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| タイトル | 著者 | 出版社 | 価格 | 値引率 |
|---|---|---|---|---|
| Etienne Decroux and his Theatre Laboratory | Marco de Marinis | Taylor & Francis | 10929 | 3 |
| Performing with Resilience | Aryn Mott | Taylor & Francis | 8243 | 0 |
| Recovery and Well-being in the Performing Arts | Taylor & Francis | 10095 | 0 | |
| Spanish Accents and Dialects for Actors | Elisa Gonzales/Josh F.S. Moser/Adi Cabral | Taylor & Francis | 8748 | 0 |
| Performing Recovery | Zoe Zontou | Taylor & Francis | 10430 | 0 |
| The Integrated Actor | Alex Taylor | Bloomsbury Publishing | 3983 | 0 |
| Commedia dell’Arte | Taylor & Francis | 9758 | 0 | |
| Stop Memorizing Your Lines | Loren E. Chadima | Taylor & Francis | 8748 | 0 |
| Zombies, Werewolves, Robots, and Extraterrestrials | Gerald Large | Taylor & Francis | 9758 | 0 |
| Navigating a Career in Performance | Jessica Champagne Hansen/Camille Schenkkan/Vanessa Mizzone Pellegrini | Taylor & Francis | 8748 | 0 |
| Experiencing Speech: A Skills-Based, Panlingual Approach to Actor Training | Andrea Caban/Julie Foh/Jeffrey Parker | Taylor & Francis | 8748 | 0 |
| No Mother, No Future | Kailin Wright | Taylor & Francis | 10430 | 0 |
| Stanislavsky and Place | Taylor & Francis | 9758 | 0 | |
| Women and Age on the UK Stage | Bridie Moore | Taylor & Francis | 9758 | 0 |
| Care-full Creativity in Theatre and Dance Education | Nicole Perry | Taylor & Francis | 8748 | 0 |
| Stanislavsky and Screen Actor Training | Taylor & Francis | 9758 | 0 | |
| The Reason to Sing | Craig Carnelia | Taylor & Francis | 8075 | 0 |
| Actress | Yvonne Mitchell | Taylor & Francis | 12450 | 0 |
| The Science of Arts Engagement | Agnieszka Wlazeł | Taylor & Francis | 10430 | 0 |
| The Frantic Assembly Book of Devising Theatre | Scott Graham/Steven Hoggett | Taylor & Francis | 9758 | 0 |
| In Search of the Performer’s Way | Jong Hyuk Song | Taylor & Francis | 10430 | 0 |
| Milestones in Actor Training | Taylor & Francis | 9758 | 0 | |
| Crafting an Intentional Career for the Musical Theatre Performer | David W. Eggers | Taylor & Francis | 8748 | 0 |
| Acting the Michael Chekhov Way | Lisa Loving Dalton | Taylor & Francis | 8075 | 0 |
| Laughter, Power, and the Unconscious | Maria Grazia Turri/Bridget Escolme | Taylor & Francis | 10430 | 0 |
| Carlo Boso | Peter Jordan/Olly Crick | Taylor & Francis | 9758 | 0 |
| New Approaches to Ernst Lubitsch | Taylor & Francis | 10430 | 0 | |
| Acting Heightened Text | Catherine Weidner | Taylor & Francis | 5382 | 0 |
| Being Black and British | Taylor & Francis | 9758 | 0 | |
| Shakespeare's 'Method' for Actors | Christine Ozanne | Taylor & Francis | 10430 | 0 |
| Fitzmaurice Voicework | Catherine Fitzmaurice/Michael Morgan | Taylor & Francis | 9758 | 0 |
| Edward Albee and the Emergence of Difference and Diversity in US and World Theatre | Taylor & Francis | 10430 | 0 | |
| Temporary Stages III | Jo Beth Gonzalez | Taylor & Francis | 9758 | 0 |
| Stanislavsky and Mindfulness | Taylor & Francis | 9758 | 0 | |
| Actor Trainers on Acting | Taylor & Francis | 9758 | 0 | |
| A History of Intimacy Professionals in Entertainment | Brooke M. Haney | Taylor & Francis | 7065 | 0 |
| How to Rehearse a Scene | Timothy Johnson | Taylor & Francis | 9758 | 0 |
