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| タイトル | 著者 | 出版社 | 価格 | 値引率 |
|---|---|---|---|---|
| Life of Chopin | Franz Liszt | E-BOOKARAMA | 77 | 0 |
| Richard Wagner | Champfleury | Paris A. Boudilliat et Ce. 1860 | 80 | 0 |
| Violins and Violin Makers | Joseph Pearce/Xavier Sutton | Good Press | 150 | 62 |
| The Modes of Ancient Greek Music | D. B. Monro/Kayla Huntley | Good Press | 150 | 62 |
| On the Stage--and Off: The Brief Career of a Would-Be Actor | Jerome K. Jerome | e-artnow | 150 | 53 |
| Moving Pictures: How They Are Made and Worked | Frederick Arthur Ambrose Talbot/Hailey Bishop | Good Press | 150 | 53 |
| Adventures of the Ojibbeway and Ioway Indians in England, France, and Belgium (Vol. 1&2) | George Catlin | e-artnow | 150 | 53 |
| Histoire de la musique | Henri Lavoix/Élodie Moulin | Good Press | 150 | 53 |
| Entwurf einer neuen Ästhetik der Tonkunst | Ferruccio Busoni/Winslow Marsh | Good Press | 150 | 53 |
| History of the Opera from its Origin in Italy to the present Time | H. Sutherland Edwards/Levi Andrews | Good Press | 150 | 53 |
| Letters of Felix Mendelssohn to Ignaz and Charlotte Moscheles | Felix Mendelssohn-Bartholdy/Jade Holloway | Good Press | 150 | 53 |
| Wagner's "Tristan und Isolde" | George Ainslie Hight/Jared Covington | Good Press | 150 | 53 |
| Famous Prima Donnas | Lewis Clinton Strang | Good Press | 150 | 53 |
| Great Violinists and Pianists | George T. Ferris/Julian Elliott | Good Press | 150 | 53 |
| Verdi: Man and Musician | Frederick James Crowest/Alex Lane | Good Press | 150 | 53 |
| Faust | Jules Barbier/Michel Carré/Charles Gounod/Liam Mercer | Good Press | 150 | 53 |
| Shakespeare and Music | Edward W. Naylor | Good Press | 150 | 53 |
| Letters of Felix Mendelssohn-Bartholdy from 1833 to 1847 | Felix Mendelssohn-Bartholdy/Jade Holloway | Good Press | 150 | 53 |
| The Book of Old English Ballads | George Wharton Edwards/Zoe Hartford | Good Press | 150 | 53 |
| The Complete Speeches of Mark Twain | Mark Twain | e-artnow | 150 | 53 |
| Parsifal | Oliver Huckel/Richard Wagner/Liora Halberg | Good Press | 150 | 52 |
| The Complete Novels of Jane Austen | Jane Austen | Zenith Maple Leaf Press | 200 | 0 |
| William Shakespeare : Complete Collection (37 plays, 160 sonnets and 5 Poetry...) | William Shakespeare | LHN Books | 200 | 0 |
| The Great Musicians: Purcell | William Hayman Cummings/Kelsey Ramsey | Good Press | 250 | 48 |
| MUNDAE MADNESS | Gordon Price | Lulu.com | 275 | 0 |
| Birth of a Reformation | Andrew Byers | FAITH PUBLISHING HOUSE | 294 | 0 |
| Haydn | J. Cuthbert Hadden/Ethan West | Good Press | 300 | 6 |
| Musical Instruments, Historic, Rare and Unique | Alfred J. Hipkins/Owen Bradshaw | Good Press | 300 | 6 |
| The Power of Music | Anonymous | Good Press | 300 | 3 |
| Physiology of the Opera | Scrici/Chloe Fields | Good Press | 300 | 0 |
| Richard Wagner and His Poetical Work, from "Rienzi" to "Parsifal" | Judith Gautier | Good Press | 300 | 0 |
| Caliban by the Yellow Sands: A Community Masque of the Art of the Theatre | Percy MacKaye/Samantha Watts | Good Press | 300 | 0 |
| Aspects of Modern Opera: Estimates and Inquiries | Lawrence Gilman/Adrian Weaver | Good Press | 300 | 0 |
| Sketch of Handel and Beethoven | Thomas Hanly Ball/Caleb Bradford | Good Press | 300 | 0 |
| On the Execution of Music, and Principally of Ancient Music | Camille Saint-Saëns | Good Press | 300 | 0 |
| How Music Developed | W. J. Henderson | Good Press | 300 | 0 |
| Chopin and Other Musical Essays | Henry T. Finck/Levi Calloway | Good Press | 300 | 0 |
| Music and Some Highly Musical People | James M. Trotter | Good Press | 300 | 0 |
| Histoire de la musique | Henri Lavoix/Théo Fontaine | DigiCat | 320 | 0 |
| Costume: Fanciful, Historical and Theatrical | Mrs. Aria | DigiCat | 320 | 0 |
| Letters of Felix Mendelssohn-Bartholdy from 1833 to 1847 | Felix Mendelssohn-Bartholdy/Max Dillon | DigiCat | 320 | 0 |
| Old Fogy: His Musical Opinions and Grotesques | James Huneker | DigiCat | 320 | 0 |
| Johann Sebastian Bach: The Organist and His Works for the Organ | André Pirro/Adrian Foxley | DigiCat | 320 | 0 |
| Sebastian Bach | Reginald Lane Poole | DigiCat | 320 | 0 |
| Turandot: The Chinese Sphinx | Friedrich Schiller | DigiCat | 320 | 0 |
| Violins and Violin Makers | Joseph Pearce/Liam Alcott | DigiCat | 320 | 0 |
| Musical Portraits : Interpretations of Twenty Modern Composers | Paul Rosenfeld | DigiCat | 320 | 0 |
| Haydn | J. Cuthbert Hadden | DigiCat | 320 | 0 |
| Circus Life and Circus Celebrities | Thomas Frost | DigiCat | 320 | 0 |
| Letters of Felix Mendelssohn to Ignaz and Charlotte Moscheles | Felix Mendelssohn-Bartholdy/Max Dillon | DigiCat | 320 | 0 |
| Famous Composers and Their Works | Various/Bryce Emerson | DigiCat | 320 | 0 |
| The Musical Myths and Facts (Vol. 1&2) | Carl Engel/Erin Holloway | Musaicum Books | 320 | 0 |
| Zombies in Western Culture: A Twenty-First Century Crisis | John Vervaeke/Christopher Mastropietro/Filip Miscevic | Studium Publishing | 320 | 0 |
| Chapters of Opera | Henry Edward Krehbiel/Marcus Finley | Good Press | 320 | 0 |
| Masks and Faces; or, Before and Behind the Curtain | Charles Reade/Tom Taylor | Good Press | 320 | 0 |
| Twelve Good Musicians: From John Bull to Henry Purcell | Frederick Bridge/Megan Fawcett | Good Press | 320 | 0 |
| The Complete Speeches | Mark Twain/Shane Fisher | Musaicum Books | 320 | 0 |
| Zur Psychologie des Individuums: Chopin, Nietzsche und Ola Hansson (Band 1&2) | Stanislaw Przybyszewski | Musaicum Books | 320 | 0 |
| James Dean | Hourly History | Hourly History | 450 | 0 |
| Katharine Hepburn: A Life from Beginning to End | Hourly History | Hourly History | 450 | 0 |
| Tallulah Bankhead: A Life from Beginning to End | Hourly History | Hourly History | 450 | 0 |
| Joan Crawford: A Life from Beginning to End | Hourly History | Hourly History | 450 | 0 |
| Heath Ledger: A Life from Beginning to End | Hourly History | Hourly History | 450 | 0 |
| Dean Martin: A Life from Beginning to End | Hourly History | Hourly History | 450 | 0 |
| Bob Hope | Hourly History | Hourly History | 450 | 0 |
| Alfred Hitchcock: A Life from Beginning to End | Hourly History | Hourly History | 450 | 0 |
| The Comic Genius of Louis De Funes | Marcus Vert | Mark Green | 500 | 23 |
| Jim Morrison: A Life from Beginning to End | Hourly History | Hourly History | 500 | 0 |
| Charlie Chaplin: A Life from Beginning to End | Hourly History | Hourly History | 500 | 0 |
| Frédéric Chopin: A Life from Beginning to End | Hourly History | Hourly History | 500 | 0 |
| Marilyn Monroe: A Life from Beginning to End | Hourly History | Hourly History | 500 | 0 |
| Mozart | Hourly History | Hourly History | 500 | 0 |
| The Eternal Return: Oedipus, The Tempest, Forbidden Planet | David Sheppard | David Sheppard | 500 | 0 |
| Books, Movies, Rhythm, Blues | Nick Hornby | Penguin Publishing Group | 502 | 0 |
| La Malédiction de Laios | Simon Lecomte | Ex Aequo | 600 | 0 |
| Fifty Years of "The Battle of Algiers" | Sohail Daulatzai | University of Minnesota Press | 667 | 0 |
| On Divas | Spencer Kornhaber | Zando | 671 | 0 |
| La mirada encendida | Ángel Fernández-Santos | DEBATE | 740 | 0 |
| Acting Naturally | David Thomson | Knopf Doubleday Publishing Group | 788 | 0 |
| Ordenes musik. To personlige essays | Hans Hertel | Lindhardt og Ringhof | 794 | 0 |
| Acting | Richard Boleslavsky | Echo Point Books & Media | 800 | 0 |
| Swooning | Christopher Lawrence | Schwartz Books Pty. Ltd. | 800 | 0 |
| Joe Dante: Master of Horror | Luigi Boccia | Delos Digital | 916 | 0 |
| L’estetica della forma musicale in Eduard Hanslick | Giorgio Armato | il glifo ebooks | 916 | 0 |
| Maestros and Their Music | John Mauceri | Knopf Doubleday Publishing Group | 946 | 33 |
| The Best Old Movies for Families | Ty Burr | Knopf Doubleday Publishing Group | 946 | 0 |
| Grupo Decisão | Luiz Campos | Paco e Littera | 950 | 0 |
| Corps et machine | Ken Slock | Éditions Mimésis | 950 | 0 |
| RadioMuziek! | Frank Pollet | vzw de Scriptomanen | 950 | 0 |
| WHO CAN TURN THE WORLD ON WITH HER SMILE? | Tim J. Culbertson | Book Writing Pioneer | 1000 | 0 |
| Harvey Keitel | Marshall Fine | HarperCollins Publishers | 1007 | 0 |
| Tina Packer Builds A Theater | Helen Epstein | Plunkett Lake Press | 1008 | 0 |
| An Introduction to Film Analysis | Professor Michael Ryan/Dr Melissa Lenos | Bloomsbury Publishing | 1031 | 2 |
| Eleonora Duse | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Les Quatre Cents Coups de François Truffaut | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| La Vida Loca de Christian Poveda | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Autant en emporte le vent de Victor Fleming | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Les Fraises sauvages d'Ingmar Bergman | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Voyage à travers le cinéma français de Bertrand Tavernier | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Alain Resnais, liaisons secrètes, accords vagabonds de Suzanne Liandrat-Guigues et Jean-Louis Leutrat | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Aimer, boire et chanter d'Alain Resnais | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Les Vacances de Monsieur Hulot de Jacques Tati | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Ten d'Abbas Kiarostami | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Shoah de Claude Lanzmann | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Sans toit ni loi d'Agnès Varda | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Pina de Wim Wenders | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Level Five et Immemory de Chris Marker | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Lettre de Sibérie de Chris Marker | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Laissez-passer de Bertrand Tavernier | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| L'Homme à la caméra de Dziga Vertov | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Le Goût de la cerise d'Abbas Kiarostami | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| E.T. l'extra-terrestre de Steven Spielberg | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Dodes'kaden de Kurosawa Akira | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Cria Cuervos de Carlos Saura | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Les Chevaux de feu de Sergeï Paradjanov | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Certains l'aiment chaud de Billy Wilder | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Be happy de Mike Leigh | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| 2001 : l'Odyssée de l'espace de Stanley Kubrick | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Inside Llewyn Davis de Joel et Ethan