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| タイトル | 著者 | 出版社 | 価格 | 値引率 |
|---|---|---|---|---|
| Etienne Decroux and his Theatre Laboratory | Marco de Marinis | Taylor & Francis | 10929 | 3 |
| Spanish Accents and Dialects for Actors | Elisa Gonzales/Josh F.S. Moser/Adi Cabral | Taylor & Francis | 8748 | 0 |
| Performing Recovery | Zoe Zontou | Taylor & Francis | 10430 | 0 |
| Film and the Natural History of Destruction | Alan Wright | Taylor & Francis | 0 | 0 |
| Commedia dell’Arte | Taylor & Francis | 9758 | 0 | |
| Stop Memorizing Your Lines | Loren E. Chadima | Taylor & Francis | 8748 | 0 |
| Zombies, Werewolves, Robots, and Extraterrestrials | Gerald Large | Taylor & Francis | 9758 | 0 |
| The Roland x0x Series | James Newman | Taylor & Francis | 8748 | 0 |
| No Mother, No Future | Kailin Wright | Taylor & Francis | 10430 | 0 |
| Stanislavsky and Place | Taylor & Francis | 9758 | 0 | |
| Women and Age on the UK Stage | Bridie Moore | Taylor & Francis | 9758 | 0 |
| The Science of Arts Engagement | Agnieszka Wlazeł | Taylor & Francis | 10430 | 0 |
| Making Synthwave | Jess Blaise Ward | Taylor & Francis | 9758 | 0 |
| In Search of the Performer’s Way | Jong Hyuk Song | Taylor & Francis | 10430 | 0 |
| Milestones in Actor Training | Taylor & Francis | 9758 | 0 | |
| Laughter, Power, and the Unconscious | Maria Grazia Turri/Bridget Escolme | Taylor & Francis | 10430 | 0 |
| Mattering Voices | Taylor & Francis | 10430 | 0 | |
| Inventing Cinema | Benoît Turquety | Taylor & Francis | 0 | 0 |
| List Cultures | Liam Young | Taylor & Francis | 0 | 0 |
| Images of Dutchness | Sarah Dellmann | Taylor & Francis | 0 | 0 |
| Labour in a Single Shot | Taylor & Francis | 0 | 0 | |
| Subjectivity | Taylor & Francis | 0 | 0 | |
| The Greatest Films Never Seen | Claudy Op den Kamp | Taylor & Francis | 0 | 0 |
| The Red Years of Cahiers du cinéma (1968-1973) | Daniel Fairfax | Taylor & Francis | 0 | 0 |
| Film Serials and the American Cinema, 1910-1940 | Ilka Brasch | Taylor & Francis | 0 | 0 |
| Marin Mersenne and the Study of Harmony | Leendert Miesen | Taylor & Francis | 9590 | 0 |
| Stories | Taylor & Francis | 0 | 0 | |
| Film Societies in Germany and Austria 1910-1933 | Michael Cowan | Taylor & Francis | 0 | 0 |
| The Cultural Life of James Bond | Taylor & Francis | 0 | 0 | |
| The Red Years of Cahiers du cinéma (1968-1973) | Daniel Fairfax | Taylor & Francis | 0 | 0 |
| Screen Space Reconfigured | Taylor & Francis | 0 | 0 | |
| Realist Cinema as World Cinema | Lúcia Nagib | Taylor & Francis | 0 | 0 |
| Special Effects on the Screen | Taylor & Francis | 10430 | 0 | |
| Film Museum Practice and Film Historiography | Bregt Lameris | Taylor & Francis | 0 | 0 |
| Shakespeare's 'Method' for Actors | Christine Ozanne | Taylor & Francis | 10430 | 0 |
| Edward Albee and the Emergence of Difference and Diversity in US and World Theatre | Taylor & Francis | 10430 | 0 | |
| Actor Trainers on Acting | Taylor & Francis | 9758 | 0 | |
| Black Activists Write Wheatley and Washington | Lurana Donnels O’Malley | Taylor & Francis | 10430 | 0 |
| From Stage to Studio | Amy Blier-Carruthers | Taylor & Francis | 10430 | 0 |
| Three Plays by Luis Valdez | Luis Valdez | Taylor & Francis | 9758 | 0 |
| Stanislavsky and Gender | Taylor & Francis | 9758 | 0 | |
| Vladimir Nemirovich-Danchenko and the Moscow Art Theatre | Inna Solovyova | Taylor & Francis | 10430 | 0 |
| Contemporary Performance and Political Economy | Katerina Paramana | Taylor & Francis | 10430 | 0 |
| Performing Corporate Bodies | Sarah Saddler | Taylor & Francis | 10430 | 0 |
| Staging Muslims in Britain | Önder Çakırtaş | Taylor & Francis | 10430 | 0 |
| Performance | Taylor & Francis | 0 | 0 | |
| Logomimesis | Esa Kirkkopelto | Taylor & Francis | 0 | 0 |
