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| タイトル | 著者 | 出版社 | 価格 | 値引率 |
|---|---|---|---|---|
| Juan Mayorga | Taylor & Francis | 9253 | 0 | |
| Ecologies of Creative Music Practice | Matthew Lovett | Taylor & Francis | 9253 | 0 |
| Jerzy Grotowski's Journeys to the East | Zbigniew Osinski | Taylor & Francis | 9253 | 0 |
| Dancing Motherhood | Ali Duffy | Taylor & Francis | 9253 | 0 |
| Latinx Actor Training | Taylor & Francis | 9253 | 0 | |
| Theatre Masks Out Side In | Wendy J. Meaden/Michael A. Brown | Taylor & Francis | 9253 | 0 |
| Hermeneutic Shakespeare | Min Jiao | Taylor & Francis | 9253 | 0 |
| Antígona by José Watanabe | Cristina Pérez Díaz | Taylor & Francis | 9253 | 0 |
| Music and Mental Imagery | Taylor & Francis | 9253 | 0 | |
| Asian Sound Cultures | Taylor & Francis | 9253 | 0 | |
| Clowns | David Bridel/Ezra LeBank | Taylor & Francis | 9253 | 0 |
| Music and Performance in the Book of Hours | Michael Alan Anderson | Taylor & Francis | 9253 | 0 |
| Acting the Essence | Giuliano Campo | Taylor & Francis | 9253 | 0 |
| Butoh America | Tanya Calamoneri | Taylor & Francis | 9253 | 0 |
| Antonin Artaud | Blake Morris | Taylor & Francis | 9253 | 0 |
| Early Modern Court Culture | Taylor & Francis | 9253 | 0 | |
| Illusion in Cultural Practice | Katharina Rein | Taylor & Francis | 9253 | 0 |
| Kinetic Atmospheres | Johannes Birringer | Taylor & Francis | 9253 | 0 |
| Meyerhold Speaks/Meyerhold Rehearse | V.E. Meyerhold/Aleksandr Gladkov | Taylor & Francis | 9253 | 0 |
| Jana Sanskriti | Ralph Yarrow | Taylor & Francis | 9253 | 0 |
| The Routledge Handbook of Philosophy and Improvisation in the Arts | Taylor & Francis | 9253 | 0 | |
| Frantic Assembly | Mark Evans/Mark Smith | Taylor & Francis | 9253 | 0 |
| Hip-Hop and Spoken Word Therapy in School Counseling | Ian Levy | Taylor & Francis | 9253 | 0 |
| A Poetics of Third Theatre | Jane Turner/Patrick Campbell | Taylor & Francis | 9253 | 0 |
| Before Sunrise, Before Sunset, Before Midnight | Taylor & Francis | 9253 | 0 | |
| Owning Our Voices | Margaret Pikes/Patrick Campbell | Taylor & Francis | 9253 | 0 |
| A History of Contemporary Stage Combat | Brian LeTraunik | Taylor & Francis | 9253 | 0 |
| Location and Postproduction Sound for Low-Budget Filmmakers | Michael Tierno | Taylor & Francis | 9253 | 0 |
| Major Label Mastering | Evren Göknar | Taylor & Francis | 9253 | 0 |
| The Cinematic Political | Michael J. Shapiro | Taylor & Francis | 9253 | 0 |
| A Best Practice Guide to Sex and Storytelling | John Bucher | Taylor & Francis | 9253 | 0 |
| Directions for Directing | Avra Sidiropoulou | Taylor & Francis | 9253 | 0 |
| World Music Pedagogy, Volume I: Early Childhood Education | Sarah H. Watts | Taylor & Francis | 9253 | 0 |
| World Music Pedagogy, Volume III: Secondary School Innovations | Karen Howard/Jamey Kelley | Taylor & Francis | 9253 | 0 |
| Performing Shakespeare Unrehearsed | Bill Kincaid | Taylor & Francis | 9253 | 0 |
| Turn That Thing Off! | Rose Burnett Bonczek/Roger Manix/David Storck | Taylor & Francis | 9253 | 0 |
| The Science and Art of Acting for the Camera | John Howard Swain | Taylor & Francis | 9253 | 0 |
| Acting Exercises for Non-Traditional Staging | Anjalee Deshpande Hutchinson | Taylor & Francis | 9253 | 0 |
| The Method Acting Exercises Handbook | Lola Cohen | Taylor & Francis | 9253 | 0 |
| Craft Notes for Animators | Ed Hooks | Taylor & Francis | 9253 | 0 |
| Screenwriting Fundamentals | Irv Bauer | Taylor & Francis | 9253 | 0 |
| Organs without Bodies | Slavoj Zizek | Taylor & Francis | 9253 | 0 |
| Media Matters | John Fiske/Black Hawk Hancock | Taylor & Francis | 9253 | 0 |
| Through the Body | Dymphna Callery | Taylor & Francis | 9253 | 0 |
| The Non-Cycle Mystery Plays | Taylor & Francis | 9253 | 0 | |
| The Theatrical Firearms Handbook | Kevin Inouye | Taylor & Francis | 9253 | 0 |
| Songs in the Key of Black Life | Mark Anthony Neal | Taylor & Francis | 9253 | 0 |
| The Invisible Actor | Yoshi Oida/Lorna Marshall | Taylor & Francis | 9253 | 0 |
| What the Music Said | Mark Anthony Neal | Taylor & Francis | 9253 | 0 |
| Theatre Arts on Acting | Taylor & Francis | 9253 | 0 | |
| Acting: The First Six Lessons | Richard Boleslavsky | Taylor & Francis | 9253 | 0 |
| The Studio SOS Book: Solutions and Techniques for the Project Recording Studio | Paul White/Hugh Robjohns/Dave Lockwood | Taylor and Francis | 9253 | 0 |
| The Expressive Actor | Michael Lugering | Taylor & Francis | 9253 | 0 |
| To the Actor | Michael Chekhov | Taylor and Francis | 9253 | 0 |
| Speech for the Stage | Evangeline Machlin | Taylor & Francis | 9253 | 0 |
| Landing on the Wrong Note | Ajay Heble | Taylor & Francis | 9253 | 0 |
| Fight Club | Taylor & Francis | 9253 | 0 | |
| Soul Babies | Mark Anthony Neal | Taylor & Francis | 9253 | 0 |
| Ensemble Theatre Making | Rose Burnett Bonczek/David Storck | Taylor & Francis | 9253 | 0 |
| The Decroux Sourcebook | Taylor & Francis | 9253 | 0 | |
| Zygmunt Molik's Voice and Body Work | Giuliano Campo/Zygmunt Molik | Taylor & Francis | 9253 | 0 |
| The Science Of Acting | Sam Kogan/Helen Kogan | Taylor & Francis | 9253 | 0 |
| AS Drama and Theatre Studies: The Essential Introduction for Edexcel | Alan Perks/Jacqueline Porteous | Taylor & Francis | 9253 | 0 |
| Systems of Rehearsal | Shomit Mitter | Taylor & Francis | 9253 | 0 |
| We Real Cool | bell hooks | Taylor & Francis | 9253 | 0 |
| On Film | Stephen Mulhall | Taylor & Francis | 9253 | 0 |
| Theatre Sound | John A. Leonard | Taylor & Francis | 9253 | 0 |
| Classic African American Women's Narratives | Oxford University Press | 9295 | 0 | |
| Collaboration, Engagement, and Tradition in Contemporary and Electronic Music | Taylor & Francis | 9422 | 0 | |
| Who Is In the Room? | Brooke O'Harra | Taylor & Francis | 9422 | 0 |
| Working with Children in Contemporary Performance | Sarah Austin | Taylor & Francis | 9422 | 0 |
| Towards Embodied Performance | Rachel Dickstein | Taylor & Francis | 9422 | 0 |
| Nine questions every actor of color should consider when tokenism is not enough | Taylor & Francis | 9422 | 0 | |
| Audio Mastering | JP Braddock | Taylor & Francis | 9422 | 0 |
| Antiracism in Ballet Teaching | Taylor & Francis | 9422 | 0 | |
| Music Technology in Live Performance | Tim Canfer | Taylor & Francis | 9422 | 0 |
| Innovation & Digital Theatremaking | Robert Myles/Valerie Clayman Pye | Taylor & Francis | 9422 | 0 |
| Stanislavsky and Intimacy | Taylor & Francis | 9422 | 0 | |
| Script Analysis for Actors, Directors, and Designers | James Thomas | Taylor & Francis | 9422 | 0 |
| Leadership in Music Technology Education | Daniel Walzer | Taylor & Francis | 9422 | 0 |
| Stanislavsky and Race | Taylor & Francis | 9422 | 0 | |
| Remastering Music and Cultural Heritage | Stephen Bruel | Taylor & Francis | 9422 | 0 |
| Music Technology Essentials | Andrew Maz | Taylor & Francis | 9422 | 0 |
| Futures of Performance | Taylor & Francis | 9422 | 0 | |
| Reimagining Sample-based Hip Hop | Michail Exarchos | Taylor & Francis | 9422 | 0 |
| Stanislavsky and Pedagogy | Taylor & Francis | 9422 | 0 | |
| Kristin Linklater | Bernadette Cronin/Regina Crowley | Taylor & Francis | 9422 | 0 |
| Performance Cultures as Epistemic Cultures, Volume I | Taylor & Francis | 9422 | 0 | |
| Aural Diversity | Taylor & Francis | 9422 | 0 | |
| Finding Your Career in the Modern Audio Industry | April Tucker | Taylor & Francis | 9422 | 0 |
| Living the Audio Life | Brad Schiller | Taylor & Francis | 9422 | 0 |
| Introduction to Digital Music with Python Programming | Michael S. Horn/Melanie West/Cameron Roberts | Taylor & Francis | 9422 | 0 |
| A Meeting About Laughter | Taylor & Francis | 9422 | 0 | |
| Music and Power in Early Modern Spain | Timothy M. Foster | Taylor & Francis | 9422 | 0 |
| Stepping Stones | Ingemar Lindh | Taylor & Francis | 9422 | 0 |
| Actor Training in Anglophone Countries | Peter Zazzali | Taylor & Francis | 9422 | 0 |
| Shakespeare and Celebrity Cultures | Jennifer Holl | Taylor & Francis | 9422 | 0 |
| Staging Detection | Isabel Stowell-Kaplan | Taylor & Francis | 9422 | 0 |
| Asian City Crossings | Taylor & Francis | 9422 | 0 | |
| The Motional Improvisation of Al Wunder | H.R. Elliott | Taylor & Francis | 9422 | 0 |
| The Self-Centred Art | Jakub Boguszak | Taylor & Francis | 9422 | 0 |
| Theatre Studios | Tom Cornford | Taylor & Francis | 9422 | 0 |
| Dance Legacies of Scotland | Mats Melin/Jennifer Schoonover | Taylor & Francis | 9422 | 0 |
| Performer Training and Technology | Maria Kapsali | Taylor & Francis | 9422 | 0 |
| Fields, Capitals, Habitus | Taylor & Francis | 9422 | 0 | |
| Michael Chekhov and Sanford Meisner | Taylor & Francis | 9422 | 0 | |
| The Selected Plays of Hélène Cixous | Hélène Cixous | Taylor & Francis | 9422 | 0 |
| Handmade Electronic Music | Nicolas Collins | Taylor & Francis | 9422 | 0 |
| Audio Metering | Eddy Brixen | Taylor & Francis | 9422 | 0 |
| Blue Sky Body | Ben Spatz | Taylor & Francis | 9422 | 0 |
| Performing Nerves | Anna Furse | Taylor & Francis | 9422 | 0 |
| Actors and Audiences | Caroline Heim | Taylor & Francis | 9422 | 0 |
| Women Writing and Directing in the USA | Kiara Pipino | Taylor & Francis | 9422 | 0 |
| Developing Virtual Synthesizers with VCV Rack | Leonardo Gabrielli | Taylor & Francis | 9422 | 0 |
| The Elements of Theatrical Expression | Brian Kulick | Taylor & Francis | 9422 | 0 |
| The Routledge Comedy Studies Reader | Taylor & Francis | 9422 | 0 | |
| (toward) a phenomenology of acting | Phillip Zarrilli | Taylor & Francis | 9422 | 0 |
| Blade Runner 2049 | Taylor & Francis | 9422 | 0 | |
| Teaching Acting with Practical Aesthetics | Troy Dobosiewicz | Taylor & Francis | 9422 | 0 |
| John Dowland | K. Dawn Grapes | Taylor & Francis | 9422 | 0 |
