| タイトル | 著者 | 出版社 | 価格 | 値引率 |
|---|
| Transnational Italian Comics | | Taylor & Francis | 9590 | 0 |
| Ecocriticism and the Nonhuman in African Arts | Spring Ulmer | Taylor & Francis | 12450 | 0 |
| Afterimages of Apartheid | Kylie Thomas | Taylor & Francis | 0 | 0 |
| Post-Yugoslav Cinema and the Shadows of War | Asja Makarevic | Taylor & Francis | 0 | 0 |
| Women in the Silent Cinema | Annette Förster | Taylor & Francis | 0 | 0 |
| Soul of the Documentary | Ilona Hongisto | Taylor & Francis | 0 | 0 |
| Nazism and Neo-Nazism in Film and Media | Jason Lee | Taylor & Francis | 0 | 0 |
| The Aesthetics of Global Protest | | Taylor & Francis | 0 | 0 |
| Screens | | Taylor & Francis | 0 | 0 |
| Inventing Cinema | Benoît Turquety | Taylor & Francis | 0 | 0 |
| The Conscience of Cinema | Thomas Waugh | Taylor & Francis | 0 | 0 |
| Improvising Cinema | Gilles Mouëllic | Taylor & Francis | 0 | 0 |
| Images of Dutchness | Sarah Dellmann | Taylor & Francis | 0 | 0 |
| Medium, Messenger, Transmission | Sybille Krämer | Taylor & Francis | 0 | 0 |
| Audiovisual Thinking and the Essay Film | Lourdes Monterrubio Ibáñez | Taylor & Francis | 0 | 0 |
| Labour in a Single Shot | | Taylor & Francis | 0 | 0 |
| After the Break | | Taylor & Francis | 0 | 0 |
| African Media in an Age of Extraction | Noah Tsika | Taylor & Francis | 0 | 0 |
| Feminisms | | Taylor & Francis | 0 | 0 |
| From Grain to Pixel | Giovanna Fossati | Taylor & Francis | 0 | 0 |
| Farocki/Godard | Volker Pantenburg | Taylor & Francis | 0 | 0 |
| Sound in Indian Film and Audiovisual Media | Budhaditya Chattopadhyay | Taylor & Francis | 10430 | 0 |
| Exposing the Film Apparatus | | Taylor & Francis | 0 | 0 |
| Playful Identities | | Taylor & Francis | 0 | 0 |
| Exhibiting Cinema in Contemporary Art | Erika Balsom | Taylor & Francis | 0 | 0 |
| Films That Work Harder | | Taylor & Francis | 0 | 0 |
| Film Serials and the American Cinema, 1910-1940 | Ilka Brasch | Taylor & Francis | 0 | 0 |
| Preserving and Exhibiting Media Art | | Taylor & Francis | 0 | 0 |
| Humour and Irony in Dutch Post-War Fiction Film | Peter Verstraten | Taylor & Francis | 0 | 0 |
| The Uncanny Child in Transnational Cinema | Jessica Balanzategui | Taylor & Francis | 0 | 0 |
| Technics | | Taylor & Francis | 0 | 0 |
| Spaces | | Taylor & Francis | 0 | 0 |
| Screen Space Reconfigured | | Taylor & Francis | 0 | 0 |
| Realist Cinema as World Cinema | Lúcia Nagib | Taylor & Francis | 0 | 0 |
| Special Effects on the Screen | | Taylor & Francis | 10430 | 0 |
| Audiences | | Taylor & Francis | 0 | 0 |
| Crafting Short Screenplays That Connect | Claudia Hunter Johnson | Taylor & Francis | 10599 | 0 |
| Women and Photography in Apartheid South Africa | Marie Meyerding | Taylor & Francis | 10430 | 0 |
| The Routledge Companion to Marxisms in Art History | | Taylor & Francis | 11608 | 0 |
| The Routledge Companion to African Diaspora Art History | | Taylor & Francis | 11608 | 0 |
| The Routledge Companion to Global Photographies | | Taylor & Francis | 0 | 0 |
| Digital Compositing for Film and Video | Steve Wright | Taylor & Francis | 17498 | 0 |
| The Market Photo Workshop in South Africa and the 'Born Free' Generation | Julie Bonzon | Taylor & Francis | 10430 | 0 |
| Queer Reflections on AI | | Taylor & Francis | 0 | 0 |
| Reconstructing Performance Art | | Taylor & Francis | 9758 | 0 |