| Black Activists Write Wheatley and Washington | Lurana Donnels O’Malley | Taylor & Francis | 10430 | 0 |
| The Art of Drag | Michael Twaits | Taylor & Francis | 8748 | 0 |
| Voice: Onstage and Off | Robert Barton/Rocco Dal Vera | Taylor & Francis | 10430 | 0 |
| Practicing Archetype | Göze Saner | Taylor & Francis | 9758 | 0 |
| Crafting Short Screenplays That Connect | Claudia Hunter Johnson | Taylor & Francis | 10599 | 0 |
| Three Plays by Luis Valdez | Luis Valdez | Taylor & Francis | 9758 | 0 |
| Stanislavsky and Gender | Taylor & Francis | 9758 | 0 | |
| Vladimir Nemirovich-Danchenko and the Moscow Art Theatre | Inna Solovyova | Taylor & Francis | 10430 | 0 |
| Contemporary Performance and Political Economy | Katerina Paramana | Taylor & Francis | 10430 | 0 |
| Radical Sensing and Performer Training | Rebecca Loukes | Taylor & Francis | 9758 | 0 |
| Acting in Aotearoa | Taylor & Francis | 8917 | 0 | |
| Performing Corporate Bodies | Sarah Saddler | Taylor & Francis | 10430 | 0 |
| Shakespeare’s First Folio Cue Scripts – Romances and Histories | Patrick Tucker | Taylor & Francis | 8917 | 0 |
| Shakespeare’s First Folio Cue Scripts – Tragedies | Patrick Tucker | Taylor & Francis | 8917 | 0 |
| Shakespeare’s First Folio Cue Scripts - Comedies | Patrick Tucker | Taylor & Francis | 8917 | 0 |
| Staging Muslims in Britain | Önder Çakırtaş | Taylor & Francis | 10430 | 0 |
| Queering the Stage | Adi Cabral | Taylor & Francis | 8075 | 0 |
| 1000 Ways to Ask Why | Emily LeQuesne | Taylor & Francis | 8917 | 0 |
| Preparing for Rehearsal | Chris Pickles | Taylor & Francis | 8075 | 0 |
| Logomimesis | Esa Kirkkopelto | Taylor & Francis | 0 | 0 |
| Theatrical Violence Design | Richard Gilbert/David Bareford | Taylor & Francis | 8748 | 0 |
| Making a Scene | Bill Gelber | Taylor & Francis | 6560 | 0 |
| Techniques of Acting | Ronald Hayman | Taylor & Francis | 7234 | 0 |
| Voice and Identity | Taylor & Francis | 12450 | 0 | |
| How to Read a Play | Damon Kiely | Taylor & Francis | 8243 | 0 |
| The Human Touch | Chloé Arros | Taylor & Francis | 10430 | 0 |
| Who Is In the Room? | Brooke O'Harra | Taylor & Francis | 9422 | 0 |
| Beyond Innocence | Adele Senior | Taylor & Francis | 10430 | 0 |
| Fifty Key Improv Performers | Matt Fotis | Taylor & Francis | 4879 | 0 |
| Federico García Lorca | Simon Breden | Taylor & Francis | 9253 | 0 |
| Critical Acting Pedagogy | Taylor & Francis | 8243 | 0 | |
| Living Death in Early Modern Drama | James Alsop | Taylor & Francis | 10430 | 0 |
| Transfiguring Tragedy | Ryder Thornton | Taylor & Francis | 10430 | 0 |
| Giving Voice | Carol J. Maples | Taylor & Francis | 5382 | 0 |
| Working with Children in Contemporary Performance | Sarah Austin | Taylor & Francis | 9422 | 0 |
| Towards Embodied Performance | Rachel Dickstein | Taylor & Francis | 9422 | 0 |
| Analysis through Action for Actors and Directors | David Chambers | Taylor & Francis | 7739 | 0 |
| The Routledge Companion to Performance-Related Concepts in Non-European Languages | Taylor & Francis | 11440 | 0 | |
| The Legacy of Stylistic Theatre in the Creation of a Modern Sinhala Drama in Sri Lanka | Lakshmi D. Bulathsinghala | Taylor & Francis | 10430 | 0 |
| Juan Mayorga | Taylor & Francis | 9253 | 0 | |
| The Shakespeare North Playhouse | Taylor & Francis | 10430 | 0 | |