Coen | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Winter Sleep de Nuri Bilge Ceylan | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Sils Maria d'Olivier Assayas | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Deux Jours, une nuit de Jean-Pierre et Luc Dardenne | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Z de Costa-Gavras | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Les Valseuses de Bertrand Blier | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Un tramway nommé Désir d'Elia Kazan | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Un prophète de Jacques Audiard | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Un conte de Noël d'Arnaud Desplechin | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Le Troupeau d'Yilmaz Güney | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Titanic de James Cameron | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| The Queen de Stephen Frears | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| The Big Lebowski de Joel et Ethan Coen | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Les Temps modernes de Charlie Chaplin | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Talons aiguilles de Pedro Almodóvar | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Sweeney Todd, le diabolique barbier de Fleet Street de Tim Burton | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Vertigo d'Alfred Hitchcock | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Spider de David Cronenberg | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Sous les toits de Paris de René Clair | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Le Sourire de ma mère de Marco Bellocchio | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Le Silence de Lorna de Jean-Pierre et Luc Dardenne | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Shara de Naomi Kawase | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Le Ruban blanc de Michael Haneke | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Rosetta de Jean-Pierre et Luc Dardenne | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Le Roman d'un tricheur de Sacha Guitry | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Rois et reine d'Arnaud Desplechin | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| La Promesse de Jean-Pierre et Luc Dardenne | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Le Premier venu de Jacques Doillon | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Pickpocket de Robert Bresson | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Par-delà les nuages de Michelangelo Antonioni | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Les Parapluies de Cherbourg de Jacques Demy | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Ordet de Carl Dreyer | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Notre Musique de Jean-Luc Godard | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| No Country for Old Men de Joel et Ethan Coen | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Napoléon d'Abel Gance | Jean-Pierre Jeancolas/Michel Marie | Encyclopaedia Universalis | 1050 | 0 |
| Naissance d'une nation de David Wark Griffith | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| La Monstrueuse Parade de Tod Browning | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Million Dollar Baby de Clint Eastwood | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Meurtre dans un jardin anglais de Peter Greenaway | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Le Mépris de Jean-Luc Godard | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Mémoires de nos pères et Lettres d'Iwo Jima de Clint Eastwood | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Le Mariage de Maria Braun de Rainer Werner Fassbinder | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Man on the Moon de Milos Forman | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Manhattan de Woody Allen | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Le Maître de marionnettes de Hou Hsiao-Hsien | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| L'Enfant de Jean-Pierre et Luc Dardenne | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Le Cuirassé « Potemkine » de Serge Mikhaïlovitch Eisenstein | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Le Beau Serge de Claude Chabrol | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| La Terre de Youssef Chahine | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Le jour se lève de Marcel Carné | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Huit et demi de Federico Fellini | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| L'Homme qui tua Liberty Valance de John Ford | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| La Grotte des Rêves perdus de Werner Herzog | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Gran Torino de Clint Eastwood | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| La Grande Bouffe de Marco Ferreri | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Good Bye South, Good Bye de Hou Hsiao-Hsien | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Ghost Dog, La Voie du samouraï de Jim Jarmusch | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Gabrielle de Patrice Chéreau | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Funny Games U.S. de Michael Haneke | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Le Fantôme du paradis de Brian De Palma | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Fantasia de Walt Disney | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Faces de John Cassavetes | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Esther Kahn d'Arnaud Desplechin | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Entre les murs de Laurent Cantet | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Easy Rider de Dennis Hopper | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Les Dix Commandements de Cecil B. De Mille | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Les Désaxés de John Huston | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Le Dernier Tango à Paris de Bernardo Bertolucci | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| De beaux lendemains d'Atom Egoyan | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Le Dahlia noir de Brian De Palma | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Le Corbeau d'Henri Georges Clouzot | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Charlie et la chocolaterie et Les Noces funèbres de Tim Burton | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Casque d'or de Jean Becker | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Casablanca de Michael Curtiz | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Carlos d'Olivier Assayas | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Buongiorno, notte de Marco Bellocchio | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| La Belle et la Bête de Jean Cocteau | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Barton Fink de Joel et Ethan Coen | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| L'Avventura de Michelangelo Antonioni | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Au loin s'en vont les nuages d'Aki Kaurismäki | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Apocalypse Now de Francis Ford Coppola | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| L'Anguille de Shōhei Imamura | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Amour de Michael Haneke | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Alice au pays des merveilles de Tim Burton | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Aguirre, la colère de dieu de Werner Herzog | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| L'Âge d'or de Luis Buñuel | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| L'Âge des possibles de Pascale Ferran | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| L'Adversaire de Nicole Garcia | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Les Adieux à la reine de Benoît Jacquot | Encyclopaedia Universalis | Encyclopaedia Universalis | 1050 | 0 |
| Evil Influencer (Jodi Hildebrandt and Ruby Franke’s Dark Secret) | Tiffany R. Gasser | Tiffany R. Gasser | 1069 | 0 |
| Acting Truthfully | Kimmy Sunday | JNR Publishing Group | 1100 | 0 |
| Hip Hop America | Nelson George | Penguin Publishing Group | 1103 | 36 |
| Flip | Kevin Cook | Penguin Publishing Group | 1103 | 0 |
| Songs in the Key of My Life | Ferentz Lafargue | Crown | 1103 | 0 |
| Why We Make Movies | George Alexander | Crown | 1103 | 0 |
| Violin Varnish | Joseph Michelman | Read Books Ltd. | 1122 | 0 |
| The History of Cinema | Geoffrey Nowell-Smith | OUP Oxford | 1143 | 0 |
| screen moments with shelley duvall | Alvin Campbell | Alvin Campbell | 1146 | 0 |
| Post-Punk Then and Now | Sue Clayton/Kodwo Eshun/Green Gartside | Watkins Media | 1205 | 0 |
| Justify My Love | Ryann Donnelly | Watkins Media | 1210 | 0 |
| A Friend, A Murderer (The Untold Story of Trust Betrayed) | Margaret H. Rivera | Margaret H. Rivera | 1222 | 0 |
| Engaging with Everyday Sounds | Marcel Cobussen | Open Book Publishers | 1222 | 0 |
| Eseguire l’inatteso. Ontologia della musica e improvvisazione | Alessandro Bertinetto | il glifo ebooks | 1222 | 0 |
| The Indispensable Composers | Anthony Tommasini | Penguin Publishing Group | 1261 | 20 |
| Whicker’s War | Alan Whicker | HarperCollins Publishers | 1297 | 0 |
| As Luck Would Have It | Derek Jacobi | HarperCollins Publishers | 1297 | 0 |
| I Know This Much | Gary Kemp | HarperCollins Publishers | 1354 | 0 |
| Il Metodo V.D.A.M. di Carlo Merlo | Angelo Iannelli | Angelo Iannelli | 1375 | 0 |
| The Future of the Image | Jacques Rancière | Verso | 1378 | 0 |
| The Emancipated Spectator | Jacques Rancière | Verso | 1378 | 0 |
| Rhapsody for the Theatre | Alain Badiou | Verso | 1378 | 0 |
| The Dreamer's Path | Brent Simon | Tucker DS Press | 1429 | 0 |
| Right for the Role | John Frank Levey | Legacy Launch Pad Publishing | 1429 | 0 |
| Screening Transcendence | Robert Dassanowsky | Indiana University Press | 1429 | 0 |
| Bach's Cello Suites, Volumes 1 and 2 | Allen Winold | Indiana University Press | 1429 | 0 |
| Les derniers musiciens du roi | Youri Carbonnier | Presses universitaires de Rennes | 1500 | 0 |
| Antigone de Jean Anouilh (Analyse approfondie) | Niels Thorez/Profil-litteraire.fr | Profil-Litteraire.fr | 1500 | 0 |
| Histoire de la Marseillaise | Julien Tiersot/Ligaran | Ligaran | 1500 | 0 |
| TY, Thel | Dowling | Bent Banana Books | 1572 | 0 |
| Three Uses of the Knife | David Mamet | Knopf Doubleday Publishing Group | 1577 | 17 |
| On Late Style | Edward W. Said | Knopf Doubleday Publishing Group | 1577 | 17 |
| Conversas sobre atuação | Eraldo Pêra Rizzo | Editora Senac São Paulo | 1600 | 0 |