| The Global Film Market Transformation in the Post-Pandemic Era | | Taylor & Francis | 0 | 0 |
| Artistic Cartography and Design Explorations Towards the Pluriverse | | Taylor & Francis | 0 | 0 |
| How Photography Changed Philosophy | Daniel Rubinstein | Taylor & Francis | 9758 | 0 |
| The Artist-Philosopher and Poetic Hermeneutics | George Smith | Taylor & Francis | 9590 | 0 |
| Infectious Inequalities | Qijun Han/Daniel R. Curtis | Taylor & Francis | 0 | 0 |
| Using Open Scenes to Act Successfully on Stage and Screen | Dan Carter/Brant L. Pope | Taylor & Francis | 4879 | 0 |
| Aesthetics and the Philosophy of Art | | Taylor & Francis | 10095 | 0 |
| Composing Audiovisually | Louise Harris | Taylor & Francis | 9758 | 0 |
| Ecological Film Theory and Psychoanalysis | Robert Geal | Taylor & Francis | 10095 | 0 |
| Art, Representation, and Make-Believe | | Taylor & Francis | 10095 | 0 |
| The Literature and Arts of the Niger Delta | | Taylor & Francis | 10095 | 0 |
| Arts-Based Methods for Decolonising Participatory Research | | Taylor & Francis | 0 | 0 |
| The Value of Drawing Instruction in the Visual Arts and Across Curricula | Seymour Simmons III | Taylor & Francis | 9758 | 0 |
| Painting, Science, and the Perception of Coloured Shadows | Paul Smith | Taylor & Francis | 9758 | 0 |
| Imagining Motherhood in the Twenty-First Century | | Taylor & Francis | 9758 | 0 |
| Film, History and Cultural Citizenship | | Taylor & Francis | 10095 | 0 |
| Development of the Global Film Industry | | Taylor & Francis | 0 | 0 |
| Objectification | Susanna Paasonen/Feona Attwood/Alan McKee/John Mercer/Clarissa Smith | Taylor & Francis | 7739 | 0 |
| Picturing the Family | | Taylor & Francis | 10430 | 0 |
| Sound and Image | | Taylor & Francis | 11945 | 0 |
| Transcendence and Spirituality in Chinese Cinema | Kris H.K Chong | Taylor & Francis | 10430 | 0 |
| Handbook of Visual Communication | | Taylor & Francis | 25240 | 0 |
| Magical Realist Sociologies of Belonging and Becoming | Rodanthi Tzanelli | Taylor & Francis | 10095 | 0 |
| Memento Mori in Contemporary Art | Taylor Worley | Taylor & Francis | 10430 | 0 |
| The Routledge Companion to Photography Theory | | Taylor & Francis | 11103 | 0 |
| Fragmentation of the Photographic Image in the Digital Age | | Taylor & Francis | 10430 | 0 |
| Photography and Imagination | | Taylor & Francis | 10430 | 0 |
| Popularisation and Populism in the Visual Arts | | Taylor & Francis | 10430 | 0 |
| Agamben’s Political Ontology of Nudity in Literature and Art | Frances Restuccia | Taylor & Francis | 10430 | 0 |
| Philosophy and Film | | Taylor & Francis | 10430 | 0 |
| A Film-Philosophy of Ecology and Enlightenment | Rupert Read | Taylor & Francis | 10767 | 0 |
| On Screen Acting | Edward Dmytryk/Jean Porter Dmytryk | Taylor & Francis | 9758 | 0 |
| The Literariness of Media Art | Claudia Benthien/Jordis Lau/Maraike M. Marxsen | Taylor & Francis | 0 | 0 |
| Changing Direction: A Practical Approach to Directing Actors in Film and Theatre | Lenore DeKoven | Taylor & Francis | 9422 | 0 |
| The Benin Plaques | Kathryn Wysocki Gunsch | Taylor & Francis | 11945 | 0 |
| Thinking with Images | John M. Carvalho | Taylor & Francis | 10430 | 0 |
| The Routledge Companion to Criticality in Art, Architecture, and Design | | Taylor & Francis | 11103 | 0 |
| Photography and Ontology | | Taylor & Francis | 10430 | 0 |
| The Pleasure of Pictures | | Taylor & Francis | 10430 | 0 |