| LO: TECH: POP: CULT | Taylor & Francis | 11103 | 0 | |
| Nine questions every actor of color should consider when tokenism is not enough | Taylor & Francis | 9422 | 0 | |
| The Art of Broadsword Fighting for Stage and Screen | Erick Vaughn Wolfe | Taylor & Francis | 8243 | 0 |
| The Improv Dictionary | David Charles | Taylor & Francis | 6729 | 0 |
| Theatre in Practice | Nick O'Brien | Taylor & Francis | 10430 | 0 |
| The Third Space | Robert Lewis | Taylor & Francis | 8748 | 0 |
| Exploring Character Through Structural Metaphor | John Gribas/Angeline Underwood | Taylor & Francis | 5382 | 0 |
| Dramaturgy of Sex on Stage in Contemporary Theatre | Taylor & Francis | 5382 | 0 | |
| The Art of Voice Acting | James R. Alburger | Taylor & Francis | 8075 | 0 |
| Acting | Bella Merlin | Taylor & Francis | 4879 | 0 |
| Meaning in the Midst of Performance | Gareth White | Taylor & Francis | 10430 | 0 |
| Black Women Centre Stage | Paola Prieto López | Taylor & Francis | 9590 | 0 |
| How Does Disability Performance Travel? | Taylor & Francis | 10430 | 0 | |
| Antiracism in Ballet Teaching | Taylor & Francis | 9422 | 0 | |
| Lessons from our Students | Stacey Cabaj/Andrea Odinov | Taylor & Francis | 8412 | 0 |
| Innovation & Digital Theatremaking | Robert Myles/Valerie Clayman Pye | Taylor & Francis | 9422 | 0 |
| Stanislavsky and Intimacy | Taylor & Francis | 9422 | 0 | |
| Improvisation the Michael Chekhov Way | Wil Kilroy | Taylor & Francis | 8075 | 0 |
| Ethical Agility in Dance | Taylor & Francis | 9590 | 0 | |
| Experiencing Accents: A Knight-Thompson Speechwork® Guide for Acting in Accent | Philip Thompson/Tyler Seiple/Andrea Caban | Taylor & Francis | 6729 | 0 |
| La MaMa Experimental Theatre – A Lasting Bridge Between Cultures | Monica Cristini | Taylor & Francis | 10430 | 0 |
| Ibsen in the Decolonised South Asian Theatre | Taylor & Francis | 10430 | 0 | |
| Script Analysis for Actors, Directors, and Designers | James Thomas | Taylor & Francis | 9422 | 0 |
| An Actor Survives | Tomasz Kubikowski | Taylor & Francis | 5382 | 0 |
| Voice Made Visible: Multi-Octave Voice Training and Techniques for Performers | Rafael Lopez-Barrantes | Taylor & Francis | 8075 | 0 |
| Independent Performing Arts in Europe | Thomas Fabian Eder | Taylor & Francis | 9758 | 0 |
| Bourdieu in the Studio | Evi Stamatiou | Taylor & Francis | 9758 | 0 |
| How to Swing in Musical Theatre | Jaye J. Elster | Taylor & Francis | 8075 | 0 |
| Stanislavsky and Race | Taylor & Francis | 9422 | 0 | |
| America Under the Influence | Chloë Rae Edmonson | Taylor & Francis | 9758 | 0 |
| Theatre and Boxing | Franco Ruffini | Taylor & Francis | 6224 | 0 |
| Futures of Performance | Taylor & Francis | 9422 | 0 | |
| The Loss of Small White Clouds | Morgan Batch | Taylor & Francis | 9758 | 0 |
| Contemporary Storytelling Performance | Stephe Harrop | Taylor & Francis | 9758 | 0 |
| Puppet and Spirit: Ritual, Religion, and Performing Objects | Taylor & Francis | 9758 | 0 | |
| Embodied Playwriting | Taylor & Francis | 6560 | 0 | |
| Out of Time? | Taylor & Francis | 12450 | 0 | |
| Stanislavsky and Pedagogy | Taylor & Francis | 9422 | 0 | |
| Kristin Linklater | Bernadette Cronin/Regina Crowley | Taylor & Francis | 9422 | 0 |