| Teaching Strategies for Neurodiversity and Dyslexia in Actor Training | Petronilla Whitfield | Taylor & Francis | 9422 | 0 |
| Fiction's Truth | Danielle Szlawieniec-Haw | Taylor & Francis | 9422 | 0 |
| Intercultural Acting and Performer Training | Taylor & Francis | 9422 | 0 | |
| Disney Theatrical Productions | Amy Osatinski | Taylor & Francis | 9422 | 0 |
| Film, Philosophy, and Reality | Nathan Andersen | Taylor & Francis | 9422 | 0 |
| The Actor and the Character | Vladimir Mirodan | Taylor & Francis | 9422 | 0 |
| Psychology for Actors | Kevin Page | Taylor & Francis | 9422 | 0 |
| The Birth of Modern Theatre | Norman S. Poser | Taylor & Francis | 9422 | 0 |
| Cinema Against Doublethink | David Martin-Jones | Taylor & Francis | 9422 | 0 |
| Michael Chekhov | Franc Chamberlain | Taylor & Francis | 9422 | 0 |
| Changing Direction: A Practical Approach to Directing Actors in Film and Theatre | Lenore DeKoven | Taylor & Francis | 9422 | 0 |
| Acting & Auditioning for the 21st Century | Stephanie Barton-Farcas | Taylor & Francis | 9422 | 0 |
| Training Actors' Voices | Tara McAllister-Viel | Taylor & Francis | 9422 | 0 |
| Konstantin Stanislavsky | Bella Merlin | Taylor & Francis | 9422 | 0 |
| Physical Dramaturgy | Taylor & Francis | 9422 | 0 | |
| Advanced Consciousness Training for Actors | Kevin Page | Taylor & Francis | 9422 | 0 |
| Upper-Voice Structures and Compositional Process in the Ars Nova Motet | Anna Zayaruznaya | Taylor & Francis | 9422 | 0 |
| Vsevolod Meyerhold | Prof Jonathan Pitches | Taylor & Francis | 9422 | 0 |
| Jerzy Grotowski | James Slowiak/Jairo Cuesta | Taylor & Francis | 9422 | 0 |
| Jacques Copeau | Mark Evans | Taylor & Francis | 9422 | 0 |
| A Korean Approach to Actor Training | Jeungsook Yoo | Taylor & Francis | 9422 | 0 |
| The Moon Rises from the Ganges | Eugenio Barba | Taylor & Francis | 9422 | 0 |
| Performing in Comedy | Ian Wilkie | Taylor & Francis | 9422 | 0 |
| Deforming American Political Thought | Michael J. Shapiro | Taylor & Francis | 9422 | 0 |
| On Film | Stephen Mulhall | Taylor & Francis | 9422 | 0 |
| Shakespeare on Theatre | Robert Cohen | Taylor & Francis | 9422 | 0 |
| Acting Comedy | Taylor & Francis | 9422 | 0 | |
| Blade Runner | Taylor & Francis | 9422 | 0 | |
| What a Body Can Do | Ben Spatz | Taylor & Francis | 9422 | 0 |
| Dorothea Lange | David C King | Taylor & Francis | 9422 | 0 |
| Book of Sides: Original, One-Page Scenes for Actors and Directors | Dave Kost | Taylor & Francis | 9422 | 0 |
| The Training of Noh Actors and The Dove | David Griffiths | Taylor & Francis | 9422 | 0 |
| The Actor's Survival Handbook | Patrick Tucker/Christine Ozanne | Taylor & Francis | 9422 | 0 |
| Star Gazing | Jackie Stacey | Taylor & Francis | 9422 | 0 |
| Performer Training | Taylor & Francis | 9422 | 0 | |
| Hoyles Card Games | Taylor & Francis | 9422 | 0 | |
| Opera's Second Death | Slavoj Zizek/Mladen Dolar | Taylor & Francis | 9422 | 0 |
| The Actress | Karen Hollinger | Taylor & Francis | 9422 | 0 |
| Mulholland Drive | Taylor & Francis | 9422 | 0 | |
| Philosophy and Theatre | Tom Stern | Taylor & Francis | 9422 | 0 |
| Vertigo | Taylor & Francis | 9422 | 0 | |
| Jacques Lecoq and the British Theatre | Taylor & Francis | 9422 | 0 | |
| On Music | Theodore Gracyk | Taylor & Francis | 9422 | 0 |
| Yevgeny Vakhtangov | Andrei Malaev-Babel | Taylor & Francis | 9422 | 0 |
| An Actress Prepares | Rosemary Malague | Taylor & Francis | 9422 | 0 |
| New Sites For Shakespeare | John Russell Brown | Taylor & Francis | 9422 | 0 |
| The Craft of Comedy | Athene Seyler/Stephen Haggard | Taylor & Francis | 9422 | 0 |
| Russians in Britain | Taylor & Francis | 9422 | 0 | |
| Film Theory and Contemporary Hollywood Movies | Taylor & Francis | 9422 | 0 | |
| The Actor, Image, and Action | Rhonda Blair | Taylor & Francis | 9422 | 0 |
| Acting from Shakespeare's First Folio | Don Weingust | Taylor & Francis | 9422 | 0 |
| Two Plays by Olga Mukhina | Taylor & Francis | 9422 | 0 | |
| Country House | Stanislav I. Witkiewicz/D. Gerould/D. Gerould | Taylor & Francis | 9422 | 0 |
| Post-war British Drama: Looking Back in Gender | Michelene Wandor | Taylor & Francis | 9422 | 0 |
| The Bible in Music | John F.A. Sawyer/Siobhán Dowling Long | Bloomsbury Publishing | 9458 | 2 |
| Ruth Etting | Kenneth Irwin/Charles O. Lloyd | Bloomsbury Publishing | 9458 | 2 |
| Marin Mersenne and the Study of Harmony | Leendert Miesen | Taylor & Francis | 9590 | 0 |
| Black Women Centre Stage | Paola Prieto López | Taylor & Francis | 9590 | 0 |
| Ethical Agility in Dance | Taylor & Francis | 9590 | 0 | |
| Staging Slavery | Taylor & Francis | 9590 | 0 | |
| Strategies for Survival at SIBIKWA 1988 – 2021 | Taylor & Francis | 9590 | 0 | |
| Gadamer’s Hermeneutical Aesthetics | Cynthia R. Nielsen | Taylor & Francis | 9590 | 0 |
| Sound Inventions | Taylor & Francis | 9590 | 0 | |
| Psalms in the Early Modern World | Linda Phyllis Austern/Kari Boyd McBride | Taylor & Francis | 9590 | 0 |
| Supernatural and Secular Power in Early Modern England | Marcus Harmes/Victoria Bladen | Taylor & Francis | 9590 | 0 |
| Ceremonial Entries in Early Modern Europe | Taylor & Francis | 9590 | 0 | |
| Tonus Peregrinus: The History of a Psalm-tone and its use in Polyphonic Music | Mattias Lundberg | Taylor & Francis | 9590 | 0 |
| Production Pipeline Fundamentals for Film and Games | Renee Dunlop | CRC Press | 9590 | 0 |
| Music Apps for Musicians and Music Teachers | Elizabeth C. Axford | Bloomsbury Publishing | 9591 | 2 |
| Movement | Theresa Mitchell | Bloomsbury Publishing | 9591 | 2 |
| Seeing as Practice | Eva Schuermann | Springer International Publishing | 9723 | 0 |
| Disney and the Dialectic of Desire | Joseph Zornado | Springer International Publishing | 9723 | 0 |
| #RichTV Breaking In | Rich Morrow | Breaking In Vol. 1 | 9724 | 0 |
| A House on Fire | John A. Jackson | Oxford University Press | 9724 | 0 |
| Virtual Reality Audio | Anıl Çamcı/Jason Corey | Taylor & Francis | 9758 | 0 |
| Commedia dell’Arte | Taylor & Francis | 9758 | 0 | |
| Zombies, Werewolves, Robots, and Extraterrestrials | Gerald Large | Taylor & Francis | 9758 | 0 |
| Stanislavsky and Place | Taylor & Francis | 9758 | 0 | |
| Shaping Sound in the Studio and Beyond | Gary Gottlieb/Mike Testa | Taylor & Francis | 9758 | 0 |
| Women and Age on the UK Stage | Bridie Moore | Taylor & Francis | 9758 | 0 |
| Sound Signatures | Nick Feldman | Taylor & Francis | 9758 | 0 |
| Stanislavsky and Screen Actor Training | Taylor & Francis | 9758 | 0 | |
| The Frantic Assembly Book of Devising Theatre | Scott Graham/Steven Hoggett | Taylor & Francis | 9758 | 0 |
| Making Synthwave | Jess Blaise Ward | Taylor & Francis | 9758 | 0 |
| Milestones in Actor Training | Taylor & Francis | 9758 | 0 | |
| Principles of Electronic Music Production | Thomas Brett | Taylor & Francis | 9758 | 0 |
| Carlo Boso | Peter Jordan/Olly Crick | Taylor & Francis | 9758 | 0 |
| Being Black and British | Taylor & Francis | 9758 | 0 | |
| Fitzmaurice Voicework | Catherine Fitzmaurice/Michael Morgan | Taylor & Francis | 9758 | 0 |
| Temporary Stages III | Jo Beth Gonzalez | Taylor & Francis | 9758 | 0 |
| Stanislavsky and Mindfulness | Taylor & Francis | 9758 | 0 | |
| Actor Trainers on Acting | Taylor & Francis | 9758 | 0 | |
| How to Rehearse a Scene | Timothy Johnson | Taylor & Francis | 9758 | 0 |
| Practicing Archetype | Göze Saner | Taylor & Francis | 9758 | 0 |
| Race and Beauty | Josie Schoel | Taylor & Francis | 9758 | 0 |
| Music Production in the Music City | Yanto Browning | Taylor & Francis | 9758 | 0 |
| Three Plays by Luis Valdez | Luis Valdez | Taylor & Francis | 9758 | 0 |
| Stanislavsky and Gender | Taylor & Francis | 9758 | 0 | |
| Aesthetic Noise | Mary G. Mazurek | Taylor & Francis | 9758 | 0 |
| Radical Sensing and Performer Training | Rebecca Loukes | Taylor & Francis | 9758 | 0 |
| Play with Sound | Tommaso Rosati/Timothy Hsu | Taylor & Francis | 9758 | 0 |
| Finding Your Voice in Radio, Audio, and Podcast Production | Rob Quicke | Taylor & Francis | 9758 | 0 |
| Independent Performing Arts in Europe | Thomas Fabian Eder | Taylor & Francis | 9758 | 0 |
| Bourdieu in the Studio | Evi Stamatiou | Taylor & Francis | 9758 | 0 |
| America Under the Influence | Chloë Rae Edmonson | Taylor & Francis | 9758 | 0 |
| The Loss of Small White Clouds | Morgan Batch | Taylor & Francis | 9758 | 0 |
| Contemporary Storytelling Performance | Stephe Harrop | Taylor & Francis | 9758 | 0 |
| Puppet and Spirit: Ritual, Religion, and Performing Objects | Taylor & Francis | 9758 | 0 | |
| Reconstructing Performance Art | Taylor & Francis | 9758 | 0 | |
| Contemporary Irish Theatre and Social Change | Emer O'Toole | Taylor & Francis | 9758 | 0 |
| Shakespeare and Cultural Appropriation | Taylor & Francis | 9758 | 0 | |
| Vocal Traditions | Taylor & Francis | 9758 | 0 | |
| Venus’s Palace | Reut Barzilai | Taylor & Francis | 9758 | 0 |
| Songs of Tagore | Rabindranath Tagore/Satyajit Ray | Taylor & Francis | 9758 | 0 |
| A Sourcebook of Performance Labor | Joey Orr | Taylor & Francis | 9758 | 0 |
| Harold Pinter's Shakespeare | Charles Morton | Taylor & Francis | 9758 | 0 |
| Imitation and Contamination of the Classics in the Comedies of Ben Jonson | Tom Harrison | Taylor & Francis | 9758 | 0 |
| Devised Theater’s Collaborative Performance | Telory D Arendell | Taylor & Francis | 9758 | 0 |
| Digital Space and Embodiment in Contemporary Cinema | Jennifer Kirby | Taylor & Francis | 9758 | 0 |
| The Dardenne Brothers’ Cinematic Parables | Joel Mayward | Taylor & Francis | 9758 | 0 |
| Appropriations of Irish Drama in Modern Korean Nationalist Theatre | Hunam Yun | Taylor & Francis | 9758 | 0 |
| From Playtext to Performance on the Early Modern Stage | Leslie Thomson | Taylor & Francis | 9758 | 0 |
| Deburau | Edward Nye | Taylor & Francis | 9758 | 0 |