| Binding Space: The Book as Spatial Practice | Marian Macken | Taylor & Francis | 14806 | 0 |
| Michael Fried and Philosophy | | Taylor & Francis | 10767 | 0 |
| Aesthetic Sustainability | Kristine Harper | Taylor & Francis | 11103 | 0 |
| The Science and Art of Acting for the Camera | John Howard Swain | Taylor & Francis | 9253 | 0 |
| Book of Sides II: Original, Two-Page Scenes for Actors and Directors | Dave Kost | Taylor & Francis | 9758 | 0 |
| What Drawing and Painting Really Mean | Paul Crowther | Taylor & Francis | 11272 | 0 |
| Architectures of Chance | Yeoryia Manolopoulou | Taylor & Francis | 14806 | 0 |
| Spectral Spaces and Hauntings | | Taylor & Francis | 10430 | 0 |
| Camera Constructs | | Taylor & Francis | 13123 | 0 |
| Aesthetic Disinterestedness | Thomas Hilgers | Taylor & Francis | 10767 | 0 |
| Glitch Art in Theory and Practice | Michael Betancourt | Taylor & Francis | 5551 | 0 |
| Understanding Graffiti | | Taylor & Francis | 9758 | 0 |
| Cultural Property and Contested Ownership | | Taylor & Francis | 10430 | 0 |
| The Producer's Playbook: Real People on Camera | Amy DeLouise | Taylor & Francis | 8412 | 0 |
| In-Between: Architectural Drawing and Imaginative Knowledge in Islamic and Western Traditions | Hooman Koliji | Taylor & Francis | 11945 | 0 |
| Horror Film and Affect | Xavier Aldana Reyes | Taylor & Francis | 11103 | 0 |
| Artist Emily Carr and the Spirit of the Land | Phyllis Marie Jensen | Taylor & Francis | 10430 | 0 |
| The Introduction to Hegel's Philosophy of Fine Art | Bernard Bosanquet | Taylor & Francis | 8243 | 0 |
| Understanding Art Markets | Iain Robertson | Taylor & Francis | 15143 | 0 |
| On Not Looking | | Taylor & Francis | 11440 | 0 |
| Book of Sides: Original, One-Page Scenes for Actors and Directors | Dave Kost | Taylor & Francis | 9422 | 0 |
| Crossover Cinema | | Taylor & Francis | 6729 | 0 |
| Public Art, Memorials and Atlantic Slavery | | Taylor & Francis | 6897 | 0 |
| The Spaces of the Hospital | Dana Arnold | Taylor & Francis | 13123 | 0 |
| Cinematic Interfaces | Seung-hoon Jeong | Taylor & Francis | 10767 | 0 |
| Greek Painted Pottery | R M Cook **Decd**/R. M. Cook | Taylor & Francis | 12450 | 0 |
| Post Critical Museology | Andrew Dewdney/David Dibosa/Victoria Walsh | Taylor & Francis | 10767 | 0 |
| New Games | Pamela M. Lee | Taylor & Francis | 10430 | 0 |
| A Philosophy of the Screenplay | Ted Nannicelli | Taylor & Francis | 10767 | 0 |
| Aesthetics and Material Beauty | Jennifer A. McMahon | Taylor and Francis | 11440 | 0 |
| The Politics of Age and Disability in Contemporary Spanish Film | Matthew J. Marr | Taylor & Francis | 10430 | 0 |
| Theorizing Film Acting | | Taylor & Francis | 10430 | 0 |
| In the Aftermath of Art | Donald Preziosi/Johanne Lamoureux | Taylor & Francis | 10095 | 0 |
| Aesthetic Experience | | Taylor & Francis | 11440 | 0 |
| Visualizing Africa in Nineteenth-Century British Travel Accounts | Leila Koivunen | Taylor & Francis | 11440 | 0 |
| Art History: The Key Concepts | Jonathan Harris | Taylor and Francis | 8243 | 0 |
| How to Draw Cars Like a Pro, 2nd Edition | Thom Taylor,Lisa Hallett | MBI Publishing Company | 2674 | 0 |
| Art, Space and the City | Malcolm Miles | Taylor & Francis | 13460 | 0 |
| Civilizing Rituals | Carol Duncan | Taylor & Francis | 10430 | 0 |
| Photographs Objects Histories | | Taylor & Francis | 9758 | 0 |