| How to Read a Play | Damon Kiely | Taylor & Francis | 8243 | 0 |
| The Human Touch | Chloé Arros | Taylor & Francis | 10430 | 0 |
| Who Is In the Room? | Brooke O'Harra | Taylor & Francis | 9422 | 0 |
| Fifty Key Improv Performers | Matt Fotis | Taylor & Francis | 4879 | 0 |
| Studies in Music, Words, and Imagery in Early Modern Europe | Barbara Russano Hanning | Taylor & Francis | 10430 | 0 |
| Critical Acting Pedagogy | Taylor & Francis | 8243 | 0 | |
| Living Death in Early Modern Drama | James Alsop | Taylor & Francis | 10430 | 0 |
| Transfiguring Tragedy | Ryder Thornton | Taylor & Francis | 10430 | 0 |
| Working with Children in Contemporary Performance | Sarah Austin | Taylor & Francis | 9422 | 0 |
| The Routledge Companion to Performance-Related Concepts in Non-European Languages | Taylor & Francis | 11440 | 0 | |
| The Legacy of Stylistic Theatre in the Creation of a Modern Sinhala Drama in Sri Lanka | Lakshmi D. Bulathsinghala | Taylor & Francis | 10430 | 0 |
| The Shakespeare North Playhouse | Taylor & Francis | 10430 | 0 | |
| LO: TECH: POP: CULT | Taylor & Francis | 11103 | 0 | |
| The Art of Broadsword Fighting for Stage and Screen | Erick Vaughn Wolfe | Taylor & Francis | 8243 | 0 |
| The Improv Dictionary | David Charles | Taylor & Francis | 6729 | 0 |
| Acting | Bella Merlin | Taylor & Francis | 4879 | 0 |
| Meaning in the Midst of Performance | Gareth White | Taylor & Francis | 10430 | 0 |
| Black Women Centre Stage | Paola Prieto López | Taylor & Francis | 9590 | 0 |
| How Does Disability Performance Travel? | Taylor & Francis | 10430 | 0 | |
| Improvisation the Michael Chekhov Way | Wil Kilroy | Taylor & Francis | 8075 | 0 |
| Ethical Agility in Dance | Taylor & Francis | 9590 | 0 | |
| La MaMa Experimental Theatre – A Lasting Bridge Between Cultures | Monica Cristini | Taylor & Francis | 10430 | 0 |
| Ibsen in the Decolonised South Asian Theatre | Taylor & Francis | 10430 | 0 | |
| An Actor Survives | Tomasz Kubikowski | Taylor & Francis | 5382 | 0 |
| Independent Performing Arts in Europe | Thomas Fabian Eder | Taylor & Francis | 9758 | 0 |
| Bourdieu in the Studio | Evi Stamatiou | Taylor & Francis | 9758 | 0 |
| Stanislavsky and Race | Taylor & Francis | 9422 | 0 | |
| Remastering Music and Cultural Heritage | Stephen Bruel | Taylor & Francis | 9422 | 0 |
| America Under the Influence | Chloë Rae Edmonson | Taylor & Francis | 9758 | 0 |
| Networked Music Performance | Miriam Iorwerth | Taylor & Francis | 7570 | 0 |
| Theatre and Boxing | Franco Ruffini | Taylor & Francis | 6224 | 0 |
| The Loss of Small White Clouds | Morgan Batch | Taylor & Francis | 9758 | 0 |
| Contemporary Storytelling Performance | Stephe Harrop | Taylor & Francis | 9758 | 0 |
| Puppet and Spirit: Ritual, Religion, and Performing Objects | Taylor & Francis | 9758 | 0 | |
| Out of Time? | Taylor & Francis | 12450 | 0 | |
| Distortion in Music Production | Taylor & Francis | 10767 | 0 | |
| Inside The Performance Workshop | Taylor & Francis | 8412 | 0 | |
| Jerzy Grotowski's Journeys to the East | Zbigniew Osinski | Taylor & Francis | 9253 | 0 |
| Crisis and Communitas | Taylor & Francis | 0 | 0 | |
| Reconstructing Performance Art | Taylor & Francis | 9758 | 0 | |
| The Actor's Way | Erik Exe Christoffersen | Taylor & Francis | 8412 | 0 |
| Stanislavski in Rehearsal | Vasily Osipovich Toporkov | Taylor & Francis | 5551 | 0 |
| Contemporary Irish Theatre and Social Change | Emer O'Toole | Taylor & Francis | 9758 | 0 |
| Performance Cultures as Epistemic Cultures, Volume I | Taylor & Francis | 9422 | 0 | |
| Mime into Physical Theatre: A UK Cultural History 1970–2000 | Mark Evans/Simon Murray | Taylor & Francis | 8748 | 0 |
| Venus’s Palace | Reut Barzilai | Taylor & Francis | 9758 | 0 |
| Latinx Actor Training | Taylor & Francis | 9253 | 0 | |