| Posthuman and Nonhuman Entanglements in Contemporary Art and the Body | Justyna Stępień | Taylor & Francis | 9758 | 0 |
| Copeau/Decroux, Irving/Craig | Thomas Leabhart | Taylor & Francis | 9758 | 0 |
| Shakespeare’s Contested Nations | L. Monique Pittman | Taylor & Francis | 9758 | 0 |
| ASHÉ | Taylor & Francis | 9758 | 0 | |
| Dancehall In/Securities | Taylor & Francis | 9758 | 0 | |
| Artist Management for the Music Business | Paul Allen | Taylor & Francis | 9758 | 0 |
| Aesthetic Collectives | Andrew Wiskowski | Taylor & Francis | 9758 | 0 |
| Borderlands Children’s Theatre | Cecilia Josephine Aragón | Taylor & Francis | 9758 | 0 |
| Eugene O'Neill's Philosophy of Difficult Theatre | Jeremy Killian | Taylor & Francis | 9758 | 0 |
| Mysticism in the Theater | Tom Block | Taylor & Francis | 9758 | 0 |
| Chinese Traditional Theatre and Male Dan | Guo Chao | Taylor & Francis | 9758 | 0 |
| Venanzio Rauzzini and the Birth of a New Style in English Singing | Brianna E. Robertson-Kirkland | Taylor & Francis | 9758 | 0 |
| Pandemic Performance | Taylor & Francis | 9758 | 0 | |
| D’Oyly Carte | Paul Seeley | Taylor & Francis | 9758 | 0 |
| Home and Away | Taylor & Francis | 9758 | 0 | |
| French Theatre, Orientalism, and the Representation of India, 1770-1865 | David Hammerbeck | Taylor & Francis | 9758 | 0 |
| Cognition, Emotion, and Aesthetics in Contemporary Serial Television | Taylor & Francis | 9758 | 0 | |
| The Piscatorbühne Century | Drew Lichtenberg | Taylor & Francis | 9758 | 0 |
| Researching Live Music | Taylor & Francis | 9758 | 0 | |
| Lars von Trier's Cinema | Rebecca Ver Straten-McSparran | Taylor & Francis | 9758 | 0 |
| Philosophical Theories of Political Cinema | Angelo Emanuele Cioffi | Taylor & Francis | 9758 | 0 |
| Consent in Shakespeare | Artemis Preeshl | Taylor & Francis | 9758 | 0 |
| Rabindranath Tagore's Theatre | Abhijit Sen | Taylor & Francis | 9758 | 0 |
| Performances that Change the Americas | Taylor & Francis | 9758 | 0 | |
| Composing Audiovisually | Louise Harris | Taylor & Francis | 9758 | 0 |
| Love in Contemporary Cinema | Benjamín de la Pava Vélez | Taylor & Francis | 9758 | 0 |
| New Music and the Crises of Materiality | Samuel Wilson | Taylor & Francis | 9758 | 0 |
| Transnational Convergence of East Asian Pop Culture | Taylor & Francis | 9758 | 0 | |
| The Sound of a Room | Seán Street | Taylor & Francis | 9758 | 0 |
| Precariousness and the Performances of Welfare | Taylor & Francis | 9758 | 0 | |
| Sight, Sound and Text in the History of Education | Taylor & Francis | 9758 | 0 | |
| The Auditory Culture Reader | Taylor & Francis | 9758 | 0 | |
| Remixing European Jazz Culture | Kristin McGee | Taylor & Francis | 9758 | 0 |
| Opera Coaching | Alan Montgomery | Taylor & Francis | 9758 | 0 |
| Digital Sampling | Paul Harkins | Taylor & Francis | 9758 | 0 |
| The Lemonade Reader | Taylor & Francis | 9758 | 0 | |
| Ethics Goes to the Movies | Christopher Falzon | Taylor & Francis | 9758 | 0 |
| Queering Autoethnography | Stacy Holman Jones/Anne M. Harris | Taylor & Francis | 9758 | 0 |
| On Screen Acting | Edward Dmytryk/Jean Porter Dmytryk | Taylor & Francis | 9758 | 0 |
| Jazz and the Philosophy of Art | Lee B. Brown/David Goldblatt/Theodore Gracyk | Taylor & Francis | 9758 | 0 |
| Book of Sides II: Original, Two-Page Scenes for Actors and Directors | Dave Kost | Taylor & Francis | 9758 | 0 |
| Representing Duchess Anna Amalia's Bildung | Christina K. Lindeman | Taylor & Francis | 9758 | 0 |
| Cultural Exchange in Seventeenth-Century France and England | Gesa Stedman | Taylor & Francis | 9758 | 0 |
| European Theatre Performance Practice, 1580-1750 | Robert Henke | Taylor & Francis | 9758 | 0 |
| John Trumbull | Stuart A P Murray | Taylor & Francis | 9758 | 0 |
| Recording Voiceover | Tom Blakemore | Taylor & Francis | 9758 | 0 |
| Rastafari and the Arts | Darren Middleton | Taylor & Francis | 9758 | 0 |
| George Catlin | Richard Worth | Taylor & Francis | 9758 | 0 |
| Film, Theory and Philosophy | Felicity Colman | Taylor & Francis | 9758 | 0 |
| Deleuze on Cinema | Ronald Bogue | Taylor & Francis | 9758 | 0 |
| Stanislavsky: A Life in Letters | Taylor & Francis | 9758 | 0 | |
| Practical Mastering | Mark Cousins/Russ Hepworth-Sawyer | Taylor & Francis | 9758 | 0 |
| Managing Performance Stress | David Pargman | Taylor & Francis | 9758 | 0 |
| Web Marketing for the Music Business | Tom Hutchison | Taylor and Francis | 9758 | 0 |
| Towards a Poor Theatre | Jerzy Grotowski | Taylor & Francis | 9758 | 0 |
| Live Audio: The Art of Mixing a Show | Dave Swallow | Taylor & Francis | 9758 | 0 |
| Eternal Sunshine of the Spotless Mind | Taylor & Francis | 9758 | 0 | |
| Thinking on Screen | Thomas E. Wartenberg | Taylor & Francis | 9758 | 0 |
| Jesus Dub | Robert Beckford | Taylor & Francis | 9758 | 0 |
| Crossing the Stage | Taylor & Francis | 9758 | 0 | |
| Philosophical Shakespeares | Taylor & Francis | 9758 | 0 | |
| Music and the Emotions | Malcolm Budd | Taylor & Francis | 9758 | 0 |
| Classical Form | William E. Caplin | Oxford University Press | 9867 | 0 |
| Computergestützte Archivierung von Tonträgern | Springer International Publishing | 9995 | 0 | |
| Black Acting Methods | Taylor & Francis | 10087 | 0 | |
| Interchangeable Parts | Victor Holtcamp | University of Michigan Press | 10089 | 0 |
| Recovery and Well-being in the Performing Arts | Taylor & Francis | 10095 | 0 | |
| Artificial Intelligence and Music Ecosystem | Taylor & Francis | 10095 | 0 | |
| Dance Music Manual | Rick Snoman | Taylor & Francis | 10095 | 0 |
| London Opera Observed 1711-1844, Volume I | Taylor & Francis | 10095 | 0 | |
| London Opera Observed 1711-1844, Volume V | Taylor & Francis | 10095 | 0 | |
| Modern Recording Techniques | David Miles Huber/Emiliano Caballero/Robert Runstein | Taylor & Francis | 10095 | 0 |
| Social Issues in Esports | Taylor & Francis | 10095 | 0 | |
| The Ethics of Virtual and Augmented Reality | Erick Jose Ramirez | Taylor & Francis | 10095 | 0 |
| Ecological Film Theory and Psychoanalysis | Robert Geal | Taylor & Francis | 10095 | 0 |
| Art, Representation, and Make-Believe | Taylor & Francis | 10095 | 0 | |
| In Search of Stanislavsky’s Creative State on the Stage | Gabriela Curpan | Taylor & Francis | 10095 | 0 |
| Contemporary Rehearsal Practice | Gary Cassidy | Taylor & Francis | 10095 | 0 |
| Property and Finance on the Post-Brexit London Stage | Michael Meeuwis | Taylor & Francis | 10095 | 0 |
| An Ethico-Phenomenology of Digital Art Practices | Giuseppe Torre | Taylor & Francis | 10095 | 0 |
| Partners of the Imagination | Robert Leach | Taylor & Francis | 10095 | 0 |
| Intellectual and Cultural Property | Fiona Macmillan | Taylor & Francis | 10095 | 0 |
| Somatic Voices in Performance Research and Beyond | Taylor & Francis | 10095 | 0 | |
| Film, History and Cultural Citizenship | Taylor & Francis | 10095 | 0 | |
| Sport, Film and National Culture | Taylor & Francis | 10095 | 0 | |
| The Routledge Companion to Performance Practitioners | Taylor & Francis | 10095 | 0 | |
| Dance and the Corporeal Uncanny | Philipa Rothfield | Taylor & Francis | 10095 | 0 |
| Minstrel Traditions | Kevin Byrne | Taylor & Francis | 10095 | 0 |
| The A to Z of Arts Management | Ann Tonks | Taylor & Francis | 10095 | 0 |
| Shakespeare in Singapore | Philip Smith | Taylor & Francis | 10095 | 0 |
| Civic Performance | Taylor & Francis | 10095 | 0 | |
| Ethics of Cinematic Experience | Orna Raviv | Taylor & Francis | 10095 | 0 |
| Mathematics and Music | James S. Walker/Gary Don | CRC Press | 10095 | 0 |
| Stunts of Late Nineteenth-Century New York | Kirstin Smith | Taylor & Francis | 10095 | 0 |
| Reframing Acting in the Digital Age | Artemis Preeshl | Taylor & Francis | 10095 | 0 |
| Why So Serious: On Philosophy and Comedy | Taylor & Francis | 10095 | 0 | |
| Affect and Embodied Meaning in Animation | Sylvie Bissonnette | Taylor & Francis | 10095 | 0 |
| Found Footage Horror Films | Peter Turner | Taylor & Francis | 10095 | 0 |
| Incapacity and Theatricality | Tony McCaffrey | Taylor & Francis | 10095 | 0 |
| Superhero Bodies | Taylor & Francis | 10095 | 0 | |
| Adapting Western Classics for the Chinese Stage | Shouhua Qi | Taylor & Francis | 10095 | 0 |
| Jacques Lecoq | Simon Murray | Taylor & Francis | 10095 | 0 |
| Contemporary Visual Culture and the Sublime | Taylor & Francis | 10095 | 0 | |
| Queercore | Curran Nault | Taylor & Francis | 10095 | 0 |
| Transformative Aesthetics | Erika Fischer-Lichte/Benjamin Wihstutz | Taylor & Francis | 10095 | 0 |
| Analytic Philosophy and the World of the Play | Michael Y. Bennett | Taylor & Francis | 10095 | 0 |
| Acting, Spectating, and the Unconscious | Maria Turri | Taylor & Francis | 10095 | 0 |
| The Camera-Eye Metaphor in Cinema | Christian Quendler | Taylor & Francis | 10095 | 0 |
| Film Text Analysis | Taylor & Francis | 10095 | 0 | |
| Appreciating the Art of Television | Ted Nannicelli | Taylor & Francis | 10095 | 0 |
| Performing Ethnicity, Performing Gender | Taylor & Francis | 10095 | 0 | |
| Early Race Filmmaking in America | Taylor & Francis | 10095 | 0 | |
| Audio Production Tips | Peter Dowsett | Taylor & Francis | 10095 | 0 |
| Recording Music on Location | Bruce Bartlett/Jenny Bartlett | Taylor & Francis | 10095 | 0 |
| Foreign Dialects | Lewis Herman/Marguerite Shalett Herman | Taylor & Francis | 10095 | 0 |
| Screen Acting | Taylor & Francis | 10095 | 0 | |
| The Body in Performance | Taylor & Francis | 10095 | 0 | |
| The SOS Guide to Live Sound | Paul White | Taylor & Francis | 10095 | 0 |
| Performing Beauty in Participatory Art and Culture | Falk Heinrich | Taylor & Francis | 10095 | 0 |
| The Rise and Fall of the Well-Made Play (Routledge Revivals) | John Russell Taylor | Taylor & Francis | 10095 | 0 |
| Interpreting Tyler Perry | Taylor & Francis | 10095 | 0 | |