| Acting and Directing Shakespeare's Comedies | Kevin Otos | Taylor & Francis | 8075 | 0 |
| Secrets of Screen Acting | Patrick Tucker | Taylor & Francis | 8748 | 0 |
| Building Embodiment | Taylor & Francis | 8748 | 0 | |
| Inside The Performance Workshop | Taylor & Francis | 8412 | 0 | |
| Jerzy Grotowski's Journeys to the East | Zbigniew Osinski | Taylor & Francis | 9253 | 0 |
| Reconstructing Performance Art | Taylor & Francis | 9758 | 0 | |
| Acting for Animators | Ed Hooks | Taylor & Francis | 6897 | 0 |
| The Actor's Way | Erik Exe Christoffersen | Taylor & Francis | 8412 | 0 |
| Starting a Theatre Company | Karl Falconer | Taylor & Francis | 8075 | 0 |
| Activated Script Analysis | Elizabeth Brendel Horn | Taylor & Francis | 8748 | 0 |
| Stanislavski in Rehearsal | Vasily Osipovich Toporkov | Taylor & Francis | 5551 | 0 |
| Play-Acting | Luke Dixon | Taylor & Francis | 4374 | 0 |
| Contemporary Irish Theatre and Social Change | Emer O'Toole | Taylor & Francis | 9758 | 0 |
| Performance Cultures as Epistemic Cultures, Volume I | Taylor & Francis | 9422 | 0 | |
| Mime into Physical Theatre: A UK Cultural History 1970–2000 | Mark Evans/Simon Murray | Taylor & Francis | 8748 | 0 |
| The Voice Coach's Toolkit | Pamela Prather | Taylor & Francis | 7739 | 0 |
| Shakespeare and Cultural Appropriation | Taylor & Francis | 9758 | 0 | |
| Vocal Traditions | Taylor & Francis | 9758 | 0 | |
| Venus’s Palace | Reut Barzilai | Taylor & Francis | 9758 | 0 |
| Latinx Actor Training | Taylor & Francis | 9253 | 0 | |
| Songs of Tagore | Rabindranath Tagore/Satyajit Ray | Taylor & Francis | 9758 | 0 |
| Theatre Masks Out Side In | Wendy J. Meaden/Michael A. Brown | Taylor & Francis | 9253 | 0 |
| Investigating Drama | Kenneth Pickering/Bill Horrocks/David Male | Taylor & Francis | 7065 | 0 |
| A Practical Guide to Costumed Interpretation | Jackie Lee | Taylor & Francis | 8075 | 0 |
| Ernie McClintock and the Jazz Actors Family | Elizabeth M. Cizmar | Taylor & Francis | 8412 | 0 |
| Lessons from Shakespeare’s Classroom | Robin Lithgow | Taylor & Francis | 8412 | 0 |
| Entangled Performance Histories | Taylor & Francis | 8412 | 0 | |
| Stages of Reckoning | Taylor & Francis | 7739 | 0 | |
| Playgrounds | David J. Amelang | Taylor & Francis | 8412 | 0 |
| Hamlet’s Hereditary Queen | Kerrie Roberts | Taylor & Francis | 8412 | 0 |
| Strategies for Survival at SIBIKWA 1988 – 2021 | Taylor & Francis | 9590 | 0 | |
| Plays of Our Own | Willy Conley | Taylor & Francis | 8412 | 0 |
| Antígona by José Watanabe | Cristina Pérez Díaz | Taylor & Francis | 9253 | 0 |
| The Routledge Companion to Musical Theatre | Taylor & Francis | 10599 | 0 | |
| Elizabeth Taylor | Kate Andersen Brower | HarperCollins Publishers | 3675 | 0 |
| Mothering Performance | Taylor & Francis | 0 | 0 | |
| Poison, Play, and Duel | Nigel Alexander | Taylor & Francis | 7234 | 0 |
| An Actor’s Research | Tamsin Stanley/Philippa Strandberg-Long | Taylor & Francis | 7739 | 0 |
| Supporting Staged Intimacy | Alexis Black/Tina M. Newhauser | Taylor & Francis | 7739 | 0 |
| A Sourcebook of Performance Labor | Joey Orr | Taylor & Francis | 9758 | 0 |
| Harold Pinter's Shakespeare | Charles Morton | Taylor & Francis | 9758 | 0 |
| The Routledge Companion to Vsevolod Meyerhold | Taylor & Francis | 10599 | 0 | |