| Ernie McClintock and the Jazz Actors Family | Elizabeth M. Cizmar | Taylor & Francis | 8412 | 0 |
| Lessons from Shakespeare’s Classroom | Robin Lithgow | Taylor & Francis | 8412 | 0 |
| Entangled Performance Histories | Taylor & Francis | 8412 | 0 | |
| Stages of Reckoning | Taylor & Francis | 7739 | 0 | |
| Playgrounds | David J. Amelang | Taylor & Francis | 8412 | 0 |
| Hamlet’s Hereditary Queen | Kerrie Roberts | Taylor & Francis | 8412 | 0 |
| Liveness | Philip Auslander | Taylor & Francis | 8412 | 0 |
| Strategies for Survival at SIBIKWA 1988 – 2021 | Taylor & Francis | 9590 | 0 | |
| Plays of Our Own | Willy Conley | Taylor & Francis | 8412 | 0 |
| Analyzing Recorded Music | Taylor & Francis | 11945 | 0 | |
| Mothering Performance | Taylor & Francis | 0 | 0 | |
| A Sourcebook of Performance Labor | Joey Orr | Taylor & Francis | 9758 | 0 |
| Harold Pinter's Shakespeare | Charles Morton | Taylor & Francis | 9758 | 0 |
| The Routledge Companion to Vsevolod Meyerhold | Taylor & Francis | 10599 | 0 | |
| Imitation and Contamination of the Classics in the Comedies of Ben Jonson | Tom Harrison | Taylor & Francis | 9758 | 0 |
| Devised Theater’s Collaborative Performance | Telory D Arendell | Taylor & Francis | 9758 | 0 |
| Digital Space and Embodiment in Contemporary Cinema | Jennifer Kirby | Taylor & Francis | 9758 | 0 |
| The Dardenne Brothers’ Cinematic Parables | Joel Mayward | Taylor & Francis | 9758 | 0 |
| Aural Diversity | Taylor & Francis | 9422 | 0 | |
| Appropriations of Irish Drama in Modern Korean Nationalist Theatre | Hunam Yun | Taylor & Francis | 9758 | 0 |
| Equestrian Drama | Taylor & Francis | 10430 | 0 | |
| The Live Event Video Technician | Tim Kuschel | Taylor & Francis | 8243 | 0 |
| From Playtext to Performance on the Early Modern Stage | Leslie Thomson | Taylor & Francis | 9758 | 0 |
| Deburau | Edward Nye | Taylor & Francis | 9758 | 0 |
| Music and Performance in the Book of Hours | Michael Alan Anderson | Taylor & Francis | 9253 | 0 |
| Acting the Essence | Giuliano Campo | Taylor & Francis | 9253 | 0 |
| Copeau/Decroux, Irving/Craig | Thomas Leabhart | Taylor & Francis | 9758 | 0 |
| Shakespeare’s Contested Nations | L. Monique Pittman | Taylor & Francis | 9758 | 0 |
| Bodily Engagements with Film, Images, and Technology | Max Ryynänen | Taylor & Francis | 4879 | 0 |
| Butoh America | Tanya Calamoneri | Taylor & Francis | 9253 | 0 |
| ASHÉ | Taylor & Francis | 9758 | 0 | |
| Mathematical Music | Nikita Braguinski | Taylor & Francis | 8412 | 0 |
| Borderlands Children’s Theatre | Cecilia Josephine Aragón | Taylor & Francis | 9758 | 0 |
| Fifty Key Figures in LatinX and Latin American Theatre | Taylor & Francis | 7234 | 0 | |
| The Art of Knife Fighting for Stage and Screen | Erick Vaughn Wolfe | Taylor & Francis | 8243 | 0 |
| Mysticism in the Theater | Tom Block | Taylor & Francis | 9758 | 0 |
| Antonin Artaud | Blake Morris | Taylor & Francis | 9253 | 0 |
| Active Analysis | Maria Knebel | Taylor & Francis | 7739 | 0 |
| Why It's OK to Love Bad Movies | Matthew Strohl | Taylor & Francis | 5382 | 0 |
| Pandemic Performance | Taylor & Francis | 9758 | 0 | |
| D’Oyly Carte | Paul Seeley | Taylor & Francis | 9758 | 0 |
| Early Modern Court Culture | Taylor & Francis | 9253 | 0 | |
| Re-Purposing Suzuki | Maria Porter | Taylor & Francis | 8243 | 0 |
| Home and Away | Taylor & Francis | 9758 | 0 | |
| French Theatre, Orientalism, and the Representation of India, 1770-1865 | David Hammerbeck | Taylor & Francis | 9758 | 0 |
| The Popular and the Sacred in Music | Antti-Ville Kärjä | Taylor & Francis | 0 | 0 |
| Cognition, Emotion, and Aesthetics in Contemporary Serial Television | Taylor & Francis | 9758 | 0 | |
| The Piscatorbühne Century | Drew Lichtenberg | Taylor & Francis | 9758 | 0 |
| Kinetic Atmospheres | Johannes Birringer | Taylor & Francis | 9253 | 0 |