| The Bodies That Were Not Ours | Coco Fusco | Taylor & Francis | 10095 | 0 |
| Acting and Performance for Animation | Derek Hayes | CRC Press | 10095 | 0 |
| Impro | Keith Johnstone | Taylor and Francis | 10095 | 0 |
| To Do This, You Must Know How | Lynn Abbot/Doug Seroff | University Press of Mississippi | 10096 | 0 |
| Vamping the Stage | Frederick Lau/Bart Barendregt/Dr. Yifen T. Beus/Professor Farzaneh Hemmasi/Professor Heesun Kim/Dr. Soojin Kim/Dr. Jennifer Milioto Matsue/Professor Joshua D. Pilzer/Dr. Russell P. Skelchy/Professor Sooi Beng Tan/Ricardo D. Trimillos/Yiman Wang/Professor Amanda Weidman/Andrew N. Weintraub/Christine R. Yano | University of Hawaii Press | 10298 | 0 |
| The Theatre Practice of Tadashi Suzuki | Paul Allain | Bloomsbury Publishing | 10298 | 0 |
| The Second Birth of Theatre | Mirosław Kocur | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 10319 | 0 |
| Althusser and Pasolini | Agon Hamza | Palgrave Macmillan US | 10331 | 0 |
| Queer Girls, Temporality and Screen Media | Whitney Monaghan | Palgrave Macmillan UK | 10331 | 0 |
| The Beatles - Complete Scores | The Beatles | Hal Leonard | 10357 | 0 |
| Performing Recovery | Zoe Zontou | Taylor & Francis | 10430 | 0 |
| No Mother, No Future | Kailin Wright | Taylor & Francis | 10430 | 0 |
| The Science of Arts Engagement | Agnieszka Wlazeł | Taylor & Francis | 10430 | 0 |
| In Search of the Performer’s Way | Jong Hyuk Song | Taylor & Francis | 10430 | 0 |
| Laughter, Power, and the Unconscious | Maria Grazia Turri/Bridget Escolme | Taylor & Francis | 10430 | 0 |
| Mattering Voices | Taylor & Francis | 10430 | 0 | |
| New Approaches to Ernst Lubitsch | Taylor & Francis | 10430 | 0 | |
| Aesthetics of Early Sound Film | Taylor & Francis | 10430 | 0 | |
| Special Effects on the Screen | Taylor & Francis | 10430 | 0 | |
| Shakespeare's 'Method' for Actors | Christine Ozanne | Taylor & Francis | 10430 | 0 |
| Mixing Secrets for the Small Studio | Mike Senior | Taylor & Francis | 10430 | 0 |
| Edward Albee and the Emergence of Difference and Diversity in US and World Theatre | Taylor & Francis | 10430 | 0 | |
| Black Activists Write Wheatley and Washington | Lurana Donnels O’Malley | Taylor & Francis | 10430 | 0 |
| Audio Engineering 101 | Tim Dittmar | Taylor & Francis | 10430 | 0 |
| Voice: Onstage and Off | Robert Barton/Rocco Dal Vera | Taylor & Francis | 10430 | 0 |
| From Stage to Studio | Amy Blier-Carruthers | Taylor & Francis | 10430 | 0 |
| Vladimir Nemirovich-Danchenko and the Moscow Art Theatre | Inna Solovyova | Taylor & Francis | 10430 | 0 |
| Contemporary Performance and Political Economy | Katerina Paramana | Taylor & Francis | 10430 | 0 |
| Performing Corporate Bodies | Sarah Saddler | Taylor & Francis | 10430 | 0 |
| Staging Muslims in Britain | Önder Çakırtaş | Taylor & Francis | 10430 | 0 |
| The Human Touch | Chloé Arros | Taylor & Francis | 10430 | 0 |
| Beyond Innocence | Adele Senior | Taylor & Francis | 10430 | 0 |
| Studies in Music, Words, and Imagery in Early Modern Europe | Barbara Russano Hanning | Taylor & Francis | 10430 | 0 |
| Living Death in Early Modern Drama | James Alsop | Taylor & Francis | 10430 | 0 |
| Transfiguring Tragedy | Ryder Thornton | Taylor & Francis | 10430 | 0 |
| Build AI-Enhanced Audio Plugins with C++ | Matthew John Yee-King | Taylor & Francis | 10430 | 0 |
| The Legacy of Stylistic Theatre in the Creation of a Modern Sinhala Drama in Sri Lanka | Lakshmi D. Bulathsinghala | Taylor & Francis | 10430 | 0 |
| The Shakespeare North Playhouse | Taylor & Francis | 10430 | 0 | |
| Theatre in Practice | Nick O'Brien | Taylor & Francis | 10430 | 0 |
| Meaning in the Midst of Performance | Gareth White | Taylor & Francis | 10430 | 0 |
| How Does Disability Performance Travel? | Taylor & Francis | 10430 | 0 | |
| La MaMa Experimental Theatre – A Lasting Bridge Between Cultures | Monica Cristini | Taylor & Francis | 10430 | 0 |
| Ibsen in the Decolonised South Asian Theatre | Taylor & Francis | 10430 | 0 | |
| The Music in the Data | Christopher White | Taylor & Francis | 10430 | 0 |
| Music Production Cultures | Brendan Anthony | Taylor & Francis | 10430 | 0 |
| Equestrian Drama | Taylor & Francis | 10430 | 0 | |
| Attention in Performance | Cassis Kilian | Taylor & Francis | 10430 | 0 |
| Scoring the Hollywood Actor in the 1950s | Gregory Camp | Taylor & Francis | 10430 | 0 |
| Why the Theatre | Taylor & Francis | 10430 | 0 | |
| Another Song for Europe | Ivan Raykoff | Taylor & Francis | 10430 | 0 |
| Icons of Sound | Taylor & Francis | 10430 | 0 | |
| Remixing Music Studies | Taylor & Francis | 10430 | 0 | |
| The Viola d’Amore | Rachael Durkin | Taylor & Francis | 10430 | 0 |
| Act Approach:The Use of Suggestion for Intergrated Learning | Lynn Dhority | Taylor & Francis | 10430 | 0 |
| Transcendence and Spirituality in Chinese Cinema | Kris H.K Chong | Taylor & Francis | 10430 | 0 |
| Performing Arts in Changing Societies | Taylor & Francis | 10430 | 0 | |
| The Operatic Archive | Colleen Renihan | Taylor & Francis | 10430 | 0 |
| Film Music in the Sound Era | Jonathan Rhodes Lee | Taylor & Francis | 10430 | 0 |
| Gerardo Diego’s Creation Myth of Music | Judith Stallings-Ward | Taylor & Francis | 10430 | 0 |
| Beggars Banquet and the Rolling Stones' Rock and Roll Revolution | Taylor & Francis | 10430 | 0 | |
| Einstein on the Beach: Opera beyond Drama | Taylor & Francis | 10430 | 0 | |
| Underground Rap as Religion | Jon Ivan Gill | Taylor & Francis | 10430 | 0 |
| Intelligent Music Production | Brecht De Man/Ryan Stables/Joshua D. Reiss | Taylor & Francis | 10430 | 0 |
| The Instrumental Consort Repertory of the Late Fifteenth Century | Jon Banks | Taylor & Francis | 10430 | 0 |
| Three New York Composers | Taylor & Francis | 10430 | 0 | |
| Kendrick Lamar and the Making of Black Meaning | Taylor & Francis | 10430 | 0 | |
| Popularisation and Populism in the Visual Arts | Taylor & Francis | 10430 | 0 | |
| Pop Music Production | Phil Harding | Taylor & Francis | 10430 | 0 |
| Haunted Europe | Taylor & Francis | 10430 | 0 | |
| Mapping India | Taylor & Francis | 10430 | 0 | |
| European Performative Theatre | Annamaria Cascetta | Taylor & Francis | 10430 | 0 |
| Philosophy and Film | Taylor & Francis | 10430 | 0 | |
| Screening Characters | Taylor & Francis | 10430 | 0 | |
| The Aesthetics of Self-Becoming | Paul Crowther | Taylor & Francis | 10430 | 0 |
| Masculinities and Desire | Marek Wojtaszek | Taylor & Francis | 10430 | 0 |
| The Art of Producing | David Gibson/Maestro Curtis | Taylor & Francis | 10430 | 0 |
| Melancholy Emotion in Contemporary Cinema | Francesco Sticchi | Taylor & Francis | 10430 | 0 |
| Live Music Production | Richard Ames | Taylor & Francis | 10430 | 0 |
| Pop Art and Popular Music | Melissa L. Mednicov | Taylor & Francis | 10430 | 0 |
| World Music Pedagogy, Volume II: Elementary Music Education | J. Christopher Roberts/Amy Beegle | Taylor & Francis | 10430 | 0 |
| Music�Psychoanalysis�Musicology | Taylor & Francis | 10430 | 0 | |
| Tracking Color in Cinema and Art | Edward Branigan | Taylor & Francis | 10430 | 0 |
| Trust in the World | Josef Früchtl | Taylor & Francis | 10430 | 0 |
| Music, Time, and Its Other | Roger Savage | Taylor & Francis | 10430 | 0 |
| The Passion for Music: A Sociology of Mediation | Antoine Hennion/translated by Margaret Rigaud | Taylor & Francis | 10430 | 0 |
| Isn’t that Clever | Steven Gimbel | Taylor & Francis | 10430 | 0 |
| Spectral Spaces and Hauntings | Taylor & Francis | 10430 | 0 | |
| Secrets of Acting Shakespeare | Patrick Tucker | Taylor & Francis | 10430 | 0 |
| Sentient Relics | Janice Baker | Taylor & Francis | 10430 | 0 |
| Collaborative Art in the Twenty-First Century | Taylor & Francis | 10430 | 0 | |
| Being Musically Attuned | Erik Wallrup | Taylor & Francis | 10430 | 0 |
| Acting in the Academy | Peter Zazzali | Taylor & Francis | 10430 | 0 |
| The Singing of the Strasbourg Protestants, 1523-1541 | Daniel Trocme-Latter | Taylor & Francis | 10430 | 0 |
| Current Controversies in Philosophy of Film | Katherine Thomson-Jones | Taylor & Francis | 10430 | 0 |
| Essential Acting | Brigid Panet | Taylor & Francis | 10430 | 0 |
| The Illuminated Theatre | Joe Kelleher | Taylor & Francis | 10430 | 0 |
| Performance and Phenomenology | Taylor & Francis | 10430 | 0 | |
| Learning How to Fall | T Nikki Cesare Schotzko | Taylor & Francis | 10430 | 0 |
| The Mannequins' Ball | Daniel Gerould/Bruno Jaslenski | Taylor & Francis | 10430 | 0 |
| The Simpleton | Sergei Kokovkin | Taylor & Francis | 10430 | 0 |
| Cine-Ethics | Taylor & Francis | 10430 | 0 | |
| Performance and the Politics of Space | Taylor & Francis | 10430 | 0 | |
| Theorizing Film Acting | Taylor & Francis | 10430 | 0 | |
| Gabriel Faure | Edward R. Phillips | Taylor & Francis | 10430 | 0 |
| Brecht Sourcebook | Taylor & Francis | 10430 | 0 | |
| Dodin and the Maly Drama Theatre | Maria Shevstova | Taylor & Francis | 10430 | 0 |
| Classical and Romantic Performing Practice | Clive Brown | Oxford University Press | 10439 | 0 |
| A Geometry of Music | Dmitri Tymoczko | Oxford University Press | 10439 | 0 |
| Crossing Central Europe | University of Toronto Press | 10500 | 0 | |
| Automobile et cinéma : un long-métrage | Louise Dumas | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 10577 | 0 |
| The Politics of Princely Entertainment | Valeria De Lucca | Oxford University Press | 10582 | 0 |
| Classical Recording | Caroline Haigh/John Dunkerley/Mark Rogers | Taylor & Francis | 10599 | 0 |
| Podcasting and Education | Taylor & Francis | 10599 | 0 | |
| The Audio Circuits Cookbook | Ethan Winer | Taylor & Francis | 10599 | 0 |
| Mixing in Flow | Jane Arnison | Taylor & Francis | 10599 | 0 |
| Crafting Short Screenplays That Connect | Claudia Hunter Johnson | Taylor & Francis | 10599 | 0 |