| Imitation and Contamination of the Classics in the Comedies of Ben Jonson | Tom Harrison | Taylor & Francis | 9758 | 0 |
| Devised Theater’s Collaborative Performance | Telory D Arendell | Taylor & Francis | 9758 | 0 |
| Play Directing | Damon Kiely | Taylor & Francis | 4879 | 0 |
| Meisner and Mindfulness | Royce Sparks | Taylor & Francis | 8243 | 0 |
| Appropriations of Irish Drama in Modern Korean Nationalist Theatre | Hunam Yun | Taylor & Francis | 9758 | 0 |
| Peter Brook and the Mahabharata | Taylor & Francis | 7739 | 0 | |
| Equestrian Drama | Taylor & Francis | 10430 | 0 | |
| Clowns | David Bridel/Ezra LeBank | Taylor & Francis | 9253 | 0 |
| Circus Psychology | Fleur van Rens | Taylor & Francis | 5382 | 0 |
| From Playtext to Performance on the Early Modern Stage | Leslie Thomson | Taylor & Francis | 9758 | 0 |
| Teaching What You Want to Learn | Bill Evans | Taylor & Francis | 8243 | 0 |
| Deburau | Edward Nye | Taylor & Francis | 9758 | 0 |
| Acting the Essence | Giuliano Campo | Taylor & Francis | 9253 | 0 |
| Copeau/Decroux, Irving/Craig | Thomas Leabhart | Taylor & Francis | 9758 | 0 |
| Shakespeare’s Contested Nations | L. Monique Pittman | Taylor & Francis | 9758 | 0 |
| Foundations for Performance Training | Cara Harker | Taylor & Francis | 8917 | 0 |
| Tragicomedy | David L. Hirst | Taylor & Francis | 7234 | 0 |
| Butoh America | Tanya Calamoneri | Taylor & Francis | 9253 | 0 |
| ASHÉ | Taylor & Francis | 9758 | 0 | |
| Aesthetic Collectives | Andrew Wiskowski | Taylor & Francis | 9758 | 0 |
| Performing in Contemporary Musicals | David Sisco/Laura Josepher | Taylor & Francis | 8917 | 0 |
| Borderlands Children’s Theatre | Cecilia Josephine Aragón | Taylor & Francis | 9758 | 0 |
| Eugene O'Neill's Philosophy of Difficult Theatre | Jeremy Killian | Taylor & Francis | 9758 | 0 |
| Fifty Key Figures in LatinX and Latin American Theatre | Taylor & Francis | 7234 | 0 | |
| Euripides' Medea | Michael Ewans | Taylor & Francis | 4037 | 0 |
| The Art of Knife Fighting for Stage and Screen | Erick Vaughn Wolfe | Taylor & Francis | 8243 | 0 |
| Mysticism in the Theater | Tom Block | Taylor & Francis | 9758 | 0 |
| Chinese Traditional Theatre and Male Dan | Guo Chao | Taylor & Francis | 9758 | 0 |
| Antonin Artaud | Blake Morris | Taylor & Francis | 9253 | 0 |
| Active Analysis | Maria Knebel | Taylor & Francis | 7739 | 0 |
| A Meeting About Laughter | Taylor & Francis | 9422 | 0 | |
| Cutting Plays for Performance | Toby Malone/Aili Huber | Taylor & Francis | 8243 | 0 |
| Pandemic Performance | Taylor & Francis | 9758 | 0 | |
| D’Oyly Carte | Paul Seeley | Taylor & Francis | 9758 | 0 |
| Re-Purposing Suzuki | Maria Porter | Taylor & Francis | 8243 | 0 |
| French Theatre, Orientalism, and the Representation of India, 1770-1865 | David Hammerbeck | Taylor & Francis | 9758 | 0 |
| The Routledge Companion to Studio Performance Practice | Taylor & Francis | 8917 | 0 | |
| Games for Actors and Non-Actors | Augusto Boal | Taylor & Francis | 12282 | 0 |
| Stepping Stones | Ingemar Lindh | Taylor & Francis | 9422 | 0 |
| Using Open Scenes to Act Successfully on Stage and Screen | Dan Carter/Brant L. Pope | Taylor & Francis | 4879 | 0 |
| Inclusivity and Equality in Performance Training | Taylor & Francis | 8243 | 0 | |