| Mozarts Klaviersonaten | Siegfried Mauser | C.H.Beck | 1600 | 0 |
| Mozart | Eva Gesine Baur | C.H.Beck | 1600 | 0 |
| Johann Sebastian Bach | Dorothea Schröder | C.H.Beck | 1600 | 0 |
| Richard Wagner | Egon Voss | C.H.Beck | 1600 | 0 |
| Richard Wagners Opern | Sven Friedrich | C.H.Beck | 1600 | 0 |
| They Just Seem a Little Weird | Doug Brod | Grand Central Publishing | 1616 | 0 |
| Lessons from the Mountain | Mary McDonough | Kensington Books | 1618 | 0 |
| Kraftwerk | Uwe Schütte | Penguin Books Ltd | 1669 | 0 |
| The Ring of Truth | Roger Scruton | Penguin Books Ltd | 1669 | 0 |
| Let's Talk About Love | Carl Wilson | Bloomsbury Publishing | 1675 | 2 |
| Interazioni - Visioni chiastiche di possibili vissuti | Mennato Tedino/Gaetano Panella/Amerigo Ciervo/Leandro Pisano/Gregory Tranchesi/Antonio Vassallo | Publisher s12509 | 1681 | 0 |
| Cinémas politiques, lecture esthétique | Raphaël Jaudon | UGA Éditions | 1700 | 0 |
| Miss Aluminium | Susanna Moore | Orion | 1749 | 0 |
| Teatro completo (I) o el gran teatro absurdo (o casi absurdo) del mundo | Marc Llorente | Marc Llorente | 1750 | 0 |
| A Theory of Musical Narrative | Byron Almén | Indiana University Press | 1760 | 0 |
| Edward Elgar | Christopher Grogan | Pen & Sword History | 1760 | 0 |
| Stuntwomen | Mollie Gregory | The University Press of Kentucky | 1760 | 0 |
| Jelly Roll, Bix, and Hoagy | Rick Kennedy | Indiana University Press | 1760 | 0 |
| Le Phénomène Gundam | Jean-Philippe Dubrulle | Third Editions | 1800 | 0 |
| Les Deux Amériques de David Simon | Julien Goyon | Third Editions | 1800 | 0 |
| Dans les coulisses du Marvel Cinematic Universe | Jean-Christophe Detrain | Third Editions | 1800 | 0 |
| The Lost Pianos of Siberia | Sophy Roberts | Transworld | 1836 | 0 |
| The History of Jazz | Ted Gioia | Oxford University Press | 1858 | 0 |
| Michael Jackson – Legend, Hero, Icon | James Aldis | HarperCollins Publishers | 1874 | 0 |
| Q | Quincy Jones | Crown | 1894 | 0 |
| Conversations | Steve Reich | Hanover Square Press | 1921 | 0 |
| The Dress Doctor | Edith Head | HarperCollins | 1924 | 0 |
| Into the Groove | Jonathan Scott | Bloomsbury Publishing | 1938 | 0 |
| The Vinyl Frontier | Jonathan Scott | Bloomsbury Publishing | 1938 | 0 |
| The Sound of Freedom | Raymond Arsenault | Bloomsbury Publishing | 1938 | 0 |
| Esoteric Hollywood 3 | Jay Dyer | Trine Day | 1966 | 0 |
| Chamber Music | Will Ashon | Granta Publications | 2003 | 0 |
| Black Opera | Naomi Andre | University of Illinois Press | 2013 | 0 |
| DanceHall | Sonjah Stanley Niaah | University of Ottawa Press | 2017 | 0 |
| A Place Both Wonderful and Strange | Scott Meslow | Running Press | 2020 | 0 |
| Reading the Silver Screen | Thomas C. Foster | HarperCollins | 2021 | 0 |
| The World in Six Songs | Daniel J. Levitin | Penguin Publishing Group | 2052 | 7 |
| How Music Works | David Byrne | Crown | 2052 | 0 |
| Burt Lancaster | Kate Buford | Knopf Doubleday Publishing Group | 2052 | 0 |
| Meet Me in St. Louis | Gerald Kaufman | Bloomsbury Publishing | 2053 | 0 |
| Rosemary's Baby | Michael Newton | Bloomsbury Publishing | 2053 | 0 |
| Liszt et la rhapsodie | Vladimir Jankélévitch | PLACE DES EDITEURS | 2090 | 0 |
| When Marilyn Met the Queen | Michelle Morgan | Little, Brown Book Group | 2153 | 0 |
| Rich: The Life of Richard Burton | Melvyn Bragg | Hodder & Stoughton | 2153 | 0 |
| Jack's Life | Patrick McGilligan | W. W. Norton & Company | 2167 | 0 |
| Claudio Abbado | Wolfgang Schreiber | C.H.Beck | 2200 | 0 |
| Geoff Murphy: A Life on Film - I'm taking this bloody car to Invercargill | Geoff Murphy | HarperCollins | 2287 | 0 |
| The Spirit of Noh | Zeami | Shambhala | 2287 | 0 |
| This Is What It Sounds Like | Susan Rogers/Ogi Ogas | W. W. Norton & Company | 2295 | 0 |
| Audience of One | James Poniewozik | Liveright | 2295 | 0 |
| Life's Short, Talk Fast | W. W. Norton & Company | 2300 | 0 | |
| Red Velvet | Ms Lolita Chakrabarti/Ms Lydia Valentine | Bloomsbury Publishing | 2309 | 0 |
| Spirited Away | Andrew Osmond | Bloomsbury Publishing | 2309 | 0 |
| Four Arguments for the Elimination of Television | Jerry Mander | William Morrow Paperbacks | 2320 | 0 |
| Film Noir Style | Kimberly Truhler | GoodKnight Books | 2336 | 0 |
| Counting Down Bob Dylan | Jim Beviglia | Bloomsbury Publishing | 2364 | 2 |
| The Method | Isaac Butler | Bloomsbury Publishing | 2368 | 0 |
| Schubert's Winter Journey | Ian Bostridge | Knopf Doubleday Publishing Group | 2368 | 0 |
| Transgender Cinema | Rebecca Bell-Metereau | Rutgers University Press | 2417 | 0 |
| The Presence of the Actor | Joseph Chaikin | Theatre Communications Group | 2417 | 0 |
| Dolce Vita Confidential | Shawn Levy | W. W. Norton & Company | 2422 | 0 |
| Slaves on Screen | Natalie Zemon Davis | Random House of Canada | 2422 | 0 |
| The Recordings of Andy Kirk and his Clouds of Joy | George Burrows | Oxford University Press | 2430 | 0 |
| The Complete Puccini | Colin Kendell | Amberley Publishing | 2479 | 0 |
| The Avalanches' Since I Left You | Dr. Charles Fairchild | Bloomsbury Publishing | 2485 | 2 |
| Baseball: The Movie | Noah Gittell | Triumph Books | 2491 | 0 |
| Still Just a Geek | Wil Wheaton | HarperCollins Publishers | 2497 | 0 |
| 性別、政治與京劇表演文化(増修版) | 王安祈 | 國立臺灣大學出版中心 | 2505 | 1 |
| Training of the American Actor | Theatre Communications Group | 2551 | 0 | |
| No New York | Adele Bertei | Faber & Faber | 2560 | 0 |
| The Methuen Drama Book of Queer Monologues | Bloomsbury Publishing | 2567 | 0 | |
| Jean Sibelius's Violin Concerto | Tina K. Ramnarine | Oxford University Press | 2573 | 0 |
| Storia della canzone napoletana 1824-1931 | Pasquale Scialò | Neri Pozza | 2600 | 0 |
| Alfred Hitchcock | Patrick McGilligan | HarperCollins | 2628 | 0 |
| Musik på hjernen | Peter Vuust | People's | 2647 | 0 |
| Lowering the Boom | Jay Beck/Jay Beck/John Belton/Clark Farmer/Paul Grainge/Tony Grajeda/David T. Johnson/Anahid Kassabian/David Laderman/James Lastra/Arnt Maasø/Matthew Malksy/Barry Mauer/Robert Miklitsch/Nancy Newman/Melissa Ragona/Petr Szczepanik/Paul Théberge/Debra White-Stanley | University of Illinois Press | 2686 | 0 |
| Voicing the Cinema | Julie Brown/James Buhler/Marcia J. Citron/Eric Dienstfrey/Erik Heine/Julie Hubbert/Hannah Lewis/Brooke McCorkle/Cari McDonnell/David Neumeyer/Nathan Platte/Katie Quanz/Jeff Smith/Janet Staiger/Robynn Stilwell | University of Illinois Press | 2686 | 0 |
| The Viewpoints Book | Anne Bogart/Tina Landau | Theatre Communications Group | 2686 | 0 |
| Spike Lee's Bamboozled and Blackface in American Culture | Elizabeth L. Sanderson | McFarland & Company, Inc., Publishers | 2691 | 0 |
| Ways of Seeing, Ways of Speaking | Parlor Press, LLC | 2691 | 0 | |
| Such Great Heights | Chris DeVille | St. Martin's Publishing Group | 2732 | 0 |
| Black Male Frames | Roland Leander Williams Jr. | Syracuse University Press | 2779 | 1 |
| Amazing Grace | James Walvin | University of California Press | 2853 | 0 |
| Heiner Müller's The Hamletmachine | David Barnett | Taylor & Francis | 2859 | 0 |
| Behind the Big Screen | Sunanda Mehta/Suchitra Iyer | Bloomsbury Publishing | 2875 | 0 |
| You Never Know | Tom Selleck/Ellis Henican | HarperCollins | 2930 | 0 |
| Mr Foote's Other Leg | Ian Kelly | Pan Macmillan | 2938 | 0 |
| Woke Up This Morning | Michael Imperioli/Steve Schirripa | HarperCollins Publishers | 2940 | 0 |
| Film Performance | Andrew Klevan | Columbia University Press | 3002 | 0 |
| Black Ephemera | Mark Anthony Neal | NYU Press | 3003 | 0 |
| Music as an Art | Sir Roger Scruton | Bloomsbury Publishing | 3015 | 0 |
| Queen FAQ | Daniel Ross | Bloomsbury Publishing | 3020 | 2 |
| Sounds from the Other Side | Elliott H. Powell | University of Minnesota Press | 3029 | 0 |
| Martial Arts Cinema and Hong Kong Modernity | Man-Fung Yip | Hong Kong University Press | 3156 | 0 |
| The Godot Diaries | Lucian Msamati | Bloomsbury Publishing | 3211 | 0 |
| Humming | Professor Suk-Jun Kim | Bloomsbury Publishing | 3284 | 2 |
| Inflamed Invisible | David Toop | MIT Press | 3359 | 0 |
| I Wonder U | Adilifu Nama | Rutgers University Press | 3359 | 0 |
| AUDINT#Unsound:Undead | MIT Press | 3359 | 0 | |
| Reactivations | Philip Auslander | University of Michigan Press | 3359 | 0 |
| Haunted City | Christian DuComb | University of Michigan Press | 3359 | 0 |
| America Noir | David Cochran | Smithsonian | 3359 | 0 |
| John Gunn: Musician Scholar in Enlightenment Britain | George Kennaway | Boydell & Brewer | 3364 | 0 |
| The Beat | Kip Lornell/Charles C. Stephenson Jr. | University Press of Mississippi | 3365 | 0 |
| The Beat | Kip Lornell/Charles C. Stephenson Jr. | University Press of Mississippi | 3365 | 0 |
| Une histoire du cinéma français (1950-1959) | Philippe Pallin/Denis Zorgniotti/Patrick Brion | LettMotif | 3400 | 0 |
| The Modern Supernatural and the Beginnings of Cinema | Murray Leeder | Palgrave Macmillan UK | 3402 | 0 |
| Modern Acting | Cynthia Baron | Palgrave Macmillan UK | 3402 | 0 |
| Lasting Screen Stars | Palgrave Macmillan UK | 3402 | 0 | |
| Intersecting Film, Music, and Queerness | Jack Curtis Dubowsky | Palgrave Macmillan UK | 3402 | 0 |
| Wild Sound | Michael Pigott | Bloomsbury Publishing | 3416 | 2 |
| The Paris Manuscript | Michael Chekhov/Hugo Moss/Hugo Moss | Bloomsbury Publishing | 3468 | 0 |
| Murray Talks Music | Albert Murray/Greg Thomas | University of Minnesota Press | 3494 | 0 |
| To Live and Defy in LA | Felicia Angeja Viator | Harvard | 3500 | 0 |
| The Hatred of Music | Pascal Quignard | Yale University Press | 3500 | 0 |
| Remaking Reality | The University of North Carolina Press | 3575 | 0 | |
| The Strange Career of Porgy and Bess | Ellen Noonan | The University of North Carolina Press | 3575 | 0 |
| Hunting Girls | Kelly Oliver | Columbia University Press | 3575 | 0 |
| Filmosophy | Daniel Frampton | Columbia University Press | 3575 | 0 |
| Beethoven | Jan Caeyers | C.H.Beck | 3600 | 0 |
| Foucault’s theatres | Manchester University Press | 3628 | 0 | |
| Shimmering Images | Eliza Steinbock | Duke University Press | 3628 | 0 |
| Double Negative | Racquel J. Gates | Duke University Press | 3628 | 0 |
| The Heresy of Wu Han | Clive Ansley | University of Toronto Press | 3628 | 0 |
| Film Blackness | Michael Boyce Gillespie | Duke University Press | 3628 | 0 |
| The Black Body in Ecstasy | Jennifer C. Nash | Duke University Press | 3628 | 0 |
| The Witch's Flight | Kara Keeling/Judith Halberstam/Lisa Lowe | Duke University Press | 3628 | 0 |
| Movement, Action, Image, Montage | Luka Arsenjuk | University of Minnesota Press | 3634 | 0 |
| The Life, Death, and Afterlife of the Record Store | Bloomsbury Publishing | 3677 | 2 | |
| Sports on Film | Johnny D. Boggs | Bloomsbury Publishing | 3677 | 2 |