| Stepping Stones | Ingemar Lindh | Taylor & Francis | 9422 | 0 |
| Philosophical Theories of Political Cinema | Angelo Emanuele Cioffi | Taylor & Francis | 9758 | 0 |
| Consent in Shakespeare | Artemis Preeshl | Taylor & Francis | 9758 | 0 |
| Anne Frank on the Postwar Dutch Stage | Remco Ensel | Taylor & Francis | 4542 | 0 |
| Rabindranath Tagore's Theatre | Abhijit Sen | Taylor & Francis | 9758 | 0 |
| Performances that Change the Americas | Taylor & Francis | 9758 | 0 | |
| Meyerhold Speaks/Meyerhold Rehearse | V.E. Meyerhold/Aleksandr Gladkov | Taylor & Francis | 9253 | 0 |
| The Routledge Pantomime Reader | Taylor & Francis | 10599 | 0 | |
| Mythic Imagination and the Actor | Marissa Chibás | Taylor & Francis | 8243 | 0 |
| Shakespeare and Celebrity Cultures | Jennifer Holl | Taylor & Francis | 9422 | 0 |
| Staging Detection | Isabel Stowell-Kaplan | Taylor & Francis | 9422 | 0 |
| Theatre of the Sphere | Luis Valdez | Taylor & Francis | 6729 | 0 |
| Love in Contemporary Cinema | Benjamín de la Pava Vélez | Taylor & Francis | 9758 | 0 |
| Ecological Film Theory and Psychoanalysis | Robert Geal | Taylor & Francis | 10095 | 0 |
| New Music and the Crises of Materiality | Samuel Wilson | Taylor & Francis | 9758 | 0 |
| Lessons from The Maestro | David L. Boushey | Taylor & Francis | 8243 | 0 |
| Frantic Assembly | Mark Evans/Mark Smith | Taylor & Francis | 9253 | 0 |
| Applied Meisner for the 21st-Century Actor | Kevin Otos/Kim Shively | Taylor & Francis | 8243 | 0 |
| Asian City Crossings | Taylor & Francis | 9422 | 0 | |
| A Poetics of Third Theatre | Jane Turner/Patrick Campbell | Taylor & Francis | 9253 | 0 |
| Before Sunrise, Before Sunset, Before Midnight | Taylor & Francis | 9253 | 0 | |
| Virtue and Vice in Popular Film | Joseph H. Kupfer | Taylor & Francis | 4542 | 0 |
| Modern Theatres 1950–2020 | Taylor & Francis | 13796 | 0 | |
| Women, Method Acting, and the Hollywood Film | Keri Walsh | Taylor & Francis | 8412 | 0 |
| In Search of Stanislavsky’s Creative State on the Stage | Gabriela Curpan | Taylor & Francis | 10095 | 0 |
| Recording the Classical Guitar | Mark Marrington | Taylor & Francis | 11272 | 0 |
| The Self-Centred Art | Jakub Boguszak | Taylor & Francis | 9422 | 0 |
| Contemporary Rehearsal Practice | Gary Cassidy | Taylor & Francis | 10095 | 0 |
| Locating Imagination in Popular Culture | Taylor & Francis | 0 | 0 | |
| Drag Histories, Herstories and Hairstories | Prof. Enoch Brater/Mark Taylor-Batty | Bloomsbury Publishing | 5528 | 0 |
| Theatre Studios | Tom Cornford | Taylor & Francis | 9422 | 0 |
| Property and Finance on the Post-Brexit London Stage | Michael Meeuwis | Taylor & Francis | 10095 | 0 |
| Style for Actors | Robert Barton | Taylor & Francis | 8917 | 0 |
| Stanislavsky in Focus | Sharon Marie Carnicke | Taylor & Francis | 8917 | 0 |
| Partners of the Imagination | Robert Leach | Taylor & Francis | 10095 | 0 |
| Why the Theatre | Taylor & Francis | 10430 | 0 | |
| Commedia dell'Arte, its Structure and Tradition | John Rudlin/Antonio Fava | Taylor & Francis | 5382 | 0 |
| Another Song for Europe | Ivan Raykoff | Taylor & Francis | 10430 | 0 |
| Icons of Sound | Taylor & Francis | 10430 | 0 | |
| A History of Contemporary Stage Combat | Brian LeTraunik | Taylor & Francis | 9253 | 0 |
| Beethoven and the Lyric Impulse | Amanda Glauert | Taylor & Francis | 4879 | 0 |
| Film, History and Cultural Citizenship | Taylor & Francis | 10095 | 0 | |
| The Routledge Companion to Performance Practitioners | Taylor & Francis | 10095 | 0 | |
| The Routledge Companion to Performance Practitioners | Taylor & Francis | 11103 | 0 | |
| Remixing Music Studies | Taylor & Francis | 10430 | 0 | |
| Chopin | John Rink | Taylor & Francis | 75719 | 0 |
| Brecht and Critical Theory | Sean Carney | Taylor & Francis | 12955 | 0 |
