo-Noir | Paul Monaco | Bloomsbury Publishing | 15501 | 0 |
| Cracking Gilles Deleuze's Crystal | Barry Nevin | Edinburgh University Press | 15618 | 0 |
| Youth and Suicide in American Cinema | Alessandra Seggi | Springer International Publishing | 15800 | 0 |
| Adaptation Considered as a Collaborative Art | Springer International Publishing | 15800 | 0 | |
| Terrence Malick’s Unseeing Cinema | James Batcho | Springer International Publishing | 15800 | 0 |
| Digital Bodies | Palgrave Macmillan UK | 15800 | 0 | |
| Performance and Culture in Plato's Laws | Cambridge University Press | 16827 | 0 | |
| Acting and performance in Hitchcock | Manchester University Press | 17096 | 0 | |
| Beyond the Happening | Catherine Spencer | Manchester University Press | 17500 | 0 |
| Inhabiting Ustopia: Science Fiction in Film, Performing Arts, and Digital Media | Springer Nature Switzerland | 18231 | 0 | |
| Embodied Philosophy in Dance | Einav Katan-Schmid | Palgrave Macmillan UK | 18231 | 0 |
| Knowing Bodies, Moving Minds | Springer Netherlands | 18231 | 0 | |
| Galileo and the ‘Invention’ of Opera | F. Kersten | Springer Netherlands | 18231 | 0 |
| Mark Antony and Popular Culture | Rachael Kelly | Bloomsbury Publishing | 19308 | 0 |
| Epic Performances from the Middle Ages into the Twenty-First Century | OUP Oxford | 19450 | 0 | |
| Performing Arts and Digital Humanities | Clarisse Bardiot | Wiley | 20883 | 0 |
| Experimental and Expanded Animation | Springer International Publishing | 21878 | 0 | |
| Theatre in Dublin, 1745–1820 | John C. Greene | Bloomsbury Publishing | 22465 | 2 |
| Theatre in Dublin, 1745–1820 | John C. Greene | Bloomsbury Publishing | 22465 | 2 |
| The Oxford Handbook of Sound and Imagination, Volume 2 | Oxford University Press | 23454 | 0 | |
| The Oxford Handbook of Sound and Imagination, Volume 1 | Oxford University Press | 24599 | 0 | |
| The Palgrave Handbook of Children's Film and Television | Springer International Publishing | 26740 | 0 | |
| The Oxford Handbook of the Archaeology of the Contemporary World | OUP Oxford | 26887 | 0 | |
| The Oxford Handbook of Radio and Podcasting | Oxford University Press | 29318 | 0 | |
| Actresses as Working Women | Tracy C. Davis | Taylor & Francis | 37860 | 0 |
| British Nautical Melodramas, 1820–1850 | Arnold Schmidt | Taylor & Francis | 39542 | 0 |