| Sonic Fiction | Professor Holger Schulze | Bloomsbury Publishing | 3677 | 2 |
| Attention Spans | Professor or Dr. Garrett Stewart | Bloomsbury Publishing | 3677 | 0 |
| Cary Grant, the Making of a Hollywood Legend | Mark Glancy | Oxford University Press | 3718 | 0 |
| The Star as Icon | Daniel Herwitz | Columbia University Press | 3718 | 0 |
| Laughing Fit to Kill | Glenda Carpio | Oxford University Press | 3718 | 0 |
| The Baseball Film | Aaron Baker | Rutgers University Press | 3762 | 0 |
| Historians on Hamilton | Renee C. Romano/Claire Bond Potter/William Hogeland/Joanne B. Freeman/Lyra D. Monteiro/Leslie M. Harris/Catherine Allgor/Michael O'Malley/David Waldstreicher/Jeffrey L. Pasley/Andrew M. Schocket/Elizabeth L. Wollman/Brian Eugenio Herrera/Jim Cullen/Joseph M. Adelman/Patricia Herrera | Rutgers University Press | 3762 | 0 |
| It's Been Beautiful | Gayle Wald | Duke University Press | 3762 | 0 |
| Circuit Listening | Andrew F. Jones | University of Minnesota Press | 3769 | 0 |
| The Theatre of the Oppressed in Practice Today | Ali Campbell | Bloomsbury Publishing | 3854 | 0 |
| Flyboy 2 | Greg Tate | Duke University Press | 3896 | 0 |
| The Sarah Siddons Audio Files | Judith Pascoe | University of Michigan Press | 3896 | 0 |
| Cinemagritte | Lucy Fischer | Wayne State University Press | 3965 | 0 |
| The Flip Wilson Show | Meghan Sutherland | Wayne State University Press | 3965 | 0 |
| Must We Kill the Thing We Love? | William Rothman | Columbia University Press | 3977 | 0 |
| New Philosophies of Film | Dr Robert Sinnerbrink | Bloomsbury Publishing | 3983 | 0 |
| Christopher Nolan | Robbie B. H. Goh | Bloomsbury Publishing | 3983 | 0 |
| Firesign | Jeremy Braddock | University of California Press | 3997 | 0 |
| Desire in Chromatic Harmony | Kenneth M. Smith | Oxford University Press | 4004 | 0 |
| Forgeries of Memory and Meaning | Cedric J. Robinson | The University of North Carolina Press | 4004 | 0 |
| Here and There | Stanley Cavell | Harvard | 4032 | 0 |
| Translocas | Lawrence La Fountain-Stokes | University of Michigan Press | 4032 | 0 |
| The Films of Bong Joon Ho | Nam Lee | Rutgers University Press | 4032 | 0 |
| Audio-Vision: Sound on Screen | Michel Chion | Columbia University Press | 4037 | 4 |
| Expanding the Black Film Canon | Lisa Doris Alexander | University Press of Kansas | 4037 | 0 |
| The Producer as Composer | Virgil Moorefield | MIT Press | 4037 | 0 |
| Songs of Sorrow | Samuel Charters | University Press of Mississippi | 4038 | 0 |
| Hollywood Unknowns | Anthony Slide | University Press of Mississippi | 4038 | 0 |
| Damaged | Evan Rapport | University Press of Mississippi | 4038 | 0 |
| Groove Theory | Tony Bolden | University Press of Mississippi | 4038 | 0 |
| The Last Seat in the House | John Kane | University Press of Mississippi | 4038 | 0 |
| Charley Patton | University Press of Mississippi | 4038 | 0 | |
| Promises of Citizenship | Kathleen German | University Press of Mississippi | 4038 | 0 |
| Boom's Blues | Wim Verbei | University Press of Mississippi | 4038 | 0 |
| The Original Blues | Lynn Abbott/Doug Seroff | University Press of Mississippi | 4038 | 0 |
| From Madea to Media Mogul | University Press of Mississippi | 4038 | 0 | |
| The Amazing Jimmi Mayes | Jimmi Mayes | University Press of Mississippi | 4038 | 0 |
| To Do This, You Must Know How | Lynn Abbott/Doug Seroff | University Press of Mississippi | 4038 | 0 |
| Ragged but Right | Lynn Abbott/Doug Seroff | University Press of Mississippi | 4038 | 0 |
| Deconstruction, Feminism, Film | Sarah Dillon | Edinburgh University Press | 4099 | 0 |
| Untimely Affects | Nadine Boljkovac | Edinburgh University Press | 4099 | 0 |
| Black Movements | Soyica Diggs Colbert | Rutgers University Press | 4166 | 0 |
| Moment of Action | Murray Pomerance | Rutgers University Press | 4166 | 0 |
| Birth of an Industry | Nicholas Sammond | Duke University Press | 4166 | 0 |
| Black Power TV | Devorah Heitner | Duke University Press | 4166 | 0 |
| Paul Robeson and the Cold War Performance Complex | Tony Perucci | University of Michigan Press | 4166 | 0 |
| Red, White & Black | Frank B. Wilderson III | Duke University Press | 4166 | 0 |
| Blue Nippon | E. Taylor Atkins | Duke University Press | 4166 | 0 |
| Transformations of Musical Modernism | Cambridge University Press | 4173 | 0 | |
| Resonant Matter | Prof Lutz Koepnick | Bloomsbury Publishing | 4204 | 2 |
| Sinister Resonance | David Toop | Bloomsbury Publishing | 4204 | 2 |
| Becoming Audible | Austin McQuinn | Penn State University Press | 4208 | 0 |
| Nothing but Love in God's Water | Robert Darden | Penn State University Press | 4208 | 0 |
| The Uncanny Muse | David Hajdu | W. W. Norton & Company | 4219 | 0 |
| Automatic Artistry | Alyssa Michaud | University of California Press | 4283 | 0 |
| The Composer's Black Box | Theodore Gordon | University of California Press | 4283 | 0 |
| We Have Always Been Minimalist | Christophe Levaux | University of California Press | 4283 | 0 |
| Film, Art, and the Third Culture | Murray Smith | OUP Oxford | 4289 | 0 |
| Whiting Up | Marvin McAllister | The University of North Carolina Press | 4289 | 0 |
| White People Do Not Know How to Behave at Entertainments Designed for Ladies and Gentlemen of Colour | Marvin McAllister | The University of North Carolina Press | 4289 | 0 |
| Deaths in Venice | Philip Kitcher | Columbia University Press | 4289 | 0 |
| Tough Ain't Enough | Stephen Prince/Jonathan Kirshner/Diane Carson/David Sterritt/Murray Pomerance/Lucy Bolton/Alexandra Keller/Charity Lofthouse/Lester D. Friedman/David Desser | Rutgers University Press | 4301 | 0 |
| Making Believe | Lisa Bode | Rutgers University Press | 4301 | 0 |
| Moving Performances | Jeanne Scheper | Rutgers University Press | 4301 | 0 |
| Militant Visions | Elizabeth Reich | Rutgers University Press | 4301 | 0 |
| Designing Sound | Jay Beck | Rutgers University Press | 4301 | 0 |
| Real Sister | Jervette R. Ward/Sheena Harris/LaToya Jefferson-James/Alison D. Ligon/Cynthia Davis/Detris Honora Adelabu/Monica Flippin Wynn/Preselfannie E. Whitfield McDaniels/Sharon Lynette Jones/Terry A. Nelson | Rutgers University Press | 4301 | 0 |
| What Philosophy Wants from Images | D. N. Rodowick | University of Chicago Press | 4305 | 0 |
| The Banjo | Laurent Dubois | Harvard | 4308 | 0 |
| Sonic Possible Worlds, Revised Edition | Dr Salomé Voegelin | Bloomsbury Publishing | 4334 | 2 |
| Ludic Dreaming | David Cecchetto/Marc Couroux/Ted Hiebert/Eldritch Priest | Bloomsbury Publishing | 4334 | 2 |
| Sonic Technologies | Robert Strachan | Bloomsbury Publishing | 4334 | 2 |
| Future Nostalgia | Professor of English Shelton Waldrep | Bloomsbury Publishing | 4334 | 2 |
| Staging Memory and Materiality in Eighteenth-Century Theatrical Biography | Amanda Weldy Boyd | Anthem Press | 4342 | 0 |
| Absolute Music | Mark Evan Bonds | Oxford University Press | 4432 | 0 |
| Stage to Studio | James P. Kraft | Johns Hopkins University Press | 4435 | 0 |
| The Secret Public | Jon Savage | Liveright | 4476 | 0 |
| Acting Realism | Stephen Bayly | Bloomsbury Publishing | 4498 | 0 |
| Stanislavski and The Method for the 21st Century Actor | David Barrouk | Bloomsbury Publishing | 4498 | 0 |
| Lucasfilm | Cyrus R.K. Patell | Bloomsbury Publishing | 4498 | 0 |
| Shyam Benegal | Samir Chopra | Bloomsbury Publishing | 4498 | 0 |
| Stanley Cavell and the Arts | Dr Rex Butler | Bloomsbury Publishing | 4498 | 0 |
| Werner Herzog | Professor Richard Eldridge | Bloomsbury Publishing | 4498 | 0 |
| Eric Rohmer | Professor Vittorio Hösle | Bloomsbury Publishing | 4498 | 0 |
| Keith Johnstone | Theresa Robbins Dudeck | Bloomsbury Publishing | 4498 | 0 |
| Anne Frank on the Postwar Dutch Stage | Remco Ensel | Taylor & Francis | 4542 | 0 |
| Virtue and Vice in Popular Film | Joseph H. Kupfer | Taylor & Francis | 4542 | 0 |
| Thinking in the Dark | R. Barton Palmer/Murray Pomerance/Jeremy T. Blatter/Tom Gunning/Steven Woodward/Johannes von Moltke/Colin Williamson/Sarah Keller/Matthew Solomon/Dominic Lennard/Nathan Holmes/William Brown/William Rothman/Dudley Andrew/Will Scheibel/Daniel Morgan/Tom Conley/Steven Rybin/Alex Clayton/Gilberto Perez/Jonah Corne/Kristen Hatch | Rutgers University Press | 4569 | 0 |
| Cinema Civil Rights | Ellen C. Scott | Rutgers University Press | 4569 | 0 |
| Butch Queens Up in Pumps | Marlon M. Bailey | University of Michigan Press | 4569 | 0 |
| The Politics and Poetics of Cinematic Realism | Hermann Kappelhoff | Columbia University Press | 4575 | 0 |
| Where Film Meets Philosophy | Hunter Vaughan | Columbia University Press | 4575 | 0 |
| Knock Me Up, Knock Me Down | Kelly Oliver | Columbia University Press | 4575 | 0 |
| Theatre and Consciousness | Daniel Meyer-Dinkgräfe | Intellect Books Ltd | 4577 | 0 |
| The Romantic Generation | Charles Rosen | Harvard | 4577 | 0 |
| Scott Walker and the Song of the One-All-Alone | Professor Scott Wilson | Bloomsbury Publishing | 4597 | 2 |
| The Vital Lie | Anthony S. Abbott | University of Alabama Press | 4620 | 0 |
| What Would Garrick Do? Or, Acting Lessons from the Eighteenth Century | James Harriman-Smith | Bloomsbury Publishing | 4627 | 0 |
| New Perspectives on Early Cinema History | Bloomsbury Publishing | 4627 | 0 | |
| An Introduction to Theatre, Performance and the Cognitive Sciences | Professor John Lutterbie | Bloomsbury Publishing | 4627 | 0 |
| Crossmappings | Elisabeth Bronfen/Griselda Pollock | Bloomsbury Publishing | 4627 | 0 |
| Radical Frontiers in the Spaghetti Western | Prof Austin Fisher | Bloomsbury Publishing | 4627 | 0 |
| Charles Boyer | John Baxter | The University Press of Kentucky | 4705 | 0 |
| Urban Horror | Erin Y. Huang | Duke University Press | 4705 | 0 |
| The Sonic Episteme | Robin James | Duke University Press | 4705 | 0 |
| The power of vulnerability | Manchester University Press | 4705 | 0 | |
| Odysseys of Recognition | Ellwood Wiggins | Bucknell University Press | 4705 | 0 |
| Sisters in the Life | Duke University Press | 4705 | 0 | |
| Uplift Cinema | Allyson Nadia Field | Duke University Press | 4705 | 0 |
| Shaping the Future of African American Film | Monica White Ndounou | Rutgers University Press | 4705 | 0 |
| Good Vibrations | Barry Parker | Johns Hopkins University Press | 4705 | 0 |
| The Last "Darky" | Louis Chude-Sokei | Duke University Press | 4705 | 0 |
| Living Color | Duke University Press | 4705 | 0 | |
| The Musician as Philosopher | Michael Gallope | University of Chicago Press | 4710 | 0 |
| The Cambridge Companion to Liszt | Cambridge University Press | 4711 | 5 | |
| Clara Schumann Studies | Cambridge University Press | 4711 | 0 | |
| Acoustic Profiles | Randolph Jordan | Oxford University Press | 4718 | 0 |
| Real Deceptions | Jennifer Friedlander | Oxford University Press | 4718 | 0 |