| Art of Sound | Andrew Knight-Hill/Emma Margetson | Taylor & Francis | 10599 | 0 |
| Game Audio Fundamentals | Keith Zizza | Taylor & Francis | 10599 | 0 |
| The Routledge Companion to Musical Theatre | Taylor & Francis | 10599 | 0 | |
| The Routledge Companion to Vsevolod Meyerhold | Taylor & Francis | 10599 | 0 | |
| The Routledge Handbook of Pink Floyd | Taylor & Francis | 10599 | 0 | |
| The Routledge Pantomime Reader | Taylor & Francis | 10599 | 0 | |
| The Classical Music Industry | Chris Dromey/Julia Haferkorn | Taylor & Francis | 10599 | 0 |
| Social Works | Shannon Jackson | Taylor & Francis | 10599 | 0 |
| Actor Training | Alison Hodge | Taylor and Francis | 10599 | 0 |
| Bringing the Body to the Stage and Screen | Annette Lust | Bloomsbury Publishing | 10640 | 2 |
| L’éclosion d’une parole de théâtre | Dominique Ninanne | P.I.E-Peter Lang S.A., Éditions Scientifiques Internationales | 10656 | 0 |
| Kunqu Masters on Chinese Theatrical Performance | Yip Siu Hing | Anthem Press | 10727 | 0 |
| Mix It! | Ian Corbett | Taylor & Francis | 10767 | 0 |
| The Routledge Handbook of Sound Design | Taylor & Francis | 10767 | 0 | |
| Women in Vinyl | Jenn D’Eugenio | Taylor & Francis | 10767 | 0 |
| Distortion in Music Production | Taylor & Francis | 10767 | 0 | |
| Recording Secrets for the Small Studio | Mike Senior | Taylor & Francis | 10767 | 0 |
| A Film-Philosophy of Ecology and Enlightenment | Rupert Read | Taylor & Francis | 10767 | 0 |
| Tragedy and Redress in Western Literature | Richard Gaskin | Taylor & Francis | 10767 | 0 |
| The Cognitive Basis of Aesthetics | Elena Fell/Ioanna Kopsiafti | Taylor & Francis | 10767 | 0 |
| Shylock on the Stage | Toby Lelyveld | Taylor & Francis | 10767 | 0 |
| Shadow Philosophy: Plato's Cave and Cinema | Nathan Andersen | Taylor & Francis | 10767 | 0 |
| Adolphe Appia | Richard C. Beacham | Taylor & Francis | 10767 | 0 |
| A Philosophy of the Screenplay | Ted Nannicelli | Taylor & Francis | 10767 | 0 |
| So Therefore... | Al Ruscio | Taylor & Francis | 10767 | 0 |
| Jacobean Public Theatre | Alexander Leggatt | Taylor & Francis | 10767 | 0 |
| Smile When the Raindrops Fall | Brian Anthony/Andy Edmonds | Bloomsbury Publishing | 10776 | 2 |
| Etienne Decroux and his Theatre Laboratory | Marco de Marinis | Taylor & Francis | 10929 | 3 |
| Aural Experience and Soundscape Management | Jenny Stanford Publishing | 10929 | 0 | |
| Modular Synthesis | Taylor & Francis | 10935 | 0 | |
| Recording Tips for Engineers | Tim Crich | Taylor & Francis | 10935 | 0 |
| In Search of Marie-Antoinette in the 1930s | T. Lawrence Larkin | Springer International Publishing | 10938 | 0 |
| Visible and Invisible Whiteness | Alice Mikal Craven | Springer International Publishing | 10938 | 0 |
| Boys, Bass and Bother | Jo Hall | Palgrave Macmillan UK | 10938 | 0 |
| Alfred Hitchcock's Vertigo and the Hermeneutic Spiral | Robert J. Belton | Springer International Publishing | 10938 | 0 |
| Why Are We Attracted to Sad Music? | Sandra Garrido | Springer International Publishing | 10938 | 0 |
| Anime Aesthetics | Alistair D. Swale | Palgrave Macmillan UK | 10938 | 0 |
| Being True to Works of Music | Julian Dodd | OUP Oxford | 11011 | 0 |
| The Kinetics of the Invisible | Matteo Bonfitto | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 11020 | 0 |
| The Art of Mixing | David Gibson | Taylor & Francis | 11103 | 0 |
| LO: TECH: POP: CULT | Taylor & Francis | 11103 | 0 | |
| Deep and Shallow | Shlomo Dubnov/Ross Greer | CRC Press | 11103 | 0 |
| The Routledge Companion to Performance Practitioners | Taylor & Francis | 11103 | 0 | |
| The Routledge Companion to Cyberpunk Culture | Taylor & Francis | 11103 | 0 | |
| The Routledge Anthology of British Women Playwrights, 1777-1843 | Taylor & Francis | 11103 | 0 | |
| The Routledge Companion to Shakespeare and Philosophy | Taylor & Francis | 11103 | 0 | |
| The Routledge Companion to Criticality in Art, Architecture, and Design | Taylor & Francis | 11103 | 0 | |
| Reel Racism | Vincent F. Rocchio | Taylor & Francis | 11103 | 0 |
| Race, Gender, and Citizenship in the African Diaspora | Manoucheka Celeste | Taylor & Francis | 11103 | 0 |
| Nikolai Demidov | Nikolai Demidov | Taylor & Francis | 11103 | 0 |
| Gestures of Seeing in Film, Video and Drawing | Taylor & Francis | 11103 | 0 | |
| Horror Film and Affect | Xavier Aldana Reyes | Taylor & Francis | 11103 | 0 |
| The Emotional Life of Postmodern Film | Pansy Duncan | Taylor & Francis | 11103 | 0 |
| The Woman with the Artistic Brush | Kim Marie Vaz | Taylor & Francis | 11103 | 0 |
| Music Editing for Film and Television | Steven A. Saltzman | Taylor & Francis | 11103 | 0 |
| A Dream | Felicja Kruszewska | Taylor & Francis | 11103 | 0 |
| The Casting Handbook | Suzy Catliff/Jennifer Granville | Taylor & Francis | 11103 | 0 |
| Psychophysical Acting | Phillip B. Zarrilli | Taylor & Francis | 11103 | 0 |
| The Cinematic Tourist | Rodanthi Tzanelli | Taylor & Francis | 11103 | 0 |
| Mr Price, or Tropical Madness and Metaphysics of a Two- Headed Calf | Stanislaw Ignacy Witkiewicz | Taylor & Francis | 11103 | 0 |
| Phenomenology for Actors | Daniel Johnston | Intellect Books | 11155 | 0 |
| New Territories | P.I.E-Peter Lang S.A., Éditions Scientifiques Internationales | 11198 | 0 | |
| How Does It Sound Now? | Gary Gottlieb | Taylor & Francis | 11272 | 0 |
| Auditory Interfaces | Stefania Serafin/Bill Buxton/Bill Gaver/Sara Bly | Taylor & Francis | 11272 | 0 |
| Recording the Classical Guitar | Mark Marrington | Taylor & Francis | 11272 | 0 |
| Mastering in Music | Taylor & Francis | 11272 | 0 | |
| Audio Education | Taylor & Francis | 11272 | 0 | |
| Recording Analysis | William Moylan | Taylor & Francis | 11272 | 0 |
| The Routledge Handbook to Music under German Occupation, 1938-1945 | Taylor & Francis | 11272 | 0 | |
| HONK! | Taylor & Francis | 11272 | 0 | |
| Voices Found | Chris Tonelli | Taylor & Francis | 11272 | 0 |
| The Politics of Musical Identity | Annegret Fauser | Taylor & Francis | 11272 | 0 |
| Surrealism in Film | William Earle | Taylor & Francis | 11272 | 0 |
| Early English Viols: Instruments, Makers and Music | Michael Fleming/John Bryan | Taylor & Francis | 11272 | 0 |
| Scoring the Score | Ian Sapiro | Taylor & Francis | 11272 | 0 |
| Reification and the Aesthetics of Music | Jonathan Lewis | Taylor & Francis | 11272 | 0 |
| Cinematic Ethics | Robert Sinnerbrink | Taylor & Francis | 11272 | 0 |
| Acting Shakespeare | Bertram Leon Joseph | Taylor & Francis | 11272 | 0 |
| Philosophy Goes to the Movies | Christopher Falzon | Taylor & Francis | 11272 | 0 |
| City Images | Mary Ann Caws | Taylor & Francis | 11272 | 0 |
| The Politics of American Actor Training | Taylor & Francis | 11272 | 0 | |
| An Actor's Work on a Role | Konstantin Stanislavski | Taylor & Francis | 11272 | 0 |
| Movement Training for the Modern Actor | Mark Evans | Taylor & Francis | 11272 | 0 |
| Crossing Cultural Borders Through the Actor's Work | Cláudia Tatinge Nascimento | Taylor & Francis | 11272 | 0 |
| An Actor's Work | Konstantin Stanislavski | Taylor and Francis | 11272 | 0 |
| The Philosophy of Horror | Noel Carroll | Taylor and Francis | 11272 | 0 |
| Elements of Sonata Theory | James Hepokoski/Warren Darcy | Oxford University Press | 11298 | 0 |
| The Routledge Companion to Performance-Related Concepts in Non-European Languages | Taylor & Francis | 11440 | 0 | |
| Acting in Musical Theatre | Joe Deer/Rocco Dal Vera | Taylor & Francis | 11440 | 0 |
| Routledge Handbook of Physical Cultural Studies | Taylor & Francis | 11440 | 0 | |
| A Strange Proximity | Jon Foley Sherman | Taylor & Francis | 11440 | 0 |
| Physical Theatres | Simon Murray/John Keefe | Taylor & Francis | 11440 | 0 |
| The Architecture of the Illusive Distance | Amir H. Ameri | Taylor & Francis | 11440 | 0 |
| Representations of Black Women in the Media | Marquita Marie Gammage | Taylor & Francis | 11440 | 0 |
| On Not Looking | Taylor & Francis | 11440 | 0 | |
| The Routledge Companion to Commedia dell'Arte | Taylor & Francis | 11440 | 0 | |
| Arthur Lessac's Embodied Actor Training | Melissa Hurt | Taylor & Francis | 11440 | 0 |
| Haptic Allegories | Kathleen Gough | Taylor & Francis | 11440 | 0 |
| Improvisation Hypermedia and the Arts since 1945 | Roger Dean/Hazel Smith | Taylor & Francis | 11440 | 0 |
| Boys, Boyz, Bois | Keith Harris | Taylor & Francis | 11440 | 0 |
| The Screenplay Business | Peter Bloore | Taylor & Francis | 11440 | 0 |
| The Science of Sound Recording | Jay Kadis | Taylor & Francis | 11440 | 0 |
| Blaxploitation Films of the 1970s | Novotny Lawrence | Taylor & Francis | 11440 | 0 |
| Words and Songs of Bessie Smith, Billie Holiday, and Nina Simone | Melanie E. Bratcher | Taylor & Francis | 11440 | 0 |
| Lightwork | Patrick Duggan | Intellect Books | 11441 | 0 |
| From Servant to Savant | Rebecca Dowd Geoffroy-Schwinden | Oxford University Press | 11441 | 0 |
| ‘Dancing As If Language No Longer Existed’ | Katarzyna Ojrzynska | Peter Lang AG, Internationaler Verlag der Wissenschaften | 11457 | 0 |
| Analysing Popular Music | David Machin | SAGE Publications | 11592 | 0 |
| Acoustics of Multi-Use Performing Arts Centers | Mark Holden | CRC Press | 11608 | 0 |
| Designing Software Synthesizer Plugins in C++ | Will C. Pirkle | Taylor & Francis | 11608 | 0 |
| Women in Audio | Leslie Gaston-Bird | Taylor & Francis | 11608 | 0 |
| Modern MIDI | Sam McGuire | Taylor & Francis | 11608 | 0 |
| Analog Synthesizers: Understanding, Performing, Buying | Mark Jenkins | Taylor & Francis | 11608 | 0 |
| Schubert the Progressive | Taylor & Francis | 11608 | 0 | |
| The Ashgate Research Companion to Popular Musicology | Taylor & Francis | 11608 | 0 | |
| Philosophy and Film | Taylor & Francis | 11608 | 0 | |
| Upstairs and Downstairs | Bloomsbury Publishing | 11840 | 2 | |