| The Viola d’Amore | Rachael Durkin | Taylor & Francis | 10430 | 0 |
| Blue Sky Body | Ben Spatz | Taylor & Francis | 9422 | 0 |
| Gender in Music Production | Taylor & Francis | 12450 | 0 | |
| Experimental Film and Anthropology | Taylor & Francis | 7739 | 0 | |
| Minstrel Traditions | Kevin Byrne | Taylor & Francis | 10095 | 0 |
| The Operatic Archive | Colleen Renihan | Taylor & Francis | 10430 | 0 |
| Shakespeare & Company | Bella Merlin/Tina Packer | Taylor & Francis | 8243 | 0 |
| Actors and Audiences | Caroline Heim | Taylor & Francis | 9422 | 0 |
| The Popular Song Reader | William E Studwell/Frank Hoffmann/Beulah B Ramirez | Taylor & Francis | 11945 | 0 |
| Flute and Shakuhachi | Taylor & Francis | 19517 | 0 | |
| Shakespeare in Singapore | Philip Smith | Taylor & Francis | 10095 | 0 |
| Civic Performance | Taylor & Francis | 10095 | 0 | |
| The Routledge Handbook to Music under German Occupation, 1938-1945 | Taylor & Francis | 11272 | 0 | |
| Beggars Banquet and the Rolling Stones' Rock and Roll Revolution | Taylor & Francis | 10430 | 0 | |
| Remixing European Jazz Culture | Kristin McGee | Taylor & Francis | 9758 | 0 |
| HONK! | Taylor & Francis | 11272 | 0 | |
| Masks and Faces; or, Before and Behind the Curtain | Charles Reade/Tom Taylor | Good Press | 320 | 0 |
| Einstein on the Beach: Opera beyond Drama | Taylor & Francis | 10430 | 0 | |
| Voices Found | Chris Tonelli | Taylor & Francis | 11272 | 0 |
| The Cinematic Political | Michael J. Shapiro | Taylor & Francis | 9253 | 0 |
| Ethics of Cinematic Experience | Orna Raviv | Taylor & Francis | 10095 | 0 |
| The Instrumental Consort Repertory of the Late Fifteenth Century | Jon Banks | Taylor & Francis | 10430 | 0 |
| Performing Commedia dell'Arte, 1570-1630 | Natalie Crohn Schmitt | Taylor & Francis | 5551 | 0 |
| Blade Runner 2049 | Taylor & Francis | 9422 | 0 | |
| Stunts of Late Nineteenth-Century New York | Kirstin Smith | Taylor & Francis | 10095 | 0 |
| John Dowland | K. Dawn Grapes | Taylor & Francis | 9422 | 0 |
| Digital Sampling | Paul Harkins | Taylor & Francis | 9758 | 0 |
| Mapping India | Taylor & Francis | 10430 | 0 | |
| Fiction's Truth | Danielle Szlawieniec-Haw | Taylor & Francis | 9422 | 0 |
| European Performative Theatre | Annamaria Cascetta | Taylor & Francis | 10430 | 0 |
| How and Why We Teach Shakespeare | Sidney Homan | Taylor & Francis | 8245 | 0 |
| Intercultural Acting and Performer Training | Taylor & Francis | 9422 | 0 | |
| Philosophy and Film | Taylor & Francis | 10430 | 0 | |
| Producing Music | Taylor & Francis | 12955 | 0 | |
| Screening Characters | Taylor & Francis | 10430 | 0 | |
| The Aesthetics of Self-Becoming | Paul Crowther | Taylor & Francis | 10430 | 0 |
| Affect and Embodied Meaning in Animation | Sylvie Bissonnette | Taylor & Francis | 10095 | 0 |
| Masculinities and Desire | Marek Wojtaszek | Taylor & Francis | 10430 | 0 |
| Disney Theatrical Productions | Amy Osatinski | Taylor & Francis | 9422 | 0 |
| Found Footage Horror Films | Peter Turner | Taylor & Francis | 10095 | 0 |
| Film, Philosophy, and Reality | Nathan Andersen | Taylor & Francis | 9422 | 0 |
| Ethics Goes to the Movies | Christopher Falzon | Taylor & Francis | 9758 | 0 |
| Melancholy Emotion in Contemporary Cinema | Francesco Sticchi | Taylor & Francis | 10430 | 0 |
| The Actor and the Character | Vladimir Mirodan | Taylor & Francis | 9422 | 0 |
| Black Women Filmmakers and Black Love on Screen | Brandale N. Mills | Taylor & Francis | 5382 | 0 |
| The Routledge Anthology of Restoration and Eighteenth-Century Performance | Taylor & Francis | 12282 | 0 | |
| The Birth of Modern Theatre | Norman S. Poser | Taylor & Francis | 9422 | 0 |
| Cinema Against Doublethink | David Martin-Jones | Taylor & Francis | 9422 | 0 |