| The ABCs of Classic Hollywood | Robert B. Ray | Oxford University Press | 4718 | 0 |
| Rousseau Among the Moderns | Julia Simon | Penn State University Press | 4720 | 0 |
| The Non-Professional Actor | Dr. Catherine O'Rawe | Bloomsbury Publishing | 4728 | 2 |
| Haunted Soundtracks | Bloomsbury Publishing | 4728 | 2 | |
| Music and Technology | James E. Perone | Bloomsbury Publishing | 4728 | 2 |
| The Film Cheat | Professor Murray Pomerance | Bloomsbury Publishing | 4728 | 2 |
| Movies in the Age of Obama | Linda Belau/Thomas Britt/Sonya C. Brown/Brian E. Butler/Ed Cameron/Kwakiutl L. Dreher/Rodney M. D. Fierce/Andrew Grossman/Peter C. Grosvenor/Blake G. Hobby/David M. Jones/Victoria McCollum/Robert McParland/doug morris/Salvador Jiménez Murguía/Irina Negrea/Mohanalakshmi Rajakumar/Sohinee Roy/Alisha Saiyed/Cammie Sublette | Bloomsbury Publishing | 4728 | 2 |
| Resonances | Bloomsbury Publishing | 4728 | 2 | |
| Trish Arnold | Lizzie Ballinger | Bloomsbury Publishing | 4755 | 0 |
| A Cultural History of Tragedy in the Age of Enlightenment | Bloomsbury Publishing | 4755 | 0 | |
| Impossible Plays | Keith Dewhurst/Mr Jack Shepherd | Bloomsbury Publishing | 4755 | 0 |
| Visual Politics of Psychoanalysis | Bloomsbury Publishing | 4755 | 0 | |
| Sounding Conflict | Fiona Magowan/Professor or Dr. Pedro Rebelo/Dr. Stefanie Lehner/Dr. Julie M. Norman/Dr. Ariana Phillips-Hutton | Bloomsbury Publishing | 4860 | 2 |
| Adorno, Aesthetics, Dissonance | Dr William S. Allen | Bloomsbury Publishing | 4860 | 2 |
| The Acoustics of the Social on Page and Screen | Bloomsbury Publishing | 4860 | 2 | |
| Virtuoso | Professor Murray Pomerance | Bloomsbury Publishing | 4860 | 2 |
| The Political Possibility of Sound | Dr Salomé Voegelin | Bloomsbury Publishing | 4860 | 2 |
| When Genres Collide | Professor Matt Brennan | Bloomsbury Publishing | 4860 | 2 |
| Beyond Unwanted Sound | Marie Thompson | Bloomsbury Publishing | 4860 | 2 |
| After Sound | G Douglas Barrett | Bloomsbury Publishing | 4860 | 2 |
| Groove | Assistant Professor Tiger C. Roholt | Bloomsbury Publishing | 4860 | 2 |
| Sonic Possible Worlds | Dr Salomé Voegelin | Bloomsbury Publishing | 4860 | 2 |
| Reverberations | Bloomsbury Publishing | 4860 | 2 | |
| Listening to Noise and Silence | Dr Salomé Voegelin | Bloomsbury Publishing | 4860 | 2 |
| Engaging Characters | Murray Smith | OUP Oxford | 4861 | 0 |
| Slow Fade to Black | Thomas Cripps | Oxford University Press | 4861 | 0 |
| Dreaming of Cinema | Adam Lowenstein | Columbia University Press | 4861 | 0 |
| Hi-de-ho:The Life of Cab Calloway | Alyn Shipton | Oxford University Press, USA | 4861 | 0 |
| Fifty Key Improv Performers | Matt Fotis | Taylor & Francis | 4879 | 0 |
| Acting | Bella Merlin | Taylor & Francis | 4879 | 0 |
| Bodily Engagements with Film, Images, and Technology | Max Ryynänen | Taylor & Francis | 4879 | 0 |
| Beethoven and the Lyric Impulse | Amanda Glauert | Taylor & Francis | 4879 | 0 |
| Cold War Theatre (Routledge Revivals) | John Elsom | Taylor & Francis | 4879 | 0 |
| A Cultural History of Theatre in the Age of Enlightenment | Bloomsbury Publishing | 4884 | 0 | |
| Movies with Meaning | Professor Dan Shaw | Bloomsbury Publishing | 4884 | 0 |
| The Disney Musical on Stage and Screen | Bloomsbury Publishing | 4884 | 0 | |
| Concentrationary Imaginaries | Bloomsbury Publishing | 4884 | 0 | |
| Concentrationary Memories | Bloomsbury Publishing | 4884 | 0 | |
| Sensational Subjects | Dr John Jervis | Bloomsbury Publishing | 4884 | 0 |
| Sympathetic Sentiments | Dr John Jervis | Bloomsbury Publishing | 4884 | 0 |
| Pistols in St Paul's | Fiona Smyth | Manchester University Press | 4974 | 0 |
| Acts | Tzachi Zamir | University of Michigan Press | 4974 | 0 |
| Culture in the Anteroom | Gerd Gemünden/Dr. Johannes von Moltke, PhD | University of Michigan Press | 4974 | 0 |
| Music and the Sonorous Sublime in European Culture, 1680–1880 | Cambridge University Press | 4981 | 0 | |
| Sounding Bodies | Shannon Draucker | State University of New York Press | 4998 | 0 |
| Hymns for the Fallen | Todd Decker | University of California Press | 4998 | 0 |
| The Politics of the Musical Theatre Screen Adaptation | Oxford University Press | 5004 | 0 | |
| Broadway Bodies | Ryan Donovan | Oxford University Press | 5004 | 0 |
| Film Worlds | Daniel Yacavone | Columbia University Press | 5004 | 0 |
| Maya Deren | Sarah Keller | Columbia University Press | 5004 | 0 |
| Deathwatch | C. Scott Combs | Columbia University Press | 5004 | 0 |
| Unruly Media | Carol Vernallis | Oxford University Press | 5004 | 0 |
| Stanislavski | Jean Benedetti | Taylor & Francis | 5046 | 0 |
| Raymond Bellour | Hilary Radner | Edinburgh University Press | 5074 | 0 |
| Ranciere and Film | Edinburgh University Press | 5074 | 0 | |
| Dangerous Melodies | Jonathan Rosenberg | W. W. Norton & Company | 5108 | 0 |
| Filmed Thought | Robert B. Pippin | University of Chicago Press | 5114 | 0 |
| Divergent Tracks | Dr. Vanessa Theme Ament | Bloomsbury Publishing | 5122 | 2 |
| Timbre | Professor or Dr. Isabella Van Elferen | Bloomsbury Publishing | 5122 | 2 |
| Staging the Lyric | Sarah Berry/Patrick Lonergan/Kevin J. Wetmore, Jr. | Bloomsbury Publishing | 5141 | 65 |
| Korean Pansori as Voice Theatre | Chan E. Park/Mr Simon Shepherd | Bloomsbury Publishing | 5141 | 0 |
| Fiction and Narrative | Derek Matravers | OUP Oxford | 5147 | 0 |
| Beyond Art | Dominic McIver Lopes | OUP Oxford | 5147 | 0 |
| Trying to Get Over | Keith Corson | University of Texas Press | 5157 | 0 |
| Cultural Struggles | Dwight Conquergood | University of Michigan Press | 5243 | 0 |
| A Philosophy of Fashion Through Film | Laura T. Di Summa | Bloomsbury Publishing | 5270 | 0 |
| Cinematic Modernism and Contemporary Film | Dr Howard Finn | Bloomsbury Publishing | 5270 | 0 |
| Clive Barker and His Legacy | Dr Paul Fryer/Dr Nesta Jones | Bloomsbury Publishing | 5270 | 0 |
| Robert Pippin and Film | Dr Dominic Lash | Bloomsbury Publishing | 5270 | 0 |
| Thinking Through Theatre and Performance | Bloomsbury Publishing | 5270 | 0 | |
| Writ on Water | Charles Warren | State University of New York Press | 5284 | 0 |
| Tastemakers and Tastemaking | Niamh Thornton | State University of New York Press | 5284 | 0 |
| Cinematic Skepticism | Jeroen Gerrits | State University of New York Press | 5284 | 0 |
| Anti-Music | Mark Christian Thompson | State University of New York Press | 5284 | 0 |
| The New Winds of Change | Frank L. Battisti | Meredith Music | 5350 | 0 |
| Music and Urban Life in Baroque Germany | Tanya Kevorkian | University of Virginia Press | 5364 | 0 |
| Queer Nightlife | Kemi Adeyemi/Kareem Khubchandani/Ramon H. Rivera-Servera | University of Michigan Press | 5378 | 0 |
| Liner Notes for the Revolution | Daphne A. Brooks | Harvard University Press | 5378 | 0 |
| African American Arts | Sharrell D. Luckett/Carmen Gillespie/Rikki Byrd/Amber Lauren Johnson/Doria E. Charlson/Florencia V. Cornet/Daniel McNeil/Lucy Caplan/Genevieve Hyacinthe/Sammantha McCalla/Nettrice R. Gaskins/Abby Dobson/J. Michael Kinsey/Shondrika Moss-Bouldin/Julie B. Johnson/Jasmine Eileen Coles/Tawnya Pettiford-Wates/Rickerby Hinds/Carrie Mae Weems | Bucknell University Press | 5378 | 0 |
| Darkening Mirrors | Stephanie Leigh Batiste | Duke University Press | 5378 | 0 |
| Disintegrating the Musical | Arthur Knight | Duke University Press | 5378 | 0 |
| An Actor Survives | Tomasz Kubikowski | Taylor & Francis | 5382 | 0 |
| Why It's OK to Love Bad Movies | Matthew Strohl | Taylor & Francis | 5382 | 0 |
| Commedia dell'Arte, its Structure and Tradition | John Rudlin/Antonio Fava | Taylor & Francis | 5382 | 0 |
| Black Women Filmmakers and Black Love on Screen | Brandale N. Mills | Taylor & Francis | 5382 | 0 |
| Aline MacMahon | John Stangeland | The University Press of Kentucky | 5385 | 0 |
| Shake It Up: Great American Writing on Rock and Pop from Elvis to Jay Z | Library of America | 5385 | 0 | |
| Hollywood Unknowns | Anthony Slide | University Press of Mississippi | 5385 | 0 |
| Out of Sight | Lynn Abbott/Doug Seroff | University Press of Mississippi | 5385 | 0 |
| Out of Sight | Lynn Abbott/Doug Seroff | University Press of Mississippi | 5385 | 0 |
| One Direction: Our Story | One Direction | HarperCollins Publishers | 5410 | 0 |
| The Revolution Will Not Be Televised | Noriko Manabe | Oxford University Press | 5433 | 0 |
| Writing through Music | Jann Pasler | Oxford University Press | 5433 | 0 |
| Race and Cultural Practice in Popular Culture | José Anguiano/Marcel Brousseau/Olivia Cadaval/James H Cox/K. Angelique Dwyer/Nicole Guidotti-Hernández/Daniela Gutiérrez López/Raisa Alvarado Uchima/Jaime Guzmán/Ruth Y Hsu/Mintzi Auanda Martínez-Rivera/Channette Romero/Gerald Vizenor/James Wilkey | Rutgers University Press | 5512 | 0 |
| Adventures in Shondaland | Michaela D.E. Meyer/Rachel Alicia Griffin/Emily Vajjala/Jessica L Furgerson/Jennifer Billinson/Jade Petermon/Shadee Abdi/Bernadette Calafell/Stephanie Young/Vincent Pham/Myra Washington/Tina Harris/Mark P Orbe/Mary Ingram-Waters/Leslie Balderas/Melissa Ames/Sean Swenson/Richard G Jones Jr/Joan Faber McAlister Jr | Rutgers University Press | 5512 | 0 |
| The Many Cinemas of Michael Curtiz | University of Texas Press | 5517 | 0 | |
| Drag Histories, Herstories and Hairstories | Prof. Enoch Brater/Mark Taylor-Batty | Bloomsbury Publishing | 5528 | 0 |
| Georges Didi-Huberman and Film | Dr Alison Smith | Bloomsbury Publishing | 5528 | 0 |
| Modern Theatre in Russia | Dr Stefan Aquilina | Bloomsbury Publishing | 5528 | 0 |
| Stanislavski in Rehearsal | Vasily Osipovich Toporkov | Taylor & Francis | 5551 | 0 |
| Performing Commedia dell'Arte, 1570-1630 | Natalie Crohn Schmitt | Taylor & Francis | 5551 | 0 |
| Aesthetic Violence and Women in Film | Joseph Kupfer | Taylor & Francis | 5551 | 0 |
| Elegy for Theory | D. N. Rodowick | Harvard | 5553 | 0 |
| The Immortal Marilyn | Frank Tropea/John De Vito | Bloomsbury Publishing | 5565 | 2 |
| Bernard Herrmann's The Ghost and Mrs. Muir | David Cooper | Bloomsbury Publishing | 5565 | 2 |
| The Holiday in His Eye | William Rothman | State University of New York Press | 5570 | 0 |
| Cinema, Philosophy, Bergman | Paisley Livingston | OUP Oxford | 5576 | 0 |
| Mimetic Theory and Film | Bloomsbury Publishing | 5649 | 2 | |
| Future Sounds | Stephen Kennedy | Bloomsbury Publishing | 5649 | 2 |
| Happiness and Tears, After Cavell | State University of New York Press | 5713 | 0 | |
| Stanislavsky and Yoga | Sergei Tcherkasski | Taylor & Francis | 5719 | 0 |
| The Final Curtain: The Art of Dying on Stage | Laurence Senelick | Anthem Press | 5721 | 0 |
| Fiction and Imagination in Early Cinema | Mario Slugan | Bloomsbury Publishing | 5786 | 0 |