| Analyzing Recorded Music | Taylor & Francis | 11945 | 0 | |
| Doing Research in Sound Design | Taylor & Francis | 11945 | 0 | |
| Sound and Image | Taylor & Francis | 11945 | 0 | |
| The Popular Song Reader | William E Studwell/Frank Hoffmann/Beulah B Ramirez | Taylor & Francis | 11945 | 0 |
| Foundations in Sound Design for Interactive Media | Taylor & Francis | 11945 | 0 | |
| Foundations in Sound Design for Linear Media | Taylor & Francis | 11945 | 0 | |
| Foundations in Sound Design for Embedded Media | Taylor & Francis | 11945 | 0 | |
| Movement | Robert Barton/Barbara Sellers-Young | Taylor & Francis | 11945 | 0 |
| The Routledge Companion to Jacques Lecoq | Taylor & Francis | 11945 | 0 | |
| The Major Plays of Nikolai Erdman | Nikolai Erdman | Taylor & Francis | 11945 | 0 |
| The Antihero in American Television | Margrethe Bruun Vaage | Taylor & Francis | 11945 | 0 |
| Embodied Metaphors in Film, Television, and Video Games | Taylor & Francis | 11945 | 0 | |
| The Myth of Post-Racialism in Television News | Libby Lewis | Taylor & Francis | 11945 | 0 |
| Bakhtin and Theatre | Dick Mccaw | Taylor & Francis | 11945 | 0 |
| Philosophy of Song and Singing | Jeanette Bicknell | Taylor & Francis | 11945 | 0 |
| Music and Aesthetic Reality | Nick Zangwill | Taylor & Francis | 11945 | 0 |
| Acting with Grotowski | Zbigniew Cynkutis | Taylor & Francis | 11945 | 0 |
| In the Box Music Production: Advanced Tools and Techniques for Pro Tools | Mike Collins | Taylor & Francis | 11945 | 0 |
| A Broadcast Engineering Tutorial for Non-Engineers | Skip Pizzi/Graham Jones | Taylor & Francis | 11945 | 0 |
| Logic Pro X | Mark Cousins/Russ Hepworth-Sawyer | Taylor & Francis | 11945 | 0 |
| Postmodern Music/Postmodern Thought | Taylor & Francis | 11945 | 0 | |
| Sound Engineer's Pocket Book | Taylor & Francis | 11945 | 0 | |
| Adorno on Music | Robert W. Witkin | Taylor & Francis | 11945 | 0 |
| Race, Philosophy, and Film | Taylor & Francis | 11945 | 0 | |
| Arts Marketing | Finola Kerrigan/Peter Fraser/Mustafa Ozbilgin | Taylor & Francis | 11945 | 0 |
| The Path Of The Actor | Michael Chekhov | Taylor & Francis | 11945 | 0 |
| Dialects for the Stage | Evangeline Machlin | Taylor & Francis | 11945 | 0 |
| Inventing the Recording | Eva Moreda Rodríguez | Oxford University Press | 12013 | 0 |
| The Representation of Economics in Cinema | Santiago Sanchez-Pages | Springer International Publishing | 12154 | 0 |
| The Intertextual Knot | Dario Martinelli | Springer International Publishing | 12154 | 0 |
| Emotional Ethics of The Hunger Games | Tarja Laine | Springer International Publishing | 12154 | 0 |
| Concert Halls by Nagata Acoustics | Yasuhisa Toyota/Motoo Komoda/Daniel Beckmann/Marc Quiquerez/Erik Bergal | Springer International Publishing | 12154 | 0 |
| Sequential Decision-Making in Musical Intelligence | Elad Liebman | Springer International Publishing | 12154 | 0 |
| Computational Phonogram Archiving | Springer International Publishing | 12154 | 0 | |
| Samuel Beckett's Critical Aesthetics | Tim Lawrence | Springer International Publishing | 12154 | 0 |
| From Content-based Music Emotion Recognition to Emotion Maps of Musical Pieces | Jacek Grekow | Springer International Publishing | 12154 | 0 |
| Black Masculinity on Film | Daniel O'Brien | Palgrave Macmillan UK | 12154 | 0 |
| Surrealism, Cinema, and the Search for a New Myth | Kristoffer Noheden | Springer International Publishing | 12154 | 0 |
| Baroque, Venice, Theatre, Philosophy | Will Daddario | Springer International Publishing | 12154 | 0 |
| Black Children in Hollywood Cinema | Debbie Olson | Springer International Publishing | 12154 | 0 |
| Theatre/Ecology/Cognition | T. Paavolainen | Palgrave Macmillan US | 12154 | 0 |
| The Recovery of Beauty: Arts, Culture, Medicine | Corinne Saunders/David Fuller | Palgrave Macmillan UK | 12154 | 0 |
| Musical Revolutions in German Culture | M. Hall | Palgrave Macmillan US | 12154 | 0 |
| The Helmholtz Legacy in Physiological Acoustics | Erwin Hiebert | Springer International Publishing | 12154 | 0 |
| Audience Participation in Theatre | G. White | Palgrave Macmillan UK | 12154 | 0 |
| Aesthetics and Politics in the Mexican Film Industry | M. MacLaird | Palgrave Macmillan US | 12154 | 0 |
| Music and Child Development | Springer New York | 12154 | 0 | |
| An Introduction to the Phenomenology of Performance Art | T. J. Bacon | Intellect Books | 12157 | 0 |
| Dancer – Researcher – Performer: A Learning Process | Graziela Rodrigues | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 12251 | 0 |
| Innovation in Music: Innovative Creative Practice | Taylor & Francis | 12282 | 0 | |
| Innovation in Music: Current Research Perspectives | Taylor & Francis | 12282 | 0 | |
| Games for Actors and Non-Actors | Augusto Boal | Taylor & Francis | 12282 | 0 |
| The Routledge Anthology of Restoration and Eighteenth-Century Performance | Taylor & Francis | 12282 | 0 | |
| World Cinema | Shekhar Deshpande/Meta Mazaj | Taylor & Francis | 12282 | 0 |
| The Odin Teatret Archives | Mirella Schino | Taylor & Francis | 12282 | 0 |
| Tragedy and Dramatic Theatre | Hans-Thies Lehmann | Taylor & Francis | 12282 | 0 |
| A Critical Companion to Lynn Nottage | Taylor & Francis | 12282 | 0 | |
| The Routledge Companion to Michael Chekhov | Taylor & Francis | 12282 | 0 | |
| Film Theory | Thomas Elsaesser/Malte Hagener | Taylor & Francis | 12282 | 0 |
| Postcolonial Plays | Taylor & Francis | 12282 | 0 | |
| The EDCF Guide to Digital Cinema Production | Taylor & Francis | 12282 | 0 | |
| College Fight Songs | William E Studwell/Bruce R Schueneman | Taylor & Francis | 12282 | 0 |
| Acting (Re)Considered | Taylor & Francis | 12282 | 0 | |
| Understanding Dance | Graham McFee | Taylor & Francis | 12282 | 0 |
| Modern Drama by Women 1880s-1930s | Taylor & Francis | 12282 | 0 | |
| Actress | Yvonne Mitchell | Taylor & Francis | 12450 | 0 |
| Restoration Theatre Production | Jocelyn Powell | Taylor & Francis | 12450 | 0 |
| Voice and Identity | Taylor & Francis | 12450 | 0 | |
| Audio Anecdotes | CRC Press | 12450 | 0 | |
| Mixing Audio | Roey Izhaki | Taylor & Francis | 12450 | 0 |
| Out of Time? | Taylor & Francis | 12450 | 0 | |
| Sound and Recording | Francis Rumsey | Taylor & Francis | 12450 | 0 |
| Experiencing of Musical Sound | F. J. Smith | Taylor & Francis | 12450 | 0 |
| Gender in Music Production | Taylor & Francis | 12450 | 0 | |
| British Nautical Melodramas, 1820–1850 | Arnold Schmidt | Taylor & Francis | 12450 | 0 |
| British Nautical Melodramas, 1820–1850 | Arnold Schmidt | Taylor & Francis | 12450 | 0 |
| Optimal Audio and Video Reproduction at Home | Vincent Verdult | Taylor & Francis | 12450 | 0 |
| Game Audio with FMOD and Unity | Ciarán Robinson | Taylor & Francis | 12450 | 0 |
| Contemporary Music | Irène Deliège | Taylor & Francis | 12450 | 0 |
| Dynastic Marriages 1612/1615 | Taylor & Francis | 12450 | 0 | |
| Music and the Modern Condition: Investigating the Boundaries | Ljubica Ilic | Taylor & Francis | 12450 | 0 |
| Music, Masculinity and the Claims of History | Ian Biddle | Taylor & Francis | 12450 | 0 |
| Your Murderer | Vassily Aksyonov | Taylor & Francis | 12450 | 0 |
| Music and Marx | Taylor & Francis | 12450 | 0 | |
| Psychoakustische Schallfeldsynthese für Musik | Tim Ziemer | Springer International Publishing | 12722 | 0 |
| Hearing Homophony | Megan Kaes Long | Oxford University Press | 12728 | 0 |
| The Dissident Politics in Václav Havel’s Vanek Plays | Carol Strong | Bloomsbury Publishing | 12907 | 2 |
| The Encyclopedia of Martial Arts Movies | Bill Palmer/Karen Palmer/Ric Meyers | Bloomsbury Publishing | 12907 | 0 |
| V-Ray 5 for 3ds Max 2020 | Jamie Cardoso | CRC Press | 12955 | 0 |
| Brecht and Critical Theory | Sean Carney | Taylor & Francis | 12955 | 0 |
| Producing Music | Taylor & Francis | 12955 | 0 | |
| Cognitive Media Theory | Taylor & Francis | 12955 | 0 | |
| Adolphe Appia: Artist and Visionary of the Modern Theatre | Richard C. Beacham | Taylor & Francis | 12955 | 0 |
| Pro Tools 11 | Mike Collins | Taylor & Francis | 12955 | 0 |
| Sound Engineering Explained | Michael Talbot-Smith | Taylor and Francis | 12955 | 0 |
| Contemporary African American Women Playwrights | Taylor & Francis | 12955 | 0 | |
| Science and the Stanislavsky Tradition of Acting | Jonathan Pitches | Taylor & Francis | 12955 | 0 |
| Commedia Dell'Arte: An Actor's Handbook | John Rudlin | Taylor & Francis | 12955 | 0 |
| A Cultural History of Comedy in the Age of Enlightenment | Professor Eric Weitz/Professor Andrew McConnell Stott | Bloomsbury Publishing | 12991 | 0 |
| Bernard Shaw in Brazil | Rosalie Rahal Haddad | Peter Lang AG, Internationaler Verlag der Wissenschaften | 13123 | 0 |
| The Improvisation Studies Reader | Taylor & Francis | 13123 | 0 | |
| The World of Physical Culture in Sport and Exercise | Taylor & Francis | 13123 | 0 | |
| Acting Power | Robert Cohen | Taylor and Francis | 13123 | 0 |
| Franz Liszt | Michael Saffle | Taylor & Francis | 13123 | 0 |
| Compression Mode | Stephen Kennedy | Bloomsbury Publishing | 13136 | 2 |
| The Sound of Ontology | Kenneth LaFave | Bloomsbury Publishing | 13136 | 2 |
| Metatheater and Modernity | Mary Ann Frese Witt | Bloomsbury Publishing | 13136 | 2 |
| A Catalog of Music Written in Honor of Martin Luther King Jr. | Bloomsbury Publishing | 13136 | 2 | |
| Johana Harris | Ethel Paquin | Bloomsbury Publishing | 13136 | 2 |
| Reminded by the Instruments | You Nakai | Oxford University Press | 13156 | 0 |
| The Solfeggio Tradition | Nicholas Baragwanath | Oxford University Press | 13156 | 0 |
| The Physiognomical Discourse and European Theatre | Maria-Christina Mur | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 13209 | 0 |
| Acting and its Refusal in Theatre and Film | Marian McCurdy | Intellect Books | 13275 | 0 |