| Consent in Shakespeare | Artemis Preeshl | Taylor & Francis | 9758 | 0 |
| Anne Frank on the Postwar Dutch Stage | Remco Ensel | Taylor & Francis | 4542 | 0 |
| Rabindranath Tagore's Theatre | Abhijit Sen | Taylor & Francis | 9758 | 0 |
| Performances that Change the Americas | Taylor & Francis | 9758 | 0 | |
| Meyerhold Speaks/Meyerhold Rehearse | V.E. Meyerhold/Aleksandr Gladkov | Taylor & Francis | 9253 | 0 |
| Jana Sanskriti | Ralph Yarrow | Taylor & Francis | 9253 | 0 |
| The Routledge Pantomime Reader | Taylor & Francis | 10599 | 0 | |
| Creating Improvised Theatre | Mark Jane | Taylor & Francis | 6729 | 0 |
| Mythic Imagination and the Actor | Marissa Chibás | Taylor & Francis | 8243 | 0 |
| Actor Training in Anglophone Countries | Peter Zazzali | Taylor & Francis | 9422 | 0 |
| Shakespeare and Celebrity Cultures | Jennifer Holl | Taylor & Francis | 9422 | 0 |
| Staging Detection | Isabel Stowell-Kaplan | Taylor & Francis | 9422 | 0 |
| Theatre of the Sphere | Luis Valdez | Taylor & Francis | 6729 | 0 |
| Actors on Guard | Dale Anthony Girard | Taylor & Francis | 8412 | 0 |
| Acting for the Camera: Back to One | Peter Allen Stone | Taylor & Francis | 8243 | 0 |
| Lessons from The Maestro | David L. Boushey | Taylor & Francis | 8243 | 0 |
| Frantic Assembly | Mark Evans/Mark Smith | Taylor & Francis | 9253 | 0 |
| Applied Meisner for the 21st-Century Actor | Kevin Otos/Kim Shively | Taylor & Francis | 8243 | 0 |
| Dance Lexicon in Shakespeare and His Contemporaries | Fabio Ciambella | Taylor & Francis | 4374 | 0 |
| Asian City Crossings | Taylor & Francis | 9422 | 0 | |
| A Poetics of Third Theatre | Jane Turner/Patrick Campbell | Taylor & Francis | 9253 | 0 |
| The Motional Improvisation of Al Wunder | H.R. Elliott | Taylor & Francis | 9422 | 0 |
| Acting in Musical Theatre | Joe Deer/Rocco Dal Vera | Taylor & Francis | 11440 | 0 |
| Women, Method Acting, and the Hollywood Film | Keri Walsh | Taylor & Francis | 8412 | 0 |
| In Search of Stanislavsky’s Creative State on the Stage | Gabriela Curpan | Taylor & Francis | 10095 | 0 |
| Act as a Feminist | Lisa Peck | Taylor & Francis | 8243 | 0 |
| The Self-Centred Art | Jakub Boguszak | Taylor & Francis | 9422 | 0 |
| Attention in Performance | Cassis Kilian | Taylor & Francis | 10430 | 0 |
| Rehearsing Shakespeare | Leon Rubin | Taylor & Francis | 8412 | 0 |
| Contemporary Rehearsal Practice | Gary Cassidy | Taylor & Francis | 10095 | 0 |
| Drag Histories, Herstories and Hairstories | Prof. Enoch Brater/Mark Taylor-Batty | Bloomsbury Publishing | 5528 | 0 |
| Theatre Studios | Tom Cornford | Taylor & Francis | 9422 | 0 |
| Property and Finance on the Post-Brexit London Stage | Michael Meeuwis | Taylor & Francis | 10095 | 0 |
| Scoring the Hollywood Actor in the 1950s | Gregory Camp | Taylor & Francis | 10430 | 0 |
| Owning Our Voices | Margaret Pikes/Patrick Campbell | Taylor & Francis | 9253 | 0 |
| Style for Actors | Robert Barton | Taylor & Francis | 8917 | 0 |
| Inclusive Character Analysis | Jennifer Thomas/Robert J. Vrtis | Taylor & Francis | 8243 | 0 |
| Stanislavsky in Focus | Sharon Marie Carnicke | Taylor & Francis | 8917 | 0 |
| Partners of the Imagination | Robert Leach | Taylor & Francis | 10095 | 0 |
| Why the Theatre | Taylor & Francis | 10430 | 0 | |