| Roland Barthes and Film | Patrick ffrench | Bloomsbury Publishing | 5786 | 0 |
| Stanley Cavell and Film | Catherine Wheatley | Bloomsbury Publishing | 5786 | 0 |
| Eastern Approaches to Western Film | Stephen Teo | Bloomsbury Publishing | 5786 | 0 |
| Acting for the Silent Screen | Chris O'Rourke | Bloomsbury Publishing | 5786 | 0 |
| Kitsch and Art | Thomas Kulka | Penn State University Press | 5873 | 0 |
| The Trap | Tadeusz Rosewicz | Taylor & Francis | 5887 | 0 |
| Merely Players? | Jonathan Holmes | Taylor & Francis | 5887 | 0 |
| Charlie Chaplin | Georgia Hale | Bloomsbury Publishing | 5920 | 2 |
| Schubert's Late Music | Cambridge University Press | 5924 | 0 | |
| The Relentless Pursuit of Tone | Oxford University Press | 6006 | 0 | |
| Melodrama Unbound | Columbia University Press | 6006 | 0 | |
| Ethics and Aesthetics in Contemporary African Cinema | James S. Williams | Bloomsbury Publishing | 6043 | 0 |
| Noël Carroll and Film | Mario Slugan | Bloomsbury Publishing | 6043 | 0 |
| Fellini’s Eternal Rome | Professor Alessandro Carrera | Bloomsbury Publishing | 6043 | 0 |
| International Film Festivals | Bloomsbury Publishing | 6043 | 0 | |
| Godard and Sound | Albertine Fox | Bloomsbury Publishing | 6043 | 0 |
| Sound Actions | Alexander Refsum Jensenius | MIT Press | 6057 | 0 |
| Worldmaking | Dorinne Kondo | Duke University Press | 6058 | 0 |
| Art, Literature and Culture from a Marxist Perspective | Tony McKenna | Palgrave Macmillan UK | 6076 | 0 |
| Sam Shepard and the Aesthetics of Performance | E. Creedon | Palgrave Macmillan US | 6076 | 0 |
| Transcultural Aesthetics in the Plays of Gao Xingjian | T. Coulter | Palgrave Macmillan US | 6076 | 0 |
| The Soul of Film Theory | S. Cooper | Palgrave Macmillan UK | 6076 | 0 |
| Contemporary Street Arts in Europe | S. Haedicke | Palgrave Macmillan UK | 6076 | 0 |
| Phenomenology and the Future of Film | J. Chamarette | Palgrave Macmillan UK | 6076 | 0 |
| Music, Radio and the Public Sphere | Charles Fairchild | Palgrave Macmillan UK | 6076 | 0 |
| Sex and Aesthetics in Samuel Beckett's Work | P. Stewart | Palgrave Macmillan US | 6076 | 0 |
| A Pathognomy of Performance | S. Bayly | Palgrave Macmillan UK | 6076 | 0 |
| New Takes in Film-Philosophy | Palgrave Macmillan UK | 6076 | 0 | |
| Performing Queer Modernism | Penny Farfan | Oxford University Press | 6149 | 0 |
| Visionary Film | P. Adams Sitney | Oxford University Press | 6149 | 0 |
| Fiery Temporalities in Theatre and Performance | Maurya Wickstrom/Mark Taylor-Batty/Prof. Enoch Brater | Bloomsbury Publishing | 6172 | 0 |
| Against Transmission | Dr Timothy Barker | Bloomsbury Publishing | 6172 | 0 |
| Performing the Remembered Present | Professor John Lutterbie/Prof Nicola Shaughnessy/Dr Bettina Bläsing/Pil Hansen | Bloomsbury Publishing | 6172 | 0 |
| A Theory of Minimalism | Marc Botha | Bloomsbury Publishing | 6172 | 0 |
| Movement as Meaning in Experimental Cinema | Daniel Barnett | Bloomsbury Publishing | 6174 | 2 |
| An Interpretive Guide to Operatic Arias | Martial Singher | Penn State University Press | 6183 | 0 |
| Theatre and Boxing | Franco Ruffini | Taylor & Francis | 6224 | 0 |
| Presence and Pre-Expressivity 2 | Taylor & Francis | 6224 | 0 | |
| Lyric Incarnate | Timothy Westphalen | Taylor & Francis | 6224 | 0 |
| Theatre: The Rediscovery of Style and Other Writings | Michel Saint-Denis | Taylor & Francis | 6224 | 0 |
| Mimesis, Movies, and Media | Bloomsbury Publishing | 6305 | 2 | |
| Chaos Media | Stephen Kennedy | Bloomsbury Publishing | 6305 | 2 |
| Playing the Race Card | Linda Williams | Princeton University Press | 6326 | 0 |
| Musical Witness and Holocaust Representation | Amy Lynn Wlodarski | Cambridge University Press | 6326 | 0 |
| Silent to Sound | Geoff Brown | John Libbey Publishing | 6435 | 0 |
| A Revolution in Music | Évelyne Gayou | University of California Press | 6436 | 0 |
| Speaking, Stammering, Singing, Shouting | Josephine Hoegaerts | University of Pennsylvania Press, Inc. | 6683 | 29 |
| Gestural Imaginaries | Lucia Ruprecht | Oxford University Press | 6721 | 0 |
| Hollywood Aesthetic | Todd Berliner | Oxford University Press | 6721 | 0 |
| Rene Blum and The Ballets Russes | Judith Chazin-Bennahum | Oxford University Press | 6721 | 0 |
| John Coltrane and Black America's Quest for Freedom | Oxford University Press | 6721 | 0 | |
| The Improv Dictionary | David Charles | Taylor & Francis | 6729 | 0 |
| Theatre of the Sphere | Luis Valdez | Taylor & Francis | 6729 | 0 |
| A History of Video Art | Prof. Chris Meigh-Andrews | Bloomsbury Publishing | 6816 | 0 |
| Das Kinder- und Jugendtheaterzentrum in der Bundesrepublik Deutschland | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 6822 | 0 | |
| What Goes On | Walter Everett/Tim Riley | Oxford University Press | 6864 | 0 |
| The Philosophies of Richard Wagner | Julian Young | Bloomsbury Publishing | 6962 | 2 |
| Theatre in Pieces: Politics, Poetics and Interdisciplinary Collaboration | Bloomsbury Publishing | 7072 | 0 | |
| The A to Z of African-American Television | Kathleen Fearn-Banks | Bloomsbury Publishing | 7093 | 2 |
| Expanding the Horizon of Electroacoustic Music Analysis | Cambridge University Press | 7135 | 0 | |
| The Oxford Handbook of New Audiovisual Aesthetics | Oxford University Press | 7150 | 0 | |
| Chaos Imagined | Martin Meisel | Columbia University Press | 7150 | 0 |
| On Slowness | Lutz Koepnick | Columbia University Press | 7150 | 0 |
| Fifty Key Figures in LatinX and Latin American Theatre | Taylor & Francis | 7234 | 0 | |
| Reel Arguments | Andrew Light | Taylor & Francis | 7234 | 0 |
| Some of These Days | James Donald | Oxford University Press | 7293 | 0 |
| Hoo-Doo Cowboys and Bronze Buckaroos | Michael K. Johnson | University Press of Mississippi | 7390 | 0 |
| At Work with Grotowski on Physical Actions | Thomas Richards | Taylor & Francis | 7402 | 0 |
| Sounding Bodies | Peter Pesic | MIT Press | 7403 | 0 |
| Women and Musical Salons in the Enlightenment: | Rebecca Cypess | University of Chicago Press | 7403 | 0 |
| Networked Music Performance | Miriam Iorwerth | Taylor & Francis | 7570 | 0 |
| The Aesthetics of Imperfection in Music and the Arts | Bloomsbury Publishing | 7588 | 0 | |
| Stages of Reckoning | Taylor & Francis | 7739 | 0 | |
| Active Analysis | Maria Knebel | Taylor & Francis | 7739 | 0 |
| Experimental Film and Anthropology | Taylor & Francis | 7739 | 0 | |
| Silent Renoir | Colin Davis | Springer International Publishing | 7900 | 0 |
| Improvisation the Michael Chekhov Way | Wil Kilroy | Taylor & Francis | 8075 | 0 |
| Routledge Revivals: In Modernity's Wake (1989) | Michael Phillipson | Taylor & Francis | 8075 | 0 |
| Stanislavsky in America | Mel Gordon | Taylor & Francis | 8075 | 0 |
| Death, The One and the Art of Theatre | Howard Barker | Taylor & Francis | 8075 | 0 |
| Electronic Baroque | Peter F. Peters | MIT Press | 8076 | 0 |
| The Science-Music Borderlands | MIT Press | 8076 | 0 | |
| Hoo-Doo Cowboys and Bronze Buckaroos | Michael K. Johnson | University Press of Mississippi | 8076 | 0 |
| Racial Uplift and American Music, 1878-1943 | Lawrence Schenbeck | University Press of Mississippi | 8076 | 0 |
| Cultural Codes | Bill Banfield | Bloomsbury Publishing | 8144 | 2 |
| How to Read a Play | Damon Kiely | Taylor & Francis | 8243 | 0 |
| Critical Acting Pedagogy | Taylor & Francis | 8243 | 0 | |
| The Art of Broadsword Fighting for Stage and Screen | Erick Vaughn Wolfe | Taylor & Francis | 8243 | 0 |
| The Live Event Video Technician | Tim Kuschel | Taylor & Francis | 8243 | 0 |
| The Art of Knife Fighting for Stage and Screen | Erick Vaughn Wolfe | Taylor & Francis | 8243 | 0 |
| Re-Purposing Suzuki | Maria Porter | Taylor & Francis | 8243 | 0 |
| Mythic Imagination and the Actor | Marissa Chibás | Taylor & Francis | 8243 | 0 |
| Lessons from The Maestro | David L. Boushey | Taylor & Francis | 8243 | 0 |
| Applied Meisner for the 21st-Century Actor | Kevin Otos/Kim Shively | Taylor & Francis | 8243 | 0 |
| Shakespeare & Company | Bella Merlin/Tina Packer | Taylor & Francis | 8243 | 0 |
| Nietzsche and the Fate of Art | Philip Pothen | Taylor & Francis | 8243 | 0 |
| The Vakhtangov Sourcebook | Taylor & Francis | 8243 | 0 | |
| The Thin Red Line | Taylor & Francis | 8243 | 0 | |
| Talk to Her | Taylor & Francis | 8243 | 0 | |
| How and Why We Teach Shakespeare | Sidney Homan | Taylor & Francis | 8245 | 0 |
| Fender Stratocaster 70 Years | Dave Hunter | Motorbooks | 8411 | 0 |
| Inside The Performance Workshop | Taylor & Francis | 8412 | 0 | |
| The Actor's Way | Erik Exe Christoffersen | Taylor & Francis | 8412 | 0 |
| Ernie McClintock and the Jazz Actors Family | Elizabeth M. Cizmar | Taylor & Francis | 8412 | 0 |
| Lessons from Shakespeare’s Classroom | Robin Lithgow | Taylor & Francis | 8412 | 0 |
| Entangled Performance Histories | Taylor & Francis | 8412 | 0 | |
| Playgrounds | David J. Amelang | Taylor & Francis | 8412 | 0 |
| Hamlet’s Hereditary Queen | Kerrie Roberts | Taylor & Francis | 8412 | 0 |
| Liveness | Philip Auslander | Taylor & Francis | 8412 | 0 |
| Plays of Our Own | Willy Conley | Taylor & Francis | 8412 | 0 |
| Mathematical Music | Nikita Braguinski | Taylor & Francis | 8412 | 0 |
| Women, Method Acting, and the Hollywood Film | Keri Walsh | Taylor & Francis | 8412 | 0 |
| Silent Film Performance | Elisabetta Girelli | Springer International Publishing | 8507 | 0 |
| Illusive Utopia | Suk-Young Kim | University of Michigan Press | 8743 | 0 |
| Spanish Accents and Dialects for Actors | Elisa Gonzales/Josh F.S. Moser/Adi Cabral | Taylor & Francis | 8748 | 0 |
| Stop Memorizing Your Lines | Loren E. Chadima | Taylor & Francis | 8748 | 0 |
| The Roland x0x Series | James Newman | Taylor & Francis | 8748 | 0 |
| Psychoacoustic Foundations of Major-Minor Tonality | Richard Parncutt | MIT Press | 8748 | 0 |
| Mime into Physical Theatre: A UK Cultural History 1970–2000 | Mark Evans/Simon Murray | Taylor & Francis | 8748 | 0 |
| Projecting a Camera | Edward Branigan | Taylor & Francis | 8748 | 0 |
| From SWEETBACK to SUPER FLY | Gerald R. Butters Jr. | University of Missouri Press | 8749 | 0 |
| Style for Actors | Robert Barton | Taylor & Francis | 8917 | 0 |
| Stanislavsky in Focus | Sharon Marie Carnicke | Taylor & Francis | 8917 | 0 |
| The Seagull | Taylor & Francis | 8917 | 0 | |
| Film Theory Goes to the Movies | Taylor & Francis | 8917 | 0 | |
| The Piscator Notebook | Judith Malina | Taylor & Francis | 8917 | 0 |
| The Routledge Companion to Actors' Shakespeare | Taylor & Francis | 8917 | 0 | |
| European Film Theory | Taylor & Francis | 8917 | 0 | |
| The Italian Commedia and Please be Gentle | David Griffiths | Taylor & Francis | 8917 | 0 |
| Performing Brecht | Margaret Eddershaw | Taylor & Francis | 8917 | 0 |