| Die Praxis der/des Echo | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 13301 | 0 | |
| Interkulturalitaet und Transkulturalitaet in Drama, Theater und Film | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 13301 | 0 | |
| Dancing an Embodied Sinthome | Megan Sherritt | Springer Nature Switzerland | 13369 | 0 |
| New Media and the Artaud Effect | Jay Murphy | Springer International Publishing | 13369 | 0 |
| The Cinematic Superhero as Social Practice | Joseph Zornado/Sara Reilly | Springer International Publishing | 13369 | 0 |
| Mapping Precarity in Contemporary Cinema and Television | Francesco Sticchi | Springer International Publishing | 13369 | 0 |
| Classical Guitar Design | Giuseppe Cuzzucoli/Mario Garrone | Springer International Publishing | 13369 | 0 |
| Blockbuster Performances | Daniel Smith-Rowsey | Palgrave Macmillan UK | 13369 | 0 |
| Film Stardom and the Ancient Past | Michael Williams | Palgrave Macmillan UK | 13369 | 0 |
| Dance’s Duet with the Camera | Palgrave Macmillan UK | 13369 | 0 | |
| The Hip-Hop Underground and African American Culture | J. Peterson | Palgrave Macmillan US | 13369 | 0 |
| John Cage's Concert for Piano and Orchestra | Martin Iddon/Philip Thomas | Oxford University Press | 13442 | 0 |
| Innovation in Music: Cultures and Contexts | Taylor & Francis | 13460 | 0 | |
| Innovation in Music: Technology and Creativity | Taylor & Francis | 13460 | 0 | |
| The Routledge Companion to Arts Management | Taylor & Francis | 13460 | 0 | |
| The Naked And The Undead | Cynthia Freeland | Taylor & Francis | 13460 | 0 |
| Music as Medicine | Taylor & Francis | 13460 | 0 | |
| The Music Trade in Georgian England | Taylor & Francis | 13460 | 0 | |
| Acting and Character Animation | Rolf Giesen/Anna Khan | CRC Press | 13460 | 0 |
| Waterborne Pageants and Festivities in the Renaissance | Taylor & Francis | 13460 | 0 | |
| A Concise Survey of Music Philosophy | Donald A. Hodges | Taylor & Francis | 13460 | 0 |
| Sounding the Virtual: Gilles Deleuze and the Theory and Philosophy of Music | Nick Nesbitt | Taylor & Francis | 13460 | 0 |
| Towards a Twenty-First-Century Feminist Politics of Music | Sally Macarthur | Taylor & Francis | 13460 | 0 |
| Routledge Handbook of Media Law | Taylor & Francis | 13460 | 0 | |
| Spatial Audio | Francis Rumsey | Taylor & Francis | 13460 | 0 |
| Olympic Media | Andrew Billings | Taylor & Francis | 13460 | 0 |
| Mixing with Impact | Wessel Oltheten | Taylor & Francis | 13628 | 0 |
| Electronics for Vinyl | Douglas Self | Taylor & Francis | 13628 | 0 |
| Audio Processes | David Creasey | Taylor & Francis | 13628 | 0 |
| Aesthetics of Music | Taylor & Francis | 13628 | 0 | |
| The Routledge Companion to Philosophy and Film | Taylor & Francis | 13628 | 0 | |
| Structures of Feeling in Seventeenth-Century Cultural Expression | Susan McClary | University of Toronto Press | 13730 | 0 |
| Modern Theatres 1950–2020 | Taylor & Francis | 13796 | 0 | |
| Immigration and Contemporary British Theater | Victoria Sams | Peter Lang Inc., International Academic Publishers | 13823 | 0 |
| The Audio Expert | Ethan Winer/Michael Lawrence | Taylor & Francis | 13965 | 0 |
| Audio Production Worktext | Samuel J. Sauls/Craig A. Stark/Lowery A. Woodall III | Taylor & Francis | 13965 | 0 |
| The Collected Writings of Franz Liszt: F. Chopin | Bloomsbury Publishing | 13973 | 2 | |
| Gaming and the Virtual Sublime | Matthew Spokes | Emerald Publishing Limited | 14133 | 0 |
| Shakespeare in the Theatre: Reduced Shakespeare Company | Dr Ronan Hatfull/Stephen Purcell/Peter Holland/Dr. Farah Karim Cooper | Bloomsbury Publishing | 14159 | 0 |
| What Is Film? | Julie N. Books | Peter Lang Inc., International Academic Publishers | 14174 | 0 |
| Immersive Sound Volume II | Taylor & Francis | 14301 | 0 | |
| Sound Reinforcement for Audio Engineers | Taylor & Francis | 14301 | 0 | |
| Music as Creative Practice | Nicholas Cook | Oxford University Press | 14301 | 0 |
| The Routledge Anthology of Restoration and Eighteenth-Century Drama | Taylor & Francis | 14301 | 0 | |
| Experiencing Stanislavsky Today | Stephanie Daventry French/Philip G. Bennett | Taylor & Francis | 14301 | 0 |
| Contemporary British and Italian Sound Docudrama | Sabina Macchiavelli | Intellect Books | 14302 | 0 |
| Theatre for Lifelong Learning | Rae Mansfield/Linda Lau | Intellect Books | 14302 | 0 |
| On the Origins of Theater | Mirosław Kocur | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 14346 | 0 |
| Cruel Britannia | Jolene Armstrong | Peter Lang AG, Internationaler Verlag der Wissenschaften | 14531 | 0 |
| Performing Identity | Barry King | Springer International Publishing | 14585 | 0 |
| Anglo-American Stage and Screen Drama | Mike Ingham | Springer International Publishing | 14585 | 0 |
| Interactional Approach to Cinematic Discourse | Neda Chepinchikj | Springer International Publishing | 14585 | 0 |
| Jean-Luc Godard’s Political Filmmaking | Irmgard Emmelhainz | Springer International Publishing | 14585 | 0 |
| Theatricality and Performativity | Teemu Paavolainen | Springer International Publishing | 14585 | 0 |
| Steven Spielberg's Style by Stealth | James Mairata | Springer International Publishing | 14585 | 0 |
| When Warners Brought Broadway to Hollywood, 1923-1939 | Martin Shingler | Palgrave Macmillan UK | 14585 | 0 |
| Python beyond Python | Springer International Publishing | 14585 | 0 | |
| Music in Contemporary French Cinema | Phil Powrie | Springer International Publishing | 14585 | 0 |
| Complicite, Theatre and Aesthetics | Tomasz Wiśniewski | Springer International Publishing | 14585 | 0 |
| Contemporary Japanese Women’s Theatre and Visual Arts | Nobuko Anan | Palgrave Macmillan UK | 14585 | 0 |
| Playing Shakespeare's Villains | Peter Lang Inc., International Academic Publishers | 14732 | 0 | |
| Playing Shakespeare’s Lovers | Peter Lang Inc., International Academic Publishers | 14732 | 0 | |
| The Actor's Survival Guide | Jon S. Robbins | Bloomsbury Publishing | 14803 | 0 |
| The Essential Guide to Game Audio | Steve Horowitz | CRC Press | 14806 | 0 |
| Eargle's The Microphone Book | Ray Rayburn | Taylor & Francis | 14806 | 0 |
| Le corps de l’audible | Helga Finter | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 14953 | 0 |
| The Mathematical Theory of Tone Systems | Jan Haluska | CRC Press | 15143 | 0 |
| Coproduction | Robert Wilsmore/Christopher Johnson | Taylor & Francis | 15143 | 0 |
| Innovation in Music | Taylor & Francis | 15143 | 0 | |
| Music Production | Hans Weekhout | Taylor & Francis | 15143 | 0 |
| Loudspeaker Modelling and Design | Geoff Hill | Taylor & Francis | 15143 | 0 |
| Theater Planning | Gene Leitermann | Taylor & Francis | 15143 | 0 |
| Practical Recording Techniques | Bruce Bartlett/Jenny Bartlett | Taylor & Francis | 15143 | 0 |
| Radio Production | Robert McLeish/Jeff Link | Taylor & Francis | 15143 | 0 |
| Diversity and Design | Taylor & Francis | 15143 | 0 | |
| The Routledge Companion to Aesthetics | Taylor & Francis | 15143 | 0 | |
| The Economics of Sports Broadcasting | Chris Gratton/Harry Arne Solberg | Taylor & Francis | 15143 | 0 |
| Performativity in the Gallery | Peter Lang AG, Internationaler Verlag der Wissenschaften | 15146 | 0 | |
| The Question of Skill | Dr Adam J. Ledger | Bloomsbury Publishing | 15446 | 0 |
| A Musicology for Landscape | David Nicholas Buck | Taylor & Francis | 15478 | 0 |
| African American Folksong and American Cultural Politics | Bruce M. Conforth | Bloomsbury Publishing | 15501 | 2 |
| Wittgenstein at the Movies | Steven Burns/Andrew Lugg/William Lyons/Michael O'Pray/William C. Wees/Daniel Steuer | Bloomsbury Publishing | 15501 | 2 |
| Die Schwedischen Ballette – Les Ballets Suédois | Karin Dietrich | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 15575 | 0 |
| Versuch ueber Kundry | Chikako Kitagawa | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 15575 | 0 |
| Cracking Gilles Deleuze's Crystal | Barry Nevin | Edinburgh University Press | 15618 | 0 |
| The Power of Theater | Miroslaw Kocur | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 15640 | 0 |
| A Study on the Thematic, Narrative, and Musical Structure of Guan Hanqing’s Yuan «Zaju, Injustice to Dou E» | Yumin Ao | Peter Lang Inc., International Academic Publishers | 15748 | 0 |
| A Race Of Female Patriots | Brett Wilson | Bloomsbury Publishing | 15764 | 2 |
| No-Budget Feature Filmmaking in the Digital Era | Adam Nixon | Springer Nature Switzerland | 15800 | 0 |
| The Beatles and the Beatlesque: A Crossdisciplinary Analysis of Sound Production and Stylistic Impact | Dario Martinelli/Paolo Bucciarelli | Springer International Publishing | 15800 | 0 |
| Nonprofessional Film Performance | Miguel Gaggiotti | Springer International Publishing | 15800 | 0 |
| Embodying Adaptation | Christina Wilkins | Springer International Publishing | 15800 | 0 |
| Adaptation Considered as a Collaborative Art | Springer International Publishing | 15800 | 0 | |
| Acting Indie | Cynthia Baron/Yannis Tzioumakis | Palgrave Macmillan UK | 15800 | 0 |
| Dance and the Quality of Life | Springer International Publishing | 15800 | 0 | |
| The Child in Contemporary Latin American Cinema | Deborah Martin | Palgrave Macmillan US | 15800 | 0 |
| Terrence Malick’s Unseeing Cinema | James Batcho | Springer International Publishing | 15800 | 0 |
| Digital Bodies | Palgrave Macmillan UK | 15800 | 0 | |
| The Science of String Instruments | Springer New York | 15800 | 0 | |
| Beep to Boom | Simon Goodwin | Taylor & Francis | 15983 | 0 |
| Hack Audio | Eric Tarr | Taylor & Francis | 15983 | 0 |
| Acoustics and Psychoacoustics | David M. Howard/Jamie Angus | Taylor & Francis | 15983 | 0 |
| Expressiveness in music performance | OUP Oxford | 16017 | 0 | |