| Konstantin Stanislavsky | Bella Merlin | Taylor & Francis | 9422 | 0 |
| Pop Art and Popular Music | Melissa L. Mednicov | Taylor & Francis | 10430 | 0 |
| Fiery Temporalities in Theatre and Performance | Maurya Wickstrom/Mark Taylor-Batty/Prof. Enoch Brater | Bloomsbury Publishing | 6172 | 0 |
| The Seagull | Taylor & Francis | 8917 | 0 | |
| Upper-Voice Structures and Compositional Process in the Ars Nova Motet | Anna Zayaruznaya | Taylor & Francis | 9422 | 0 |
| Reel Racism | Vincent F. Rocchio | Taylor & Francis | 11103 | 0 |
| Reel Arguments | Andrew Light | Taylor & Francis | 7234 | 0 |
| The Naked And The Undead | Cynthia Freeland | Taylor & Francis | 13460 | 0 |
| Aesthetic Violence and Women in Film | Joseph Kupfer | Taylor & Francis | 5551 | 0 |
| Schubert the Progressive | Taylor & Francis | 11608 | 0 | |
| Vsevolod Meyerhold | Prof Jonathan Pitches | Taylor & Francis | 9422 | 0 |
| Jerzy Grotowski | James Slowiak/Jairo Cuesta | Taylor & Francis | 9422 | 0 |
| World Cinema | Shekhar Deshpande/Meta Mazaj | Taylor & Francis | 12282 | 0 |
| Jacques Lecoq | Simon Murray | Taylor & Francis | 10095 | 0 |
| Jacques Copeau | Mark Evans | Taylor & Francis | 9422 | 0 |
| Tracking Color in Cinema and Art | Edward Branigan | Taylor & Francis | 10430 | 0 |
| A Korean Approach to Actor Training | Jeungsook Yoo | Taylor & Francis | 9422 | 0 |
| Trust in the World | Josef Früchtl | Taylor & Francis | 10430 | 0 |
| Music, Time, and Its Other | Roger Savage | Taylor & Francis | 10430 | 0 |
| The Music Trade in Georgian England | Taylor & Francis | 13460 | 0 | |
| The Politics of Musical Identity | Annegret Fauser | Taylor & Francis | 11272 | 0 |
| Surrealism in Film | William Earle | Taylor & Francis | 11272 | 0 |
| Queercore | Curran Nault | Taylor & Francis | 10095 | 0 |
| Nietzsche and the Fate of Art | Philip Pothen | Taylor & Francis | 8243 | 0 |
| Transformative Aesthetics | Erika Fischer-Lichte/Benjamin Wihstutz | Taylor & Francis | 10095 | 0 |
| A Musicology for Landscape | David Nicholas Buck | Taylor & Francis | 15478 | 0 |
| Waterborne Pageants and Festivities in the Renaissance | Taylor & Francis | 13460 | 0 | |
| Routledge Revivals: In Modernity's Wake (1989) | Michael Phillipson | Taylor & Francis | 8075 | 0 |
| The Camera-Eye Metaphor in Cinema | Christian Quendler | Taylor & Francis | 10095 | 0 |
| Early English Viols: Instruments, Makers and Music | Michael Fleming/John Bryan | Taylor & Francis | 11272 | 0 |
| Scoring the Score | Ian Sapiro | Taylor & Francis | 11272 | 0 |
| Secrets of Acting Shakespeare | Patrick Tucker | Taylor & Francis | 10430 | 0 |
| Film Text Analysis | Taylor & Francis | 10095 | 0 | |
| Heiner Müller's The Hamletmachine | David Barnett | Taylor & Francis | 2859 | 0 |
| The Moon Rises from the Ganges | Eugenio Barba | Taylor & Francis | 9422 | 0 |
| The Routledge Companion to Jacques Lecoq | Taylor & Francis | 11945 | 0 | |
| Appreciating the Art of Television | Ted Nannicelli | Taylor & Francis | 10095 | 0 |
| Stanislavsky and Yoga | Sergei Tcherkasski | Taylor & Francis | 5719 | 0 |
| Gestures of Seeing in Film, Video and Drawing | Taylor & Francis | 11103 | 0 | |
| Contemporary Music | Irène Deliège | Taylor & Francis | 12450 | 0 |
| Organs without Bodies | Slavoj Zizek | Taylor & Francis | 9253 | 0 |
| Music and the Modern Condition: Investigating the Boundaries | Ljubica Ilic | Taylor & Francis | 12450 | 0 |
| Music, Masculinity and the Claims of History | Ian Biddle | Taylor & Francis | 12450 | 0 |
| Psalms in the Early Modern World | Linda Phyllis Austern/Kari Boyd McBride | Taylor & Francis | 9590 | 0 |
| A Strange Proximity | Jon Foley Sherman | Taylor & Francis | 11440 | 0 |
| The Ashgate Research Companion to Popular Musicology | Taylor & Francis | 11608 | 0 | |