| Commedia Dell'Arte | Oliver Crick/John Rudlin | Taylor & Francis | 8917 | 0 |
| Stanley Cavell | Stephen Mulhall | Clarendon Press | 9152 | 0 |
| Jerzy Grotowski's Journeys to the East | Zbigniew Osinski | Taylor & Francis | 9253 | 0 |
| Latinx Actor Training | Taylor & Francis | 9253 | 0 | |
| Music and Performance in the Book of Hours | Michael Alan Anderson | Taylor & Francis | 9253 | 0 |
| Acting the Essence | Giuliano Campo | Taylor & Francis | 9253 | 0 |
| Butoh America | Tanya Calamoneri | Taylor & Francis | 9253 | 0 |
| Antonin Artaud | Blake Morris | Taylor & Francis | 9253 | 0 |
| Early Modern Court Culture | Taylor & Francis | 9253 | 0 | |
| Kinetic Atmospheres | Johannes Birringer | Taylor & Francis | 9253 | 0 |
| Meyerhold Speaks/Meyerhold Rehearse | V.E. Meyerhold/Aleksandr Gladkov | Taylor & Francis | 9253 | 0 |
| Frantic Assembly | Mark Evans/Mark Smith | Taylor & Francis | 9253 | 0 |
| A Poetics of Third Theatre | Jane Turner/Patrick Campbell | Taylor & Francis | 9253 | 0 |
| Before Sunrise, Before Sunset, Before Midnight | Taylor & Francis | 9253 | 0 | |
| A History of Contemporary Stage Combat | Brian LeTraunik | Taylor & Francis | 9253 | 0 |
| The Cinematic Political | Michael J. Shapiro | Taylor & Francis | 9253 | 0 |
| Organs without Bodies | Slavoj Zizek | Taylor & Francis | 9253 | 0 |
| What the Music Said | Mark Anthony Neal | Taylor & Francis | 9253 | 0 |
| Theatre Arts on Acting | Taylor & Francis | 9253 | 0 | |
| Acting: The First Six Lessons | Richard Boleslavsky | Taylor & Francis | 9253 | 0 |
| Landing on the Wrong Note | Ajay Heble | Taylor & Francis | 9253 | 0 |
| The Decroux Sourcebook | Taylor & Francis | 9253 | 0 | |
| Zygmunt Molik's Voice and Body Work | Giuliano Campo/Zygmunt Molik | Taylor & Francis | 9253 | 0 |
| On Film | Stephen Mulhall | Taylor & Francis | 9253 | 0 |
| Who Is In the Room? | Brooke O'Harra | Taylor & Francis | 9422 | 0 |
| Working with Children in Contemporary Performance | Sarah Austin | Taylor & Francis | 9422 | 0 |
| Stanislavsky and Race | Taylor & Francis | 9422 | 0 | |
| Remastering Music and Cultural Heritage | Stephen Bruel | Taylor & Francis | 9422 | 0 |
| Performance Cultures as Epistemic Cultures, Volume I | Taylor & Francis | 9422 | 0 | |
| Aural Diversity | Taylor & Francis | 9422 | 0 | |
| Stepping Stones | Ingemar Lindh | Taylor & Francis | 9422 | 0 |
| Shakespeare and Celebrity Cultures | Jennifer Holl | Taylor & Francis | 9422 | 0 |
| Staging Detection | Isabel Stowell-Kaplan | Taylor & Francis | 9422 | 0 |
| Asian City Crossings | Taylor & Francis | 9422 | 0 | |
| The Self-Centred Art | Jakub Boguszak | Taylor & Francis | 9422 | 0 |
| Theatre Studios | Tom Cornford | Taylor & Francis | 9422 | 0 |
| Blue Sky Body | Ben Spatz | Taylor & Francis | 9422 | 0 |
| Actors and Audiences | Caroline Heim | Taylor & Francis | 9422 | 0 |
| Blade Runner 2049 | Taylor & Francis | 9422 | 0 | |
| John Dowland | K. Dawn Grapes | Taylor & Francis | 9422 | 0 |
| Fiction's Truth | Danielle Szlawieniec-Haw | Taylor & Francis | 9422 | 0 |
| Intercultural Acting and Performer Training | Taylor & Francis | 9422 | 0 | |
| Disney Theatrical Productions | Amy Osatinski | Taylor & Francis | 9422 | 0 |
| Film, Philosophy, and Reality | Nathan Andersen | Taylor & Francis | 9422 | 0 |
| The Actor and the Character | Vladimir Mirodan | Taylor & Francis | 9422 | 0 |
| The Birth of Modern Theatre | Norman S. Poser | Taylor & Francis | 9422 | 0 |
| Cinema Against Doublethink | David Martin-Jones | Taylor & Francis | 9422 | 0 |
| Konstantin Stanislavsky | Bella Merlin | Taylor & Francis | 9422 | 0 |
| Upper-Voice Structures and Compositional Process in the Ars Nova Motet | Anna Zayaruznaya | Taylor & Francis | 9422 | 0 |
| Vsevolod Meyerhold | Prof Jonathan Pitches | Taylor & Francis | 9422 | 0 |
| Jerzy Grotowski | James Slowiak/Jairo Cuesta | Taylor & Francis | 9422 | 0 |
| Jacques Copeau | Mark Evans | Taylor & Francis | 9422 | 0 |
| A Korean Approach to Actor Training | Jeungsook Yoo | Taylor & Francis | 9422 | 0 |
| The Moon Rises from the Ganges | Eugenio Barba | Taylor & Francis | 9422 | 0 |
| On Film | Stephen Mulhall | Taylor & Francis | 9422 | 0 |
| Shakespeare on Theatre | Robert Cohen | Taylor & Francis | 9422 | 0 |
| Blade Runner | Taylor & Francis | 9422 | 0 | |
| The Training of Noh Actors and The Dove | David Griffiths | Taylor & Francis | 9422 | 0 |
| Star Gazing | Jackie Stacey | Taylor & Francis | 9422 | 0 |
| The Actress | Karen Hollinger | Taylor & Francis | 9422 | 0 |
| Mulholland Drive | Taylor & Francis | 9422 | 0 | |
| Philosophy and Theatre | Tom Stern | Taylor & Francis | 9422 | 0 |
| Vertigo | Taylor & Francis | 9422 | 0 | |
| Jacques Lecoq and the British Theatre | Taylor & Francis | 9422 | 0 | |
| Yevgeny Vakhtangov | Andrei Malaev-Babel | Taylor & Francis | 9422 | 0 |
| New Sites For Shakespeare | John Russell Brown | Taylor & Francis | 9422 | 0 |
| Film Theory and Contemporary Hollywood Movies | Taylor & Francis | 9422 | 0 | |
| Marin Mersenne and the Study of Harmony | Leendert Miesen | Taylor & Francis | 9590 | 0 |
| Black Women Centre Stage | Paola Prieto López | Taylor & Francis | 9590 | 0 |
| Ethical Agility in Dance | Taylor & Francis | 9590 | 0 | |
| Strategies for Survival at SIBIKWA 1988 – 2021 | Taylor & Francis | 9590 | 0 | |
| Psalms in the Early Modern World | Linda Phyllis Austern/Kari Boyd McBride | Taylor & Francis | 9590 | 0 |
| Tonus Peregrinus: The History of a Psalm-tone and its use in Polyphonic Music | Mattias Lundberg | Taylor & Francis | 9590 | 0 |
| Commedia dell’Arte | Taylor & Francis | 9758 | 0 | |
| Zombies, Werewolves, Robots, and Extraterrestrials | Gerald Large | Taylor & Francis | 9758 | 0 |
| Stanislavsky and Place | Taylor & Francis | 9758 | 0 | |
| Women and Age on the UK Stage | Bridie Moore | Taylor & Francis | 9758 | 0 |
| Making Synthwave | Jess Blaise Ward | Taylor & Francis | 9758 | 0 |
| Milestones in Actor Training | Taylor & Francis | 9758 | 0 | |
| Actor Trainers on Acting | Taylor & Francis | 9758 | 0 | |
| Three Plays by Luis Valdez | Luis Valdez | Taylor & Francis | 9758 | 0 |
| Stanislavsky and Gender | Taylor & Francis | 9758 | 0 | |
| Independent Performing Arts in Europe | Thomas Fabian Eder | Taylor & Francis | 9758 | 0 |
| Bourdieu in the Studio | Evi Stamatiou | Taylor & Francis | 9758 | 0 |
| America Under the Influence | Chloë Rae Edmonson | Taylor & Francis | 9758 | 0 |
| The Loss of Small White Clouds | Morgan Batch | Taylor & Francis | 9758 | 0 |
| Contemporary Storytelling Performance | Stephe Harrop | Taylor & Francis | 9758 | 0 |
| Puppet and Spirit: Ritual, Religion, and Performing Objects | Taylor & Francis | 9758 | 0 | |
| Reconstructing Performance Art | Taylor & Francis | 9758 | 0 | |
| Contemporary Irish Theatre and Social Change | Emer O'Toole | Taylor & Francis | 9758 | 0 |
| Venus’s Palace | Reut Barzilai | Taylor & Francis | 9758 | 0 |
| A Sourcebook of Performance Labor | Joey Orr | Taylor & Francis | 9758 | 0 |
| Harold Pinter's Shakespeare | Charles Morton | Taylor & Francis | 9758 | 0 |
| Imitation and Contamination of the Classics in the Comedies of Ben Jonson | Tom Harrison | Taylor & Francis | 9758 | 0 |
| Devised Theater’s Collaborative Performance | Telory D Arendell | Taylor & Francis | 9758 | 0 |
| Digital Space and Embodiment in Contemporary Cinema | Jennifer Kirby | Taylor & Francis | 9758 | 0 |
| The Dardenne Brothers’ Cinematic Parables | Joel Mayward | Taylor & Francis | 9758 | 0 |
| Appropriations of Irish Drama in Modern Korean Nationalist Theatre | Hunam Yun | Taylor & Francis | 9758 | 0 |
| From Playtext to Performance on the Early Modern Stage | Leslie Thomson | Taylor & Francis | 9758 | 0 |
| Deburau | Edward Nye | Taylor & Francis | 9758 | 0 |
| Copeau/Decroux, Irving/Craig | Thomas Leabhart | Taylor & Francis | 9758 | 0 |
| Shakespeare’s Contested Nations | L. Monique Pittman | Taylor & Francis | 9758 | 0 |
| ASHÉ | Taylor & Francis | 9758 | 0 | |
| Borderlands Children’s Theatre | Cecilia Josephine Aragón | Taylor & Francis | 9758 | 0 |
| Mysticism in the Theater | Tom Block | Taylor & Francis | 9758 | 0 |
| Pandemic Performance | Taylor & Francis | 9758 | 0 | |
| D’Oyly Carte | Paul Seeley | Taylor & Francis | 9758 | 0 |
| Home and Away | Taylor & Francis | 9758 | 0 | |
| French Theatre, Orientalism, and the Representation of India, 1770-1865 | David Hammerbeck | Taylor & Francis | 9758 | 0 |
| Cognition, Emotion, and Aesthetics in Contemporary Serial Television | Taylor & Francis | 9758 | 0 | |
| The Piscatorbühne Century | Drew Lichtenberg | Taylor & Francis | 9758 | 0 |
| Philosophical Theories of Political Cinema | Angelo Emanuele Cioffi | Taylor & Francis | 9758 | 0 |
| Consent in Shakespeare | Artemis Preeshl | Taylor & Francis | 9758 | 0 |
| Rabindranath Tagore's Theatre | Abhijit Sen | Taylor & Francis | 9758 | 0 |
| Performances that Change the Americas | Taylor & Francis | 9758 | 0 | |
| Love in Contemporary Cinema | Benjamín de la Pava Vélez | Taylor & Francis | 9758 | 0 |
| New Music and the Crises of Materiality | Samuel Wilson | Taylor & Francis | 9758 | 0 |
| Remixing European Jazz Culture | Kristin McGee | Taylor & Francis | 9758 | 0 |
| Digital Sampling | Paul Harkins | Taylor & Francis | 9758 | 0 |
| Ethics Goes to the Movies | Christopher Falzon | Taylor & Francis | 9758 | 0 |
| Film, Theory and Philosophy | Felicity Colman | Taylor & Francis | 9758 | 0 |
| Deleuze on Cinema | Ronald Bogue | Taylor & Francis | 9758 | 0 |
| Towards a Poor Theatre | Jerzy Grotowski | Taylor & Francis | 9758 | 0 |
| Thinking on Screen | Thomas E. Wartenberg | Taylor & Francis | 9758 | 0 |
| Crossing the Stage | Taylor & Francis | 9758 | 0 | |
| Classical Form | William E. Caplin | Oxford University Press | 9867 | 0 |
| Interchangeable Parts | Victor Holtcamp | University of Michigan Press | 10089 | 0 |
| Ecological Film Theory and Psychoanalysis | Robert Geal | Taylor & Francis | 10095 | 0 |
| In Search of Stanislavsky’s Creative State on the Stage | Gabriela Curpan | Taylor & Francis | 10095 | 0 |
| Contemporary Rehearsal Practice | Gary Cassidy | Taylor & Francis | 10095 | 0 |
| Property and Finance on the Post-Brexit London Stage | Michael Meeuwis | Taylor & Francis | 10095 | 0 |
| Partners of the Imagination | Robert Leach | Taylor & Francis | 10095 | 0 |
| Film, History and Cultural Citizenship | Taylor & Francis | 10095 | 0 | |
| The Routledge Companion to Performance Practitioners | Taylor & Francis | 10095 | 0 | |
| Minstrel Traditions | Kevin Byrne | Taylor & Francis | 10095 | 0 |
| Shakespeare in Singapore | Philip Smith | Taylor & Francis | 10095 | 0 |
| Civic Performance | Taylor & Francis | 10095 | 0 | |
| Ethics of Cinematic Experience | Orna Raviv | Taylor & Francis | 10095 | 0 |