| Commedia dell'Arte, its Structure and Tradition | John Rudlin/Antonio Fava | Taylor & Francis | 5382 | 0 |
| Somatic Voices in Performance Research and Beyond | Taylor & Francis | 10095 | 0 | |
| A History of Contemporary Stage Combat | Brian LeTraunik | Taylor & Francis | 9253 | 0 |
| Acting: Make It Your Business | Paul Russell | Taylor & Francis | 6224 | 0 |
| The Theatre Arts Audition Book for Men | Taylor & Francis | 5551 | 0 | |
| More Alternative Shakespeare Auditions for Women | Simon Dunmore | Taylor & Francis | 6224 | 0 |
| Performer Training and Technology | Maria Kapsali | Taylor & Francis | 9422 | 0 |
| Film, History and Cultural Citizenship | Taylor & Francis | 10095 | 0 | |
| The Singing and Acting Handbook | Thomas De Mallet Burgess/Nicholas Skilbeck | Taylor & Francis | 8917 | 0 |
| Costume Design: The Basics | T.M. Delligatti | Taylor & Francis | 4879 | 0 |
| The Routledge Companion to Performance Practitioners | Taylor & Francis | 10095 | 0 | |
| The Routledge Companion to Performance Practitioners | Taylor & Francis | 11103 | 0 | |
| The Authentic Leader | Royce Sparks | Taylor & Francis | 8075 | 0 |
| How to Rehearse a Play | Damon Kiely | Taylor & Francis | 8243 | 0 |
| An Actor's Handbook | Constantin Stanislavski | Taylor & Francis | 7234 | 0 |
| Michael Chekhov and Sanford Meisner | Taylor & Francis | 9422 | 0 | |
| The Selected Plays of Hélène Cixous | Hélène Cixous | Taylor & Francis | 9422 | 0 |
| Act Approach:The Use of Suggestion for Intergrated Learning | Lynn Dhority | Taylor & Francis | 10430 | 0 |
| Precariousness and the Performances of Welfare | Taylor & Francis | 9758 | 0 | |
| Blue Sky Body | Ben Spatz | Taylor & Francis | 9422 | 0 |
| Performing Nerves | Anna Furse | Taylor & Francis | 9422 | 0 |
| Minstrel Traditions | Kevin Byrne | Taylor & Francis | 10095 | 0 |
| Stage Fright in the Actor | Linda Brennan | Taylor & Francis | 8243 | 0 |
| Shakespeare & Company | Bella Merlin/Tina Packer | Taylor & Francis | 8243 | 0 |
| Actors and Audiences | Caroline Heim | Taylor & Francis | 9422 | 0 |
| Staging Sex | Chelsea Pace | Taylor & Francis | 8412 | 0 |
| Women Writing and Directing in the USA | Kiara Pipino | Taylor & Francis | 9422 | 0 |
| American Accent Drills for British and Australian Speakers | Amanda Quaid | Taylor & Francis | 6224 | 0 |
| Exercises for Embodied Actors | Scott Illingworth | Taylor & Francis | 8917 | 0 |
| Shakespeare in Singapore | Philip Smith | Taylor & Francis | 10095 | 0 |
| Your Body Knows | Meade Andrews, PhD/Jana Tift, MFA | Taylor & Francis | 8412 | 0 |
| A World Elsewhere | Steven Berkoff | Taylor & Francis | 5551 | 0 |
| Box Set: Ingrid Bergman, Bette Davis, Katharine Hepburn, Elizabeth Taylor | Grace May Carter | New Word City, Inc. | 6729 | 0 |
| Collaborative Playwriting | Taylor & Francis | 8917 | 0 | |
| Application of the Michael Chekhov Technique to Shakespeare’s Sonnets, Soliloquies and Monologues | Mark Monday | Taylor & Francis | 8917 | 0 |
| Objectives, Obstacles, and Tactics in Practice | Taylor & Francis | 6729 | 0 | |
| The Elements of Theatrical Expression | Brian Kulick | Taylor & Francis | 9422 | 0 |
| The Routledge Comedy Studies Reader | Taylor & Francis | 9422 | 0 | |
| Performing Commedia dell'Arte, 1570-1630 | Natalie Crohn Schmitt | Taylor & Francis | 5551 | 0 |