| Physical Theatres | Simon Murray/John Keefe | Taylor & Francis | 11440 | 0 |
| The Singing of the Strasbourg Protestants, 1523-1541 | Daniel Trocme-Latter | Taylor & Francis | 10430 | 0 |
| Tonus Peregrinus: The History of a Psalm-tone and its use in Polyphonic Music | Mattias Lundberg | Taylor & Francis | 9590 | 0 |
| Current Controversies in Philosophy of Film | Katherine Thomson-Jones | Taylor & Francis | 10430 | 0 |
| Towards a Twenty-First-Century Feminist Politics of Music | Sally Macarthur | Taylor & Francis | 13460 | 0 |
| The Trap | Tadeusz Rosewicz | Taylor & Francis | 5887 | 0 |
| The Major Plays of Nikolai Erdman | Nikolai Erdman | Taylor & Francis | 11945 | 0 |
| Philosophy and Film | Taylor & Francis | 11608 | 0 | |
| On Film | Stephen Mulhall | Taylor & Francis | 9422 | 0 |
| The Emotional Life of Postmodern Film | Pansy Duncan | Taylor & Francis | 11103 | 0 |
| Cinematic Ethics | Robert Sinnerbrink | Taylor & Francis | 11272 | 0 |
| The Antihero in American Television | Margrethe Bruun Vaage | Taylor & Francis | 11945 | 0 |
| Embodied Metaphors in Film, Television, and Video Games | Taylor & Francis | 11945 | 0 | |
| Shakespeare on Theatre | Robert Cohen | Taylor & Francis | 9422 | 0 |
| Diversity and Design | Taylor & Francis | 15143 | 0 | |
| Bakhtin and Theatre | Dick Mccaw | Taylor & Francis | 11945 | 0 |
| Media Criticism in a Digital Age | Peter B. Orlik | Taylor & Francis | 17834 | 0 |
| The Routledge Companion to Michael Chekhov | Taylor & Francis | 12282 | 0 | |
| The Illuminated Theatre | Joe Kelleher | Taylor & Francis | 10430 | 0 |
| Blade Runner | Taylor & Francis | 9422 | 0 | |
| Performance and Phenomenology | Taylor & Francis | 10430 | 0 | |
| Film Theory | Thomas Elsaesser/Malte Hagener | Taylor & Francis | 12282 | 0 |
| On Not Looking | Taylor & Francis | 11440 | 0 | |
| Film, Theory and Philosophy | Felicity Colman | Taylor & Francis | 9758 | 0 |
| The Routledge Companion to Commedia dell'Arte | Taylor & Francis | 11440 | 0 | |
| Cold War Theatre (Routledge Revivals) | John Elsom | Taylor & Francis | 4879 | 0 |
| Acting with Grotowski | Zbigniew Cynkutis | Taylor & Francis | 11945 | 0 |
| The Training of Noh Actors and The Dove | David Griffiths | Taylor & Francis | 9422 | 0 |
| Shadow Philosophy: Plato's Cave and Cinema | Nathan Andersen | Taylor & Francis | 10767 | 0 |
| Screen Acting | Taylor & Francis | 10095 | 0 | |
| The Body in Performance | Taylor & Francis | 10095 | 0 | |
| Cognitive Media Theory | Taylor & Francis | 12955 | 0 | |
| Adolphe Appia: Artist and Visionary of the Modern Theatre | Richard C. Beacham | Taylor & Francis | 12955 | 0 |
| Presence and Pre-Expressivity 2 | Taylor & Francis | 6224 | 0 | |
| City Images | Mary Ann Caws | Taylor & Francis | 11272 | 0 |
| Haptic Allegories | Kathleen Gough | Taylor & Francis | 11440 | 0 |
| Star Gazing | Jackie Stacey | Taylor & Francis | 9422 | 0 |
| Lyric Incarnate | Timothy Westphalen | Taylor & Francis | 6224 | 0 |
| Deleuze on Cinema | Ronald Bogue | Taylor & Francis | 9758 | 0 |
| Interpreting Tyler Perry | Taylor & Francis | 10095 | 0 | |
| Cine-Ethics | Taylor & Francis | 10430 | 0 | |
| Postmodern Music/Postmodern Thought | Taylor & Francis | 11945 | 0 | |
| The Actress | Karen Hollinger | Taylor & Francis | 9422 | 0 |
| Mulholland Drive | Taylor & Francis | 9422 | 0 | |
| Philosophy and Theatre | Tom Stern | Taylor & Francis | 9422 | 0 |
| What the Music Said | Mark Anthony Neal | Taylor & Francis | 9253 | 0 |
| Theatre Arts on Acting | Taylor & Francis | 9253 | 0 | |
| Acting: The First Six Lessons | Richard Boleslavsky | Taylor & Francis | 9253 | 0 |
| Vertigo | Taylor & Francis | 9422 | 0 | |
| Projecting a Camera | Edward Branigan | Taylor & Francis | 8748 | 0 |
| Jacques Lecoq and the British Theatre | Taylor & Francis | 9422 | 0 | |