| Stunts of Late Nineteenth-Century New York | Kirstin Smith | Taylor & Francis | 10095 | 0 |
| Affect and Embodied Meaning in Animation | Sylvie Bissonnette | Taylor & Francis | 10095 | 0 |
| Found Footage Horror Films | Peter Turner | Taylor & Francis | 10095 | 0 |
| Jacques Lecoq | Simon Murray | Taylor & Francis | 10095 | 0 |
| Queercore | Curran Nault | Taylor & Francis | 10095 | 0 |
| Transformative Aesthetics | Erika Fischer-Lichte/Benjamin Wihstutz | Taylor & Francis | 10095 | 0 |
| The Camera-Eye Metaphor in Cinema | Christian Quendler | Taylor & Francis | 10095 | 0 |
| Film Text Analysis | Taylor & Francis | 10095 | 0 | |
| Appreciating the Art of Television | Ted Nannicelli | Taylor & Francis | 10095 | 0 |
| Screen Acting | Taylor & Francis | 10095 | 0 | |
| The Body in Performance | Taylor & Francis | 10095 | 0 | |
| Interpreting Tyler Perry | Taylor & Francis | 10095 | 0 | |
| To Do This, You Must Know How | Lynn Abbot/Doug Seroff | University Press of Mississippi | 10096 | 0 |
| Performing Recovery | Zoe Zontou | Taylor & Francis | 10430 | 0 |
| No Mother, No Future | Kailin Wright | Taylor & Francis | 10430 | 0 |
| The Science of Arts Engagement | Agnieszka Wlazeł | Taylor & Francis | 10430 | 0 |
| In Search of the Performer’s Way | Jong Hyuk Song | Taylor & Francis | 10430 | 0 |
| Laughter, Power, and the Unconscious | Maria Grazia Turri/Bridget Escolme | Taylor & Francis | 10430 | 0 |
| Mattering Voices | Taylor & Francis | 10430 | 0 | |
| Special Effects on the Screen | Taylor & Francis | 10430 | 0 | |
| Shakespeare's 'Method' for Actors | Christine Ozanne | Taylor & Francis | 10430 | 0 |
| Edward Albee and the Emergence of Difference and Diversity in US and World Theatre | Taylor & Francis | 10430 | 0 | |
| Black Activists Write Wheatley and Washington | Lurana Donnels O’Malley | Taylor & Francis | 10430 | 0 |
| From Stage to Studio | Amy Blier-Carruthers | Taylor & Francis | 10430 | 0 |
| Vladimir Nemirovich-Danchenko and the Moscow Art Theatre | Inna Solovyova | Taylor & Francis | 10430 | 0 |
| Contemporary Performance and Political Economy | Katerina Paramana | Taylor & Francis | 10430 | 0 |
| Performing Corporate Bodies | Sarah Saddler | Taylor & Francis | 10430 | 0 |
| Staging Muslims in Britain | Önder Çakırtaş | Taylor & Francis | 10430 | 0 |
| The Human Touch | Chloé Arros | Taylor & Francis | 10430 | 0 |
| Studies in Music, Words, and Imagery in Early Modern Europe | Barbara Russano Hanning | Taylor & Francis | 10430 | 0 |
| Living Death in Early Modern Drama | James Alsop | Taylor & Francis | 10430 | 0 |
| Transfiguring Tragedy | Ryder Thornton | Taylor & Francis | 10430 | 0 |
| The Legacy of Stylistic Theatre in the Creation of a Modern Sinhala Drama in Sri Lanka | Lakshmi D. Bulathsinghala | Taylor & Francis | 10430 | 0 |
| The Shakespeare North Playhouse | Taylor & Francis | 10430 | 0 | |
| Meaning in the Midst of Performance | Gareth White | Taylor & Francis | 10430 | 0 |
| How Does Disability Performance Travel? | Taylor & Francis | 10430 | 0 | |
| La MaMa Experimental Theatre – A Lasting Bridge Between Cultures | Monica Cristini | Taylor & Francis | 10430 | 0 |
| Ibsen in the Decolonised South Asian Theatre | Taylor & Francis | 10430 | 0 | |
| Equestrian Drama | Taylor & Francis | 10430 | 0 | |
| Why the Theatre | Taylor & Francis | 10430 | 0 | |
| Another Song for Europe | Ivan Raykoff | Taylor & Francis | 10430 | 0 |
| Icons of Sound | Taylor & Francis | 10430 | 0 | |
| Remixing Music Studies | Taylor & Francis | 10430 | 0 | |
| The Viola d’Amore | Rachael Durkin | Taylor & Francis | 10430 | 0 |
| The Operatic Archive | Colleen Renihan | Taylor & Francis | 10430 | 0 |
| Beggars Banquet and the Rolling Stones' Rock and Roll Revolution | Taylor & Francis | 10430 | 0 | |
| Einstein on the Beach: Opera beyond Drama | Taylor & Francis | 10430 | 0 | |
| The Instrumental Consort Repertory of the Late Fifteenth Century | Jon Banks | Taylor & Francis | 10430 | 0 |
| Mapping India | Taylor & Francis | 10430 | 0 | |
| European Performative Theatre | Annamaria Cascetta | Taylor & Francis | 10430 | 0 |
| Philosophy and Film | Taylor & Francis | 10430 | 0 | |
| Screening Characters | Taylor & Francis | 10430 | 0 | |
| The Aesthetics of Self-Becoming | Paul Crowther | Taylor & Francis | 10430 | 0 |
| Masculinities and Desire | Marek Wojtaszek | Taylor & Francis | 10430 | 0 |
| Melancholy Emotion in Contemporary Cinema | Francesco Sticchi | Taylor & Francis | 10430 | 0 |
| Pop Art and Popular Music | Melissa L. Mednicov | Taylor & Francis | 10430 | 0 |
| Tracking Color in Cinema and Art | Edward Branigan | Taylor & Francis | 10430 | 0 |
| Trust in the World | Josef Früchtl | Taylor & Francis | 10430 | 0 |
| Music, Time, and Its Other | Roger Savage | Taylor & Francis | 10430 | 0 |
| Secrets of Acting Shakespeare | Patrick Tucker | Taylor & Francis | 10430 | 0 |
| The Singing of the Strasbourg Protestants, 1523-1541 | Daniel Trocme-Latter | Taylor & Francis | 10430 | 0 |
| Current Controversies in Philosophy of Film | Katherine Thomson-Jones | Taylor & Francis | 10430 | 0 |
| The Illuminated Theatre | Joe Kelleher | Taylor & Francis | 10430 | 0 |
| Performance and Phenomenology | Taylor & Francis | 10430 | 0 | |
| Cine-Ethics | Taylor & Francis | 10430 | 0 | |
| Performance and the Politics of Space | Taylor & Francis | 10430 | 0 | |
| Theorizing Film Acting | Taylor & Francis | 10430 | 0 | |
| Gabriel Faure | Edward R. Phillips | Taylor & Francis | 10430 | 0 |
| Brecht Sourcebook | Taylor & Francis | 10430 | 0 | |
| Dodin and the Maly Drama Theatre | Maria Shevstova | Taylor & Francis | 10430 | 0 |
| Classical and Romantic Performing Practice | Clive Brown | Oxford University Press | 10439 | 0 |
| A Geometry of Music | Dmitri Tymoczko | Oxford University Press | 10439 | 0 |
| The Politics of Princely Entertainment | Valeria De Lucca | Oxford University Press | 10582 | 0 |
| The Routledge Companion to Vsevolod Meyerhold | Taylor & Francis | 10599 | 0 | |
| The Routledge Pantomime Reader | Taylor & Francis | 10599 | 0 | |
| Social Works | Shannon Jackson | Taylor & Francis | 10599 | 0 |
| Actor Training | Alison Hodge | Taylor and Francis | 10599 | 0 |
| L’éclosion d’une parole de théâtre | Dominique Ninanne | P.I.E-Peter Lang S.A., Éditions Scientifiques Internationales | 10656 | 0 |
| Distortion in Music Production | Taylor & Francis | 10767 | 0 | |
| Shadow Philosophy: Plato's Cave and Cinema | Nathan Andersen | Taylor & Francis | 10767 | 0 |
| A Philosophy of the Screenplay | Ted Nannicelli | Taylor & Francis | 10767 | 0 |
| Jacobean Public Theatre | Alexander Leggatt | Taylor & Francis | 10767 | 0 |
| Etienne Decroux and his Theatre Laboratory | Marco de Marinis | Taylor & Francis | 10929 | 3 |
| In Search of Marie-Antoinette in the 1930s | T. Lawrence Larkin | Springer International Publishing | 10938 | 0 |
| Visible and Invisible Whiteness | Alice Mikal Craven | Springer International Publishing | 10938 | 0 |
| Alfred Hitchcock's Vertigo and the Hermeneutic Spiral | Robert J. Belton | Springer International Publishing | 10938 | 0 |
| The Kinetics of the Invisible | Matteo Bonfitto | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 11020 | 0 |
| LO: TECH: POP: CULT | Taylor & Francis | 11103 | 0 | |
| The Routledge Companion to Performance Practitioners | Taylor & Francis | 11103 | 0 | |
| Reel Racism | Vincent F. Rocchio | Taylor & Francis | 11103 | 0 |
| Gestures of Seeing in Film, Video and Drawing | Taylor & Francis | 11103 | 0 | |
| The Emotional Life of Postmodern Film | Pansy Duncan | Taylor & Francis | 11103 | 0 |
| Recording the Classical Guitar | Mark Marrington | Taylor & Francis | 11272 | 0 |
| The Routledge Handbook to Music under German Occupation, 1938-1945 | Taylor & Francis | 11272 | 0 | |
| HONK! | Taylor & Francis | 11272 | 0 | |
| Voices Found | Chris Tonelli | Taylor & Francis | 11272 | 0 |
| The Politics of Musical Identity | Annegret Fauser | Taylor & Francis | 11272 | 0 |
| Surrealism in Film | William Earle | Taylor & Francis | 11272 | 0 |
| Early English Viols: Instruments, Makers and Music | Michael Fleming/John Bryan | Taylor & Francis | 11272 | 0 |
| Scoring the Score | Ian Sapiro | Taylor & Francis | 11272 | 0 |
| Cinematic Ethics | Robert Sinnerbrink | Taylor & Francis | 11272 | 0 |
| City Images | Mary Ann Caws | Taylor & Francis | 11272 | 0 |
| Movement Training for the Modern Actor | Mark Evans | Taylor & Francis | 11272 | 0 |
| An Actor's Work | Konstantin Stanislavski | Taylor and Francis | 11272 | 0 |
| The Philosophy of Horror | Noel Carroll | Taylor and Francis | 11272 | 0 |
| The Routledge Companion to Performance-Related Concepts in Non-European Languages | Taylor & Francis | 11440 | 0 | |
| A Strange Proximity | Jon Foley Sherman | Taylor & Francis | 11440 | 0 |
| Physical Theatres | Simon Murray/John Keefe | Taylor & Francis | 11440 | 0 |
| On Not Looking | Taylor & Francis | 11440 | 0 | |
| The Routledge Companion to Commedia dell'Arte | Taylor & Francis | 11440 | 0 | |
| Haptic Allegories | Kathleen Gough | Taylor & Francis | 11440 | 0 |
| Words and Songs of Bessie Smith, Billie Holiday, and Nina Simone | Melanie E. Bratcher | Taylor & Francis | 11440 | 0 |
| From Servant to Savant | Rebecca Dowd Geoffroy-Schwinden | Oxford University Press | 11441 | 0 |
| Schubert the Progressive | Taylor & Francis | 11608 | 0 | |
| The Ashgate Research Companion to Popular Musicology | Taylor & Francis | 11608 | 0 | |
| Philosophy and Film | Taylor & Francis | 11608 | 0 | |
| Upstairs and Downstairs | Bloomsbury Publishing | 11840 | 2 | |
| Analyzing Recorded Music | Taylor & Francis | 11945 | 0 | |
| The Popular Song Reader | William E Studwell/Frank Hoffmann/Beulah B Ramirez | Taylor & Francis | 11945 | 0 |
| The Routledge Companion to Jacques Lecoq | Taylor & Francis | 11945 | 0 | |
| The Major Plays of Nikolai Erdman | Nikolai Erdman | Taylor & Francis | 11945 | 0 |
| The Antihero in American Television | Margrethe Bruun Vaage | Taylor & Francis | 11945 | 0 |
| Embodied Metaphors in Film, Television, and Video Games | Taylor & Francis | 11945 | 0 | |
| Bakhtin and Theatre | Dick Mccaw | Taylor & Francis | 11945 | 0 |
| Acting with Grotowski | Zbigniew Cynkutis | Taylor & Francis | 11945 | 0 |
| Postmodern Music/Postmodern Thought | Taylor & Francis | 11945 | 0 | |
| Adorno on Music | Robert W. Witkin | Taylor & Francis | 11945 | 0 |
| Race, Philosophy, and Film | Taylor & Francis | 11945 | 0 | |
| Inventing the Recording | Eva Moreda Rodríguez | Oxford University Press | 12013 | 0 |
| Surrealism, Cinema, and the Search for a New Myth | Kristoffer Noheden | Springer International Publishing | 12154 | 0 |
| Baroque, Venice, Theatre, Philosophy | Will Daddario | Springer International Publishing | 12154 | 0 |