| Short Plays with Great Roles for Women | Taylor & Francis | 7234 | 0 | |
| Becoming an Actor’s Director | Regge Life | Taylor & Francis | 7739 | 0 |
| (toward) a phenomenology of acting | Phillip Zarrilli | Taylor & Francis | 9422 | 0 |
| Teaching Acting with Practical Aesthetics | Troy Dobosiewicz | Taylor & Francis | 9422 | 0 |
| Stunts of Late Nineteenth-Century New York | Kirstin Smith | Taylor & Francis | 10095 | 0 |
| Teaching Strategies for Neurodiversity and Dyslexia in Actor Training | Petronilla Whitfield | Taylor & Francis | 9422 | 0 |
| The Michael Chekhov Handbook | Lenard Petit | Taylor & Francis | 8917 | 0 |
| British Nautical Melodramas, 1820–1850 | Arnold Schmidt | Taylor & Francis | 39542 | 0 |
| British Nautical Melodramas, 1820–1850 | Arnold Schmidt | Taylor & Francis | 12450 | 0 |
| British Nautical Melodramas, 1820–1850 | Arnold Schmidt | Taylor & Francis | 12450 | 0 |
| Casting a Movement | Taylor & Francis | 7227 | 0 | |
| Acting for the Screen | Mary Lou Belli | Taylor & Francis | 7234 | 0 |
| Medieval English Drama | Sidney E. Berger | Taylor & Francis | 7234 | 0 |
| Fiction's Truth | Danielle Szlawieniec-Haw | Taylor & Francis | 9422 | 0 |
| European Performative Theatre | Annamaria Cascetta | Taylor & Francis | 10430 | 0 |
| The Routledge Anthology of British Women Playwrights, 1777-1843 | Taylor & Francis | 11103 | 0 | |
| How and Why We Teach Shakespeare | Sidney Homan | Taylor & Francis | 8245 | 0 |
| Reframing Acting in the Digital Age | Artemis Preeshl | Taylor & Francis | 10095 | 0 |
| Intercultural Acting and Performer Training | Taylor & Francis | 9422 | 0 | |
| Elizabeth Taylor | Grace May Carter | New Word City, Inc. | 1681 | 0 |
| Screening Characters | Taylor & Francis | 10430 | 0 | |
| Time and Performer Training | Taylor & Francis | 8412 | 0 | |
| Incapacity and Theatricality | Tony McCaffrey | Taylor & Francis | 10095 | 0 |
| Auditioning for Musical Theatre | Denny Berry | Taylor & Francis | 8243 | 0 |
| The Actor and the Character | Vladimir Mirodan | Taylor & Francis | 9422 | 0 |
| The Routledge Anthology of Restoration and Eighteenth-Century Performance | Taylor & Francis | 12282 | 0 | |
| The Physical Actor | Annie Loui | Taylor & Francis | 7234 | 0 |
| On Screen Acting | Edward Dmytryk/Jean Porter Dmytryk | Taylor & Francis | 9758 | 0 |
| Psychology for Actors | Kevin Page | Taylor & Francis | 9422 | 0 |
| A Best Practice Guide to Sex and Storytelling | John Bucher | Taylor & Francis | 9253 | 0 |
| Michael Chekhov | Franc Chamberlain | Taylor & Francis | 9422 | 0 |
| Changing Direction: A Practical Approach to Directing Actors in Film and Theatre | Lenore DeKoven | Taylor & Francis | 9422 | 0 |
| Directions for Directing | Avra Sidiropoulou | Taylor & Francis | 9253 | 0 |
| Acting & Auditioning for the 21st Century | Stephanie Barton-Farcas | Taylor & Francis | 9422 | 0 |
| Training Actors' Voices | Tara McAllister-Viel | Taylor & Francis | 9422 | 0 |
| Oral Interpretation | Timothy Gura/Benjamin Powell | Taylor & Francis | 20359 | 0 |
| Konstantin Stanislavsky | Bella Merlin | Taylor & Francis | 9422 | 0 |
| Physical Dramaturgy | Taylor & Francis | 9422 | 0 | |
| The Seagull | Taylor & Francis | 8917 | 0 | |
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