| Yevgeny Vakhtangov | Andrei Malaev-Babel | Taylor & Francis | 9422 | 0 |
| Adorno on Music | Robert W. Witkin | Taylor & Francis | 11945 | 0 |
| Performance and the Politics of Space | Taylor & Francis | 10430 | 0 | |
| Race, Philosophy, and Film | Taylor & Francis | 11945 | 0 | |
| New Sites For Shakespeare | John Russell Brown | Taylor & Francis | 9422 | 0 |
| College Fight Songs | William E Studwell/Bruce R Schueneman | Taylor & Francis | 12282 | 0 |
| Landing on the Wrong Note | Ajay Heble | Taylor & Francis | 9253 | 0 |
| Franz Liszt | Michael Saffle | Taylor & Francis | 13123 | 0 |
| A Philosophy of the Screenplay | Ted Nannicelli | Taylor & Francis | 10767 | 0 |
| Towards a Poor Theatre | Jerzy Grotowski | Taylor & Francis | 9758 | 0 |
| Theorizing Film Acting | Taylor & Francis | 10430 | 0 | |
| Film Theory Goes to the Movies | Taylor & Francis | 8917 | 0 | |
| The Decroux Sourcebook | Taylor & Francis | 9253 | 0 | |
| The Piscator Notebook | Judith Malina | Taylor & Francis | 8917 | 0 |
| The Routledge Companion to Actors' Shakespeare | Taylor & Francis | 8917 | 0 | |
| Gabriel Faure | Edward R. Phillips | Taylor & Francis | 10430 | 0 |
| The Vakhtangov Sourcebook | Taylor & Francis | 8243 | 0 | |
| Social Works | Shannon Jackson | Taylor & Francis | 10599 | 0 |
| Zygmunt Molik's Voice and Body Work | Giuliano Campo/Zygmunt Molik | Taylor & Francis | 9253 | 0 |
| Actor Training | Alison Hodge | Taylor and Francis | 10599 | 0 |
| Stanislavsky in America | Mel Gordon | Taylor & Francis | 8075 | 0 |
| European Film Theory | Taylor & Francis | 8917 | 0 | |
| Film Theory and Contemporary Hollywood Movies | Taylor & Francis | 9422 | 0 | |
| Movement Training for the Modern Actor | Mark Evans | Taylor & Francis | 11272 | 0 |
| The Routledge Companion to Philosophy and Film | Taylor & Francis | 13628 | 0 | |
| The Thin Red Line | Taylor & Francis | 8243 | 0 | |
| Talk to Her | Taylor & Francis | 8243 | 0 | |
| Theatre: The Rediscovery of Style and Other Writings | Michel Saint-Denis | Taylor & Francis | 6224 | 0 |
| An Actor's Work | Konstantin Stanislavski | Taylor and Francis | 11272 | 0 |
| Words and Songs of Bessie Smith, Billie Holiday, and Nina Simone | Melanie E. Bratcher | Taylor & Francis | 11440 | 0 |
| Thinking on Screen | Thomas E. Wartenberg | Taylor & Francis | 9758 | 0 |
| Stanislavski | Jean Benedetti | Taylor & Francis | 5046 | 0 |
| Science and the Stanislavsky Tradition of Acting | Jonathan Pitches | Taylor & Francis | 12955 | 0 |
| Crossing the Stage | Taylor & Francis | 9758 | 0 | |
| Brecht Sourcebook | Taylor & Francis | 10430 | 0 | |
| Acting (Re)Considered | Taylor & Francis | 12282 | 0 | |
| Death, The One and the Art of Theatre | Howard Barker | Taylor & Francis | 8075 | 0 |
| Merely Players? | Jonathan Holmes | Taylor & Francis | 5887 | 0 |
| Dodin and the Maly Drama Theatre | Maria Shevstova | Taylor & Francis | 10430 | 0 |
| The Italian Commedia and Please be Gentle | David Griffiths | Taylor & Francis | 8917 | 0 |
| Jacobean Public Theatre | Alexander Leggatt | Taylor & Francis | 10767 | 0 |
| At Work with Grotowski on Physical Actions | Thomas Richards | Taylor & Francis | 7402 | 0 |
| Walls Have Feelings | Katherine Shonfield | Taylor & Francis | 17666 | 0 |
| Commedia Dell'Arte: An Actor's Handbook | John Rudlin | Taylor & Francis | 12955 | 0 |
| On Film | Stephen Mulhall | Taylor & Francis | 9253 | 0 |
| Performing Brecht | Margaret Eddershaw | Taylor & Francis | 8917 | 0 |
| Actresses as Working Women | Tracy C. Davis | Taylor & Francis | 37860 | 0 |
| Commedia Dell'Arte | Oliver Crick/John Rudlin | Taylor & Francis | 8917 | 0 |
| Blue Nippon | E. Taylor Atkins | Duke University Press | 4166 | 0 |
| The Philosophy of Horror | Noel Carroll | Taylor and Francis | 11272 | 0 |
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