| The Commedia dell'Arte of Flaminio Scala | Bloomsbury Publishing | 16104 | 2 | |
| Clara and Robert Schumann in Context | Cambridge University Press | 16154 | 0 | |
| Why You Hear What You Hear | Eric J. Heller | Princeton University Press | 16154 | 0 |
| Chaos in Theater | Anna Grazia Cafaro | Peter Lang Inc., International Academic Publishers | 16277 | 0 |
| Sound Systems: Design and Optimization | Bob McCarthy | Taylor & Francis | 16320 | 0 |
| Componer Fuerzas | Guadalupe Lucero | Peter Lang Inc., International Academic Publishers | 16369 | 0 |
| International Entrepreneurship in the Arts | Lidia Varbanova | Taylor & Francis | 16488 | 0 |
| Characters and Surprises in Stand-up Comedy | Lorenzo Logi | Bloomsbury Publishing | 16733 | 0 |
| The Anatomy of Dance Discourse | Karin Schlapbach | OUP Oxford | 16733 | 0 |
| Small Signal Audio Design | Douglas Self | Taylor & Francis | 16825 | 0 |
| Audio Production and Critical Listening | Jason Corey | Taylor & Francis | 16825 | 0 |
| Virtual Character Design for Games and Interactive Media | Robin James Stuart Sloan | CRC Press | 16825 | 0 |
| Fanny Hensel and Felix Mendelssohn in Context | Cambridge University Press | 16827 | 0 | |
| On The Meta-category Of Chinese Music Aesthetics | Sai Yang/Li Ma | World Scientific Publishing Company | 16876 | 0 |
| Afrofuturism and Black Sound Studies | Erik Steinskog | Springer International Publishing | 17016 | 0 |
| Humour as Politics | Nicholas Holm | Springer International Publishing | 17016 | 0 |
| Signal Analysis of Hindustani Classical Music | Asoke Kumar Datta/Sandeep Singh Solanki/Ranjan Sengupta/Soubhik Chakraborty/Kartik Mahto/Anirban Patranabis | Springer Nature Singapore | 17016 | 0 |
| Acting and performance in Hitchcock | Manchester University Press | 17096 | 0 | |
| Creating Motion Graphics with After Effects | Chris Meyer/Trish Meyer | Taylor and Francis | 17161 | 0 |
| The Ritual Lament in Greek Tradition | Margaret Alexiou | Bloomsbury Publishing | 17171 | 2 |
| The Sound System Design Primer | Josh Loar | Taylor & Francis | 17329 | 0 |
| An Introduction to Music Technology | Dan Hosken | Taylor & Francis | 17329 | 0 |
| Performer Training Reconfigured | Mr Frank Camilleri | Bloomsbury Publishing | 17378 | 0 |
| Digital Compositing for Film and Video | Steve Wright | Taylor & Francis | 17498 | 0 |
| The Game Audio Strategy Guide | Gina Zdanowicz/Spencer Bambrick | Taylor & Francis | 17498 | 0 |
| Riddles at work in the early medieval tradition | Manchester University Press | 17500 | 0 | |
| Measured Tones | Ian Johnston | CRC Press | 17666 | 0 |
| Walls Have Feelings | Katherine Shonfield | Taylor & Francis | 17666 | 0 |
| Staging the Other in Nineteenth-Century British Drama | Peter Lang AG, Internationaler Verlag der Wissenschaften | 17678 | 0 | |
| Die Commedia dell’arte im Theater des 20. Jahrhunderts | Veit Bessenbacher | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 17678 | 0 |
| Loudspeakers | Philip Newell/Keith Holland | Taylor & Francis | 17834 | 0 |
| Metal Music Manual | Mark Mynett | Taylor & Francis | 17834 | 0 |
| Media Criticism in a Digital Age | Peter B. Orlik | Taylor & Francis | 17834 | 0 |
| Collected Writings of Charles Brockden Brown | Bloomsbury Publishing | 17866 | 2 | |
| Small Signal Audio Design | Douglas Self | Taylor & Francis | 18171 | 0 |
| Inhabiting Ustopia: Science Fiction in Film, Performing Arts, and Digital Media | Springer Nature Switzerland | 18231 | 0 | |
| Proceedings of the 9th Conference on Sound and Music Technology | Springer Nature Singapore | 18231 | 0 | |
| Proceedings of the 8th Conference on Sound and Music Technology | Springer Nature Singapore | 18231 | 0 | |
| Psychoacoustic Music Sound Field Synthesis | Tim Ziemer | Springer International Publishing | 18231 | 0 |
| Queering Childhood in Early Modern English Drama and Culture | Springer International Publishing | 18231 | 0 | |
| Embodied Philosophy in Dance | Einav Katan-Schmid | Palgrave Macmillan UK | 18231 | 0 |
| Knowing Bodies, Moving Minds | Springer Netherlands | 18231 | 0 | |
| Sound - Perception - Performance | Springer International Publishing | 18231 | 0 | |
| Emotion in Aesthetics | Warren A. Shibles | Springer Netherlands | 18231 | 0 |
| String Quartets in Beethoven’s Europe | Academic Studies Press | 18450 | 0 | |
| Literatura y ficción | Alfonso Martín Jiménez | Peter Lang AG, Internationaler Verlag der Wissenschaften | 18558 | 0 |
| The Routledge Companion to Philosophy and Music | Taylor & Francis | 18676 | 0 | |
| Sound Studio | Alec Nisbett | Taylor & Francis | 18676 | 0 |
| The Oxford Handbook of Timbre | Emily I. Dolan/Alexander Rehding | Oxford University Press | 18877 | 20 |
| Body Language in Film | Yang Yang | Springer Nature Singapore | 19447 | 0 |
| Advances in Speech and Music Technology | Springer International Publishing | 19447 | 0 | |
| Robotic Musicianship | Gil Weinberg/Mason Bretan/Guy Hoffman/Scott Driscoll | Springer International Publishing | 19447 | 0 |
| Hyper-specializing in Saxophone Using Acoustical Insight and Deep Listening Skills | Jonas Braasch | Springer International Publishing | 19447 | 0 |
| Singing the News of Death | Una McIlvenna | Oxford University Press | 19450 | 0 |
| Class-D Audio Power Amplifier Design | Robert N. Buono | Taylor & Francis | 19517 | 0 |
| Analog Audio Amplifier Design | John C.M. Lam | Taylor & Francis | 19517 | 0 |
| Flute and Shakuhachi | Taylor & Francis | 19517 | 0 | |
| Engineering of Music for the Digital Age | Jeffrey Ewing/Steven Simske | River Publishers | 20192 | 0 |
| Oral Interpretation | Timothy Gura/Benjamin Powell | Taylor & Francis | 20359 | 0 |
| Texts and Violence in the Roman World | Cambridge University Press | 20461 | 0 | |
| Proceedings of the 28th International Symposium on Frontiers of Research in Speech and Music, FRSM-2024 | Springer Nature Switzerland | 20662 | 0 | |
| Music PsychologyーBalance of Relations | Jakub Sawicki | Springer Nature Switzerland | 20662 | 0 |
| Studies in Musical Acoustics and Psychoacoustics | Springer International Publishing | 20662 | 0 | |
| Musical Instruments in the 21st Century | Springer Nature Singapore | 20662 | 0 | |
| Vocal Projections | Bloomsbury Publishing | 20757 | 2 | |
| Performing Arts and Digital Humanities | Clarisse Bardiot | Wiley | 20883 | 0 |
| The Sound Production Handbook | Don Atkinson | Taylor & Francis | 21368 | 0 |
| Joseph Sauveur and His Time: Music and Mathematicians | Danilo Capecchi/Giulia Capecchi | Springer Nature Switzerland | 21878 | 0 |
| Experimental and Expanded Animation | Springer International Publishing | 21878 | 0 | |
| Die soufflierte Stimme: Text, Theater, Medien | Helga Finter | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | 22055 | 0 |
| Theatre in Dublin, 1745–1820 | John C. Greene | Bloomsbury Publishing | 22465 | 2 |
| The Oxford Handbook of Sound and Imagination, Volume 2 | Oxford University Press | 23454 | 0 | |
| The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century | Oxford University Press | 23597 | 0 | |
| Proceedings of the 11th Conference on Sound and Music Technology | Springer Nature Singapore | 24309 | 0 | |
| Drone Age Cinema | Steen Ledet Christiansen | Bloomsbury Publishing | 24456 | 0 |
| The Oxford Handbook of Sound and Imagination, Volume 1 | Oxford University Press | 24599 | 0 | |
| Creak | Jenny Stanford Publishing | 25231 | 0 | |
| Proceedings of the 10th Conference on Sound and Music Technology | Springer Nature Singapore | 26740 | 0 | |
| The Perceptual Structure of Sound | Dik J. Hermes | Springer International Publishing | 26740 | 0 |
| The Art and Science of Surround and Stereo Recording | Edwin Pfanzagl-Cardone | Springer Vienna | 26740 | 0 |
| The Palgrave Handbook of the Philosophy of Film and Motion Pictures | Springer International Publishing | 26740 | 0 | |
| The Palgrave Handbook of Children's Film and Television | Springer International Publishing | 26740 | 0 | |
| Sound Synthesis and Sampling | Martin Russ | Taylor & Francis | 26923 | 0 |
| Aesthetics | David Goldblatt/Lee B. Brown/Stephanie Patridge | Taylor & Francis | 27764 | 0 |
| A NIME Reader | Springer International Publishing | 27955 | 0 | |
| The Cambridge Encyclopedia of Stage Actors and Acting | Cambridge University Press | 27999 | 0 | |
| The Oxford Handbook of Radio and Podcasting | Oxford University Press | 29318 | 0 | |
| Proceedings of the Worldwide Music Conference 2021 | Springer International Publishing | 30386 | 0 | |
| Handbook of Materials for Wind Musical Instruments | Voichita Bucur | Springer International Publishing | 30386 | 0 |
| Handbook of Materials for String Musical Instruments | Voichita Bucur | Springer International Publishing | 34033 | 0 |
| Handbook of Materials for Percussion Musical Instruments | Voichita Bucur | Springer International Publishing | 36464 | 0 |
| London Opera Observed 1711–1844, Volume II | Taylor & Francis | 37860 | 0 | |
| London Opera Observed 1711–1844, Volume IV | Taylor & Francis | 37860 | 0 | |
| Actresses as Working Women | Tracy C. Davis | Taylor & Francis | 37860 | 0 |
| British Nautical Melodramas, 1820–1850 | Arnold Schmidt | Taylor & Francis | 39542 | 0 |
| Blacks in Blackface: A Sourcebook on Early Black Musical Shows | Henry T. Sampson | Bloomsbury Publishing | 39545 | 2 |
| The History of the Erard Piano and Harp in Letters and Documents, 1785–1959 | Cambridge University Press | 41999 | 0 | |
| Acoustics of Musical Instruments | Antoine Chaigne/Jean Kergomard | Springer New York | 42541 | 0 |
| iTunes Music: Mastering High Resolution Audio Delivery | Bob Katz | Taylor & Francis | 42908 | 0 |
| Handbook for Sound Engineers | Taylor & Francis | 54685 | 0 | |
| Fridolin, l'homme de paille - Rutina, l'ânesse | Lina Savignac | Éditions la Caboche | 75599 | 0 |
| Chopin | John Rink | Taylor & Francis | 75719 | 0 |